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Flynn records, 1984-1993","Issues files, 1984-1993","Education, 1984-1993","/repositories/4/archival_objects/4801","Box IV B-8"],"component_level_isim":[3],"parent_ids_ssim":["81f4c1874461e904201ebbd2","81f4c1874461e904201ebbd2_aspace_ref1228","81f4c1874461e904201ebbd2_aspace_ref1232"],"parent_unittitles_ssm":["Mayor Raymond L. Flynn records, 1984-1993","Issues files, 1984-1993","Education, 1984-1993"],"parent_unittitles_tesim":["Mayor Raymond L. Flynn records, 1984-1993","Issues files, 1984-1993","Education, 1984-1993"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/4801"],"repository_ssim":["Lyrasis Corporate Archives"],"collection_ssim":["Mayor Raymond L. 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Flynn records, 1984-1993","Lyrasis Corporate Archives","English"],"unitid_tesim":["0246.001","/repositories/4/resources/61"],"normalized_date_ssm":["1984-1993"],"normalized_title_ssm":["Mayor Raymond L. Flynn records, 1984-1993"],"collection_title_tesim":["Mayor Raymond L. Flynn records, 1984-1993"],"collection_ssim":["Mayor Raymond L. Flynn records, 1984-1993"],"repository_ssm":["Lyrasis Corporate Archives"],"repository_ssim":["Lyrasis Corporate Archives"],"has_online_content_ssim":["false"],"extent_ssm":["266.0 Cubic feet"],"extent_tesim":["266.0 Cubic feet"],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"names_ssim":["Lyrasis Corporate Archives"],"corpname_ssim":["Lyrasis Corporate Archives"],"language_ssim":["English"],"total_component_count_is":4518,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"81f4c1874461e904201ebbd2","timestamp":"2026-04-04T01:16:28.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/81f4c1874461e904201ebbd2_aspace_ref2995"}},{"id":"f13c9055d04251dd9dc6564d","type":"collection","attributes":{"title":"Tulip Festival Scrapbook Collection, 2016","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/f13c9055d04251dd9dc6564d#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"f13c9055d04251dd9dc6564d","title_filing_ssi":"Tulip Festival Scrapbook Collection","title_ssm":["Tulip Festival Scrapbook Collection"],"title_tesim":["Tulip Festival Scrapbook Collection"],"ead_ssi":"f13c9055d04251dd9dc6564d","unitdate_ssm":["2016"],"unitdate_other_ssim":["2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RA1.3.1","/repositories/2/resources/100"],"text":["RA1.3.1","/repositories/2/resources/100","Tulip Festival Scrapbook Collection, 2016","Historical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).","Local clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.","With hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.","Orange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying.","Leona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993.","The Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality.","There are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).","For online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.","For studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n - Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014. - Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015. - Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008. - Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?].","Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library.","Lyrasis Special Collections","English"],"unitid_tesim":["RA1.3.1","/repositories/2/resources/100"],"normalized_date_ssm":["2016"],"normalized_title_ssm":["Tulip Festival Scrapbook Collection, 2016"],"collection_title_tesim":["Tulip Festival Scrapbook Collection, 2016"],"collection_ssim":["Tulip Festival Scrapbook Collection, 2016"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"access_terms_ssm":["Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear feet"],"extent_tesim":["1 Linear feet"],"dimensions_tesim":["1.98 m"],"bioghist_html_tesm":["\u003cp\u003eHistorical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).\u003c/p\u003e\n","\u003cp\u003eLocal clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.\u003c/p\u003e\n","\u003cp\u003eWith hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.\u003c/p\u003e\n","\u003cp\u003eOrange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Historical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).","Local clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.","With hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.","Orange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying."],"custodhist_html_tesm":["\u003cp\u003eLeona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Leona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993."],"odd_html_tesm":["\u003cp\u003eThe Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality.\u003c/p\u003e"],"odd_heading_ssm":["Introduction"],"odd_tesim":["The Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality."],"prefercite_html_tesm":["\u003cp\u003ePermission to Publish and Citations: Written permission to publish material in these archives must be requested of the Director of the Library. Citations should include the following information and acknowledgements:\n[Identification of items]; [volume dates]; Tulip Festival Scrapbook Collection, [carton number];\nRA 1.3.1; Northwestern College Archives and Special Collections\u003c/p\u003e"],"prefercite_tesim":["Permission to Publish and Citations: Written permission to publish material in these archives must be requested of the Director of the Library. Citations should include the following information and acknowledgements:\n[Identification of items]; [volume dates]; Tulip Festival Scrapbook Collection, [carton number];\nRA 1.3.1; Northwestern College Archives and Special Collections"],"relatedmaterial_html_tesm":["\u003cp\u003eThere are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).\u003c/p\u003e\n","\u003cp\u003eFor online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.\u003c/p\u003e\n","\u003cp\u003eFor studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n\u003cblockquote\u003e- Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?].