{"links":{"self":"https://arclight.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=26","prev":"https://arclight.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=25","next":"https://arclight.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=27","last":"https://arclight.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=77"},"meta":{"pages":{"current_page":26,"next_page":27,"prev_page":25,"total_pages":77,"limit_value":10,"offset_value":250,"total_count":765,"first_page?":false,"last_page?":false}},"data":[{"id":"af02cfc7b437f7c9018c42d9_aspace_1380502705bcc89e90550c6782ea0442","type":"File","attributes":{"title":"DANCING TULIPS, 1978","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9_aspace_1380502705bcc89e90550c6782ea0442#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1380502705bcc89e90550c6782ea0442","ref_ssm":["aspace_1380502705bcc89e90550c6782ea0442","aspace_1380502705bcc89e90550c6782ea0442"],"id":"af02cfc7b437f7c9018c42d9_aspace_1380502705bcc89e90550c6782ea0442","title_filing_ssi":"DANCING TULIPS","title_ssm":["DANCING TULIPS"],"title_tesim":["DANCING TULIPS"],"unitdate_inclusive_ssm":["1978"],"normalized_date_ssm":["1978"],"normalized_title_ssm":["DANCING TULIPS, 1978"],"text":["DANCING TULIPS, 1978","Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK","/repositories/2/archival_objects/96","Box 1","Folder 53","Oversize AB005A"],"component_level_isim":[3],"parent_ids_ssim":["af02cfc7b437f7c9018c42d9","af02cfc7b437f7c9018c42d9_aspace_88c3f40f7cdaec27b56e1129d479904e","af02cfc7b437f7c9018c42d9_aspace_c16fac9f41d63779bb8db74b03b27286"],"parent_unittitles_ssm":["Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK"],"parent_unittitles_tesim":["Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["/repositories/2/archival_objects/96"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Joe Brainard Archive, 1960-1992"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":55,"parent_access_restrict_tesm":["Access\n         Collection is open for research.\n"],"parent_access_terms_tesm":["Publication Rights\n           Publication rights are held by the creator of the collection.\n        "],"containers_ssim":["Box 1","Folder 53","Oversize AB005A"],"_nest_path_":"/components#1/components#0/components#51","_nest_parent_":"af02cfc7b437f7c9018c42d9_aspace_c16fac9f41d63779bb8db74b03b27286","_root_":"af02cfc7b437f7c9018c42d9","timestamp":"2026-04-04T01:12:21.985Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"af02cfc7b437f7c9018c42d9","title_filing_ssi":"Brainard (Joe) Archive","title_ssm":["Joe Brainard Archive,"],"title_tesim":["Joe Brainard Archive,"],"ead_ssi":"af02cfc7b437f7c9018c42d9","unitdate_ssm":["1960-1992"],"unitdate_inclusive_ssm":["1960-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0005","/repositories/2/resources/3"],"text":["MSS 0005","/repositories/2/resources/3","Joe Brainard Archive, 1960-1992","American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre","Access Collection is open for research.\n","Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n \nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n","Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol.","Publication Rights   Publication rights are held by the creator of the collection.\n        ","Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.","Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,","Collection materials in English"],"unitid_tesim":["MSS 0005","/repositories/2/resources/3"],"normalized_date_ssm":["1960-1992"],"normalized_title_ssm":["Joe Brainard Archive, 1960-1992"],"collection_title_tesim":["Joe Brainard Archive, 1960-1992"],"collection_ssim":["Joe Brainard Archive, 1960-1992"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Brainard, Joe, 1942-","Miller, Robert"],"creator_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creator_persname_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creators_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"access_terms_ssm":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"acqinfo_ssim":["Acquisition Information Not Available"],"access_subjects_ssim":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"access_subjects_ssm":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"has_online_content_ssim":["true"],"extent_ssm":["32.20 Electronic file (8 archives boxes,  59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes,  59 art bin items and 88 oversize folders)"],"extent_tesim":["32.20 Electronic file (8 archives boxes,  59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes,  59 art bin items and 88 oversize folders)"],"genreform_ssim":["Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n         \u003cp\u003eCollection is open for research.\n\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access Collection is open for research.\n"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBiography\u003c/head\u003e\n         \u003cp\u003e\nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n\u003c/p\u003e\n         \u003cp\u003e\nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n\u003c/p\u003e\n         \u003cp\u003e\nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n\u003c/p\u003e\n         \u003cp\u003e\nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n \nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eJoe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Joe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol."],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_d0a02735e8e1b0bb0c234d65909c5da5\"\u003eMaterials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.