{"links":{"self":"https://arclight.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=244\u0026view=compact","prev":"https://arclight.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=243\u0026view=compact","next":"https://arclight.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=245\u0026view=compact","last":"https://arclight.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=327\u0026view=compact"},"meta":{"pages":{"current_page":244,"next_page":245,"prev_page":243,"total_pages":327,"limit_value":10,"offset_value":2430,"total_count":3270,"first_page?":false,"last_page?":false}},"data":[{"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-396","type":"Undefined","attributes":{"title":"Sanders, Ed, 1965 -1984","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-396#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c02-1-8-6-2-3-396","ref_ssm":["aspace_c02-1-8-6-2-3-396","aspace_c02-1-8-6-2-3-396"],"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-396","title_filing_ssi":"Sanders, Ed,","title_ssm":["Sanders, Ed,"],"title_tesim":["Sanders, Ed,"],"unitdate_inclusive_ssm":["1965 -1984"],"normalized_date_ssm":["1965 -1984"],"normalized_title_ssm":["Sanders, Ed, 1965 -1984"],"text":["Sanders, Ed, 1965 -1984","Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE","/repositories/2/archival_objects/1009","Box 18","Folder 1"],"component_level_isim":[2],"parent_ids_ssim":["a98f460404da6019eb88ebf0","a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-3"],"parent_unittitles_ssm":["Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE"],"parent_unittitles_tesim":["Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/1009"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Undefined"],"level_ssim":["Undefined"],"sort_isi":417,"containers_ssim":["Box 18","Folder 1"],"_nest_path_":"/components#1/components#394","_nest_parent_":"a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-3","_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a98f460404da6019eb88ebf0","title_filing_ssi":"Rothenberg (Jerome) Papers","title_ssm":["Jerome Rothenberg Papers,"],"title_tesim":["Jerome Rothenberg Papers,"],"ead_ssi":"a98f460404da6019eb88ebf0","unitdate_ssm":["1944-1985"],"unitdate_bulk_ssim":["1944-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0010","/repositories/2/resources/6"],"text":["MSS 0010","/repositories/2/resources/6","Jerome Rothenberg Papers, bulk 1944-1985","BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life.","ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.","SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","For current information on the location of these\nmaterials, please consult the Library's online catalog.","Lyrasis Special Collections","English."],"unitid_tesim":["MSS 0010","/repositories/2/resources/6"],"normalized_date_ssm":["bulk 1944-1985"],"normalized_title_ssm":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_title_tesim":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"extent_tesim":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBIOGRAPHY \u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959.\u003c/p\u003e\n      \u003cp\u003eRothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman.\u003c/p\u003e\n      \u003cp\u003eIn 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin.\u003c/p\u003e\n      \u003cp\u003eRothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970). \u003c/p\u003e\n      \u003cp\u003eRothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York. \u003c/p\u003e\n      \u003cp\u003eIn 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972).\u003c/p\u003e\n      \u003cp\u003eRothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974).\u003c/p\u003e\n      \u003cp\u003eWith George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts. \u003c/p\u003e\n      \u003cp\u003eIn 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered.\u003c/p\u003e\n      \u003cp\u003eRothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics.\u003c/p\u003e\n      \u003cp\u003eSince 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-).\u003c/p\u003e\n      \u003cp\u003eFinally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.\u003c/p\u003e\u003c/p\u003e","\u003cchronlist\u003e\n      \u003chead\u003eJerry's Life\u003c/head\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1931\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eBorn\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1955\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eMA from Wisconsin\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1962\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eEstablishes Hawk's Well Press with David Antin\u003c/event\u003e\n          \u003cevent\u003ePublishes Revolution of the Work\u003c/event\u003e\n          \u003cevent\u003eSon Matthew born.  \u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n    \u003c/chronlist\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eEditors\u003c/label\u003e\n        \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003citem\u003eDon Byrd\u003c/item\u003e\n      \u003citem\u003eRoy Harvey Pearce\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThus runs a life.\u003c/p\u003e"],"bioghist_heading_ssm":["BIOGRAPHY"],"bioghist_tesim":["BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life."],"odd_html_tesm":["\u003cp\u003e\u003chead\u003eABSTRACT\u003c/head\u003e\n      \u003cp\u003ePapers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky.\u003c/p\u003e\n      \u003cp\u003eThe collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\u003c/p\u003e"],"odd_heading_ssm":["ABSTRACT"],"odd_tesim":["ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files."],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Jerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD."],"scopecontent_heading_ssm":["SCOPE AND CONTENT","Accessions Processed in 1990"],"scopecontent_tesim":["SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_68b9403da719e04769da0a49f88e62b7\"\u003eFor current information on the location of these\nmaterials, please consult the Library's online catalog.\u003c/physloc\u003e"],"physloc_tesim":["For current information on the location of these\nmaterials, please consult the Library's online catalog."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English."],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eSCOPE AND CONTENT\u003c/head\u003e\n      \u003cscopecontent\u003e\n        \u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\n      \u003c/scopecontent\u003e\n      \u003cp\u003e\u003c/p\u003e\n      \u003cp\u003e\u003c/p\u003e\u003c/p\u003e","\u003cp\u003e\u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-396"}},{"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-395","type":"Undefined","attributes":{"title":"San Diego State University, 1976 -1977","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-395#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c02-1-8-6-2-3-395","ref_ssm":["aspace_c02-1-8-6-2-3-395","aspace_c02-1-8-6-2-3-395"],"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-395","title_filing_ssi":"San Diego State University,","title_ssm":["San Diego State University,"],"title_tesim":["San Diego State University,"],"unitdate_inclusive_ssm":["1976 -1977"],"normalized_date_ssm":["1976 -1977"],"normalized_title_ssm":["San Diego State University, 1976 -1977"],"text":["San Diego State University, 1976 -1977","Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE","/repositories/2/archival_objects/1008","Box 17","Folder 18"],"component_level_isim":[2],"parent_ids_ssim":["a98f460404da6019eb88ebf0","a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-3"],"parent_unittitles_ssm":["Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE"],"parent_unittitles_tesim":["Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/1008"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Undefined"],"level_ssim":["Undefined"],"sort_isi":416,"containers_ssim":["Box 17","Folder 18"],"_nest_path_":"/components#1/components#393","_nest_parent_":"a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-3","_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a98f460404da6019eb88ebf0","title_filing_ssi":"Rothenberg (Jerome) Papers","title_ssm":["Jerome Rothenberg Papers,"],"title_tesim":["Jerome Rothenberg Papers,"],"ead_ssi":"a98f460404da6019eb88ebf0","unitdate_ssm":["1944-1985"],"unitdate_bulk_ssim":["1944-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0010","/repositories/2/resources/6"],"text":["MSS 0010","/repositories/2/resources/6","Jerome Rothenberg Papers, bulk 1944-1985","BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life.","ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.","SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","For current information on the location of these\nmaterials, please consult the Library's online catalog.","Lyrasis Special Collections","English."],"unitid_tesim":["MSS 0010","/repositories/2/resources/6"],"normalized_date_ssm":["bulk 1944-1985"],"normalized_title_ssm":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_title_tesim":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"extent_tesim":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBIOGRAPHY \u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959.\u003c/p\u003e\n      \u003cp\u003eRothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman.\u003c/p\u003e\n      \u003cp\u003eIn 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin.\u003c/p\u003e\n      \u003cp\u003eRothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970). \u003c/p\u003e\n      \u003cp\u003eRothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York. \u003c/p\u003e\n      \u003cp\u003eIn 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972).\u003c/p\u003e\n      \u003cp\u003eRothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974).\u003c/p\u003e\n      \u003cp\u003eWith George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts. \u003c/p\u003e\n      \u003cp\u003eIn 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered.\u003c/p\u003e\n      \u003cp\u003eRothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics.\u003c/p\u003e\n      \u003cp\u003eSince 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-).\u003c/p\u003e\n      \u003cp\u003eFinally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.\u003c/p\u003e\u003c/p\u003e","\u003cchronlist\u003e\n      \u003chead\u003eJerry's Life\u003c/head\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1931\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eBorn\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1955\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eMA from Wisconsin\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1962\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eEstablishes Hawk's Well Press with David Antin\u003c/event\u003e\n          \u003cevent\u003ePublishes Revolution of the Work\u003c/event\u003e\n          \u003cevent\u003eSon Matthew born.  \u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n    \u003c/chronlist\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eEditors\u003c/label\u003e\n        \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003citem\u003eDon Byrd\u003c/item\u003e\n      \u003citem\u003eRoy Harvey Pearce\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThus runs a life.\u003c/p\u003e"],"bioghist_heading_ssm":["BIOGRAPHY"],"bioghist_tesim":["BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life."],"odd_html_tesm":["\u003cp\u003e\u003chead\u003eABSTRACT\u003c/head\u003e\n      \u003cp\u003ePapers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky.\u003c/p\u003e\n      \u003cp\u003eThe collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\u003c/p\u003e"],"odd_heading_ssm":["ABSTRACT"],"odd_tesim":["ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files."],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Jerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD."],"scopecontent_heading_ssm":["SCOPE AND CONTENT","Accessions Processed in 1990"],"scopecontent_tesim":["SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_68b9403da719e04769da0a49f88e62b7\"\u003eFor current information on the location of these\nmaterials, please consult the Library's online catalog.\u003c/physloc\u003e"],"physloc_tesim":["For current information on the location of these\nmaterials, please consult the Library's online catalog."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English."],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eSCOPE AND CONTENT\u003c/head\u003e\n      \u003cscopecontent\u003e\n        \u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\n      \u003c/scopecontent\u003e\n      \u003cp\u003e\u003c/p\u003e\n      \u003cp\u003e\u003c/p\u003e\u003c/p\u003e","\u003cp\u003e\u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-395"}},{"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-397","type":"Undefined","attributes":{"title":"Sanfield, Steve, 1972 -1984","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-397#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c02-1-8-6-2-3-397","ref_ssm":["aspace_c02-1-8-6-2-3-397","aspace_c02-1-8-6-2-3-397"],"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-397","title_filing_ssi":"Sanfield, Steve,","title_ssm":["Sanfield, Steve,"],"title_tesim":["Sanfield, Steve,"],"unitdate_inclusive_ssm":["1972 -1984"],"normalized_date_ssm":["1972 -1984"],"normalized_title_ssm":["Sanfield, Steve, 1972 -1984"],"text":["Sanfield, Steve, 1972 -1984","Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE","/repositories/2/archival_objects/1010","Box 18","Folder 2"],"component_level_isim":[2],"parent_ids_ssim":["a98f460404da6019eb88ebf0","a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-3"],"parent_unittitles_ssm":["Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE"],"parent_unittitles_tesim":["Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/1010"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Undefined"],"level_ssim":["Undefined"],"sort_isi":418,"containers_ssim":["Box 18","Folder 2"],"_nest_path_":"/components#1/components#395","_nest_parent_":"a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-3","_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a98f460404da6019eb88ebf0","title_filing_ssi":"Rothenberg (Jerome) Papers","title_ssm":["Jerome Rothenberg Papers,"],"title_tesim":["Jerome Rothenberg Papers,"],"ead_ssi":"a98f460404da6019eb88ebf0","unitdate_ssm":["1944-1985"],"unitdate_bulk_ssim":["1944-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0010","/repositories/2/resources/6"],"text":["MSS 0010","/repositories/2/resources/6","Jerome Rothenberg Papers, bulk 1944-1985","BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life.","ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.","SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","For current information on the location of these\nmaterials, please consult the Library's online catalog.","Lyrasis Special Collections","English."],"unitid_tesim":["MSS 0010","/repositories/2/resources/6"],"normalized_date_ssm":["bulk 1944-1985"],"normalized_title_ssm":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_title_tesim":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"extent_tesim":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBIOGRAPHY \u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959.\u003c/p\u003e\n      \u003cp\u003eRothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman.\u003c/p\u003e\n      \u003cp\u003eIn 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin.\u003c/p\u003e\n      \u003cp\u003eRothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970). \u003c/p\u003e\n      \u003cp\u003eRothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York. \u003c/p\u003e\n      \u003cp\u003eIn 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972).\u003c/p\u003e\n      \u003cp\u003eRothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974).\u003c/p\u003e\n      \u003cp\u003eWith George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts. \u003c/p\u003e\n      \u003cp\u003eIn 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered.\u003c/p\u003e\n      \u003cp\u003eRothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics.\u003c/p\u003e\n      \u003cp\u003eSince 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-).\u003c/p\u003e\n      \u003cp\u003eFinally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.\u003c/p\u003e\u003c/p\u003e","\u003cchronlist\u003e\n      \u003chead\u003eJerry's Life\u003c/head\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1931\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eBorn\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1955\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eMA from Wisconsin\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1962\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eEstablishes Hawk's Well Press with David Antin\u003c/event\u003e\n          \u003cevent\u003ePublishes Revolution of the Work\u003c/event\u003e\n          \u003cevent\u003eSon Matthew born.  \u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n    \u003c/chronlist\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eEditors\u003c/label\u003e\n        \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003citem\u003eDon Byrd\u003c/item\u003e\n      \u003citem\u003eRoy Harvey Pearce\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThus runs a life.\u003c/p\u003e"],"bioghist_heading_ssm":["BIOGRAPHY"],"bioghist_tesim":["BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life."],"odd_html_tesm":["\u003cp\u003e\u003chead\u003eABSTRACT\u003c/head\u003e\n      \u003cp\u003ePapers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky.\u003c/p\u003e\n      \u003cp\u003eThe collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\u003c/p\u003e"],"odd_heading_ssm":["ABSTRACT"],"odd_tesim":["ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files."],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Jerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD."],"scopecontent_heading_ssm":["SCOPE AND CONTENT","Accessions Processed in 1990"],"scopecontent_tesim":["SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_68b9403da719e04769da0a49f88e62b7\"\u003eFor current information on the location of these\nmaterials, please consult the Library's online catalog.\u003c/physloc\u003e"],"physloc_tesim":["For current information on the location of these\nmaterials, please consult the Library's online catalog."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English."],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eSCOPE AND CONTENT\u003c/head\u003e\n      \u003cscopecontent\u003e\n        \u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\n      \u003c/scopecontent\u003e\n      \u003cp\u003e\u003c/p\u003e\n      \u003cp\u003e\u003c/p\u003e\u003c/p\u003e","\u003cp\u003e\u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-397"}},{"id":"fbd0c7fbf3276395f8940a8e","type":"collection","attributes":{"title":"Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007","creator":{"id":"https://arclight.lyrasistechnology.org/catalog/fbd0c7fbf3276395f8940a8e#creator","type":"document_value","attributes":{"value":["Burns, Jack O."],"label":"Creator"}},"abstract_or_scope":{"id":"https://arclight.lyrasistechnology.org/catalog/fbd0c7fbf3276395f8940a8e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e\u003chead\u003eScope and Contents note\u003c/head\u003e\u003cp\u003eThe project files consists of data in three broad categories: the simulation data (\"Data at Redshift\" components); analysis tools and example scripts (Data Processing Tools) for processing the data; and project administration and background documents (Historical Documents) related to the project. All these materials were created between 2005 and 2012, beginning with a proposal for the LUSciD Project, continuing on to the simulation data, and ending with the recent analysis tools. The historical documents are proposals and progress reports that were part of grants or requests for computational resources supporting the research. The component for analysis tools and example scripts contains the source code to yt (http://yt-project.org/), which was used to produce the example data analysis results. The results are a combination of structured text, binary files, and images. The historical documents and analysis tools are described in greater detail in their component descriptions.\u003c/p\u003e\u003cp\u003eThe scientific motivations for the light cone simulation are described in the Project Background. Here we describe how the simulation data was generated. The simulation was the final in a group of simulations, with each one designed to meet certain requirements, such as resolution. Earlier simulations tied to the LUsciD Project were performed on Thunder, a Lawrence Livermore National Laboratory cluster. This calculation for the Santa Fe Light Cone Simulation was a demonstration of the software's ability to perform adaptive refinement throughout the volume, and as a result, was run on the San Diego Supercomputer Center's DataStar system and the National Center for Supercomputing Applications Altix, Cobalt.\u003c/p\u003e\u003cp\u003eThe simulation was initialized at high redshift, assuming a standard cosmological model incorporating dark energy and cold dark matter. The physical volume represented was a periodic cube 512 comoving megaparsecs on a side. The simulation was evolved to the present day, using models for gravity and adiabatic gas dynamics. At specific points, snapshots of the simulation were saved, and a representative subset of those are contained in this collection.