{"links":{"self":"https://arclight.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=310","prev":"https://arclight.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=309","next":"https://arclight.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=311","last":"https://arclight.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=327"},"meta":{"pages":{"current_page":310,"next_page":311,"prev_page":309,"total_pages":327,"limit_value":10,"offset_value":3090,"total_count":3270,"first_page?":false,"last_page?":false}},"data":[{"id":"f13c9055d04251dd9dc6564d_aspace_3418e57b72677a46c39f19152727bb59","type":"Item","attributes":{"title":"Vol. 6, bulk 1957-1960","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/f13c9055d04251dd9dc6564d_aspace_3418e57b72677a46c39f19152727bb59#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3418e57b72677a46c39f19152727bb59","ref_ssm":["aspace_3418e57b72677a46c39f19152727bb59","aspace_3418e57b72677a46c39f19152727bb59"],"id":"f13c9055d04251dd9dc6564d_aspace_3418e57b72677a46c39f19152727bb59","title_filing_ssi":"Vol. 6","title_ssm":["Vol. 6"],"title_tesim":["Vol. 6"],"unitdate_bulk_ssim":["1957-1960"],"normalized_date_ssm":["bulk 1957-1960"],"normalized_title_ssm":["Vol. 6, bulk 1957-1960"],"text":["Vol. 6, bulk 1957-1960","Tulip Festival Scrapbook Collection, 2016","Carton 3","/repositories/2/archival_objects/8274","English"],"component_level_isim":[2],"parent_ids_ssim":["f13c9055d04251dd9dc6564d","f13c9055d04251dd9dc6564d_aspace_b94bef88f635c7e098d1351173ec4a3d"],"parent_unittitles_ssm":["Tulip Festival Scrapbook Collection, 2016","Carton 3"],"parent_unittitles_tesim":["Tulip Festival Scrapbook Collection, 2016","Carton 3"],"parent_levels_ssm":["collection","Container level"],"unitid_ssm":["/repositories/2/archival_objects/8274"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Tulip Festival Scrapbook Collection, 2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":9,"parent_access_terms_tesm":["Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library."],"language_ssim":["English"],"_nest_path_":"/components#2/components#0","_nest_parent_":"f13c9055d04251dd9dc6564d_aspace_b94bef88f635c7e098d1351173ec4a3d","_root_":"f13c9055d04251dd9dc6564d","timestamp":"2026-04-04T01:11:42.577Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f13c9055d04251dd9dc6564d","title_filing_ssi":"Tulip Festival Scrapbook Collection","title_ssm":["Tulip Festival Scrapbook Collection"],"title_tesim":["Tulip Festival Scrapbook Collection"],"ead_ssi":"f13c9055d04251dd9dc6564d","unitdate_ssm":["2016"],"unitdate_other_ssim":["2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RA1.3.1","/repositories/2/resources/100"],"text":["RA1.3.1","/repositories/2/resources/100","Tulip Festival Scrapbook Collection, 2016","Historical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).","Local clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.","With hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.","Orange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying.","Leona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993.","The Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality.","There are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).","For online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.","For studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n - Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014. - Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015. - Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008. - Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?].","Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library.","Lyrasis Special Collections","English"],"unitid_tesim":["RA1.3.1","/repositories/2/resources/100"],"normalized_date_ssm":["2016"],"normalized_title_ssm":["Tulip Festival Scrapbook Collection, 2016"],"collection_title_tesim":["Tulip Festival Scrapbook Collection, 2016"],"collection_ssim":["Tulip Festival Scrapbook Collection, 2016"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"access_terms_ssm":["Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear feet"],"extent_tesim":["1 Linear feet"],"dimensions_tesim":["1.98 m"],"bioghist_html_tesm":["\u003cp\u003eHistorical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).\u003c/p\u003e\n","\u003cp\u003eLocal clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.\u003c/p\u003e\n","\u003cp\u003eWith hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.\u003c/p\u003e\n","\u003cp\u003eOrange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Historical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).","Local clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.","With hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.","Orange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying."],"custodhist_html_tesm":["\u003cp\u003eLeona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Leona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993."],"odd_html_tesm":["\u003cp\u003eThe Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality.\u003c/p\u003e"],"odd_heading_ssm":["Introduction"],"odd_tesim":["The Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality."],"prefercite_html_tesm":["\u003cp\u003ePermission to Publish and Citations: Written permission to publish material in these archives must be requested of the Director of the Library. Citations should include the following information and acknowledgements:\n[Identification of items]; [volume dates]; Tulip Festival Scrapbook Collection, [carton number];\nRA 1.3.1; Northwestern College Archives and Special Collections\u003c/p\u003e"],"prefercite_tesim":["Permission to Publish and Citations: Written permission to publish material in these archives must be requested of the Director of the Library. Citations should include the following information and acknowledgements:\n[Identification of items]; [volume dates]; Tulip Festival Scrapbook Collection, [carton number];\nRA 1.3.1; Northwestern College Archives and Special Collections"],"relatedmaterial_html_tesm":["\u003cp\u003eThere are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).