\u003c/abstract\u003e"],"abstract_tesim":["Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol."],"names_ssim":["Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"corpname_ssim":["Lyrasis Special Collections"],"names_coll_ssim":["Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942-","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-"],"persname_ssim":["Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"language_ssim":["Collection materials in English"],"total_component_count_is":316,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"_root_":"af02cfc7b437f7c9018c42d9","timestamp":"2026-04-04T01:12:21.985Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1987\u003c/p\u003e\n         \u003cp\u003e\nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1: ARTWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2: MANUSCRIPTS\n\u003c/p\u003e\n         \u003cp\u003e\nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3: CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: CATALOGS \n\u003c/p\u003e\n         \u003cp\u003e\nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 5: BIBLIOGRAPHIES\n\u003c/p\u003e\n         \u003cp\u003e\nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n\u003c/p\u003e\n         \u003cp\u003e\nSEPARATION NOTE\n\u003c/p\u003e\n         \u003cp\u003e\nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n\u003c/p\u003e\n         \u003cp\u003e\nAccessions Processed in 1991\u003c/p\u003e\n         \u003cp\u003e\nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1: CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2: ARTWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3: MANUSCRIPTS\n\u003c/p\u003e\n         \u003cp\u003e\nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: PHOTOGRAPHS\n\u003c/p\u003e\n         \u003cp\u003e\nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n\u003c/p\u003e\n         \u003cp\u003e\nAccession Processed in 1993\u003c/p\u003e\n         \u003cp\u003e\nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol.\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9_aspace_1380502705bcc89e90550c6782ea0442"}},{"id":"fbd0c7fbf3276395f8940a8e_aspace_ref96","type":"File","attributes":{"title":"Data at Redship=2.0 (RD0016)","abstract_or_scope":{"id":"https://arclight.lyrasistechnology.org/catalog/fbd0c7fbf3276395f8940a8e_aspace_ref96#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e\u003chead\u003eScope and Contents note\u003c/head\u003e\u003cp\u003eThis data represent a snapshot, or instant in time, from the cosmology simulation. This snapshot was taken at a redshift of 2.0, which is 3.2 billion years after the Big Bang. At this point, the simulation had created 144,546 grids and 69 galaxy clusters with masses of at least 10^14 solar masses.\u003c/p\u003e\u003cp\u003eThe primary contents are the parameter files, hierarchy file (description of grid sizes and spatial locations), and grid data. For a complete description of the contents, refer to the Scope and Contents note for the collection.\u003c/p\u003e\u003cp\u003eIn the Derived Data subcomponent, there are text, binary, and images files representing halo properties and the projections of various physical fields.\u003c/p\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/fbd0c7fbf3276395f8940a8e_aspace_ref96#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ref96","ref_ssm":["aspace_ref96","aspace_ref96"],"id":"fbd0c7fbf3276395f8940a8e_aspace_ref96","title_filing_ssi":"Data at Redship=2.0 (RD0016)","title_ssm":["Data at Redship=2.0 (RD0016)"],"title_tesim":["Data at Redship=2.0 (RD0016)"],"normalized_title_ssm":["Data at Redship=2.0 (RD0016)"],"text":["Data at Redship=2.0 (RD0016)","Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007","/repositories/2/archival_objects/552","Scope and Contents note This data represent a snapshot, or instant in time, from the cosmology simulation. This snapshot was taken at a redshift of 2.0, which is 3.2 billion years after the Big Bang. At this point, the simulation had created 144,546 grids and 69 galaxy clusters with masses of at least 10^14 solar masses. The primary contents are the parameter files, hierarchy file (description of grid sizes and spatial locations), and grid data. For a complete description of the contents, refer to the Scope and Contents note for the collection. In the Derived Data subcomponent, there are text, binary, and images files representing halo properties and the projections of various physical fields."],"component_level_isim":[1],"parent_ids_ssim":["fbd0c7fbf3276395f8940a8e"],"parent_unittitles_ssm":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"parent_unittitles_tesim":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/552"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":10,"parent_access_restrict_tesm":["Access\n            This data set is available for use by the general research community, via UC San Diego Research Cyberinfrastructure Data Curation. Inquiries about using the dataset may be directed to rci-ref@ucsd.edu"],"parent_access_terms_tesm":["License\n            This work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/)."],"digital_objects_ssm":["{\"label\":\"Data at Redshift=2.0 (RD0016)\",\"href\":\"ark:/13030/c87d2vs7\"}"],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Contents note\u003c/head\u003e\n                    \u003cp\u003eThis data represent a snapshot, or instant in time, from the cosmology simulation. This snapshot was taken at a redshift of 2.0, which is 3.2 billion years after the Big Bang. At this point, the simulation had created 144,546 grids and 69 galaxy clusters with masses of at least 10^14 solar masses.