\u003c/p\u003e\u003cp\u003eThese snapshots are organized by time (or, equivalently, redshift) at the top level, and named from RD0009 to RD0036; lower numbers (e.g., RD0009) represent earlier times in the universe's evolution, while higher numbers are later times and ones closer to the present day. Each snapshot has an archive (tar) file of the original data, a checksum of the archive, and text files of the parameters, grid hierarchy, and boundary conditions. The parameter, hierarchy, and boundary files are also in the archive file, but are available separately for convenience in a component named \"Parameters.\"\u003c/p\u003e\u003cp\u003e\u003c/p\u003e\u003cp\u003eThe contents of each project component labeled RD00## are the same:\u003c/p\u003e\u003cp\u003e* RD00## (parameters, ASCII): All of the simulation parameters are listed in these files as key-value pairs, using a \"key = value\" format. The input parameter are identical across all parameter files, while variables such as the current time, or redshift, change.\u003c/p\u003e\u003cp\u003e* RD00##.hierarchy (grid metadata, ASCII): A list of the grid data structures, their spatial position, file names, and numerical size.\u003c/p\u003e\u003cp\u003e* RD00##.cpu0XXX (physical data, HDF5): These files hold the physical fields (density, velocity, etc.) for each grid.\u003c/p\u003e\u003cp\u003e* RD00##.boundary (boundary conditions, ASCII): Boundary metadata.\u003c/p\u003e\u003cp\u003e* RD00##.boundary.hdf (boundary conditions, HDF5): Boundary data for necessary fields\u003c/p\u003e\u003cp\u003e\u003c/p\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/fbd0c7fbf3276395f8940a8e#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"fbd0c7fbf3276395f8940a8e","title_filing_ssi":"Santa Fe Light Cone Simulation research project files","title_ssm":["Santa Fe Light Cone Simulation research project files"],"title_tesim":["Santa Fe Light Cone Simulation research project files"],"ead_ssi":"fbd0c7fbf3276395f8940a8e","unitdate_ssm":["Bulk, 2005-2007","2005-2012, Bulk 2005-2007"],"unitdate_inclusive_ssm":["Bulk, 2005-2007","2005-2012, Bulk 2005-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RCIDC.0001","/repositories/2/resources/5"],"text":["RCIDC.0001","/repositories/2/resources/5","Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007","Cosmic background radiation","Cosmology","Cosmology--Observations","Galaxies--Clusters","Hydrodynamics","Research-Data processing","Research data","Access This data set is available for use by the general research community, via UC San Diego Research Cyberinfrastructure Data Curation. Inquiries about using the dataset may be directed to rci-ref@ucsd.edu","Arrangement note The data set is arranged into 31 components: 1: Data processing tools; 2: Initital conditions for simulation; 3-30: Data at redshift=3.0 to Data at redshift=0.0, and 31: Historical documents.","Referenced below are articles and other publications identified at the end of 2011 as having used the data generated by Santa Fe Light Cone Simulation project.","Hallman, Eric J.; Skillman, Samuel W.; Jeltema, Tesla E.; Smith, Britton D.; O'Shea, Brian W.; Burns, Jack O.; and Norman, Michael L. \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters.\" The Astrophysical Journal , Vol. 725, Issue 1: 1053-1068 (Dec. 2010); http://dx.doi.org/10.1088/0004-637X/725/1/1053; http://iopscience.iop.org/0004-637X/725/1/1053.","Hallman, Eric J.;O'Shea, Brian W.; Burns, Jack O.; Norman, Michael L.; and Harkness, Robert; Wagner, Rick. \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys.\"  The Astrophysical Journal , V. 671, Issue 1: 27-39 (12/2007). http://dx.doi.org/10.1086/522912; http://adsabs.harvard.edu/abs/2007ApJ...671...27H","Hallman, Eric J.; O'Shea, Brian W.; Smith, Britton D.; Burns, Jack O.; and Norman, Michael L.  \"The Santa Fe Light Cone Simulation Project. II. The Prospects for Direct Detection of the Whim with SZE Surveys.\"  The Astrophysical Journal , Vol. 698, Issue 2: 1795-1802 (2009): http://dx.doi.org/10.1088/0004-637X/698/2/1795; http://iopscience.iop.org/0004-637X/698/2.","Lemze, Doron; Rephaeli, Yoel; Barkana, Rennan; Broadhurst, Tom; Wagner, Rick; and Norman, Mike L. \"Quantifying the Collisionless Nature of Dark Matter and Galaxies in A1689.\"  The Astrophysical Journal , Vol. 728, Issue 1, article id 40 (2011): http://dx.doi.org/10.1088/0004-637X/728/1/40; http://iopscience.iop.org/0004-637X/728/1/40.","Lemze, Doron; Wagner, Rick; Rephaeli, Yoel; Sadeh, Sharon; Norman, Michael L.; Barkana, Rennan; Broadhurst, Tom; Ford, Holland; and Postman, Marc. \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters.\"  eprint arXiv:1106.6048 (June 2011).","Skillman, Samuel W.; O'Shea, Brian W.; Hallman, Eric J.; Burns, Jack O.; and Norman, Michael L. \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays.\" The Astrophysical Journal , Vol. 689, Issue 2: 1063-1077 (Dec. 2008); http://dx.doi.org/10.1086/592496; http://iopscience.iop.org/0004-637X/689/2/1063","Project Background The Santa Fe Light Cone Simulation project was the result of an ongoing effort by the Laboratory for Computational Astrophysics, beginning with the LUScID Project in 2005. This led to the development of the ENZO simulation software to the point where it was able to complete a seven-level adaptive mesh refinement (AMR) cosmology simulation. LUScID During the 1990s, observational cosmology became \"big science,\" involving expensive instruments (e.g., the Hubble Space Telescope) and large teams (e.g., the Sloan Digital Sky Survey [SDSS]) attacking fundamental questions about the origin and evolution of the universe. Progress was astonishing and included the discovery of the accelerating universe (Riess et al. 1998, Perlmutter et al. 1999); precision measurements of the global geometry, age, and composition of the universe (de Bernardis et al. 2000); and deep images of galaxies at the dawn of time (Beckwith et al. 2004). These and other observations have narrowed the range of acceptable theoretical models for cosmological structure formation to a single model called the concordance model (Bahcall et al. 1999), for which free parameters are now known to high precision (Spergel et al. 2003). Cosmology thus finds itself in a place not unlike particle physics, where the goal going forward is to refine and test the standard model with yet higher precision measurements. Fundamental science questions driving the field include the nature of dark energy and dark matter, the formation and evolution of galaxies and quasars, and how and when the intergalactic medium was re-ionized. Future progress requires ambitious observational surveys of the universe of unprecedented depth and breadth. The SDSS is collecting megabytes of data per galaxy on nearly 1 million galaxies distributed throughout a volume of space many billions of light years on a side. Currently over 2 TB of data has been collected and archived. This number is expected to grow to 5 TB by project's end. Several similarly sized surveys are underway, and much larger ones are planned. In particular, the Large aperture Synoptic Survey Telescope [LSST] will collect 15 TB of image data every night for a year, amassing a collection of tens of petabytes over several years. The LSST will produce an object catalog of a billion galaxies—a thousand-fold increase over the SDSS. Coping with this \"data flood\" requires advanced scientific data management technologies. In order to maximize the science return, results from massive surveys need to be compared to the detailed predictions of the concordance model. These take the form of massive cosmological simulations of the formation of galaxies and large scale structure. Just as Moore's Law is the force behind the data explosion in astronomy, it has also enabled numerical simulations of unprecedented size and complexity on massively parallel supercomputers. ENZO is a parallel cosmology application developed at the Laboratory for Computational Astrophysics (LCA) at UCSD, directed by Michael Norman. ENZO solves the equations of dark matter dynamics, multi-species hydrodynamics, non-equilibrium chemical and ionization kinetics, and self-gravity in an expanding universe dominated by dark energy. Parameterized models of star formation and feedback effects allow the simulation of the formation and evolution of galaxies on cosmic length scales and time scales. The state-of-the art is shown in Fig. 1. The simulation shown in the left panel evolves a concordance model with 1 billion Lagrangian dark matter particles and the equations of Eulerian hydrodynamics and self-gravity on a uniform grid of 1 billion (1024^3) cells. The calculation was done on 512 processors of SDSC's IBM Blue Horizon computer, and produced 10TB of raw data and 6 TB of derived data. This calculation serves as a survey volume for follow-on adaptive mesh refinement (AMR) simulations which resolve the galaxies' internal structure. At right is shown an old AMR simulation of galaxy formation done at NCSA in 1998. Due to computer power and data handling limitations at the time, only 1/64 of the survey volume (2563 base grid) could be simulated at high resolution. Now, with more powerful parallel computers and data management technologies, we can in principle simulate the entire volume at high spatial resolution. Making that a practical reality is the overarching goal of the cosmology simulation data grid project, which we shall henceforth refer to as the Cosmic Simulator. The specific goals of the Cosmic Simulator project are threefold: use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications. Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\" Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student","use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.","Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"","Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student","Processing Information note The project lead collected, on the Triton Resource at the San Diego Supercomputer Center, all data generated by the Santa Fe Light Cone Simulation project deemed essential to representing the simulation project and facilitating re-use of the data. Data files were categorized and arranged to represent each snapshot (Data at redshift) comprising the simulation. The files for each snapshot include files specifying the parameters for each snapshot, binary data files constituting the results of applying the parameters, and derived data products generated from processing of the results. Files deemed irrelevant to representation of the project and / or use of the data were removed from the data set. In addition to data files, scripts necessary for processing the data were added to the collection, as were products generated using the scripts. The former are included in the component labeled \"Data Processing Tools, \" whereas the latter are typically included in a sub-component labeled \"Derived Products\" for each of the primary \"Data at redshift\" components. Finally, a variety of project files, primarily proposals and project status reports, have been incorporated and are listed in the component labeled \"Historical documents.\" The Santa Fe Light Cone simulation files were then transferred from the SDSC server to the Research Data Curation data storage space. The transfer of all files were monitored for accuracy. The entire collection was arranged into thirty-one components and described completely using the Archivists' Toolkit application. Component and sub-component descriptions were linked to digital object records composed in the AT and containing links to the files constituting the data set, or snapshot. The AT description was used to generate an Encoded Archival Description (EAD) document for the complete set of files for the Santa Fe Light Cone Simulation project data set and a METS document for each primary component. The EAD is to be uploaded to the Online Archive of California (OAC), whereas the METS records and the digital content files they reference are to be uploaded to the UC San Diego Digital Asset Management System (DAMS). A researcher will thus be enabled to access the data files either through the OAC or the UCSD DAMS. Finally, all files and descriptive records for the simulation project are to be deposted in the Chronopolis digital preservation network for long-term preservation management.","Scope and Contents note The project files consists of data in three broad categories: the simulation data (\"Data at Redshift\" components); analysis tools and example scripts (Data Processing Tools) for processing the data; and project administration and background documents (Historical Documents) related to the project. All these materials were created between 2005 and 2012, beginning with a proposal for the LUSciD Project, continuing on to the simulation data, and ending with the recent analysis tools. The historical documents are proposals and progress reports that were part of grants or requests for computational resources supporting the research. The component for analysis tools and example scripts contains the source code to yt (http://yt-project.org/), which was used to produce the example data analysis results. The results are a combination of structured text, binary files, and images. The historical documents and analysis tools are described in greater detail in their component descriptions. The scientific motivations for the light cone simulation are described in the Project Background. Here we describe how the simulation data was generated. The simulation was the final in a group of simulations, with each one designed to meet certain requirements, such as resolution. Earlier simulations tied to the LUsciD Project were performed on Thunder, a Lawrence Livermore National Laboratory cluster. This calculation for the Santa Fe Light Cone Simulation was a demonstration of the software's ability to perform adaptive refinement throughout the volume, and as a result, was run on the San Diego Supercomputer Center's DataStar system and the National Center for Supercomputing Applications Altix, Cobalt. The simulation was initialized at high redshift, assuming a standard cosmological model incorporating dark energy and cold dark matter. The physical volume represented was a periodic cube 512 comoving megaparsecs on a side. The simulation was evolved to the present day, using models for gravity and adiabatic gas dynamics. At specific points, snapshots of the simulation were saved, and a representative subset of those are contained in this collection. These snapshots are organized by time (or, equivalently, redshift) at the top level, and named from RD0009 to RD0036; lower numbers (e.g., RD0009) represent earlier times in the universe's evolution, while higher numbers are later times and ones closer to the present day. Each snapshot has an archive (tar) file of the original data, a checksum of the archive, and text files of the parameters, grid hierarchy, and boundary conditions. The parameter, hierarchy, and boundary files are also in the archive file, but are available separately for convenience in a component named \"Parameters.\" The contents of each project component labeled RD00## are the same: * RD00## (parameters, ASCII): All of the simulation parameters are listed in these files as key-value pairs, using a \"key = value\" format. The input parameter are identical across all parameter files, while variables such as the current time, or redshift, change. * RD00##.hierarchy (grid metadata, ASCII): A list of the grid data structures, their spatial position, file names, and numerical size. * RD00##.cpu0XXX (physical data, HDF5): These files hold the physical fields (density, velocity, etc.) for each grid. * RD00##.boundary (boundary conditions, ASCII): Boundary metadata. * RD00##.boundary.hdf (boundary conditions, HDF5): Boundary data for necessary fields","Rights The information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).","License This work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/).","Lyrasis Special Collections","Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Lawrence Livermore Laboratory.","University of California, San Diego.","Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-","Barnett, Tim","Moore, Reagan W.",""],"unitid_tesim":["RCIDC.0001","/repositories/2/resources/5"],"normalized_date_ssm":["Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"normalized_title_ssm":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"collection_title_tesim":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"collection_ssim":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"creator_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"creator_persname_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"creators_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"access_terms_ssm":["Rights The information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).","License This work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/)."],"acqinfo_ssim":["Immediate Source of Acquisition note Rick Wagner, 2012."],"access_subjects_ssim":["Cosmic background radiation","Cosmology","Cosmology--Observations","Galaxies--Clusters","Hydrodynamics","Research-Data processing","Research data"],"access_subjects_ssm":["Cosmic background radiation","Cosmology","Cosmology--Observations","Galaxies--Clusters","Hydrodynamics","Research-Data processing","Research data"],"has_online_content_ssim":["true"],"extent_ssm":["683.0 Gigabytes","39 Electronic file","683.0 Gigabyte(s) 39 digital objects collectively containing 1,797 digital files of various types."],"extent_tesim":["683.0 Gigabytes","39 Electronic file","683.0 Gigabyte(s) 39 digital objects collectively containing 1,797 digital files of various types."],"genreform_ssim":["Research data"],"date_range_isim":[2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n            \u003cp\u003eThis data set is available for use by the general research community, via UC San Diego Research Cyberinfrastructure Data Curation. Inquiries about using the dataset may be directed to rci-ref@ucsd.edu\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access This data set is available for use by the general research community, via UC San Diego Research Cyberinfrastructure Data Curation. Inquiries about using the dataset may be directed to rci-ref@ucsd.edu"],"arrangement_html_tesm":["\u003cp\u003e\u003chead\u003eArrangement note\u003c/head\u003e\n            \u003cp\u003eThe data set is arranged into 31 components: 1: Data processing tools; 2: Initital conditions for simulation; 3-30: Data at redshift=3.0 to Data at redshift=0.0, and 31: Historical documents.\u003c/p\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement note"],"arrangement_tesim":["Arrangement note The data set is arranged into 31 components: 1: Data processing tools; 2: Initital conditions for simulation; 3-30: Data at redshift=3.0 to Data at redshift=0.0, and 31: Historical documents."],"bibliography_html_tesm":["\u003cp\u003eReferenced below are articles and other publications identified at the end of 2011 as having used the data generated by Santa Fe Light Cone Simulation project.\u003c/p\u003e","\u003cbibref\u003eHallman, Eric J.; Skillman, Samuel W.; Jeltema, Tesla E.; Smith, Britton D.; O'Shea, Brian W.; Burns, Jack O.; and Norman, Michael L.\u003ctitle\u003e\"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters.\"\u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 725, Issue 1: 1053-1068 (Dec. 2010); http://dx.doi.org/10.1088/0004-637X/725/1/1053; http://iopscience.iop.org/0004-637X/725/1/1053.\u003c/bibref\u003e","\u003cbibref\u003eHallman, Eric J.;O'Shea, Brian W.; Burns, Jack O.; Norman, Michael L.; and Harkness, Robert; Wagner, Rick.\u003ctitle\u003e\"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys.\" \u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, V. 671, Issue 1: 27-39 (12/2007). http://dx.doi.org/10.1086/522912; http://adsabs.harvard.edu/abs/2007ApJ...671...27H\u003c/bibref\u003e","\u003cbibref\u003eHallman, Eric J.; O'Shea, Brian W.; Smith, Britton D.; Burns, Jack O.; and Norman, Michael L.\u003ctitle\u003e \"The Santa Fe Light Cone Simulation Project. II. The Prospects for Direct Detection of the Whim with SZE Surveys.\" \u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 698, Issue 2: 1795-1802 (2009): http://dx.doi.org/10.1088/0004-637X/698/2/1795; http://iopscience.iop.org/0004-637X/698/2.\u003c/bibref\u003e","\u003cbibref\u003eLemze, Doron; Rephaeli, Yoel; Barkana, Rennan; Broadhurst, Tom; Wagner, Rick; and Norman, Mike L.\u003ctitle\u003e\"Quantifying the Collisionless Nature of Dark Matter and Galaxies in A1689.\" \u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 728, Issue 1, article id 40 (2011): http://dx.doi.org/10.1088/0004-637X/728/1/40; http://iopscience.iop.org/0004-637X/728/1/40.\u003c/bibref\u003e","\u003cbibref\u003eLemze, Doron; Wagner, Rick; Rephaeli, Yoel; Sadeh, Sharon; Norman, Michael L.; Barkana, Rennan; Broadhurst, Tom; Ford, Holland; and Postman, Marc.\u003ctitle\u003e\"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters.\"\u003c/title\u003e eprint arXiv:1106.6048 (June 2011).\u003c/bibref\u003e","\u003cbibref\u003eSkillman, Samuel W.; O'Shea, Brian W.; Hallman, Eric J.; Burns, Jack O.; and Norman, Michael L.\u003ctitle\u003e\"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays.\"\u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 689, Issue 2: 1063-1077 (Dec. 2008); http://dx.doi.org/10.1086/592496; http://iopscience.iop.org/0004-637X/689/2/1063\u003c/bibref\u003e"],"bibliography_heading_ssm":["Use References"],"bibliography_tesim":["Referenced below are articles and other publications identified at the end of 2011 as having used the data generated by Santa Fe Light Cone Simulation project.","Hallman, Eric J.; Skillman, Samuel W.; Jeltema, Tesla E.; Smith, Britton D.; O'Shea, Brian W.; Burns, Jack O.; and Norman, Michael L. \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters.\" The Astrophysical Journal , Vol. 725, Issue 1: 1053-1068 (Dec. 2010); http://dx.doi.org/10.1088/0004-637X/725/1/1053; http://iopscience.iop.org/0004-637X/725/1/1053.","Hallman, Eric J.;O'Shea, Brian W.; Burns, Jack O.; Norman, Michael L.; and Harkness, Robert; Wagner, Rick. \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys.\"  The Astrophysical Journal , V. 671, Issue 1: 27-39 (12/2007). http://dx.doi.org/10.1086/522912; http://adsabs.harvard.edu/abs/2007ApJ...671...27H","Hallman, Eric J.; O'Shea, Brian W.; Smith, Britton D.; Burns, Jack O.; and Norman, Michael L.  \"The Santa Fe Light Cone Simulation Project. II. The Prospects for Direct Detection of the Whim with SZE Surveys.\"  The Astrophysical Journal , Vol. 698, Issue 2: 1795-1802 (2009): http://dx.doi.org/10.1088/0004-637X/698/2/1795; http://iopscience.iop.org/0004-637X/698/2.","Lemze, Doron; Rephaeli, Yoel; Barkana, Rennan; Broadhurst, Tom; Wagner, Rick; and Norman, Mike L. \"Quantifying the Collisionless Nature of Dark Matter and Galaxies in A1689.\"  The Astrophysical Journal , Vol. 728, Issue 1, article id 40 (2011): http://dx.doi.org/10.1088/0004-637X/728/1/40; http://iopscience.iop.org/0004-637X/728/1/40.","Lemze, Doron; Wagner, Rick; Rephaeli, Yoel; Sadeh, Sharon; Norman, Michael L.; Barkana, Rennan; Broadhurst, Tom; Ford, Holland; and Postman, Marc. \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters.\"  eprint arXiv:1106.6048 (June 2011).","Skillman, Samuel W.; O'Shea, Brian W.; Hallman, Eric J.; Burns, Jack O.; and Norman, Michael L. \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays.\" The Astrophysical Journal , Vol. 689, Issue 2: 1063-1077 (Dec. 2008); http://dx.doi.org/10.1086/592496; http://iopscience.iop.org/0004-637X/689/2/1063"],"bioghist_heading_ssm":["Project Background"],"bioghist_tesim":["Project Background The Santa Fe Light Cone Simulation project was the result of an ongoing effort by the Laboratory for Computational Astrophysics, beginning with the LUScID Project in 2005. This led to the development of the ENZO simulation software to the point where it was able to complete a seven-level adaptive mesh refinement (AMR) cosmology simulation. LUScID During the 1990s, observational cosmology became \"big science,\" involving expensive instruments (e.g., the Hubble Space Telescope) and large teams (e.g., the Sloan Digital Sky Survey [SDSS]) attacking fundamental questions about the origin and evolution of the universe. Progress was astonishing and included the discovery of the accelerating universe (Riess et al. 1998, Perlmutter et al. 1999); precision measurements of the global geometry, age, and composition of the universe (de Bernardis et al. 2000); and deep images of galaxies at the dawn of time (Beckwith et al. 2004). These and other observations have narrowed the range of acceptable theoretical models for cosmological structure formation to a single model called the concordance model (Bahcall et al. 1999), for which free parameters are now known to high precision (Spergel et al. 2003). Cosmology thus finds itself in a place not unlike particle physics, where the goal going forward is to refine and test the standard model with yet higher precision measurements. Fundamental science questions driving the field include the nature of dark energy and dark matter, the formation and evolution of galaxies and quasars, and how and when the intergalactic medium was re-ionized. Future progress requires ambitious observational surveys of the universe of unprecedented depth and breadth. The SDSS is collecting megabytes of data per galaxy on nearly 1 million galaxies distributed throughout a volume of space many billions of light years on a side. Currently over 2 TB of data has been collected and archived. This number is expected to grow to 5 TB by project's end. Several similarly sized surveys are underway, and much larger ones are planned. In particular, the Large aperture Synoptic Survey Telescope [LSST] will collect 15 TB of image data every night for a year, amassing a collection of tens of petabytes over several years. The LSST will produce an object catalog of a billion galaxies—a thousand-fold increase over the SDSS. Coping with this \"data flood\" requires advanced scientific data management technologies. In order to maximize the science return, results from massive surveys need to be compared to the detailed predictions of the concordance model. These take the form of massive cosmological simulations of the formation of galaxies and large scale structure. Just as Moore's Law is the force behind the data explosion in astronomy, it has also enabled numerical simulations of unprecedented size and complexity on massively parallel supercomputers. ENZO is a parallel cosmology application developed at the Laboratory for Computational Astrophysics (LCA) at UCSD, directed by Michael Norman. ENZO solves the equations of dark matter dynamics, multi-species hydrodynamics, non-equilibrium chemical and ionization kinetics, and self-gravity in an expanding universe dominated by dark energy. Parameterized models of star formation and feedback effects allow the simulation of the formation and evolution of galaxies on cosmic length scales and time scales. The state-of-the art is shown in Fig. 1. The simulation shown in the left panel evolves a concordance model with 1 billion Lagrangian dark matter particles and the equations of Eulerian hydrodynamics and self-gravity on a uniform grid of 1 billion (1024^3) cells. The calculation was done on 512 processors of SDSC's IBM Blue Horizon computer, and produced 10TB of raw data and 6 TB of derived data. This calculation serves as a survey volume for follow-on adaptive mesh refinement (AMR) simulations which resolve the galaxies' internal structure. At right is shown an old AMR simulation of galaxy formation done at NCSA in 1998. Due to computer power and data handling limitations at the time, only 1/64 of the survey volume (2563 base grid) could be simulated at high resolution. Now, with more powerful parallel computers and data management technologies, we can in principle simulate the entire volume at high spatial resolution. Making that a practical reality is the overarching goal of the cosmology simulation data grid project, which we shall henceforth refer to as the Cosmic Simulator. The specific goals of the Cosmic Simulator project are threefold: use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications. Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\" Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student","use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.","Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"","Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n            \u003cp\u003eRick Wagner, Eric J. Hallman, Brian W. O'Shea, Jack O. Burns, Michael L. Norman, Robert Harkness, and Geoffrey So. \"The Santa Fe Light Cone Simulation research project files.\" UC San Diego Research Cyberinfrastructure Data Curation. (Data version 1.0, published 2013; http://dx.doi.org/10.6075/W7154F0Q)\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Rick Wagner, Eric J. Hallman, Brian W. O'Shea, Jack O. Burns, Michael L. Norman, Robert Harkness, and Geoffrey So. \"The Santa Fe Light Cone Simulation research project files.\" UC San Diego Research Cyberinfrastructure Data Curation. (Data version 1.0, published 2013; http://dx.doi.org/10.6075/W7154F0Q)"],"processinfo_html_tesm":["\u003cp\u003e\u003chead\u003eProcessing Information note\u003c/head\u003e\n            \u003cp\u003eThe project lead collected, on the Triton Resource at the San Diego Supercomputer Center, all data generated by the Santa Fe Light Cone Simulation project deemed essential to representing the simulation project and facilitating re-use of the data. Data files were categorized and arranged to represent each snapshot (Data at redshift) comprising the simulation. The files for each snapshot include files specifying the parameters for each snapshot, binary data files constituting the results of applying the parameters, and derived data products generated from processing of the results. Files deemed irrelevant to representation of the project and / or use of the data were removed from the data set. In addition to data files, scripts necessary for processing the data were added to the collection, as were products generated using the scripts. The former are included in the component labeled \"Data Processing Tools, \" whereas the latter are typically included in a sub-component labeled \"Derived Products\" for each of the primary \"Data at redshift\" components. Finally, a variety of project files, primarily proposals and project status reports, have been incorporated and are listed in the component labeled \"Historical documents.\" The Santa Fe Light Cone simulation files were then transferred from the SDSC server to the Research Data Curation data storage space. The transfer of all files were monitored for accuracy.\u003c/p\u003e\n            \u003cp\u003eThe entire collection was arranged into thirty-one components and described completely using the Archivists' Toolkit application. Component and sub-component descriptions were linked to digital object records composed in the AT and containing links to the files constituting the data set, or snapshot. The AT description was used to generate an Encoded Archival Description (EAD) document for the complete set of files for the Santa Fe Light Cone Simulation project data set and a METS document for each primary component. The EAD is to be uploaded to the Online Archive of California (OAC), whereas the METS records and the digital content files they reference are to be uploaded to the UC San Diego Digital Asset Management System (DAMS). A researcher will thus be enabled to access the data files either through the OAC or the UCSD DAMS. Finally, all files and descriptive records for the simulation project are to be deposted in the Chronopolis digital preservation network for long-term preservation management.\u003c/p\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information note"],"processinfo_tesim":["Processing Information note The project lead collected, on the Triton Resource at the San Diego Supercomputer Center, all data generated by the Santa Fe Light Cone Simulation project deemed essential to representing the simulation project and facilitating re-use of the data. Data files were categorized and arranged to represent each snapshot (Data at redshift) comprising the simulation. The files for each snapshot include files specifying the parameters for each snapshot, binary data files constituting the results of applying the parameters, and derived data products generated from processing of the results. Files deemed irrelevant to representation of the project and / or use of the data were removed from the data set. In addition to data files, scripts necessary for processing the data were added to the collection, as were products generated using the scripts. The former are included in the component labeled \"Data Processing Tools, \" whereas the latter are typically included in a sub-component labeled \"Derived Products\" for each of the primary \"Data at redshift\" components. Finally, a variety of project files, primarily proposals and project status reports, have been incorporated and are listed in the component labeled \"Historical documents.\" The Santa Fe Light Cone simulation files were then transferred from the SDSC server to the Research Data Curation data storage space. The transfer of all files were monitored for accuracy. The entire collection was arranged into thirty-one components and described completely using the Archivists' Toolkit application. Component and sub-component descriptions were linked to digital object records composed in the AT and containing links to the files constituting the data set, or snapshot. The AT description was used to generate an Encoded Archival Description (EAD) document for the complete set of files for the Santa Fe Light Cone Simulation project data set and a METS document for each primary component. The EAD is to be uploaded to the Online Archive of California (OAC), whereas the METS records and the digital content files they reference are to be uploaded to the UC San Diego Digital Asset Management System (DAMS). A researcher will thus be enabled to access the data files either through the OAC or the UCSD DAMS. Finally, all files and descriptive records for the simulation project are to be deposted in the Chronopolis digital preservation network for long-term preservation management."],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Contents note\u003c/head\u003e\n            \u003cp\u003eThe project files consists of data in three broad categories: the simulation data (\"Data at Redshift\" components); analysis tools and example scripts (Data Processing Tools) for processing the data; and project administration and background documents (Historical Documents) related to the project. All these materials were created between 2005 and 2012, beginning with a proposal for the LUSciD Project, continuing on to the simulation data, and ending with the recent analysis tools. The historical documents are proposals and progress reports that were part of grants or requests for computational resources supporting the research. The component for analysis tools and example scripts contains the source code to yt (http://yt-project.org/), which was used to produce the example data analysis results. The results are a combination of structured text, binary files, and images. The historical documents and analysis tools are described in greater detail in their component descriptions.\u003c/p\u003e\n            \u003cp\u003eThe scientific motivations for the light cone simulation are described in the Project Background. Here we describe how the simulation data was generated. The simulation was the final in a group of simulations, with each one designed to meet certain requirements, such as resolution. Earlier simulations tied to the LUsciD Project were performed on Thunder, a Lawrence Livermore National Laboratory cluster. This calculation for the Santa Fe Light Cone Simulation was a demonstration of the software's ability to perform adaptive refinement throughout the volume, and as a result, was run on the San Diego Supercomputer Center's DataStar system and the National Center for Supercomputing Applications Altix, Cobalt.\u003c/p\u003e\n            \u003cp\u003eThe simulation was initialized at high redshift, assuming a standard cosmological model incorporating dark energy and cold dark matter. The physical volume represented was a periodic cube 512 comoving megaparsecs on a side. The simulation was evolved to the present day, using models for gravity and adiabatic gas dynamics. At specific points, snapshots of the simulation were saved, and a representative subset of those are contained in this collection.\u003c/p\u003e\n            \u003cp\u003eThese snapshots are organized by time (or, equivalently, redshift) at the top level, and named from RD0009 to RD0036; lower numbers (e.g., RD0009) represent earlier times in the universe's evolution, while higher numbers are later times and ones closer to the present day. Each snapshot has an archive (tar) file of the original data, a checksum of the archive, and text files of the parameters, grid hierarchy, and boundary conditions. The parameter, hierarchy, and boundary files are also in the archive file, but are available separately for convenience in a component named \"Parameters.\"\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003eThe contents of each project component labeled RD00## are the same:\u003c/p\u003e\n            \u003cp\u003e* RD00## (parameters, ASCII): All of the simulation parameters are listed in these files as key-value pairs, using a \"key = value\" format. The input parameter are identical across all parameter files, while variables such as the current time, or redshift, change.\u003c/p\u003e\n            \u003cp\u003e* RD00##.hierarchy (grid metadata, ASCII): A list of the grid data structures, their spatial position, file names, and numerical size.\u003c/p\u003e\n            \u003cp\u003e* RD00##.cpu0XXX (physical data, HDF5): These files hold the physical fields (density, velocity, etc.) for each grid.\u003c/p\u003e\n            \u003cp\u003e* RD00##.boundary (boundary conditions, ASCII): Boundary metadata.\u003c/p\u003e\n            \u003cp\u003e* RD00##.boundary.hdf (boundary conditions, HDF5): Boundary data for necessary fields\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Scope and Contents note The project files consists of data in three broad categories: the simulation data (\"Data at Redshift\" components); analysis tools and example scripts (Data Processing Tools) for processing the data; and project administration and background documents (Historical Documents) related to the project. All these materials were created between 2005 and 2012, beginning with a proposal for the LUSciD Project, continuing on to the simulation data, and ending with the recent analysis tools. The historical documents are proposals and progress reports that were part of grants or requests for computational resources supporting the research. The component for analysis tools and example scripts contains the source code to yt (http://yt-project.org/), which was used to produce the example data analysis results. The results are a combination of structured text, binary files, and images. The historical documents and analysis tools are described in greater detail in their component descriptions. The scientific motivations for the light cone simulation are described in the Project Background. Here we describe how the simulation data was generated. The simulation was the final in a group of simulations, with each one designed to meet certain requirements, such as resolution. Earlier simulations tied to the LUsciD Project were performed on Thunder, a Lawrence Livermore National Laboratory cluster. This calculation for the Santa Fe Light Cone Simulation was a demonstration of the software's ability to perform adaptive refinement throughout the volume, and as a result, was run on the San Diego Supercomputer Center's DataStar system and the National Center for Supercomputing Applications Altix, Cobalt. The simulation was initialized at high redshift, assuming a standard cosmological model incorporating dark energy and cold dark matter. The physical volume represented was a periodic cube 512 comoving megaparsecs on a side. The simulation was evolved to the present day, using models for gravity and adiabatic gas dynamics. At specific points, snapshots of the simulation were saved, and a representative subset of those are contained in this collection. These snapshots are organized by time (or, equivalently, redshift) at the top level, and named from RD0009 to RD0036; lower numbers (e.g., RD0009) represent earlier times in the universe's evolution, while higher numbers are later times and ones closer to the present day. Each snapshot has an archive (tar) file of the original data, a checksum of the archive, and text files of the parameters, grid hierarchy, and boundary conditions. The parameter, hierarchy, and boundary files are also in the archive file, but are available separately for convenience in a component named \"Parameters.\" The contents of each project component labeled RD00## are the same: * RD00## (parameters, ASCII): All of the simulation parameters are listed in these files as key-value pairs, using a \"key = value\" format. The input parameter are identical across all parameter files, while variables such as the current time, or redshift, change. * RD00##.hierarchy (grid metadata, ASCII): A list of the grid data structures, their spatial position, file names, and numerical size. * RD00##.cpu0XXX (physical data, HDF5): These files hold the physical fields (density, velocity, etc.) for each grid. * RD00##.boundary (boundary conditions, ASCII): Boundary metadata. * RD00##.boundary.hdf (boundary conditions, HDF5): Boundary data for necessary fields"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003eRights\u003c/head\u003e\n            \u003cp\u003eThe information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).\u003c/p\u003e\u003c/p\u003e","\u003cp\u003e\u003chead\u003eLicense\u003c/head\u003e\n            \u003cp\u003eThis work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/).\u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Rights","License"],"userestrict_tesim":["Rights The information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).","License This work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/)."],"names_coll_ssim":["Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Wagner, Rick, 1972-","Wagner, Rick, 1972-"],"names_ssim":["Lyrasis Special Collections","Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Lawrence Livermore Laboratory.","University of California, San Diego.","Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-","Barnett, Tim","Moore, Reagan W."],"corpname_ssim":["Lyrasis Special Collections","Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Lawrence Livermore Laboratory.","University of California, San Diego."],"persname_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-","Barnett, Tim","Moore, Reagan W."],"language_ssim":[""],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":44,"online_item_count_is":39,"component_level_isim":[0],"sort_isi":0,"_root_":"fbd0c7fbf3276395f8940a8e","timestamp":"2026-04-04T01:12:15.474Z","bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eProject Background\u003c/head\u003e\n            \u003cp\u003eThe Santa Fe Light Cone Simulation project was the result of an ongoing effort by the Laboratory for Computational Astrophysics, beginning with the LUScID Project in 2005. This led to the development of the ENZO simulation software to the point where it was able to complete a seven-level adaptive mesh refinement (AMR) cosmology simulation.