\u003c/blockquote\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).","For online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.","For studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n - Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014. - Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015. - Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008. - Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?]."],"userestrict_html_tesm":["\u003cp\u003eCopying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f13c9055d04251dd9dc6564d","timestamp":"2026-04-04T01:11:42.577Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f13c9055d04251dd9dc6564d","title_filing_ssi":"Tulip Festival Scrapbook Collection","title_ssm":["Tulip Festival Scrapbook Collection"],"title_tesim":["Tulip Festival Scrapbook Collection"],"ead_ssi":"f13c9055d04251dd9dc6564d","unitdate_ssm":["2016"],"unitdate_other_ssim":["2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RA1.3.1","/repositories/2/resources/100"],"text":["RA1.3.1","/repositories/2/resources/100","Tulip Festival Scrapbook Collection, 2016","Historical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).","Local clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.","With hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.","Orange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying.","Leona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993.","The Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality.","There are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).","For online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.","For studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n - Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014. - Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015. - Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008. - Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?].","Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library.","Lyrasis Special Collections","English"],"unitid_tesim":["RA1.3.1","/repositories/2/resources/100"],"normalized_date_ssm":["2016"],"normalized_title_ssm":["Tulip Festival Scrapbook Collection, 2016"],"collection_title_tesim":["Tulip Festival Scrapbook Collection, 2016"],"collection_ssim":["Tulip Festival Scrapbook Collection, 2016"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"access_terms_ssm":["Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear feet"],"extent_tesim":["1 Linear feet"],"dimensions_tesim":["1.98 m"],"bioghist_html_tesm":["\u003cp\u003eHistorical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).\u003c/p\u003e\n","\u003cp\u003eLocal clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.\u003c/p\u003e\n","\u003cp\u003eWith hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.\u003c/p\u003e\n","\u003cp\u003eOrange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Historical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).","Local clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.","With hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.","Orange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying."],"custodhist_html_tesm":["\u003cp\u003eLeona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Leona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993."],"odd_html_tesm":["\u003cp\u003eThe Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality.\u003c/p\u003e"],"odd_heading_ssm":["Introduction"],"odd_tesim":["The Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality."],"prefercite_html_tesm":["\u003cp\u003ePermission to Publish and Citations: Written permission to publish material in these archives must be requested of the Director of the Library. Citations should include the following information and acknowledgements:\n[Identification of items]; [volume dates]; Tulip Festival Scrapbook Collection, [carton number];\nRA 1.3.1; Northwestern College Archives and Special Collections\u003c/p\u003e"],"prefercite_tesim":["Permission to Publish and Citations: Written permission to publish material in these archives must be requested of the Director of the Library. Citations should include the following information and acknowledgements:\n[Identification of items]; [volume dates]; Tulip Festival Scrapbook Collection, [carton number];\nRA 1.3.1; Northwestern College Archives and Special Collections"],"relatedmaterial_html_tesm":["\u003cp\u003eThere are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).\u003c/p\u003e\n","\u003cp\u003eFor online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.\u003c/p\u003e\n","\u003cp\u003eFor studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n\u003cblockquote\u003e- Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?].\u003c/blockquote\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).","For online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.","For studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n - Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014. - Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015. - Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008. - Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?]."],"userestrict_html_tesm":["\u003cp\u003eCopying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f13c9055d04251dd9dc6564d","timestamp":"2026-04-04T01:11:42.577Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/f13c9055d04251dd9dc6564d"}},{"id":"af02cfc7b437f7c9018c42d9_aspace_9d077918feab23fad052e728df56c091","type":"File","attributes":{"title":"TULIPS AND DAFFODILS, 1967","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9_aspace_9d077918feab23fad052e728df56c091#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9d077918feab23fad052e728df56c091","ref_ssm":["aspace_9d077918feab23fad052e728df56c091","aspace_9d077918feab23fad052e728df56c091"],"id":"af02cfc7b437f7c9018c42d9_aspace_9d077918feab23fad052e728df56c091","title_filing_ssi":"TULIPS AND DAFFODILS","title_ssm":["TULIPS AND DAFFODILS"],"title_tesim":["TULIPS AND DAFFODILS"],"unitdate_inclusive_ssm":["1967"],"normalized_date_ssm":["1967"],"normalized_title_ssm":["TULIPS AND DAFFODILS, 1967"],"text":["TULIPS AND DAFFODILS, 1967","Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK","/repositories/2/archival_objects/48","Box 1","Folder 5","Oversize AB010A"],"component_level_isim":[3],"parent_ids_ssim":["af02cfc7b437f7c9018c42d9","af02cfc7b437f7c9018c42d9_aspace_88c3f40f7cdaec27b56e1129d479904e","af02cfc7b437f7c9018c42d9_aspace_c16fac9f41d63779bb8db74b03b27286"],"parent_unittitles_ssm":["Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK"],"parent_unittitles_tesim":["Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["/repositories/2/archival_objects/48"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Joe Brainard Archive, 1960-1992"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7,"parent_access_restrict_tesm":["Access\n         Collection is open for research.