\u003c/p\u003e\n","\u003cp\u003eFor online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.\u003c/p\u003e\n","\u003cp\u003eFor studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n\u003cblockquote\u003e- Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?].\u003c/blockquote\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).","For online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.","For studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n - Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014. - Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015. - Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008. - Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?]."],"userestrict_html_tesm":["\u003cp\u003eCopying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f13c9055d04251dd9dc6564d","timestamp":"2026-04-04T01:11:42.577Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/f13c9055d04251dd9dc6564d_aspace_3418e57b72677a46c39f19152727bb59"}},{"id":"f13c9055d04251dd9dc6564d_aspace_23d8099f793010f3b022a654502e58fd","type":"Item","attributes":{"title":"Vol. 7, bulk 1961-1964","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/f13c9055d04251dd9dc6564d_aspace_23d8099f793010f3b022a654502e58fd#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_23d8099f793010f3b022a654502e58fd","ref_ssm":["aspace_23d8099f793010f3b022a654502e58fd","aspace_23d8099f793010f3b022a654502e58fd"],"id":"f13c9055d04251dd9dc6564d_aspace_23d8099f793010f3b022a654502e58fd","title_filing_ssi":"Vol. 7","title_ssm":["Vol. 7"],"title_tesim":["Vol. 7"],"unitdate_bulk_ssim":["1961-1964"],"normalized_date_ssm":["bulk 1961-1964"],"normalized_title_ssm":["Vol. 7, bulk 1961-1964"],"text":["Vol. 7, bulk 1961-1964","Tulip Festival Scrapbook Collection, 2016","Carton 3","/repositories/2/archival_objects/8275","English"],"component_level_isim":[2],"parent_ids_ssim":["f13c9055d04251dd9dc6564d","f13c9055d04251dd9dc6564d_aspace_b94bef88f635c7e098d1351173ec4a3d"],"parent_unittitles_ssm":["Tulip Festival Scrapbook Collection, 2016","Carton 3"],"parent_unittitles_tesim":["Tulip Festival Scrapbook Collection, 2016","Carton 3"],"parent_levels_ssm":["collection","Container level"],"unitid_ssm":["/repositories/2/archival_objects/8275"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Tulip Festival Scrapbook Collection, 2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":10,"parent_access_terms_tesm":["Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library."],"language_ssim":["English"],"_nest_path_":"/components#2/components#1","_nest_parent_":"f13c9055d04251dd9dc6564d_aspace_b94bef88f635c7e098d1351173ec4a3d","_root_":"f13c9055d04251dd9dc6564d","timestamp":"2026-04-04T01:11:42.577Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f13c9055d04251dd9dc6564d","title_filing_ssi":"Tulip Festival Scrapbook Collection","title_ssm":["Tulip Festival Scrapbook Collection"],"title_tesim":["Tulip Festival Scrapbook Collection"],"ead_ssi":"f13c9055d04251dd9dc6564d","unitdate_ssm":["2016"],"unitdate_other_ssim":["2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RA1.3.1","/repositories/2/resources/100"],"text":["RA1.3.1","/repositories/2/resources/100","Tulip Festival Scrapbook Collection, 2016","Historical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).","Local clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.","With hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.","Orange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying.","Leona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993.","The Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality.","There are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).","For online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.","For studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n - Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014. - Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015. - Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008. - Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?].","Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library.","Lyrasis Special Collections","English"],"unitid_tesim":["RA1.3.1","/repositories/2/resources/100"],"normalized_date_ssm":["2016"],"normalized_title_ssm":["Tulip Festival Scrapbook Collection, 2016"],"collection_title_tesim":["Tulip Festival Scrapbook Collection, 2016"],"collection_ssim":["Tulip Festival Scrapbook Collection, 2016"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"access_terms_ssm":["Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear feet"],"extent_tesim":["1 Linear feet"],"dimensions_tesim":["1.98 m"],"bioghist_html_tesm":["\u003cp\u003eHistorical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).\u003c/p\u003e\n","\u003cp\u003eLocal clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.\u003c/p\u003e\n","\u003cp\u003eWith hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.\u003c/p\u003e\n","\u003cp\u003eOrange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Historical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).","Local clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.","With hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.","Orange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying."],"custodhist_html_tesm":["\u003cp\u003eLeona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Leona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993."],"odd_html_tesm":["\u003cp\u003eThe Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality.\u003c/p\u003e"],"odd_heading_ssm":["Introduction"],"odd_tesim":["The Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality."],"prefercite_html_tesm":["\u003cp\u003ePermission to Publish and Citations: Written permission to publish material in these archives must be requested of the Director of the Library. Citations should include the following information and acknowledgements:\n[Identification of items]; [volume dates]; Tulip Festival Scrapbook Collection, [carton number];\nRA 1.3.1; Northwestern College Archives and Special Collections\u003c/p\u003e"],"prefercite_tesim":["Permission to Publish and Citations: Written permission to publish material in these archives must be requested of the Director of the Library. Citations should include the following information and acknowledgements:\n[Identification of items]; [volume dates]; Tulip Festival Scrapbook Collection, [carton number];\nRA 1.3.1; Northwestern College Archives and Special Collections"],"relatedmaterial_html_tesm":["\u003cp\u003eThere are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).\u003c/p\u003e\n","\u003cp\u003eFor online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.\u003c/p\u003e\n","\u003cp\u003eFor studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n\u003cblockquote\u003e- Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?].\u003c/blockquote\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).","For online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.","For studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n - Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014. - Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015. - Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008. - Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?]."],"userestrict_html_tesm":["\u003cp\u003eCopying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f13c9055d04251dd9dc6564d","timestamp":"2026-04-04T01:11:42.577Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/f13c9055d04251dd9dc6564d_aspace_23d8099f793010f3b022a654502e58fd"}},{"id":"f13c9055d04251dd9dc6564d_aspace_ef90c2d5763a515a31c320bf11f2e0a3","type":"Item","attributes":{"title":"Vol. 8, bulk 1965-1968","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/f13c9055d04251dd9dc6564d_aspace_ef90c2d5763a515a31c320bf11f2e0a3#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ef90c2d5763a515a31c320bf11f2e0a3","ref_ssm":["aspace_ef90c2d5763a515a31c320bf11f2e0a3","aspace_ef90c2d5763a515a31c320bf11f2e0a3"],"id":"f13c9055d04251dd9dc6564d_aspace_ef90c2d5763a515a31c320bf11f2e0a3","title_filing_ssi":"Vol. 8","title_ssm":["Vol. 8"],"title_tesim":["Vol. 8"],"unitdate_bulk_ssim":["1965-1968"],"normalized_date_ssm":["bulk 1965-1968"],"normalized_title_ssm":["Vol. 8, bulk 1965-1968"],"text":["Vol. 8, bulk 1965-1968","Tulip Festival Scrapbook Collection, 2016","Carton 3","/repositories/2/archival_objects/8276","English"],"component_level_isim":[2],"parent_ids_ssim":["f13c9055d04251dd9dc6564d","f13c9055d04251dd9dc6564d_aspace_b94bef88f635c7e098d1351173ec4a3d"],"parent_unittitles_ssm":["Tulip Festival Scrapbook Collection, 2016","Carton 3"],"parent_unittitles_tesim":["Tulip Festival Scrapbook Collection, 2016","Carton 3"],"parent_levels_ssm":["collection","Container level"],"unitid_ssm":["/repositories/2/archival_objects/8276"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Tulip Festival Scrapbook Collection, 2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":11,"parent_access_terms_tesm":["Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library."],"language_ssim":["English"],"_nest_path_":"/components#2/components#2","_nest_parent_":"f13c9055d04251dd9dc6564d_aspace_b94bef88f635c7e098d1351173ec4a3d","_root_":"f13c9055d04251dd9dc6564d","timestamp":"2026-04-04T01:11:42.577Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f13c9055d04251dd9dc6564d","title_filing_ssi":"Tulip Festival Scrapbook Collection","title_ssm":["Tulip Festival Scrapbook Collection"],"title_tesim":["Tulip Festival Scrapbook Collection"],"ead_ssi":"f13c9055d04251dd9dc6564d","unitdate_ssm":["2016"],"unitdate_other_ssim":["2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RA1.3.1","/repositories/2/resources/100"],"text":["RA1.3.1","/repositories/2/resources/100","Tulip Festival Scrapbook Collection, 2016","Historical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).","Local clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.","With hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.","Orange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying.","Leona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993.","The Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality.","There are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).","For online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.","For studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n - Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014. - Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015. - Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008. - Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?].","Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library.","Lyrasis Special Collections","English"],"unitid_tesim":["RA1.3.1","/repositories/2/resources/100"],"normalized_date_ssm":["2016"],"normalized_title_ssm":["Tulip Festival Scrapbook Collection, 2016"],"collection_title_tesim":["Tulip Festival Scrapbook Collection, 2016"],"collection_ssim":["Tulip Festival Scrapbook Collection, 2016"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"access_terms_ssm":["Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear feet"],"extent_tesim":["1 Linear feet"],"dimensions_tesim":["1.98 m"],"bioghist_html_tesm":["\u003cp\u003eHistorical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).