\u003c/p\u003e\n            \u003cp\u003e\n                \u003cemph render=\"underline\"\u003eLUScID\u003c/emph\u003e\u003c/p\u003e\n            \u003cp\u003eDuring the 1990s, observational cosmology became \"big science,\" involving expensive instruments (e.g., the Hubble Space Telescope) and large teams (e.g., the Sloan Digital Sky Survey [SDSS]) attacking fundamental questions about the origin and evolution of the universe. Progress was astonishing and included the discovery of the accelerating universe (Riess et al. 1998, Perlmutter et al. 1999); precision measurements of the global geometry, age, and composition of the universe (de Bernardis et al. 2000); and deep images of galaxies at the dawn of time (Beckwith et al. 2004). These and other observations have narrowed the range of acceptable theoretical models for cosmological structure formation to a single model called the concordance model (Bahcall et al. 1999), for which free parameters are now known to high precision (Spergel et al. 2003). Cosmology thus finds itself in a place not unlike particle physics, where the goal going forward is to refine and test the standard model with yet higher precision measurements. Fundamental science questions driving the field include the nature of dark energy and dark matter, the formation and evolution of galaxies and quasars, and how and when the intergalactic medium was re-ionized.\u003c/p\u003e\n            \u003cp\u003eFuture progress requires ambitious observational surveys of the universe of unprecedented depth and breadth. The SDSS is collecting megabytes of data per galaxy on nearly 1 million galaxies distributed throughout a volume of space many billions of light years on a side. Currently over 2 TB of data has been collected and archived. This number is expected to grow to 5 TB by project's end. Several similarly sized surveys are underway, and much larger ones are planned. In particular, the Large aperture Synoptic Survey Telescope [LSST] will collect 15 TB of image data every night for a year, amassing a collection of tens of petabytes over several years. The LSST will produce an object catalog of a billion galaxies\u0026#x2014;a thousand-fold increase over the SDSS. Coping with this \"data flood\" requires advanced scientific data management technologies.\u003c/p\u003e\n            \u003cp\u003eIn order to maximize the science return, results from massive surveys need to be compared to the detailed predictions of the concordance model. These take the form of massive cosmological simulations of the formation of galaxies and large scale structure. Just as Moore's Law is the force behind the data explosion in astronomy, it has also enabled numerical simulations of unprecedented size and complexity on massively parallel supercomputers.\u003c/p\u003e\n            \u003cp\u003eENZO is a parallel cosmology application developed at the Laboratory for Computational Astrophysics (LCA) at UCSD, directed by Michael Norman. ENZO solves the equations of dark matter dynamics, multi-species hydrodynamics, non-equilibrium chemical and ionization kinetics, and self-gravity in an expanding universe dominated by dark energy. Parameterized models of star formation and feedback effects allow the simulation of the formation and evolution of galaxies on cosmic length scales and time scales. The state-of-the art is shown in Fig. 1. The simulation shown in the left panel evolves a concordance model with 1 billion Lagrangian dark matter particles and the equations of Eulerian hydrodynamics and self-gravity on a uniform grid of 1 billion (1024^3) cells. The calculation was done on 512 processors of SDSC's IBM Blue Horizon computer, and produced 10TB of raw data and 6 TB of derived data. This calculation serves as a survey volume for follow-on adaptive mesh refinement (AMR) simulations which resolve the galaxies' internal structure. At right is shown an old AMR simulation of galaxy formation done at NCSA in 1998. Due to computer power and data handling limitations at the time, only 1/64 of the survey volume (2563 base grid) could be simulated at high resolution. Now, with more powerful parallel computers and data management technologies, we can in principle simulate the entire volume at high spatial resolution. Making that a practical reality is the overarching goal of the cosmology simulation data grid project, which we shall henceforth refer to as the Cosmic Simulator.\u003c/p\u003e\n            \u003cp\u003eThe specific goals of the Cosmic Simulator project are threefold:\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n                \u003citem\u003euse the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism;\u003c/item\u003e\n                \u003citem\u003eimprove the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes;\u003c/item\u003e\n                \u003citem\u003egenerate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.\u003c/item\u003e\n            \u003c/list\u003e\n            \u003cchronlist\u003e\n                \u003chead\u003eKey project events (including requests for computer support and the submission of manuscripts for publication)\u003c/head\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJanuary 2005\u003c/date\u003e\n                    \u003cevent\u003eLUSciD (LLNL UCSD Scientific Data Management) proposal submitted\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJanuary 2006\u003c/date\u003e\n                    \u003cevent\u003eThe LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone.\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eApril 2007\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJanuary 2008\u003c/date\u003e\n                    \u003cevent\u003eA second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing.\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJune 2008\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eMarch 2009\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eAugust 2010\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eOctober 2010\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJune 2011\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n            \u003c/chronlist\u003e\n            \u003clist type=\"ordered\"\u003e\n                \u003chead\u003eKey Personnel (including institutional affiliations and project positions\u003c/head\u003e\n                \u003citem\u003eMichael L. Norman, University of California, San Diego, Principal Investigator\u003c/item\u003e\n                \u003citem\u003eJack O. Burns, University of Colorado Boulder, Co-Principal Investigator\u003c/item\u003e\n                \u003citem\u003eEric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow\u003c/item\u003e\n                \u003citem\u003eJames Bordner, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n                \u003citem\u003eRobert Harkness, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n                \u003citem\u003eBrian W. O'Shea, University of California, San Diego, Graduate Student\u003c/item\u003e\n                \u003citem\u003eGeoffrey So, University of California, San Diego, Graduate Student\u003c/item\u003e\n                \u003citem\u003eRick Wagner, University of California, San Diego, Graduate Student\u003c/item\u003e\n            \u003c/list\u003e\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003euse the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism;\u003c/item\u003e\n      \u003citem\u003eimprove the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes;\u003c/item\u003e\n      \u003citem\u003egenerate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.\u003c/item\u003e\n    \u003c/list\u003e","\u003cchronlist\u003e\n      \u003chead\u003eKey project events (including requests for computer support and the submission of manuscripts for publication)\u003c/head\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJanuary 2005\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eLUSciD (LLNL UCSD Scientific Data Management) proposal submitted\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJanuary 2006\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eThe LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone.\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eApril 2007\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJanuary 2008\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eA second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing.\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJune 2008\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eMarch 2009\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eAugust 2010\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eOctober 2010\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJune 2011\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n    \u003c/chronlist\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eKey Personnel (including institutional affiliations and project positions\u003c/head\u003e\n      \u003citem\u003eMichael L. Norman, University of California, San Diego, Principal Investigator\u003c/item\u003e\n      \u003citem\u003eJack O. Burns, University of Colorado Boulder, Co-Principal Investigator\u003c/item\u003e\n      \u003citem\u003eEric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow\u003c/item\u003e\n      \u003citem\u003eJames Bordner, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n      \u003citem\u003eRobert Harkness, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n      \u003citem\u003eBrian W. O'Shea, University of California, San Diego, Graduate Student\u003c/item\u003e\n      \u003citem\u003eGeoffrey So, University of California, San Diego, Graduate Student\u003c/item\u003e\n      \u003citem\u003eRick Wagner, University of California, San Diego, Graduate Student\u003c/item\u003e\n    \u003c/list\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fbd0c7fbf3276395f8940a8e","title_filing_ssi":"Santa Fe Light Cone Simulation research project files","title_ssm":["Santa Fe Light Cone Simulation research project files"],"title_tesim":["Santa Fe Light Cone Simulation research project files"],"ead_ssi":"fbd0c7fbf3276395f8940a8e","unitdate_ssm":["Bulk, 2005-2007","2005-2012, Bulk 2005-2007"],"unitdate_inclusive_ssm":["Bulk, 2005-2007","2005-2012, Bulk 2005-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RCIDC.0001","/repositories/2/resources/5"],"text":["RCIDC.0001","/repositories/2/resources/5","Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007","Cosmic background radiation","Cosmology","Cosmology--Observations","Galaxies--Clusters","Hydrodynamics","Research-Data processing","Research data","Access This data set is available for use by the general research community, via UC San Diego Research Cyberinfrastructure Data Curation. Inquiries about using the dataset may be directed to rci-ref@ucsd.edu","Arrangement note The data set is arranged into 31 components: 1: Data processing tools; 2: Initital conditions for simulation; 3-30: Data at redshift=3.0 to Data at redshift=0.0, and 31: Historical documents.","Referenced below are articles and other publications identified at the end of 2011 as having used the data generated by Santa Fe Light Cone Simulation project.","Hallman, Eric J.; Skillman, Samuel W.; Jeltema, Tesla E.; Smith, Britton D.; O'Shea, Brian W.; Burns, Jack O.; and Norman, Michael L. \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters.\" The Astrophysical Journal , Vol. 725, Issue 1: 1053-1068 (Dec. 2010); http://dx.doi.org/10.1088/0004-637X/725/1/1053; http://iopscience.iop.org/0004-637X/725/1/1053.","Hallman, Eric J.;O'Shea, Brian W.; Burns, Jack O.; Norman, Michael L.; and Harkness, Robert; Wagner, Rick. \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys.\"  The Astrophysical Journal , V. 671, Issue 1: 27-39 (12/2007). http://dx.doi.org/10.1086/522912; http://adsabs.harvard.edu/abs/2007ApJ...671...27H","Hallman, Eric J.; O'Shea, Brian W.; Smith, Britton D.; Burns, Jack O.; and Norman, Michael L.  \"The Santa Fe Light Cone Simulation Project. II. The Prospects for Direct Detection of the Whim with SZE Surveys.\"  The Astrophysical Journal , Vol. 698, Issue 2: 1795-1802 (2009): http://dx.doi.org/10.1088/0004-637X/698/2/1795; http://iopscience.iop.org/0004-637X/698/2.","Lemze, Doron; Rephaeli, Yoel; Barkana, Rennan; Broadhurst, Tom; Wagner, Rick; and Norman, Mike L. \"Quantifying the Collisionless Nature of Dark Matter and Galaxies in A1689.\"  The Astrophysical Journal , Vol. 728, Issue 1, article id 40 (2011): http://dx.doi.org/10.1088/0004-637X/728/1/40; http://iopscience.iop.org/0004-637X/728/1/40.","Lemze, Doron; Wagner, Rick; Rephaeli, Yoel; Sadeh, Sharon; Norman, Michael L.; Barkana, Rennan; Broadhurst, Tom; Ford, Holland; and Postman, Marc. \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters.\"  eprint arXiv:1106.6048 (June 2011).","Skillman, Samuel W.; O'Shea, Brian W.; Hallman, Eric J.; Burns, Jack O.; and Norman, Michael L. \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays.\" The Astrophysical Journal , Vol. 689, Issue 2: 1063-1077 (Dec. 2008); http://dx.doi.org/10.1086/592496; http://iopscience.iop.org/0004-637X/689/2/1063","Project Background The Santa Fe Light Cone Simulation project was the result of an ongoing effort by the Laboratory for Computational Astrophysics, beginning with the LUScID Project in 2005. This led to the development of the ENZO simulation software to the point where it was able to complete a seven-level adaptive mesh refinement (AMR) cosmology simulation. LUScID During the 1990s, observational cosmology became \"big science,\" involving expensive instruments (e.g., the Hubble Space Telescope) and large teams (e.g., the Sloan Digital Sky Survey [SDSS]) attacking fundamental questions about the origin and evolution of the universe. Progress was astonishing and included the discovery of the accelerating universe (Riess et al. 1998, Perlmutter et al. 1999); precision measurements of the global geometry, age, and composition of the universe (de Bernardis et al. 2000); and deep images of galaxies at the dawn of time (Beckwith et al. 2004). These and other observations have narrowed the range of acceptable theoretical models for cosmological structure formation to a single model called the concordance model (Bahcall et al. 1999), for which free parameters are now known to high precision (Spergel et al. 2003). Cosmology thus finds itself in a place not unlike particle physics, where the goal going forward is to refine and test the standard model with yet higher precision measurements. Fundamental science questions driving the field include the nature of dark energy and dark matter, the formation and evolution of galaxies and quasars, and how and when the intergalactic medium was re-ionized. Future progress requires ambitious observational surveys of the universe of unprecedented depth and breadth. The SDSS is collecting megabytes of data per galaxy on nearly 1 million galaxies distributed throughout a volume of space many billions of light years on a side. Currently over 2 TB of data has been collected and archived. This number is expected to grow to 5 TB by project's end. Several similarly sized surveys are underway, and much larger ones are planned. In particular, the Large aperture Synoptic Survey Telescope [LSST] will collect 15 TB of image data every night for a year, amassing a collection of tens of petabytes over several years. The LSST will produce an object catalog of a billion galaxies—a thousand-fold increase over the SDSS. Coping with this \"data flood\" requires advanced scientific data management technologies. In order to maximize the science return, results from massive surveys need to be compared to the detailed predictions of the concordance model. These take the form of massive cosmological simulations of the formation of galaxies and large scale structure. Just as Moore's Law is the force behind the data explosion in astronomy, it has also enabled numerical simulations of unprecedented size and complexity on massively parallel supercomputers. ENZO is a parallel cosmology application developed at the Laboratory for Computational Astrophysics (LCA) at UCSD, directed by Michael Norman. ENZO solves the equations of dark matter dynamics, multi-species hydrodynamics, non-equilibrium chemical and ionization kinetics, and self-gravity in an expanding universe dominated by dark energy. Parameterized models of star formation and feedback effects allow the simulation of the formation and evolution of galaxies on cosmic length scales and time scales. The state-of-the art is shown in Fig. 1. The simulation shown in the left panel evolves a concordance model with 1 billion Lagrangian dark matter particles and the equations of Eulerian hydrodynamics and self-gravity on a uniform grid of 1 billion (1024^3) cells. The calculation was done on 512 processors of SDSC's IBM Blue Horizon computer, and produced 10TB of raw data and 6 TB of derived data. This calculation serves as a survey volume for follow-on adaptive mesh refinement (AMR) simulations which resolve the galaxies' internal structure. At right is shown an old AMR simulation of galaxy formation done at NCSA in 1998. Due to computer power and data handling limitations at the time, only 1/64 of the survey volume (2563 base grid) could be simulated at high resolution. Now, with more powerful parallel computers and data management technologies, we can in principle simulate the entire volume at high spatial resolution. Making that a practical reality is the overarching goal of the cosmology simulation data grid project, which we shall henceforth refer to as the Cosmic Simulator. The specific goals of the Cosmic Simulator project are threefold: use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications. Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\" Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student","use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.","Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"","Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student","Processing Information note The project lead collected, on the Triton Resource at the San Diego Supercomputer Center, all data generated by the Santa Fe Light Cone Simulation project deemed essential to representing the simulation project and facilitating re-use of the data. Data files were categorized and arranged to represent each snapshot (Data at redshift) comprising the simulation. The files for each snapshot include files specifying the parameters for each snapshot, binary data files constituting the results of applying the parameters, and derived data products generated from processing of the results. Files deemed irrelevant to representation of the project and / or use of the data were removed from the data set. In addition to data files, scripts necessary for processing the data were added to the collection, as were products generated using the scripts. The former are included in the component labeled \"Data Processing Tools, \" whereas the latter are typically included in a sub-component labeled \"Derived Products\" for each of the primary \"Data at redshift\" components. Finally, a variety of project files, primarily proposals and project status reports, have been incorporated and are listed in the component labeled \"Historical documents.\" The Santa Fe Light Cone simulation files were then transferred from the SDSC server to the Research Data Curation data storage space. The transfer of all files were monitored for accuracy. The entire collection was arranged into thirty-one components and described completely using the Archivists' Toolkit application. Component and sub-component descriptions were linked to digital object records composed in the AT and containing links to the files constituting the data set, or snapshot. The AT description was used to generate an Encoded Archival Description (EAD) document for the complete set of files for the Santa Fe Light Cone Simulation project data set and a METS document for each primary component. The EAD is to be uploaded to the Online Archive of California (OAC), whereas the METS records and the digital content files they reference are to be uploaded to the UC San Diego Digital Asset Management System (DAMS). A researcher will thus be enabled to access the data files either through the OAC or the UCSD DAMS. Finally, all files and descriptive records for the simulation project are to be deposted in the Chronopolis digital preservation network for long-term preservation management.","Scope and Contents note The project files consists of data in three broad categories: the simulation data (\"Data at Redshift\" components); analysis tools and example scripts (Data Processing Tools) for processing the data; and project administration and background documents (Historical Documents) related to the project. All these materials were created between 2005 and 2012, beginning with a proposal for the LUSciD Project, continuing on to the simulation data, and ending with the recent analysis tools. The historical documents are proposals and progress reports that were part of grants or requests for computational resources supporting the research. The component for analysis tools and example scripts contains the source code to yt (http://yt-project.org/), which was used to produce the example data analysis results. The results are a combination of structured text, binary files, and images. The historical documents and analysis tools are described in greater detail in their component descriptions. The scientific motivations for the light cone simulation are described in the Project Background. Here we describe how the simulation data was generated. The simulation was the final in a group of simulations, with each one designed to meet certain requirements, such as resolution. Earlier simulations tied to the LUsciD Project were performed on Thunder, a Lawrence Livermore National Laboratory cluster. This calculation for the Santa Fe Light Cone Simulation was a demonstration of the software's ability to perform adaptive refinement throughout the volume, and as a result, was run on the San Diego Supercomputer Center's DataStar system and the National Center for Supercomputing Applications Altix, Cobalt. The simulation was initialized at high redshift, assuming a standard cosmological model incorporating dark energy and cold dark matter. The physical volume represented was a periodic cube 512 comoving megaparsecs on a side. The simulation was evolved to the present day, using models for gravity and adiabatic gas dynamics. At specific points, snapshots of the simulation were saved, and a representative subset of those are contained in this collection. These snapshots are organized by time (or, equivalently, redshift) at the top level, and named from RD0009 to RD0036; lower numbers (e.g., RD0009) represent earlier times in the universe's evolution, while higher numbers are later times and ones closer to the present day. Each snapshot has an archive (tar) file of the original data, a checksum of the archive, and text files of the parameters, grid hierarchy, and boundary conditions. The parameter, hierarchy, and boundary files are also in the archive file, but are available separately for convenience in a component named \"Parameters.