\n"],"parent_access_terms_tesm":["Publication Rights\n           Publication rights are held by the creator of the collection.\n        "],"containers_ssim":["Box 1","Folder 5","Oversize AB010A"],"_nest_path_":"/components#1/components#0/components#3","_nest_parent_":"af02cfc7b437f7c9018c42d9_aspace_c16fac9f41d63779bb8db74b03b27286","_root_":"af02cfc7b437f7c9018c42d9","timestamp":"2026-04-04T01:12:21.985Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"af02cfc7b437f7c9018c42d9","title_filing_ssi":"Brainard (Joe) Archive","title_ssm":["Joe Brainard Archive,"],"title_tesim":["Joe Brainard Archive,"],"ead_ssi":"af02cfc7b437f7c9018c42d9","unitdate_ssm":["1960-1992"],"unitdate_inclusive_ssm":["1960-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0005","/repositories/2/resources/3"],"text":["MSS 0005","/repositories/2/resources/3","Joe Brainard Archive, 1960-1992","American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre","Access Collection is open for research.\n","Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n \nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n","Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol.","Publication Rights   Publication rights are held by the creator of the collection.\n        ","Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.","Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,","Collection materials in English"],"unitid_tesim":["MSS 0005","/repositories/2/resources/3"],"normalized_date_ssm":["1960-1992"],"normalized_title_ssm":["Joe Brainard Archive, 1960-1992"],"collection_title_tesim":["Joe Brainard Archive, 1960-1992"],"collection_ssim":["Joe Brainard Archive, 1960-1992"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Brainard, Joe, 1942-","Miller, Robert"],"creator_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creator_persname_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creators_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"access_terms_ssm":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"acqinfo_ssim":["Acquisition Information Not Available"],"access_subjects_ssim":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"access_subjects_ssm":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"has_online_content_ssim":["true"],"extent_ssm":["32.20 Electronic file (8 archives boxes,  59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes,  59 art bin items and 88 oversize folders)"],"extent_tesim":["32.20 Electronic file (8 archives boxes,  59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes,  59 art bin items and 88 oversize folders)"],"genreform_ssim":["Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n         \u003cp\u003eCollection is open for research.\n\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access Collection is open for research.\n"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBiography\u003c/head\u003e\n         \u003cp\u003e\nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n\u003c/p\u003e\n         \u003cp\u003e\nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n\u003c/p\u003e\n         \u003cp\u003e\nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n\u003c/p\u003e\n         \u003cp\u003e\nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n \nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eJoe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Joe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol."],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_d0a02735e8e1b0bb0c234d65909c5da5\"\u003eMaterials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.\u003c/abstract\u003e"],"abstract_tesim":["Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol."],"names_ssim":["Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"corpname_ssim":["Lyrasis Special Collections"],"names_coll_ssim":["Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942-","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-"],"persname_ssim":["Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"language_ssim":["Collection materials in English"],"total_component_count_is":316,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"_root_":"af02cfc7b437f7c9018c42d9","timestamp":"2026-04-04T01:12:21.985Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1987\u003c/p\u003e\n         \u003cp\u003e\nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1: ARTWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2: MANUSCRIPTS\n\u003c/p\u003e\n         \u003cp\u003e\nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3: CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: CATALOGS \n\u003c/p\u003e\n         \u003cp\u003e\nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 5: BIBLIOGRAPHIES\n\u003c/p\u003e\n         \u003cp\u003e\nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n\u003c/p\u003e\n         \u003cp\u003e\nSEPARATION NOTE\n\u003c/p\u003e\n         \u003cp\u003e\nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n\u003c/p\u003e\n         \u003cp\u003e\nAccessions Processed in 1991\u003c/p\u003e\n         \u003cp\u003e\nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1: CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2: ARTWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3: MANUSCRIPTS\n\u003c/p\u003e\n         \u003cp\u003e\nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: PHOTOGRAPHS\n\u003c/p\u003e\n         \u003cp\u003e\nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n\u003c/p\u003e\n         \u003cp\u003e\nAccession Processed in 1993\u003c/p\u003e\n         \u003cp\u003e\nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol.\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9_aspace_9d077918feab23fad052e728df56c091"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Mayor Raymond L. Flynn records, 1984-1993","value":"Mayor Raymond L. 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