\u003c/p\u003e\n","\u003cp\u003eLocal clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.\u003c/p\u003e\n","\u003cp\u003eWith hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.\u003c/p\u003e\n","\u003cp\u003eOrange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Historical Notes (adapted from Orange City, by Doug Anderson et al.)\nOrange City was founded by Dutch American colonists from Pella, Iowa in 1870. It was not until the 1930s, however, that the town began what became the Orange City Tulip Festival (OCTF).","Local clubs sponsored an annual tulip show starting in 1933. The newly organized Orange City Chamber of Commerce in 1935 supported expanded tulip plantings in town, and in 1936 they led in creating the Spring or May Festival. Over a single day (May 14), the festival featured (besides tulips) a parade, a costume contest, window displays, and an evening concert by the Sioux City Symphony Orchestra. Some 3,500 visitors reportedly came for the day.","With hearty public support, the festival was staged again in 1937 with the addition of not only more tulips but also a festival queen. In 1938, the OCTF became a two-day event, with a locally produced musical program presented in the evening. World War II demands cut the 1942 festival back to one day, and the event was put on hold between1943 and 1946. When the OCTF resumed in 1947, the celebrations soon grew to three days on the third weekend in May. Regular\nevents include parades, street inspection and scrubbing, Dutch folk dancing, ceremonies with the festival queen and court, and an evening musical.","Orange City is not the only Dutch American town to offer such a festival. The two Dutch colonies of 1847 each launched a tulip festival before Orange City: Holland, Michigan, in 1929, and Pella, Iowa, in 1935. Orange City's festival has become a way for the town's citizens to celebrate a Dutch identity that is intended to be inclusive and unifying."],"custodhist_html_tesm":["\u003cp\u003eLeona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Leona Vander Stoep created these scrapbooks. She donated them to the\nNorthwestern College Archives and Special Collections in January, 1993."],"odd_html_tesm":["\u003cp\u003eThe Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality.\u003c/p\u003e"],"odd_heading_ssm":["Introduction"],"odd_tesim":["The Tulip Festival Scrapbook Collection documents the Orange City Tulip Festival. The scrapbooks consist largely of newspaper clippings, but also include various brochures, programs, photographs, notes, and other documents. Collectively, these scrapbooks provide evidence for the origins and development of the Orange City Tulip Festival (OCTF) from the mid- to late twentieth century. Indirectly, the scrapbooks suggest how a Midwestern town adapted its ethnic origins for twentieth-century uses for local identity and economic vitality."],"prefercite_html_tesm":["\u003cp\u003ePermission to Publish and Citations: Written permission to publish material in these archives must be requested of the Director of the Library. Citations should include the following information and acknowledgements:\n[Identification of items]; [volume dates]; Tulip Festival Scrapbook Collection, [carton number];\nRA 1.3.1; Northwestern College Archives and Special Collections\u003c/p\u003e"],"prefercite_tesim":["Permission to Publish and Citations: Written permission to publish material in these archives must be requested of the Director of the Library. Citations should include the following information and acknowledgements:\n[Identification of items]; [volume dates]; Tulip Festival Scrapbook Collection, [carton number];\nRA 1.3.1; Northwestern College Archives and Special Collections"],"relatedmaterial_html_tesm":["\u003cp\u003eThere are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).\u003c/p\u003e\n","\u003cp\u003eFor online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.\u003c/p\u003e\n","\u003cp\u003eFor studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n\u003cblockquote\u003e- Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008.\u003c/blockquote\u003e\n\u003cblockquote\u003e- Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?].\u003c/blockquote\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There are other OCTF materials under the RA 1.3 numbering, such as the William Kalsbeek Research Collection (see finding aid).","For online photographs and documents representative of the holdings of the Northwestern College and Special Collections, see the Orange City Tulip Festival digital collection on NWCommons: http://nwcommons.nwciowa.edu/tulipfestivalcollection/.","For studies of Orange City, the OCTF, and other Dutch American festivals, see these items:\n - Anderson, Doug, Tim Schlak, Greta Grond, and Sarah Kaltenbach. Orange City. Charleston, SC: Arcadia Publishing, 2014. - Kalsbeek, William D. Celebrating our Dutch Heritage: The Story of the Orange City Tulip Festival. [Orange City, IA:] Friends of the Festival Foundation, 2015. - Schoone-Jongen, Terence G. The Dutch American Identity: Staging Memory and Ethnicity in Community Celebrations. Amherst, NY: Cambria Press, 2008. - Vander Stoep, Arie. History of the Orange City Tulip Festival. [Orange City: typescript by author, 1973?]