\" The contents of each project component labeled RD00## are the same: * RD00## (parameters, ASCII): All of the simulation parameters are listed in these files as key-value pairs, using a \"key = value\" format. The input parameter are identical across all parameter files, while variables such as the current time, or redshift, change. * RD00##.hierarchy (grid metadata, ASCII): A list of the grid data structures, their spatial position, file names, and numerical size. * RD00##.cpu0XXX (physical data, HDF5): These files hold the physical fields (density, velocity, etc.) for each grid. * RD00##.boundary (boundary conditions, ASCII): Boundary metadata. * RD00##.boundary.hdf (boundary conditions, HDF5): Boundary data for necessary fields","Rights The information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).","License This work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/).","Lyrasis Special Collections","Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Lawrence Livermore Laboratory.","University of California, San Diego.","Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-","Barnett, Tim","Moore, Reagan W.",""],"unitid_tesim":["RCIDC.0001","/repositories/2/resources/5"],"normalized_date_ssm":["Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"normalized_title_ssm":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"collection_title_tesim":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"collection_ssim":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"creator_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"creator_persname_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"creators_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"access_terms_ssm":["Rights The information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).","License This work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/)."],"acqinfo_ssim":["Immediate Source of Acquisition note Rick Wagner, 2012."],"access_subjects_ssim":["Cosmic background radiation","Cosmology","Cosmology--Observations","Galaxies--Clusters","Hydrodynamics","Research-Data processing","Research data"],"access_subjects_ssm":["Cosmic background radiation","Cosmology","Cosmology--Observations","Galaxies--Clusters","Hydrodynamics","Research-Data processing","Research data"],"has_online_content_ssim":["true"],"extent_ssm":["683.0 Gigabytes","39 Electronic file","683.0 Gigabyte(s) 39 digital objects collectively containing 1,797 digital files of various types."],"extent_tesim":["683.0 Gigabytes","39 Electronic file","683.0 Gigabyte(s) 39 digital objects collectively containing 1,797 digital files of various types."],"genreform_ssim":["Research data"],"date_range_isim":[2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n            \u003cp\u003eThis data set is available for use by the general research community, via UC San Diego Research Cyberinfrastructure Data Curation. 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Inquiries about using the dataset may be directed to rci-ref@ucsd.edu"],"arrangement_html_tesm":["\u003cp\u003e\u003chead\u003eArrangement note\u003c/head\u003e\n            \u003cp\u003eThe data set is arranged into 31 components: 1: Data processing tools; 2: Initital conditions for simulation; 3-30: Data at redshift=3.0 to Data at redshift=0.0, and 31: Historical documents.\u003c/p\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement note"],"arrangement_tesim":["Arrangement note The data set is arranged into 31 components: 1: Data processing tools; 2: Initital conditions for simulation; 3-30: Data at redshift=3.0 to Data at redshift=0.0, and 31: Historical documents."],"bibliography_html_tesm":["\u003cp\u003eReferenced below are articles and other publications identified at the end of 2011 as having used the data generated by Santa Fe Light Cone Simulation project.\u003c/p\u003e","\u003cbibref\u003eHallman, Eric J.; Skillman, Samuel W.; Jeltema, Tesla E.; Smith, Britton D.; O'Shea, Brian W.; Burns, Jack O.; and Norman, Michael L.\u003ctitle\u003e\"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters.\"\u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 725, Issue 1: 1053-1068 (Dec. 2010); http://dx.doi.org/10.1088/0004-637X/725/1/1053; http://iopscience.iop.org/0004-637X/725/1/1053.\u003c/bibref\u003e","\u003cbibref\u003eHallman, Eric J.;O'Shea, Brian W.; Burns, Jack O.; Norman, Michael L.; and Harkness, Robert; Wagner, Rick.\u003ctitle\u003e\"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys.\" \u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, V. 671, Issue 1: 27-39 (12/2007). http://dx.doi.org/10.1086/522912; http://adsabs.harvard.edu/abs/2007ApJ...671...27H\u003c/bibref\u003e","\u003cbibref\u003eHallman, Eric J.; O'Shea, Brian W.; Smith, Britton D.; Burns, Jack O.; and Norman, Michael L.\u003ctitle\u003e \"The Santa Fe Light Cone Simulation Project. II. The Prospects for Direct Detection of the Whim with SZE Surveys.\" \u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 698, Issue 2: 1795-1802 (2009): http://dx.doi.org/10.1088/0004-637X/698/2/1795; http://iopscience.iop.org/0004-637X/698/2.\u003c/bibref\u003e","\u003cbibref\u003eLemze, Doron; Rephaeli, Yoel; Barkana, Rennan; Broadhurst, Tom; Wagner, Rick; and Norman, Mike L.\u003ctitle\u003e\"Quantifying the Collisionless Nature of Dark Matter and Galaxies in A1689.\" \u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 728, Issue 1, article id 40 (2011): http://dx.doi.org/10.1088/0004-637X/728/1/40; http://iopscience.iop.org/0004-637X/728/1/40.\u003c/bibref\u003e","\u003cbibref\u003eLemze, Doron; Wagner, Rick; Rephaeli, Yoel; Sadeh, Sharon; Norman, Michael L.; Barkana, Rennan; Broadhurst, Tom; Ford, Holland; and Postman, Marc.\u003ctitle\u003e\"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters.\"\u003c/title\u003e eprint arXiv:1106.6048 (June 2011).\u003c/bibref\u003e","\u003cbibref\u003eSkillman, Samuel W.; O'Shea, Brian W.; Hallman, Eric J.; Burns, Jack O.; and Norman, Michael L.\u003ctitle\u003e\"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays.\"\u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 689, Issue 2: 1063-1077 (Dec. 2008); http://dx.doi.org/10.1086/592496; http://iopscience.iop.org/0004-637X/689/2/1063\u003c/bibref\u003e"],"bibliography_heading_ssm":["Use References"],"bibliography_tesim":["Referenced below are articles and other publications identified at the end of 2011 as having used the data generated by Santa Fe Light Cone Simulation project.","Hallman, Eric J.; Skillman, Samuel W.; Jeltema, Tesla E.; Smith, Britton D.; O'Shea, Brian W.; Burns, Jack O.; and Norman, Michael L. \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters.\" The Astrophysical Journal , Vol. 725, Issue 1: 1053-1068 (Dec. 2010); http://dx.doi.org/10.1088/0004-637X/725/1/1053; http://iopscience.iop.org/0004-637X/725/1/1053.","Hallman, Eric J.;O'Shea, Brian W.; Burns, Jack O.; Norman, Michael L.; and Harkness, Robert; Wagner, Rick. \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys.\"  The Astrophysical Journal , V. 671, Issue 1: 27-39 (12/2007). http://dx.doi.org/10.1086/522912; http://adsabs.harvard.edu/abs/2007ApJ...671...27H","Hallman, Eric J.; O'Shea, Brian W.; Smith, Britton D.; Burns, Jack O.; and Norman, Michael L.  \"The Santa Fe Light Cone Simulation Project. II. The Prospects for Direct Detection of the Whim with SZE Surveys.\"  The Astrophysical Journal , Vol. 698, Issue 2: 1795-1802 (2009): http://dx.doi.org/10.1088/0004-637X/698/2/1795; http://iopscience.iop.org/0004-637X/698/2.","Lemze, Doron; Rephaeli, Yoel; Barkana, Rennan; Broadhurst, Tom; Wagner, Rick; and Norman, Mike L. \"Quantifying the Collisionless Nature of Dark Matter and Galaxies in A1689.\"  The Astrophysical Journal , Vol. 728, Issue 1, article id 40 (2011): http://dx.doi.org/10.1088/0004-637X/728/1/40; http://iopscience.iop.org/0004-637X/728/1/40.","Lemze, Doron; Wagner, Rick; Rephaeli, Yoel; Sadeh, Sharon; Norman, Michael L.; Barkana, Rennan; Broadhurst, Tom; Ford, Holland; and Postman, Marc. \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters.\"  eprint arXiv:1106.6048 (June 2011).","Skillman, Samuel W.; O'Shea, Brian W.; Hallman, Eric J.; Burns, Jack O.; and Norman, Michael L. \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays.\" The Astrophysical Journal , Vol. 689, Issue 2: 1063-1077 (Dec. 2008); http://dx.doi.org/10.1086/592496; http://iopscience.iop.org/0004-637X/689/2/1063"],"bioghist_heading_ssm":["Project Background"],"bioghist_tesim":["Project Background The Santa Fe Light Cone Simulation project was the result of an ongoing effort by the Laboratory for Computational Astrophysics, beginning with the LUScID Project in 2005. This led to the development of the ENZO simulation software to the point where it was able to complete a seven-level adaptive mesh refinement (AMR) cosmology simulation. LUScID During the 1990s, observational cosmology became \"big science,\" involving expensive instruments (e.g., the Hubble Space Telescope) and large teams (e.g., the Sloan Digital Sky Survey [SDSS]) attacking fundamental questions about the origin and evolution of the universe. Progress was astonishing and included the discovery of the accelerating universe (Riess et al. 1998, Perlmutter et al. 1999); precision measurements of the global geometry, age, and composition of the universe (de Bernardis et al. 2000); and deep images of galaxies at the dawn of time (Beckwith et al. 2004). These and other observations have narrowed the range of acceptable theoretical models for cosmological structure formation to a single model called the concordance model (Bahcall et al. 1999), for which free parameters are now known to high precision (Spergel et al. 2003). Cosmology thus finds itself in a place not unlike particle physics, where the goal going forward is to refine and test the standard model with yet higher precision measurements. Fundamental science questions driving the field include the nature of dark energy and dark matter, the formation and evolution of galaxies and quasars, and how and when the intergalactic medium was re-ionized. Future progress requires ambitious observational surveys of the universe of unprecedented depth and breadth. The SDSS is collecting megabytes of data per galaxy on nearly 1 million galaxies distributed throughout a volume of space many billions of light years on a side. Currently over 2 TB of data has been collected and archived. This number is expected to grow to 5 TB by project's end. Several similarly sized surveys are underway, and much larger ones are planned. In particular, the Large aperture Synoptic Survey Telescope [LSST] will collect 15 TB of image data every night for a year, amassing a collection of tens of petabytes over several years. The LSST will produce an object catalog of a billion galaxies—a thousand-fold increase over the SDSS. Coping with this \"data flood\" requires advanced scientific data management technologies. In order to maximize the science return, results from massive surveys need to be compared to the detailed predictions of the concordance model. These take the form of massive cosmological simulations of the formation of galaxies and large scale structure. Just as Moore's Law is the force behind the data explosion in astronomy, it has also enabled numerical simulations of unprecedented size and complexity on massively parallel supercomputers. ENZO is a parallel cosmology application developed at the Laboratory for Computational Astrophysics (LCA) at UCSD, directed by Michael Norman. ENZO solves the equations of dark matter dynamics, multi-species hydrodynamics, non-equilibrium chemical and ionization kinetics, and self-gravity in an expanding universe dominated by dark energy. Parameterized models of star formation and feedback effects allow the simulation of the formation and evolution of galaxies on cosmic length scales and time scales. The state-of-the art is shown in Fig. 1. The simulation shown in the left panel evolves a concordance model with 1 billion Lagrangian dark matter particles and the equations of Eulerian hydrodynamics and self-gravity on a uniform grid of 1 billion (1024^3) cells. The calculation was done on 512 processors of SDSC's IBM Blue Horizon computer, and produced 10TB of raw data and 6 TB of derived data. This calculation serves as a survey volume for follow-on adaptive mesh refinement (AMR) simulations which resolve the galaxies' internal structure. At right is shown an old AMR simulation of galaxy formation done at NCSA in 1998. Due to computer power and data handling limitations at the time, only 1/64 of the survey volume (2563 base grid) could be simulated at high resolution. Now, with more powerful parallel computers and data management technologies, we can in principle simulate the entire volume at high spatial resolution. Making that a practical reality is the overarching goal of the cosmology simulation data grid project, which we shall henceforth refer to as the Cosmic Simulator. The specific goals of the Cosmic Simulator project are threefold: use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications. Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\" Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student","use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.","Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"","Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n            \u003cp\u003eRick Wagner, Eric J. Hallman, Brian W. O'Shea, Jack O. Burns, Michael L. Norman, Robert Harkness, and Geoffrey So. \"The Santa Fe Light Cone Simulation research project files.\" UC San Diego Research Cyberinfrastructure Data Curation. (Data version 1.0, published 2013; http://dx.doi.org/10.6075/W7154F0Q)\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Rick Wagner, Eric J. Hallman, Brian W. O'Shea, Jack O. Burns, Michael L. Norman, Robert Harkness, and Geoffrey So. \"The Santa Fe Light Cone Simulation research project files.\" UC San Diego Research Cyberinfrastructure Data Curation. (Data version 1.0, published 2013; http://dx.doi.org/10.6075/W7154F0Q)"],"processinfo_html_tesm":["\u003cp\u003e\u003chead\u003eProcessing Information note\u003c/head\u003e\n            \u003cp\u003eThe project lead collected, on the Triton Resource at the San Diego Supercomputer Center, all data generated by the Santa Fe Light Cone Simulation project deemed essential to representing the simulation project and facilitating re-use of the data. Data files were categorized and arranged to represent each snapshot (Data at redshift) comprising the simulation. The files for each snapshot include files specifying the parameters for each snapshot, binary data files constituting the results of applying the parameters, and derived data products generated from processing of the results. Files deemed irrelevant to representation of the project and / or use of the data were removed from the data set. In addition to data files, scripts necessary for processing the data were added to the collection, as were products generated using the scripts. The former are included in the component labeled \"Data Processing Tools, \" whereas the latter are typically included in a sub-component labeled \"Derived Products\" for each of the primary \"Data at redshift\" components. Finally, a variety of project files, primarily proposals and project status reports, have been incorporated and are listed in the component labeled \"Historical documents.\" The Santa Fe Light Cone simulation files were then transferred from the SDSC server to the Research Data Curation data storage space. The transfer of all files were monitored for accuracy.\u003c/p\u003e\n            \u003cp\u003eThe entire collection was arranged into thirty-one components and described completely using the Archivists' Toolkit application. Component and sub-component descriptions were linked to digital object records composed in the AT and containing links to the files constituting the data set, or snapshot. The AT description was used to generate an Encoded Archival Description (EAD) document for the complete set of files for the Santa Fe Light Cone Simulation project data set and a METS document for each primary component. The EAD is to be uploaded to the Online Archive of California (OAC), whereas the METS records and the digital content files they reference are to be uploaded to the UC San Diego Digital Asset Management System (DAMS). A researcher will thus be enabled to access the data files either through the OAC or the UCSD DAMS. Finally, all files and descriptive records for the simulation project are to be deposted in the Chronopolis digital preservation network for long-term preservation management.\u003c/p\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information note"],"processinfo_tesim":["Processing Information note The project lead collected, on the Triton Resource at the San Diego Supercomputer Center, all data generated by the Santa Fe Light Cone Simulation project deemed essential to representing the simulation project and facilitating re-use of the data. Data files were categorized and arranged to represent each snapshot (Data at redshift) comprising the simulation. The files for each snapshot include files specifying the parameters for each snapshot, binary data files constituting the results of applying the parameters, and derived data products generated from processing of the results. Files deemed irrelevant to representation of the project and / or use of the data were removed from the data set. In addition to data files, scripts necessary for processing the data were added to the collection, as were products generated using the scripts. The former are included in the component labeled \"Data Processing Tools, \" whereas the latter are typically included in a sub-component labeled \"Derived Products\" for each of the primary \"Data at redshift\" components. Finally, a variety of project files, primarily proposals and project status reports, have been incorporated and are listed in the component labeled \"Historical documents.\" The Santa Fe Light Cone simulation files were then transferred from the SDSC server to the Research Data Curation data storage space. The transfer of all files were monitored for accuracy. The entire collection was arranged into thirty-one components and described completely using the Archivists' Toolkit application. Component and sub-component descriptions were linked to digital object records composed in the AT and containing links to the files constituting the data set, or snapshot. The AT description was used to generate an Encoded Archival Description (EAD) document for the complete set of files for the Santa Fe Light Cone Simulation project data set and a METS document for each primary component. The EAD is to be uploaded to the Online Archive of California (OAC), whereas the METS records and the digital content files they reference are to be uploaded to the UC San Diego Digital Asset Management System (DAMS). A researcher will thus be enabled to access the data files either through the OAC or the UCSD DAMS. Finally, all files and descriptive records for the simulation project are to be deposted in the Chronopolis digital preservation network for long-term preservation management."],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Contents note\u003c/head\u003e\n            \u003cp\u003eThe project files consists of data in three broad categories: the simulation data (\"Data at Redshift\" components); analysis tools and example scripts (Data Processing Tools) for processing the data; and project administration and background documents (Historical Documents) related to the project. All these materials were created between 2005 and 2012, beginning with a proposal for the LUSciD Project, continuing on to the simulation data, and ending with the recent analysis tools. The historical documents are proposals and progress reports that were part of grants or requests for computational resources supporting the research. The component for analysis tools and example scripts contains the source code to yt (http://yt-project.org/), which was used to produce the example data analysis results. The results are a combination of structured text, binary files, and images. The historical documents and analysis tools are described in greater detail in their component descriptions.\u003c/p\u003e\n            \u003cp\u003eThe scientific motivations for the light cone simulation are described in the Project Background. Here we describe how the simulation data was generated. The simulation was the final in a group of simulations, with each one designed to meet certain requirements, such as resolution. Earlier simulations tied to the LUsciD Project were performed on Thunder, a Lawrence Livermore National Laboratory cluster. This calculation for the Santa Fe Light Cone Simulation was a demonstration of the software's ability to perform adaptive refinement throughout the volume, and as a result, was run on the San Diego Supercomputer Center's DataStar system and the National Center for Supercomputing Applications Altix, Cobalt.\u003c/p\u003e\n            \u003cp\u003eThe simulation was initialized at high redshift, assuming a standard cosmological model incorporating dark energy and cold dark matter. The physical volume represented was a periodic cube 512 comoving megaparsecs on a side. The simulation was evolved to the present day, using models for gravity and adiabatic gas dynamics. At specific points, snapshots of the simulation were saved, and a representative subset of those are contained in this collection.\u003c/p\u003e\n            \u003cp\u003eThese snapshots are organized by time (or, equivalently, redshift) at the top level, and named from RD0009 to RD0036; lower numbers (e.g., RD0009) represent earlier times in the universe's evolution, while higher numbers are later times and ones closer to the present day. Each snapshot has an archive (tar) file of the original data, a checksum of the archive, and text files of the parameters, grid hierarchy, and boundary conditions. The parameter, hierarchy, and boundary files are also in the archive file, but are available separately for convenience in a component named \"Parameters.\"\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003eThe contents of each project component labeled RD00## are the same:\u003c/p\u003e\n            \u003cp\u003e* RD00## (parameters, ASCII): All of the simulation parameters are listed in these files as key-value pairs, using a \"key = value\" format. The input parameter are identical across all parameter files, while variables such as the current time, or redshift, change.\u003c/p\u003e\n            \u003cp\u003e* RD00##.hierarchy (grid metadata, ASCII): A list of the grid data structures, their spatial position, file names, and numerical size.\u003c/p\u003e\n            \u003cp\u003e* RD00##.cpu0XXX (physical data, HDF5): These files hold the physical fields (density, velocity, etc.) for each grid.\u003c/p\u003e\n            \u003cp\u003e* RD00##.boundary (boundary conditions, ASCII): Boundary metadata.\u003c/p\u003e\n            \u003cp\u003e* RD00##.boundary.hdf (boundary conditions, HDF5): Boundary data for necessary fields\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Scope and Contents note The project files consists of data in three broad categories: the simulation data (\"Data at Redshift\" components); analysis tools and example scripts (Data Processing Tools) for processing the data; and project administration and background documents (Historical Documents) related to the project. All these materials were created between 2005 and 2012, beginning with a proposal for the LUSciD Project, continuing on to the simulation data, and ending with the recent analysis tools. The historical documents are proposals and progress reports that were part of grants or requests for computational resources supporting the research. The component for analysis tools and example scripts contains the source code to yt (http://yt-project.org/), which was used to produce the example data analysis results. The results are a combination of structured text, binary files, and images. The historical documents and analysis tools are described in greater detail in their component descriptions. The scientific motivations for the light cone simulation are described in the Project Background. Here we describe how the simulation data was generated. The simulation was the final in a group of simulations, with each one designed to meet certain requirements, such as resolution. Earlier simulations tied to the LUsciD Project were performed on Thunder, a Lawrence Livermore National Laboratory cluster. This calculation for the Santa Fe Light Cone Simulation was a demonstration of the software's ability to perform adaptive refinement throughout the volume, and as a result, was run on the San Diego Supercomputer Center's DataStar system and the National Center for Supercomputing Applications Altix, Cobalt. The simulation was initialized at high redshift, assuming a standard cosmological model incorporating dark energy and cold dark matter. The physical volume represented was a periodic cube 512 comoving megaparsecs on a side. The simulation was evolved to the present day, using models for gravity and adiabatic gas dynamics. At specific points, snapshots of the simulation were saved, and a representative subset of those are contained in this collection. These snapshots are organized by time (or, equivalently, redshift) at the top level, and named from RD0009 to RD0036; lower numbers (e.g., RD0009) represent earlier times in the universe's evolution, while higher numbers are later times and ones closer to the present day. Each snapshot has an archive (tar) file of the original data, a checksum of the archive, and text files of the parameters, grid hierarchy, and boundary conditions. The parameter, hierarchy, and boundary files are also in the archive file, but are available separately for convenience in a component named \"Parameters.\" The contents of each project component labeled RD00## are the same: * RD00## (parameters, ASCII): All of the simulation parameters are listed in these files as key-value pairs, using a \"key = value\" format. The input parameter are identical across all parameter files, while variables such as the current time, or redshift, change. * RD00##.hierarchy (grid metadata, ASCII): A list of the grid data structures, their spatial position, file names, and numerical size. * RD00##.cpu0XXX (physical data, HDF5): These files hold the physical fields (density, velocity, etc.) for each grid. * RD00##.boundary (boundary conditions, ASCII): Boundary metadata. * RD00##.boundary.hdf (boundary conditions, HDF5): Boundary data for necessary fields"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003eRights\u003c/head\u003e\n            \u003cp\u003eThe information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).\u003c/p\u003e\u003c/p\u003e","\u003cp\u003e\u003chead\u003eLicense\u003c/head\u003e\n            \u003cp\u003eThis work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/).\u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Rights","License"],"userestrict_tesim":["Rights The information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).","License This work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/)."],"names_coll_ssim":["Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Wagner, Rick, 1972-","Wagner, Rick, 1972-"],"names_ssim":["Lyrasis Special Collections","Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Lawrence Livermore Laboratory.","University of California, San Diego.","Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-","Barnett, Tim","Moore, Reagan W."],"corpname_ssim":["Lyrasis Special Collections","Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Lawrence Livermore Laboratory.","University of California, San Diego."],"persname_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-","Barnett, Tim","Moore, Reagan W."],"language_ssim":[""],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":44,"online_item_count_is":39,"component_level_isim":[0],"sort_isi":0,"_root_":"fbd0c7fbf3276395f8940a8e","timestamp":"2026-04-04T01:12:15.474Z","bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eProject Background\u003c/head\u003e\n            \u003cp\u003eThe Santa Fe Light Cone Simulation project was the result of an ongoing effort by the Laboratory for Computational Astrophysics, beginning with the LUScID Project in 2005. This led to the development of the ENZO simulation software to the point where it was able to complete a seven-level adaptive mesh refinement (AMR) cosmology simulation.\u003c/p\u003e\n            \u003cp\u003e\n                \u003cemph render=\"underline\"\u003eLUScID\u003c/emph\u003e\u003c/p\u003e\n            \u003cp\u003eDuring the 1990s, observational cosmology became \"big science,\" involving expensive instruments (e.g., the Hubble Space Telescope) and large teams (e.g., the Sloan Digital Sky Survey [SDSS]) attacking fundamental questions about the origin and evolution of the universe. Progress was astonishing and included the discovery of the accelerating universe (Riess et al. 1998, Perlmutter et al. 1999); precision measurements of the global geometry, age, and composition of the universe (de Bernardis et al. 2000); and deep images of galaxies at the dawn of time (Beckwith et al. 2004). These and other observations have narrowed the range of acceptable theoretical models for cosmological structure formation to a single model called the concordance model (Bahcall et al. 1999), for which free parameters are now known to high precision (Spergel et al. 2003). Cosmology thus finds itself in a place not unlike particle physics, where the goal going forward is to refine and test the standard model with yet higher precision measurements. Fundamental science questions driving the field include the nature of dark energy and dark matter, the formation and evolution of galaxies and quasars, and how and when the intergalactic medium was re-ionized.\u003c/p\u003e\n            \u003cp\u003eFuture progress requires ambitious observational surveys of the universe of unprecedented depth and breadth. The SDSS is collecting megabytes of data per galaxy on nearly 1 million galaxies distributed throughout a volume of space many billions of light years on a side. Currently over 2 TB of data has been collected and archived. This number is expected to grow to 5 TB by project's end. Several similarly sized surveys are underway, and much larger ones are planned. In particular, the Large aperture Synoptic Survey Telescope [LSST] will collect 15 TB of image data every night for a year, amassing a collection of tens of petabytes over several years. The LSST will produce an object catalog of a billion galaxies\u0026#x2014;a thousand-fold increase over the SDSS. Coping with this \"data flood\" requires advanced scientific data management technologies.\u003c/p\u003e\n            \u003cp\u003eIn order to maximize the science return, results from massive surveys need to be compared to the detailed predictions of the concordance model. These take the form of massive cosmological simulations of the formation of galaxies and large scale structure. Just as Moore's Law is the force behind the data explosion in astronomy, it has also enabled numerical simulations of unprecedented size and complexity on massively parallel supercomputers.\u003c/p\u003e\n            \u003cp\u003eENZO is a parallel cosmology application developed at the Laboratory for Computational Astrophysics (LCA) at UCSD, directed by Michael Norman. ENZO solves the equations of dark matter dynamics, multi-species hydrodynamics, non-equilibrium chemical and ionization kinetics, and self-gravity in an expanding universe dominated by dark energy. Parameterized models of star formation and feedback effects allow the simulation of the formation and evolution of galaxies on cosmic length scales and time scales. The state-of-the art is shown in Fig. 1. The simulation shown in the left panel evolves a concordance model with 1 billion Lagrangian dark matter particles and the equations of Eulerian hydrodynamics and self-gravity on a uniform grid of 1 billion (1024^3) cells. The calculation was done on 512 processors of SDSC's IBM Blue Horizon computer, and produced 10TB of raw data and 6 TB of derived data. This calculation serves as a survey volume for follow-on adaptive mesh refinement (AMR) simulations which resolve the galaxies' internal structure. At right is shown an old AMR simulation of galaxy formation done at NCSA in 1998. Due to computer power and data handling limitations at the time, only 1/64 of the survey volume (2563 base grid) could be simulated at high resolution. Now, with more powerful parallel computers and data management technologies, we can in principle simulate the entire volume at high spatial resolution. Making that a practical reality is the overarching goal of the cosmology simulation data grid project, which we shall henceforth refer to as the Cosmic Simulator.\u003c/p\u003e\n            \u003cp\u003eThe specific goals of the Cosmic Simulator project are threefold:\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n                \u003citem\u003euse the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism;\u003c/item\u003e\n                \u003citem\u003eimprove the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes;\u003c/item\u003e\n                \u003citem\u003egenerate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.\u003c/item\u003e\n            \u003c/list\u003e\n            \u003cchronlist\u003e\n                \u003chead\u003eKey project events (including requests for computer support and the submission of manuscripts for publication)\u003c/head\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJanuary 2005\u003c/date\u003e\n                    \u003cevent\u003eLUSciD (LLNL UCSD Scientific Data Management) proposal submitted\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJanuary 2006\u003c/date\u003e\n                    \u003cevent\u003eThe LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone.\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eApril 2007\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJanuary 2008\u003c/date\u003e\n                    \u003cevent\u003eA second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing.\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJune 2008\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eMarch 2009\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eAugust 2010\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eOctober 2010\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJune 2011\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n            \u003c/chronlist\u003e\n            \u003clist type=\"ordered\"\u003e\n                \u003chead\u003eKey Personnel (including institutional affiliations and project positions\u003c/head\u003e\n                \u003citem\u003eMichael L. Norman, University of California, San Diego, Principal Investigator\u003c/item\u003e\n                \u003citem\u003eJack O. Burns, University of Colorado Boulder, Co-Principal Investigator\u003c/item\u003e\n                \u003citem\u003eEric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow\u003c/item\u003e\n                \u003citem\u003eJames Bordner, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n                \u003citem\u003eRobert Harkness, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n                \u003citem\u003eBrian W. O'Shea, University of California, San Diego, Graduate Student\u003c/item\u003e\n                \u003citem\u003eGeoffrey So, University of California, San Diego, Graduate Student\u003c/item\u003e\n                \u003citem\u003eRick Wagner, University of California, San Diego, Graduate Student\u003c/item\u003e\n            \u003c/list\u003e\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003euse the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism;\u003c/item\u003e\n      \u003citem\u003eimprove the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes;\u003c/item\u003e\n      \u003citem\u003egenerate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.\u003c/item\u003e\n    \u003c/list\u003e","\u003cchronlist\u003e\n      \u003chead\u003eKey project events (including requests for computer support and the submission of manuscripts for publication)\u003c/head\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJanuary 2005\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eLUSciD (LLNL UCSD Scientific Data Management) proposal submitted\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJanuary 2006\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eThe LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone.\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eApril 2007\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJanuary 2008\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eA second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing.\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJune 2008\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eMarch 2009\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eAugust 2010\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eOctober 2010\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJune 2011\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n    \u003c/chronlist\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eKey Personnel (including institutional affiliations and project positions\u003c/head\u003e\n      \u003citem\u003eMichael L. Norman, University of California, San Diego, Principal Investigator\u003c/item\u003e\n      \u003citem\u003eJack O. Burns, University of Colorado Boulder, Co-Principal Investigator\u003c/item\u003e\n      \u003citem\u003eEric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow\u003c/item\u003e\n      \u003citem\u003eJames Bordner, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n      \u003citem\u003eRobert Harkness, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n      \u003citem\u003eBrian W. O'Shea, University of California, San Diego, Graduate Student\u003c/item\u003e\n      \u003citem\u003eGeoffrey So, University of California, San Diego, Graduate Student\u003c/item\u003e\n      \u003citem\u003eRick Wagner, University of California, San Diego, Graduate Student\u003c/item\u003e\n    \u003c/list\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/fbd0c7fbf3276395f8940a8e"}},{"id":"77c0a9926883bc9b66de078e_aspace_ref17","type":"Series","attributes":{"title":"Sara Wayward Lewis journal and letters, 1849","abstract_or_scope":{"id":"https://arclight.lyrasistechnology.org/catalog/77c0a9926883bc9b66de078e_aspace_ref17#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e\u003chead\u003eScope and Contents note\u003c/head\u003e\u003cp\u003eA journal and fifteen letters documenting the overland journey of Sarah Wayward Lewis with her husband and family to California in 1849. The Lewis family departed from St. Joseph, Missouri in April, 1849, and the collection contents detail their trip along the Mormon Route, encounters with hostile Native Americans on the Great Plains, privations, hardships, and internal strife among their traveling companions; and their sojourn along the Humboldt and Truckee Rivers prior to their traverse of Donner Pass into the goldfields of California. The correspondence, from Sarah Lewis to her mother, Frances Wayward of Great Barrington, Massachusetts, also provides details about life in a mining camp before Sarah and her children settled in Sacramento in November of the same year.\u003c/p\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/77c0a9926883bc9b66de078e_aspace_ref17#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ref17","ref_ssm":["aspace_ref17","aspace_ref17"],"id":"77c0a9926883bc9b66de078e_aspace_ref17","title_filing_ssi":"Sara Wayward Lewis journal and letters","title_ssm":["Sara Wayward Lewis journal and letters"],"title_tesim":["Sara Wayward Lewis journal and letters"],"unitdate_inclusive_ssm":["1849"],"normalized_date_ssm":["1849"],"normalized_title_ssm":["Sara Wayward Lewis journal and letters, 1849"],"text":["Sara Wayward Lewis journal and letters, 1849","Wayward Family papers, 1847-1963","Series Two","/repositories/2/archival_objects/6","Lewis, Sarah Wayward","Wayward, Frances","Lewis, Sarah Wayward","Wayward, Frances","Wayward, Asa Wellspring, d. 1863","Truckee river (Calif. and Nev.)--Description and travel","Humboldt River (Nev.)--Description and travel","Mining camps--California--History--19th Century","Overland Journeys to the Pacific","Correspondence","Diaries","Scope and Contents note A journal and fifteen letters documenting the overland journey of Sarah Wayward Lewis\n            with her husband and family to California in 1849. The Lewis family departed from St.\n            Joseph, Missouri in April, 1849, and the collection contents detail their trip along the\n            Mormon Route, encounters with hostile Native Americans on the Great Plains, privations,\n            hardships, and internal strife among their traveling companions; and their sojourn along\n            the Humboldt and Truckee Rivers prior to their traverse of Donner Pass into the\n            goldfields of California. The correspondence, from Sarah Lewis to her mother, Frances\n            Wayward of Great Barrington, Massachusetts, also provides details about life in a mining\n            camp before Sarah and her children settled in Sacramento in November of the same\n            year."],"component_level_isim":[1],"parent_ids_ssim":["77c0a9926883bc9b66de078e"],"parent_unittitles_ssm":["Wayward Family papers, 1847-1963"],"parent_unittitles_tesim":["Wayward Family papers, 1847-1963"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series Two","/repositories/2/archival_objects/6"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Wayward Family papers, 1847-1963"],"extent_ssm":["0.25 Cassettes","4 Folders","0.25 Linear\nfeet","4\nfolders"],"extent_tesim":["0.25 Cassettes","4 Folders","0.25 Linear\nfeet","4\nfolders"],"has_online_content_ssim":["true"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_terms_tesm":["IP Rights\n      Intellectual property rights have not been transferred to YNHSC; however, the IP rights for\n        a many of the collection materials have expired and passed to the public domain."],"date_range_isim":[1849],"names_ssim":["Lewis, Sarah Wayward","Wayward, Frances","Lewis, Sarah Wayward","Wayward, Frances","Wayward, Asa Wellspring, d. 1863"],"persname_ssim":["Lewis, Sarah Wayward","Lewis, Sarah Wayward","Wayward, Frances","Wayward, Asa Wellspring, d. 1863","Wayward, Asa Wellspring, d. 1863"],"geogname_ssim":["Truckee river (Calif. and Nev.)