."],"userestrict_html_tesm":["\u003cp\u003eCopying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copying: Due to the fragility of much of the material, no copying or photography without permission from the Director of the Library."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f13c9055d04251dd9dc6564d","timestamp":"2026-04-04T01:11:42.577Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/f13c9055d04251dd9dc6564d_aspace_ef90c2d5763a515a31c320bf11f2e0a3"}},{"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-7-84","type":"Undefined","attributes":{"title":"Wakosi, Diane, \"Smudging\"","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-7-84#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c02-1-8-6-2-7-84","ref_ssm":["aspace_c02-1-8-6-2-7-84","aspace_c02-1-8-6-2-7-84"],"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-7-84","title_filing_ssi":"Wakosi, Diane, \"Smudging\",","title_ssm":["Wakosi, Diane, \"Smudging\","],"title_tesim":["Wakosi, Diane, \"Smudging\","],"normalized_title_ssm":["Wakosi, Diane, \"Smudging\""],"text":["Wakosi, Diane, \"Smudging\"","Jerome Rothenberg Papers, bulk 1944-1985","WRITINGS OF OTHERS","/repositories/2/archival_objects/1746","Box 97","Folder 21","Map-case Oversize: FB-083-15","Broadsize"],"component_level_isim":[2],"parent_ids_ssim":["a98f460404da6019eb88ebf0","a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-7"],"parent_unittitles_ssm":["Jerome Rothenberg Papers, bulk 1944-1985","WRITINGS OF OTHERS"],"parent_unittitles_tesim":["Jerome Rothenberg Papers, bulk 1944-1985","WRITINGS OF OTHERS"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/1746"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Undefined"],"level_ssim":["Undefined"],"sort_isi":1573,"containers_ssim":["Box 97","Folder 21","Map-case Oversize: FB-083-15"],"odd_html_tesm":["\u003cp\u003eBroadsize\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Broadsize"],"_nest_path_":"/components#5/components#82","_nest_parent_":"a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-7","_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a98f460404da6019eb88ebf0","title_filing_ssi":"Rothenberg (Jerome) Papers","title_ssm":["Jerome Rothenberg Papers,"],"title_tesim":["Jerome Rothenberg Papers,"],"ead_ssi":"a98f460404da6019eb88ebf0","unitdate_ssm":["1944-1985"],"unitdate_bulk_ssim":["1944-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0010","/repositories/2/resources/6"],"text":["MSS 0010","/repositories/2/resources/6","Jerome Rothenberg Papers, bulk 1944-1985","BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life.","ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.","SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","For current information on the location of these\nmaterials, please consult the Library's online catalog.","Lyrasis Special Collections","English."],"unitid_tesim":["MSS 0010","/repositories/2/resources/6"],"normalized_date_ssm":["bulk 1944-1985"],"normalized_title_ssm":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_title_tesim":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"extent_tesim":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBIOGRAPHY \u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959.\u003c/p\u003e\n      \u003cp\u003eRothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman.\u003c/p\u003e\n      \u003cp\u003eIn 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin.\u003c/p\u003e\n      \u003cp\u003eRothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970). \u003c/p\u003e\n      \u003cp\u003eRothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York. \u003c/p\u003e\n      \u003cp\u003eIn 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972).\u003c/p\u003e\n      \u003cp\u003eRothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974).\u003c/p\u003e\n      \u003cp\u003eWith George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts. \u003c/p\u003e\n      \u003cp\u003eIn 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered.\u003c/p\u003e\n      \u003cp\u003eRothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics.\u003c/p\u003e\n      \u003cp\u003eSince 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-).\u003c/p\u003e\n      \u003cp\u003eFinally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.\u003c/p\u003e\u003c/p\u003e","\u003cchronlist\u003e\n      \u003chead\u003eJerry's Life\u003c/head\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1931\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eBorn\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1955\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eMA from Wisconsin\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1962\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eEstablishes Hawk's Well Press with David Antin\u003c/event\u003e\n          \u003cevent\u003ePublishes Revolution of the Work\u003c/event\u003e\n          \u003cevent\u003eSon Matthew born.  \u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n    \u003c/chronlist\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eEditors\u003c/label\u003e\n        \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003citem\u003eDon Byrd\u003c/item\u003e\n      \u003citem\u003eRoy Harvey Pearce\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThus runs a life.\u003c/p\u003e"],"bioghist_heading_ssm":["BIOGRAPHY"],"bioghist_tesim":["BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life."],"odd_html_tesm":["\u003cp\u003e\u003chead\u003eABSTRACT\u003c/head\u003e\n      \u003cp\u003ePapers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky.\u003c/p\u003e\n      \u003cp\u003eThe collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\u003c/p\u003e"],"odd_heading_ssm":["ABSTRACT"],"odd_tesim":["ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files."],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Jerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD."],"scopecontent_heading_ssm":["SCOPE AND CONTENT","Accessions Processed in 1990"],"scopecontent_tesim":["SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_68b9403da719e04769da0a49f88e62b7\"\u003eFor current information on the location of these\nmaterials, please consult the Library's online catalog.\u003c/physloc\u003e"],"physloc_tesim":["For current information on the location of these\nmaterials, please consult the Library's online catalog."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English."],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eSCOPE AND CONTENT\u003c/head\u003e\n      \u003cscopecontent\u003e\n        \u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\n      \u003c/scopecontent\u003e\n      \u003cp\u003e\u003c/p\u003e\n      \u003cp\u003e\u003c/p\u003e\u003c/p\u003e","\u003cp\u003e\u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-7-84"}},{"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-461","type":"Undefined","attributes":{"title":"Wakoski, Diane, 1963 -1983","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-461#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c02-1-8-6-2-3-461","ref_ssm":["aspace_c02-1-8-6-2-3-461","aspace_c02-1-8-6-2-3-461"],"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-461","title_filing_ssi":"Wakoski, Diane,","title_ssm":["Wakoski, Diane,"],"title_tesim":["Wakoski, Diane,"],"unitdate_inclusive_ssm":["1963 -1983"],"normalized_date_ssm":["1963 -1983"],"normalized_title_ssm":["Wakoski, Diane, 1963 -1983"],"text":["Wakoski, Diane, 1963 -1983","Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE","/repositories/2/archival_objects/1074","Box 20","Folder 19","n.d."],"component_level_isim":[2],"parent_ids_ssim":["a98f460404da6019eb88ebf0","a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-3"],"parent_unittitles_ssm":["Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE"],"parent_unittitles_tesim":["Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/1074"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Undefined"],"level_ssim":["Undefined"],"sort_isi":482,"containers_ssim":["Box 20","Folder 19"],"odd_html_tesm":["\u003cp\u003en.d.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["n.d."],"_nest_path_":"/components#1/components#459","_nest_parent_":"a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-3","_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a98f460404da6019eb88ebf0","title_filing_ssi":"Rothenberg (Jerome) Papers","title_ssm":["Jerome Rothenberg Papers,"],"title_tesim":["Jerome Rothenberg Papers,"],"ead_ssi":"a98f460404da6019eb88ebf0","unitdate_ssm":["1944-1985"],"unitdate_bulk_ssim":["1944-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0010","/repositories/2/resources/6"],"text":["MSS 0010","/repositories/2/resources/6","Jerome Rothenberg Papers, bulk 1944-1985","BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life.","ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.","SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","For current information on the location of these\nmaterials, please consult the Library's online catalog.","Lyrasis Special Collections","English."],"unitid_tesim":["MSS 0010","/repositories/2/resources/6"],"normalized_date_ssm":["bulk 1944-1985"],"normalized_title_ssm":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_title_tesim":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"extent_tesim":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBIOGRAPHY \u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959.\u003c/p\u003e\n      \u003cp\u003eRothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman.\u003c/p\u003e\n      \u003cp\u003eIn 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin.\u003c/p\u003e\n      \u003cp\u003eRothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970). \u003c/p\u003e\n      \u003cp\u003eRothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York. \u003c/p\u003e\n      \u003cp\u003eIn 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972).\u003c/p\u003e\n      \u003cp\u003eRothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974).\u003c/p\u003e\n      \u003cp\u003eWith George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts. \u003c/p\u003e\n      \u003cp\u003eIn 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered.\u003c/p\u003e\n      \u003cp\u003eRothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics.\u003c/p\u003e\n      \u003cp\u003eSince 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-).\u003c/p\u003e\n      \u003cp\u003eFinally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.\u003c/p\u003e\u003c/p\u003e","\u003cchronlist\u003e\n      \u003chead\u003eJerry's Life\u003c/head\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1931\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eBorn\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1955\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eMA from Wisconsin\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1962\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eEstablishes Hawk's Well Press with David Antin\u003c/event\u003e\n          \u003cevent\u003ePublishes Revolution of the Work\u003c/event\u003e\n          \u003cevent\u003eSon Matthew born.  \u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n    \u003c/chronlist\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eEditors\u003c/label\u003e\n        \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003citem\u003eDon Byrd\u003c/item\u003e\n      \u003citem\u003eRoy Harvey Pearce\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThus runs a life.