--Description and travel"],"geogname_ssm":["Truckee river (Calif. and Nev.)--Description and travel"],"places_ssim":["Truckee river (Calif. and Nev.)--Description and travel"],"access_subjects_ssim":["Humboldt River (Nev.)--Description and travel","Mining camps--California--History--19th Century","Overland Journeys to the Pacific","Correspondence","Diaries"],"access_subjects_ssm":["Humboldt River (Nev.)--Description and travel","Mining camps--California--History--19th Century","Overland Journeys to the Pacific","Correspondence","Diaries"],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Contents note\u003c/head\u003e\n          \u003cp\u003eA journal and fifteen letters documenting the overland journey of Sarah Wayward Lewis\n            with her husband and family to California in 1849. The Lewis family departed from St.\n            Joseph, Missouri in April, 1849, and the collection contents detail their trip along the\n            Mormon Route, encounters with hostile Native Americans on the Great Plains, privations,\n            hardships, and internal strife among their traveling companions; and their sojourn along\n            the Humboldt and Truckee Rivers prior to their traverse of Donner Pass into the\n            goldfields of California. The correspondence, from Sarah Lewis to her mother, Frances\n            Wayward of Great Barrington, Massachusetts, also provides details about life in a mining\n            camp before Sarah and her children settled in Sacramento in November of the same\n            year.\u003c/p\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Scope and Contents note A journal and fifteen letters documenting the overland journey of Sarah Wayward Lewis\n            with her husband and family to California in 1849. The Lewis family departed from St.\n            Joseph, Missouri in April, 1849, and the collection contents detail their trip along the\n            Mormon Route, encounters with hostile Native Americans on the Great Plains, privations,\n            hardships, and internal strife among their traveling companions; and their sojourn along\n            the Humboldt and Truckee Rivers prior to their traverse of Donner Pass into the\n            goldfields of California. The correspondence, from Sarah Lewis to her mother, Frances\n            Wayward of Great Barrington, Massachusetts, also provides details about life in a mining\n            camp before Sarah and her children settled in Sacramento in November of the same\n            year."],"_nest_path_":"/components#0","_nest_parent_":"77c0a9926883bc9b66de078e","_root_":"77c0a9926883bc9b66de078e","timestamp":"2026-04-04T01:12:06.776Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"77c0a9926883bc9b66de078e","title_ssm":["Wayward Family papers"],"title_tesim":["Wayward Family papers"],"ead_ssi":"77c0a9926883bc9b66de078e","unitdate_ssm":["1847-1963"],"unitdate_inclusive_ssm":["1847-1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["YNHSC.MSS.1776","/repositories/2/resources/2"],"text":["YNHSC.MSS.1776","/repositories/2/resources/2","Wayward Family papers, 1847-1963","Appraisal note The collection has been appraised by Ernesto Proffitt and Daughters, who notes the primary\n        value of the collection, historical and thus monetary, resides in the 19th century materials\n        diaries of Asa Wellspring Wayward and the journals and correspondence on Sarah Wayward\n        Lewis.","Arrangement note Arranged in four series: 1. Asa Wellspring diaries. 2. Sarah Wayward Lewis materials. 3.\n        Grover Allen Wayward OFF records. 4. Theresa Wayward Auchinclos materials.","Family History The Wayward family emigrated from England with the original settlers of the fertile Lush\n        River valley in Massachusetts. Makepeace and Constance Wayward, along with five children,\n        were among the founders of City on a Hill when they were expelled from the Massachusetts Bay\n        Colony in 1657 for unorthodox religious practices. Significant family members represented in the collection include Asa Wellspring Wayward,\n        Sarah Wayward Lewis, Grover Allen Wayward, and Theresa Wayward Auchincloss, the creator of\n        the collection.","Custodial History note When Theresa Auchincloss died in 1963, the collection was bequeathed to her grandson George\n        Van Buskirk Smithie. Smithie, at the time interested in his family's distinguished history,\n        found himself in dire financial straints by the mid-1960s and apparently sold some of the\n        earliest materials in the collection to a private collector. Some of this material may\n        constitute a 1991 donation of early Wayward family material to the Pittsfield Athenaeum, but\n        the provenance of that material is unclear. The whereabouts of other material sold by\n        Smithie, if there was addiitonal materials, is unknown. Smithie died of mysterious causes in\n        Boston in 1975, at which time the remaining Wayward family material came into the possession\n        of his sister, Elspeth Smithie Bourgeois, an alumna of Carpe Diem University, who donated\n        the collection in 1986.","Processing Information note The collection was inventoried upon accession in 1986, but languished in the Your Name Here\n        Special Collections unprocessed backlog until 2006, when an intern from the Simmons College\n        graduate program processed it. This was done as part of a concerted effort to provide access\n        to the backlog. The 19th century material was refoldered and standard preservation measures\n        were taken. Since several of the letters were deteriorating, all were placed in mylar\n        sleeves to facilitate future use by researchers without further damaging them. The remainder\n        of the collection was processed according to the repository's basic-level processing\n        guidelines: materials were refoldered only when original folders were deteriorating,\n        arrangement work within individual folders was not done, and fasteners were removed only if\n        visibly rusting. Everything was then arranged alphabetically by type of material.","Related Archival Materials note Other additional Wayward family papers are in the custody of the Pittsfield Athenaeum.\n        Those materials may have been part of the collection housed in YNHSC at one time but were\n        possibly sold to the Pittsfield Athenaeum in the mid-1960s by George VAn Buskirk Smithie, a\n        prior owner of the Wayward family papers now in the custody of Carpe Diem University.","Scope and Contents note The Wayward family papers includes material from several Wayward descedents living in the\n        19th and 20th centuries, and was collected by variou family members. Document types in the\n        collection include correspondence, diaries, clippings, posters and audio tapes about the\n        Wayward family and their various activities. See the scope and content note for each series for more details about the collection\n        contents.","IP Rights Intellectual property rights have not been transferred to YNHSC; however, the IP rights for\n        a many of the collection materials have expired and passed to the public domain.","Lyrasis Special Collections","United States. Office of War Information.","Wayward family"," Palmer, Russell","Bourgeois, Elspeth Smithie","Lewis, Sarah Wayward","Smithie, George Van Buskirk","Wayward, Asa Wellspring, d. 1863","Wayward, Frances","Wayward, Grover Allen","Macleish, Archibald, 1892-1982","English","","Collection materials are all in English."],"unitid_tesim":["YNHSC.MSS.1776","/repositories/2/resources/2"],"normalized_date_ssm":["1847-1963"],"normalized_title_ssm":["Wayward Family papers, 1847-1963"],"collection_title_tesim":["Wayward Family papers, 1847-1963"],"collection_ssim":["Wayward Family papers, 1847-1963"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":[" Palmer, Russell","Wayward family"],"creator_ssim":[" Palmer, Russell","Wayward family"],"creator_persname_ssim":[" Palmer, Russell"],"creator_famname_ssim":["Wayward family"],"creators_ssim":[" Palmer, Russell","Wayward family"],"access_terms_ssm":["IP Rights Intellectual property rights have not been transferred to YNHSC; however, the IP rights for\n        a many of the collection materials have expired and passed to the public domain."],"acqinfo_ssim":["Immediate Source of Acquisition note Donated in 1986 by Elspeth Smithie Bourgeois, a graduate of Carpe Diem University."],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\":\"The MOON\",\"href\":\"1\"}"],"extent_ssm":["2.0 Linear Feet","2 Box","2.0 Linear feet","2 record cartons"],"extent_tesim":["2.0 Linear Feet","2 Box","2.0 Linear feet","2 record cartons"],"date_range_isim":[1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963],"appraisal_html_tesm":["\u003cp\u003e\u003chead\u003eAppraisal note\u003c/head\u003e\n      \u003cp\u003eThe collection has been appraised by Ernesto Proffitt and Daughters, who notes the primary\n        value of the collection, historical and thus monetary, resides in the 19th century materials\n        diaries of Asa Wellspring Wayward and the journals and correspondence on Sarah Wayward\n        Lewis.\u003c/p\u003e\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal note"],"appraisal_tesim":["Appraisal note The collection has been appraised by Ernesto Proffitt and Daughters, who notes the primary\n        value of the collection, historical and thus monetary, resides in the 19th century materials\n        diaries of Asa Wellspring Wayward and the journals and correspondence on Sarah Wayward\n        Lewis."],"arrangement_html_tesm":["\u003cp\u003e\u003chead\u003eArrangement note\u003c/head\u003e\n      \u003cp\u003eArranged in four series: 1. Asa Wellspring diaries. 2. Sarah Wayward Lewis materials. 3.\n        Grover Allen Wayward OFF records. 4. Theresa Wayward Auchinclos materials.\u003c/p\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement note"],"arrangement_tesim":["Arrangement note Arranged in four series: 1. Asa Wellspring diaries. 2. Sarah Wayward Lewis materials. 3.\n        Grover Allen Wayward OFF records. 4. Theresa Wayward Auchinclos materials."],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eFamily History\u003c/head\u003e\n      \u003cp\u003eThe Wayward family emigrated from England with the original settlers of the fertile Lush\n        River valley in Massachusetts. Makepeace and Constance Wayward, along with five children,\n        were among the founders of City on a Hill when they were expelled from the Massachusetts Bay\n        Colony in 1657 for unorthodox religious practices.\u003c/p\u003e\n      \u003cp\u003eSignificant family members represented in the collection include Asa Wellspring Wayward,\n        Sarah Wayward Lewis, Grover Allen Wayward, and Theresa Wayward Auchincloss, the creator of\n        the collection.\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Family History"],"bioghist_tesim":["Family History The Wayward family emigrated from England with the original settlers of the fertile Lush\n        River valley in Massachusetts. Makepeace and Constance Wayward, along with five children,\n        were among the founders of City on a Hill when they were expelled from the Massachusetts Bay\n        Colony in 1657 for unorthodox religious practices. Significant family members represented in the collection include Asa Wellspring Wayward,\n        Sarah Wayward Lewis, Grover Allen Wayward, and Theresa Wayward Auchincloss, the creator of\n        the collection."],"custodhist_html_tesm":["\u003cp\u003e\u003chead\u003eCustodial History note\u003c/head\u003e\n      \u003cp\u003eWhen Theresa Auchincloss died in 1963, the collection was bequeathed to her grandson George\n        Van Buskirk Smithie. Smithie, at the time interested in his family's distinguished history,\n        found himself in dire financial straints by the mid-1960s and apparently sold some of the\n        earliest materials in the collection to a private collector. Some of this material may\n        constitute a 1991 donation of early Wayward family material to the Pittsfield Athenaeum, but\n        the provenance of that material is unclear. The whereabouts of other material sold by\n        Smithie, if there was addiitonal materials, is unknown. Smithie died of mysterious causes in\n        Boston in 1975, at which time the remaining Wayward family material came into the possession\n        of his sister, Elspeth Smithie Bourgeois, an alumna of Carpe Diem University, who donated\n        the collection in 1986.\u003c/p\u003e\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History note"],"custodhist_tesim":["Custodial History note When Theresa Auchincloss died in 1963, the collection was bequeathed to her grandson George\n        Van Buskirk Smithie. Smithie, at the time interested in his family's distinguished history,\n        found himself in dire financial straints by the mid-1960s and apparently sold some of the\n        earliest materials in the collection to a private collector. Some of this material may\n        constitute a 1991 donation of early Wayward family material to the Pittsfield Athenaeum, but\n        the provenance of that material is unclear. The whereabouts of other material sold by\n        Smithie, if there was addiitonal materials, is unknown. Smithie died of mysterious causes in\n        Boston in 1975, at which time the remaining Wayward family material came into the possession\n        of his sister, Elspeth Smithie Bourgeois, an alumna of Carpe Diem University, who donated\n        the collection in 1986."],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation note\u003c/head\u003e\n      \u003cp\u003e[Item title / description; Box \"n\" / Folder \"n\"]. Wayward Family Papers (MSS 1776). Your\n        Name Here Special Collections. Carpe Diem University.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation note [Item title / description; Box \"n\" / Folder \"n\"]. Wayward Family Papers (MSS 1776). Your\n        Name Here Special Collections. Carpe Diem University."],"processinfo_html_tesm":["\u003cp\u003e\u003chead\u003eProcessing Information note\u003c/head\u003e\n      \u003cp\u003eThe collection was inventoried upon accession in 1986, but languished in the Your Name Here\n        Special Collections unprocessed backlog until 2006, when an intern from the Simmons College\n        graduate program processed it. This was done as part of a concerted effort to provide access\n        to the backlog. The 19th century material was refoldered and standard preservation measures\n        were taken. Since several of the letters were deteriorating, all were placed in mylar\n        sleeves to facilitate future use by researchers without further damaging them. The remainder\n        of the collection was processed according to the repository's basic-level processing\n        guidelines: materials were refoldered only when original folders were deteriorating,\n        arrangement work within individual folders was not done, and fasteners were removed only if\n        visibly rusting. Everything was then arranged alphabetically by type of material.\u003c/p\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information note"],"processinfo_tesim":["Processing Information note The collection was inventoried upon accession in 1986, but languished in the Your Name Here\n        Special Collections unprocessed backlog until 2006, when an intern from the Simmons College\n        graduate program processed it. This was done as part of a concerted effort to provide access\n        to the backlog. The 19th century material was refoldered and standard preservation measures\n        were taken. Since several of the letters were deteriorating, all were placed in mylar\n        sleeves to facilitate future use by researchers without further damaging them. The remainder\n        of the collection was processed according to the repository's basic-level processing\n        guidelines: materials were refoldered only when original folders were deteriorating,\n        arrangement work within individual folders was not done, and fasteners were removed only if\n        visibly rusting. Everything was then arranged alphabetically by type of material."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003chead\u003eRelated Archival Materials note\u003c/head\u003e\n      \u003cp\u003eOther additional Wayward family papers are in the custody of the Pittsfield Athenaeum.\n        Those materials may have been part of the collection housed in YNHSC at one time but were\n        possibly sold to the Pittsfield Athenaeum in the mid-1960s by George VAn Buskirk Smithie, a\n        prior owner of the Wayward family papers now in the custody of Carpe Diem University.\u003c/p\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials note"],"relatedmaterial_tesim":["Related Archival Materials note Other additional Wayward family papers are in the custody of the Pittsfield Athenaeum.\n        Those materials may have been part of the collection housed in YNHSC at one time but were\n        possibly sold to the Pittsfield Athenaeum in the mid-1960s by George VAn Buskirk Smithie, a\n        prior owner of the Wayward family papers now in the custody of Carpe Diem University."],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Contents note\u003c/head\u003e\n      \u003cp\u003eThe Wayward family papers includes material from several Wayward descedents living in the\n        19th and 20th centuries, and was collected by variou family members. Document types in the\n        collection include correspondence, diaries, clippings, posters and audio tapes about the\n        Wayward family and their various activities.\u003c/p\u003e\n      \u003cp\u003eSee the scope and content note for each series for more details about the collection\n        contents.\u003c/p\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Scope and Contents note The Wayward family papers includes material from several Wayward descedents living in the\n        19th and 20th centuries, and was collected by variou family members. Document types in the\n        collection include correspondence, diaries, clippings, posters and audio tapes about the\n        Wayward family and their various activities. See the scope and content note for each series for more details about the collection\n        contents."],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003eIP Rights\u003c/head\u003e\n      \u003cp\u003eIntellectual property rights have not been transferred to YNHSC; however, the IP rights for\n        a many of the collection materials have expired and passed to the public domain.\u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["IP Rights"],"userestrict_tesim":["IP Rights Intellectual property rights have not been transferred to YNHSC; however, the IP rights for\n        a many of the collection materials have expired and passed to the public domain."],"names_ssim":["Lyrasis Special Collections","United States. Office of War Information.","Wayward family"," Palmer, Russell","Bourgeois, Elspeth Smithie","Lewis, Sarah Wayward","Smithie, George Van Buskirk","Wayward, Asa Wellspring, d. 1863","Wayward, Frances","Wayward, Grover Allen","Macleish, Archibald, 1892-1982"],"corpname_ssim":["Lyrasis Special Collections","United States. Office of War Information."],"names_coll_ssim":["Wayward family","Wayward family"," Palmer, Russell"," Palmer, Russell","Bourgeois, Elspeth Smithie","Lewis, Sarah Wayward","Smithie, George Van Buskirk","Wayward, Asa Wellspring, d. 1863","Wayward, Frances","Wayward, Grover Allen"],"famname_ssim":["Wayward family"],"persname_ssim":[" Palmer, Russell","Bourgeois, Elspeth Smithie","Lewis, Sarah Wayward","Smithie, George Van Buskirk","Wayward, Asa Wellspring, d. 1863","Wayward, Frances","Wayward, Grover Allen","Macleish, Archibald, 1892-1982"],"language_ssim":["English","","Collection materials are all in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":26,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"_root_":"77c0a9926883bc9b66de078e","timestamp":"2026-04-04T01:12:06.776Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/77c0a9926883bc9b66de078e_aspace_ref17"}},{"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-398","type":"Undefined","attributes":{"title":"Saroyan, Aram, 1966","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-398#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c02-1-8-6-2-3-398","ref_ssm":["aspace_c02-1-8-6-2-3-398","aspace_c02-1-8-6-2-3-398"],"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-398","title_filing_ssi":"Saroyan, Aram,","title_ssm":["Saroyan, Aram,"],"title_tesim":["Saroyan, Aram,"],"unitdate_inclusive_ssm":["1966"],"normalized_date_ssm":["1966"],"normalized_title_ssm":["Saroyan, Aram, 1966"],"text":["Saroyan, Aram, 1966","Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE","/repositories/2/archival_objects/1011","Box 18","Folder 3"],"component_level_isim":[2],"parent_ids_ssim":["a98f460404da6019eb88ebf0","a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-3"],"parent_unittitles_ssm":["Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE"],"parent_unittitles_tesim":["Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/1011"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Undefined"],"level_ssim":["Undefined"],"sort_isi":419,"containers_ssim":["Box 18","Folder 3"],"_nest_path_":"/components#1/components#396","_nest_parent_":"a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-3","_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a98f460404da6019eb88ebf0","title_filing_ssi":"Rothenberg (Jerome) Papers","title_ssm":["Jerome Rothenberg Papers,"],"title_tesim":["Jerome Rothenberg Papers,"],"ead_ssi":"a98f460404da6019eb88ebf0","unitdate_ssm":["1944-1985"],"unitdate_bulk_ssim":["1944-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0010","/repositories/2/resources/6"],"text":["MSS 0010","/repositories/2/resources/6","Jerome Rothenberg Papers, bulk 1944-1985","BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life.","ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.","SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","For current information on the location of these\nmaterials, please consult the Library's online catalog.","Lyrasis Special Collections","English."],"unitid_tesim":["MSS 0010","/repositories/2/resources/6"],"normalized_date_ssm":["bulk 1944-1985"],"normalized_title_ssm":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_title_tesim":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"extent_tesim":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBIOGRAPHY \u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959.\u003c/p\u003e\n      \u003cp\u003eRothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman.\u003c/p\u003e\n      \u003cp\u003eIn 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin.\u003c/p\u003e\n      \u003cp\u003eRothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970). \u003c/p\u003e\n      \u003cp\u003eRothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York. \u003c/p\u003e\n      \u003cp\u003eIn 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972).\u003c/p\u003e\n      \u003cp\u003eRothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974).\u003c/p\u003e\n      \u003cp\u003eWith George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts. \u003c/p\u003e\n      \u003cp\u003eIn 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered.\u003c/p\u003e\n      \u003cp\u003eRothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics.\u003c/p\u003e\n      \u003cp\u003eSince 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-).\u003c/p\u003e\n      \u003cp\u003eFinally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.\u003c/p\u003e\u003c/p\u003e","\u003cchronlist\u003e\n      \u003chead\u003eJerry's Life\u003c/head\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1931\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eBorn\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1955\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eMA from Wisconsin\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1962\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eEstablishes Hawk's Well Press with David Antin\u003c/event\u003e\n          \u003cevent\u003ePublishes Revolution of the Work\u003c/event\u003e\n          \u003cevent\u003eSon Matthew born.  \u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n    \u003c/chronlist\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eEditors\u003c/label\u003e\n        \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003citem\u003eDon Byrd\u003c/item\u003e\n      \u003citem\u003eRoy Harvey Pearce\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThus runs a life.\u003c/p\u003e"],"bioghist_heading_ssm":["BIOGRAPHY"],"bioghist_tesim":["BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life."],"odd_html_tesm":["\u003cp\u003e\u003chead\u003eABSTRACT\u003c/head\u003e\n      \u003cp\u003ePapers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky.\u003c/p\u003e\n      \u003cp\u003eThe collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\u003c/p\u003e"],"odd_heading_ssm":["ABSTRACT"],"odd_tesim":["ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files."],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Jerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD."],"scopecontent_heading_ssm":["SCOPE AND CONTENT","Accessions Processed in 1990"],"scopecontent_tesim":["SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_68b9403da719e04769da0a49f88e62b7\"\u003eFor current information on the location of these\nmaterials, please consult the Library's online catalog.\u003c/physloc\u003e"],"physloc_tesim":["For current information on the location of these\nmaterials, please consult the Library's online catalog."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English."],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eSCOPE AND CONTENT\u003c/head\u003e\n      \u003cscopecontent\u003e\n        \u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\n      \u003c/scopecontent\u003e\n      \u003cp\u003e\u003c/p\u003e\n      \u003cp\u003e\u003c/p\u003e\u003c/p\u003e","\u003cp\u003e\u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-398"}},{"id":"0eb1bee99e65df8950a8420c_aspace_9b2ea21faf422627a08931165ae8c498","type":"File","attributes":{"title":"Savage, Tom","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/0eb1bee99e65df8950a8420c_aspace_9b2ea21faf422627a08931165ae8c498#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9b2ea21faf422627a08931165ae8c498","ref_ssm":["aspace_9b2ea21faf422627a08931165ae8c498","aspace_9b2ea21faf422627a08931165ae8c498"],"id":"0eb1bee99e65df8950a8420c_aspace_9b2ea21faf422627a08931165ae8c498","title_filing_ssi":"Savage, Tom","title_ssm":["Savage, Tom"],"title_tesim":["Savage, Tom"],"normalized_title_ssm":["Savage, Tom"],"text":["Savage, Tom","United Artists (New York, N.Y.) Records, 1977-1983","TYPESCRIPTS SUBMITTED TO UNITED ARTISTS MAGAZINE","/repositories/2/archival_objects/534","Box 9","Folder 12"],"component_level_isim":[2],"parent_ids_ssim":["0eb1bee99e65df8950a8420c","0eb1bee99e65df8950a8420c_aspace_07149a717899fbb51b1f905c1f8e7c91"],"parent_unittitles_ssm":["United Artists (New York, N.Y.) Records, 1977-1983","TYPESCRIPTS SUBMITTED TO UNITED ARTISTS MAGAZINE"],"parent_unittitles_tesim":["United Artists (New York, N.Y.) Records, 1977-1983","TYPESCRIPTS SUBMITTED TO UNITED ARTISTS MAGAZINE"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/534"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["United Artists (New York, N.Y.) Records, 1977-1983"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":195,"parent_access_restrict_tesm":["Access\n         Collection is open for research.\n"],"parent_access_terms_tesm":["Publication Rights\n           Publication rights are held by the creator of the collection.\n        "],"containers_ssim":["Box 9","Folder 12"],"_nest_path_":"/components#2/components#31","_nest_parent_":"0eb1bee99e65df8950a8420c_aspace_07149a717899fbb51b1f905c1f8e7c91","_root_":"0eb1bee99e65df8950a8420c","timestamp":"2026-04-04T01:12:22.277Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0eb1bee99e65df8950a8420c","title_filing_ssi":"United Artists (New York, N.Y.) Records","title_ssm":["United Artists (New York, N.Y.) Records,"],"title_tesim":["United Artists (New York, N.Y.) Records,"],"ead_ssi":"0eb1bee99e65df8950a8420c","unitdate_ssm":["1977-1983"],"unitdate_inclusive_ssm":["1977-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0012","/repositories/2/resources/4"],"text":["MSS 0012","/repositories/2/resources/4","United Artists (New York, N.Y.) Records, 1977-1983","American poetry -- 20th Century","Publishers and publishing -- New York (State) -- Manuscripts","Access Collection is open for research.\n","Historical Background \nEstablished by Lewis Warsh and Bernadette Mayer in 1977, United Artists press was located in New York City until it went out of business in at the end of the 1980s. Typically, the press published four titles a year, generally with a run of 750 copies each.  While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n \nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n","Scope and Content of Collection \nAccession Processed in 1988 \nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n \nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n","Publication Rights   Publication rights are held by the creator of the collection.\n        ","Records of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications.","Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York","United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888","Collection materials in English"],"unitid_tesim":["MSS 0012","/repositories/2/resources/4"],"normalized_date_ssm":["1977-1983"],"normalized_title_ssm":["United Artists (New York, N.Y.) Records, 1977-1983"],"collection_title_tesim":["United Artists (New York, N.Y.) Records, 1977-1983"],"collection_ssim":["United Artists (New York, N.Y.) 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Typically, the press published four titles a year, generally with a run of 750 copies each.  While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n\u003c/p\u003e\n         \u003cp\u003e\nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  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Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eUnited Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation United Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1988\u003c/p\u003e\n         \u003cp\u003e\nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n\u003c/p\u003e\n         \u003cp\u003e\nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  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The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2bb7c712bb68f61668e7cf38933bb2c\"\u003eRecords of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  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Also included are typescripts of works submitted and materials used for production of United Artists publications."],"names_ssim":["Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York","United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888"],"corpname_ssim":["Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York"],"names_coll_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette"],"persname_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888"],"language_ssim":["Collection materials in English"],"total_component_count_is":203,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0eb1bee99e65df8950a8420c","timestamp":"2026-04-04T01:12:22.277Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/0eb1bee99e65df8950a8420c_aspace_9b2ea21faf422627a08931165ae8c498"}},{"id":"0eb1bee99e65df8950a8420c_aspace_49715fe7274ddc789d9de9417eab8501","type":"File","attributes":{"title":"Scalapino, Leslie","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/0eb1bee99e65df8950a8420c_aspace_49715fe7274ddc789d9de9417eab8501#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_49715fe7274ddc789d9de9417eab8501","ref_ssm":["aspace_49715fe7274ddc789d9de9417eab8501","aspace_49715fe7274ddc789d9de9417eab8501"],"id":"0eb1bee99e65df8950a8420c_aspace_49715fe7274ddc789d9de9417eab8501","title_filing_ssi":"Scalapino, Leslie","title_ssm":["Scalapino, Leslie"],"title_tesim":["Scalapino, Leslie"],"normalized_title_ssm":["Scalapino, Leslie"],"text":["Scalapino, Leslie","United Artists (New York, N.Y.) 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While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n \nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n","Scope and Content of Collection \nAccession Processed in 1988 \nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n \nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  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Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eUnited Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation United Artists (New York, N.Y.) Records, MSS 0012. 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It is also arranged alphabetically by the name of the author.\n\u003c/p\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nAccession Processed in 1988 \nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n \nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2bb7c712bb68f61668e7cf38933bb2c\"\u003eRecords of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications.\u003c/abstract\u003e"],"abstract_tesim":["Records of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications."],"names_ssim":["Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York","United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888"],"corpname_ssim":["Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York"],"names_coll_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette"],"persname_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888"],"language_ssim":["Collection materials in English"],"total_component_count_is":203,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0eb1bee99e65df8950a8420c","timestamp":"2026-04-04T01:12:22.277Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/0eb1bee99e65df8950a8420c_aspace_49715fe7274ddc789d9de9417eab8501"}},{"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-399","type":"Undefined","attributes":{"title":"Schechner, Richard, 1979 -1982","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-399#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c02-1-8-6-2-3-399","ref_ssm":["aspace_c02-1-8-6-2-3-399","aspace_c02-1-8-6-2-3-399"],"id":"a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-399","title_filing_ssi":"Schechner, Richard,","title_ssm":["Schechner, Richard,"],"title_tesim":["Schechner, Richard,"],"unitdate_inclusive_ssm":["1979 -1982"],"normalized_date_ssm":["1979 -1982"],"normalized_title_ssm":["Schechner, Richard, 1979 -1982"],"text":["Schechner, Richard, 1979 -1982","Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE","/repositories/2/archival_objects/1012","Box 18","Folder 4"],"component_level_isim":[2],"parent_ids_ssim":["a98f460404da6019eb88ebf0","a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-3"],"parent_unittitles_ssm":["Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE"],"parent_unittitles_tesim":["Jerome Rothenberg Papers, bulk 1944-1985","CORRESPONDENCE"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/1012"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Undefined"],"level_ssim":["Undefined"],"sort_isi":420,"containers_ssim":["Box 18","Folder 4"],"_nest_path_":"/components#1/components#397","_nest_parent_":"a98f460404da6019eb88ebf0_aspace_c01-1-8-6-2-3","_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a98f460404da6019eb88ebf0","title_filing_ssi":"Rothenberg (Jerome) Papers","title_ssm":["Jerome Rothenberg Papers,"],"title_tesim":["Jerome Rothenberg Papers,"],"ead_ssi":"a98f460404da6019eb88ebf0","unitdate_ssm":["1944-1985"],"unitdate_bulk_ssim":["1944-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0010","/repositories/2/resources/6"],"text":["MSS 0010","/repositories/2/resources/6","Jerome Rothenberg Papers, bulk 1944-1985","BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life.","ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.","SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","For current information on the location of these\nmaterials, please consult the Library's online catalog.","Lyrasis Special Collections","English."],"unitid_tesim":["MSS 0010","/repositories/2/resources/6"],"normalized_date_ssm":["bulk 1944-1985"],"normalized_title_ssm":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_title_tesim":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"extent_tesim":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBIOGRAPHY \u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959.\u003c/p\u003e\n      \u003cp\u003eRothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman.\u003c/p\u003e\n      \u003cp\u003eIn 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin.\u003c/p\u003e\n      \u003cp\u003eRothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970). \u003c/p\u003e\n      \u003cp\u003eRothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York. \u003c/p\u003e\n      \u003cp\u003eIn 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972).\u003c/p\u003e\n      \u003cp\u003eRothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974).\u003c/p\u003e\n      \u003cp\u003eWith George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts. \u003c/p\u003e\n      \u003cp\u003eIn 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered.\u003c/p\u003e\n      \u003cp\u003eRothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics.\u003c/p\u003e\n      \u003cp\u003eSince 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-).\u003c/p\u003e\n      \u003cp\u003eFinally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.\u003c/p\u003e\u003c/p\u003e","\u003cchronlist\u003e\n      \u003chead\u003eJerry's Life\u003c/head\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1931\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eBorn\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1955\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eMA from Wisconsin\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1962\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eEstablishes Hawk's Well Press with David Antin\u003c/event\u003e\n          \u003cevent\u003ePublishes Revolution of the Work\u003c/event\u003e\n          \u003cevent\u003eSon Matthew born.  \u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n    \u003c/chronlist\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eEditors\u003c/label\u003e\n        \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003citem\u003eDon Byrd\u003c/item\u003e\n      \u003citem\u003eRoy Harvey Pearce\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThus runs a life.\u003c/p\u003e"],"bioghist_heading_ssm":["BIOGRAPHY"],"bioghist_tesim":["BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life."],"odd_html_tesm":["\u003cp\u003e\u003chead\u003eABSTRACT\u003c/head\u003e\n      \u003cp\u003ePapers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky.\u003c/p\u003e\n      \u003cp\u003eThe collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\u003c/p\u003e"],"odd_heading_ssm":["ABSTRACT"],"odd_tesim":["ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files."],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Jerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD."],"scopecontent_heading_ssm":["SCOPE AND CONTENT","Accessions Processed in 1990"],"scopecontent_tesim":["SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_68b9403da719e04769da0a49f88e62b7\"\u003eFor current information on the location of these\nmaterials, please consult the Library's online catalog.\u003c/physloc\u003e"],"physloc_tesim":["For current information on the location of these\nmaterials, please consult the Library's online catalog."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English."],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eSCOPE AND CONTENT\u003c/head\u003e\n      \u003cscopecontent\u003e\n        \u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\n      \u003c/scopecontent\u003e\n      \u003cp\u003e\u003c/p\u003e\n      \u003cp\u003e\u003c/p\u003e\u003c/p\u003e","\u003cp\u003e\u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0_aspace_c02-1-8-6-2-3-399"}},{"id":"0eb1bee99e65df8950a8420c_aspace_9dac30f388e042757088c9c09531fbee","type":"File","attributes":{"title":"Scheeman, Elio","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/0eb1bee99e65df8950a8420c_aspace_9dac30f388e042757088c9c09531fbee#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9dac30f388e042757088c9c09531fbee","ref_ssm":["aspace_9dac30f388e042757088c9c09531fbee","aspace_9dac30f388e042757088c9c09531fbee"],"id":"0eb1bee99e65df8950a8420c_aspace_9dac30f388e042757088c9c09531fbee","title_filing_ssi":"Scheeman, Elio","title_ssm":["Scheeman, Elio"],"title_tesim":["Scheeman, Elio"],"normalized_title_ssm":["Scheeman, Elio"],"text":["Scheeman, Elio","United Artists (New York, N.Y.) 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While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n \nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n","Scope and Content of Collection \nAccession Processed in 1988 \nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n \nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n","Publication Rights   Publication rights are held by the creator of the collection.\n        ","Records of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications.","Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York","United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888","Collection materials in English"],"unitid_tesim":["MSS 0012","/repositories/2/resources/4"],"normalized_date_ssm":["1977-1983"],"normalized_title_ssm":["United Artists (New York, N.Y.) 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Typically, the press published four titles a year, generally with a run of 750 copies each.  While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n\u003c/p\u003e\n         \u003cp\u003e\nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  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Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eUnited Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation United Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1988\u003c/p\u003e\n         \u003cp\u003e\nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n\u003c/p\u003e\n         \u003cp\u003e\nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  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The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2bb7c712bb68f61668e7cf38933bb2c\"\u003eRecords of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications.\u003c/abstract\u003e"],"abstract_tesim":["Records of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  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