\u003c/p\u003e"],"bioghist_heading_ssm":["BIOGRAPHY"],"bioghist_tesim":["BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life."],"odd_html_tesm":["\u003cp\u003e\u003chead\u003eABSTRACT\u003c/head\u003e\n      \u003cp\u003ePapers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky.\u003c/p\u003e\n      \u003cp\u003eThe collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\u003c/p\u003e"],"odd_heading_ssm":["ABSTRACT"],"odd_tesim":["ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files."],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Jerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD."],"scopecontent_heading_ssm":["SCOPE AND CONTENT","Accessions Processed in 1990"],"scopecontent_tesim":["SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_68b9403da719e04769da0a49f88e62b7\"\u003eFor current information on the location of these\nmaterials, please consult the Library's online catalog.\u003c/physloc\u003e"],"physloc_tesim":["For current information on the location of these\nmaterials, please consult the Library's online catalog."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English."],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eSCOPE AND CONTENT\u003c/head\u003e\n      \u003cscopecontent\u003e\n        \u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\n      \u003c/scopecontent\u003e\n      \u003cp\u003e\u003c/p\u003e\n      \u003cp\u003e\u003c/p\u003e\u003c/p\u003e","\u003cp\u003e\u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-461"}},{"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-462","type":"Undefined","attributes":{"title":"Waldman, Anne, 1972 -1985","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-462#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c02-1-8-6-2-3-462","ref_ssm":["aspace_c02-1-8-6-2-3-462","aspace_c02-1-8-6-2-3-462"],"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-462","title_filing_ssi":"Waldman, Anne,","title_ssm":["Waldman, Anne,"],"title_tesim":["Waldman, Anne,"],"unitdate_inclusive_ssm":["1972 -1985"],"normalized_date_ssm":["1972 -1985"],"normalized_title_ssm":["Waldman, Anne, 1972 -1985"],"text":["Waldman, Anne, 1972 -1985","Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE","/repositories/2/archival_objects/1075","Box 20","Folder 20"],"component_level_isim":[2],"parent_ids_ssim":["a98f460404da6019eb88ebf0","a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-3"],"parent_unittitles_ssm":["Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE"],"parent_unittitles_tesim":["Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/1075"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Undefined"],"level_ssim":["Undefined"],"sort_isi":483,"containers_ssim":["Box 20","Folder 20"],"_nest_path_":"/components#1/components#460","_nest_parent_":"a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-3","_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a98f460404da6019eb88ebf0","title_filing_ssi":"Rothenberg (Jerome) Papers","title_ssm":["Jerome Rothenberg Papers,"],"title_tesim":["Jerome Rothenberg Papers,"],"ead_ssi":"a98f460404da6019eb88ebf0","unitdate_ssm":["1944-1985"],"unitdate_bulk_ssim":["1944-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0010","/repositories/2/resources/6"],"text":["MSS 0010","/repositories/2/resources/6","Jerome Rothenberg Papers, bulk 1944-1985","BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life.","ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.","SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","For current information on the location of these\nmaterials, please consult the Library's online catalog.","Lyrasis Special Collections","English."],"unitid_tesim":["MSS 0010","/repositories/2/resources/6"],"normalized_date_ssm":["bulk 1944-1985"],"normalized_title_ssm":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_title_tesim":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"extent_tesim":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBIOGRAPHY \u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959.\u003c/p\u003e\n      \u003cp\u003eRothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman.\u003c/p\u003e\n      \u003cp\u003eIn 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin.\u003c/p\u003e\n      \u003cp\u003eRothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970). \u003c/p\u003e\n      \u003cp\u003eRothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York. \u003c/p\u003e\n      \u003cp\u003eIn 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972).\u003c/p\u003e\n      \u003cp\u003eRothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974).\u003c/p\u003e\n      \u003cp\u003eWith George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts. \u003c/p\u003e\n      \u003cp\u003eIn 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered.\u003c/p\u003e\n      \u003cp\u003eRothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics.\u003c/p\u003e\n      \u003cp\u003eSince 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-).\u003c/p\u003e\n      \u003cp\u003eFinally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.\u003c/p\u003e\u003c/p\u003e","\u003cchronlist\u003e\n      \u003chead\u003eJerry's Life\u003c/head\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1931\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eBorn\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1955\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eMA from Wisconsin\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1962\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eEstablishes Hawk's Well Press with David Antin\u003c/event\u003e\n          \u003cevent\u003ePublishes Revolution of the Work\u003c/event\u003e\n          \u003cevent\u003eSon Matthew born.  \u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n    \u003c/chronlist\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eEditors\u003c/label\u003e\n        \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003citem\u003eDon Byrd\u003c/item\u003e\n      \u003citem\u003eRoy Harvey Pearce\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThus runs a life.\u003c/p\u003e"],"bioghist_heading_ssm":["BIOGRAPHY"],"bioghist_tesim":["BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life."],"odd_html_tesm":["\u003cp\u003e\u003chead\u003eABSTRACT\u003c/head\u003e\n      \u003cp\u003ePapers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky.\u003c/p\u003e\n      \u003cp\u003eThe collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\u003c/p\u003e"],"odd_heading_ssm":["ABSTRACT"],"odd_tesim":["ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files."],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Jerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD."],"scopecontent_heading_ssm":["SCOPE AND CONTENT","Accessions Processed in 1990"],"scopecontent_tesim":["SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_68b9403da719e04769da0a49f88e62b7\"\u003eFor current information on the location of these\nmaterials, please consult the Library's online catalog.\u003c/physloc\u003e"],"physloc_tesim":["For current information on the location of these\nmaterials, please consult the Library's online catalog."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English."],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eSCOPE AND CONTENT\u003c/head\u003e\n      \u003cscopecontent\u003e\n        \u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\n      \u003c/scopecontent\u003e\n      \u003cp\u003e\u003c/p\u003e\n      \u003cp\u003e\u003c/p\u003e\u003c/p\u003e","\u003cp\u003e\u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-462"}},{"id":"0eb1bee99e65df8950a8420c_aspace_b35224420a16b35ea74f537b1adeb8c0","type":"File","attributes":{"title":"Waldman, Anne to Bernadette Mayer, 1971 - 1973","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/0eb1bee99e65df8950a8420c_aspace_b35224420a16b35ea74f537b1adeb8c0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b35224420a16b35ea74f537b1adeb8c0","ref_ssm":["aspace_b35224420a16b35ea74f537b1adeb8c0","aspace_b35224420a16b35ea74f537b1adeb8c0"],"id":"0eb1bee99e65df8950a8420c_aspace_b35224420a16b35ea74f537b1adeb8c0","title_filing_ssi":"Waldman, Anne to Bernadette Mayer","title_ssm":["Waldman, Anne to Bernadette Mayer"],"title_tesim":["Waldman, Anne to Bernadette Mayer"],"unitdate_inclusive_ssm":["1971 - 1973"],"normalized_date_ssm":["1971 - 1973"],"normalized_title_ssm":["Waldman, Anne to Bernadette Mayer, 1971 - 1973"],"text":["Waldman, Anne to Bernadette Mayer, 1971 - 1973","United Artists (New York, N.Y.) 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While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n \nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n","Scope and Content of Collection \nAccession Processed in 1988 \nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n \nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n","Publication Rights   Publication rights are held by the creator of the collection.\n        ","Records of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications.","Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York","United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888","Collection materials in English"],"unitid_tesim":["MSS 0012","/repositories/2/resources/4"],"normalized_date_ssm":["1977-1983"],"normalized_title_ssm":["United Artists (New York, N.Y.) 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Typically, the press published four titles a year, generally with a run of 750 copies each.  While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n\u003c/p\u003e\n         \u003cp\u003e\nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Background"],"bioghist_tesim":["Historical Background \nEstablished by Lewis Warsh and Bernadette Mayer in 1977, United Artists press was located in New York City until it went out of business in at the end of the 1980s. Typically, the press published four titles a year, generally with a run of 750 copies each.  While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n \nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eUnited Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation United Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1988\u003c/p\u003e\n         \u003cp\u003e\nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n\u003c/p\u003e\n         \u003cp\u003e\nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  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Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n \nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n","Publication Rights   Publication rights are held by the creator of the collection.\n        ","Records of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  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Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eUnited Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation United Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1988\u003c/p\u003e\n         \u003cp\u003e\nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n\u003c/p\u003e\n         \u003cp\u003e\nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  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The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2bb7c712bb68f61668e7cf38933bb2c\"\u003eRecords of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  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