\u003c/p\u003e\n                    \u003cp\u003eThe primary contents are the parameter files, hierarchy file (description of grid sizes and spatial locations), and grid data. For a complete description of the contents, refer to the Scope and Contents note for the collection.\u003c/p\u003e\n                    \u003cp\u003eIn the Derived Data subcomponent, there are text, binary, and images files representing halo properties and the projections of various physical fields.\u003c/p\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Scope and Contents note This data represent a snapshot, or instant in time, from the cosmology simulation. This snapshot was taken at a redshift of 2.0, which is 3.2 billion years after the Big Bang. At this point, the simulation had created 144,546 grids and 69 galaxy clusters with masses of at least 10^14 solar masses. The primary contents are the parameter files, hierarchy file (description of grid sizes and spatial locations), and grid data. For a complete description of the contents, refer to the Scope and Contents note for the collection. In the Derived Data subcomponent, there are text, binary, and images files representing halo properties and the projections of various physical fields."],"_nest_path_":"/components#9","_nest_parent_":"fbd0c7fbf3276395f8940a8e","_root_":"fbd0c7fbf3276395f8940a8e","timestamp":"2026-04-04T01:12:15.474Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fbd0c7fbf3276395f8940a8e","title_filing_ssi":"Santa Fe Light Cone Simulation research project files","title_ssm":["Santa Fe Light Cone Simulation research project files"],"title_tesim":["Santa Fe Light Cone Simulation research project files"],"ead_ssi":"fbd0c7fbf3276395f8940a8e","unitdate_ssm":["Bulk, 2005-2007","2005-2012, Bulk 2005-2007"],"unitdate_inclusive_ssm":["Bulk, 2005-2007","2005-2012, Bulk 2005-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RCIDC.0001","/repositories/2/resources/5"],"text":["RCIDC.0001","/repositories/2/resources/5","Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007","Cosmic background radiation","Cosmology","Cosmology--Observations","Galaxies--Clusters","Hydrodynamics","Research-Data processing","Research data","Access This data set is available for use by the general research community, via UC San Diego Research Cyberinfrastructure Data Curation. Inquiries about using the dataset may be directed to rci-ref@ucsd.edu","Arrangement note The data set is arranged into 31 components: 1: Data processing tools; 2: Initital conditions for simulation; 3-30: Data at redshift=3.0 to Data at redshift=0.0, and 31: Historical documents.","Referenced below are articles and other publications identified at the end of 2011 as having used the data generated by Santa Fe Light Cone Simulation project.","Hallman, Eric J.; Skillman, Samuel W.; Jeltema, Tesla E.; Smith, Britton D.; O'Shea, Brian W.; Burns, Jack O.; and Norman, Michael L. \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters.\" The Astrophysical Journal , Vol. 725, Issue 1: 1053-1068 (Dec. 2010); http://dx.doi.org/10.1088/0004-637X/725/1/1053; http://iopscience.iop.org/0004-637X/725/1/1053.","Hallman, Eric J.;O'Shea, Brian W.; Burns, Jack O.; Norman, Michael L.; and Harkness, Robert; Wagner, Rick. \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys.\"  The Astrophysical Journal , V. 671, Issue 1: 27-39 (12/2007). http://dx.doi.org/10.1086/522912; http://adsabs.harvard.edu/abs/2007ApJ...671...27H","Hallman, Eric J.; O'Shea, Brian W.; Smith, Britton D.; Burns, Jack O.; and Norman, Michael L.  \"The Santa Fe Light Cone Simulation Project. II. The Prospects for Direct Detection of the Whim with SZE Surveys.\"  The Astrophysical Journal , Vol. 698, Issue 2: 1795-1802 (2009): http://dx.doi.org/10.1088/0004-637X/698/2/1795; http://iopscience.iop.org/0004-637X/698/2.","Lemze, Doron; Rephaeli, Yoel; Barkana, Rennan; Broadhurst, Tom; Wagner, Rick; and Norman, Mike L. \"Quantifying the Collisionless Nature of Dark Matter and Galaxies in A1689.\"  The Astrophysical Journal , Vol. 728, Issue 1, article id 40 (2011): http://dx.doi.org/10.1088/0004-637X/728/1/40; http://iopscience.iop.org/0004-637X/728/1/40.","Lemze, Doron; Wagner, Rick; Rephaeli, Yoel; Sadeh, Sharon; Norman, Michael L.; Barkana, Rennan; Broadhurst, Tom; Ford, Holland; and Postman, Marc. \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters.\"  eprint arXiv:1106.6048 (June 2011).","Skillman, Samuel W.; O'Shea, Brian W.; Hallman, Eric J.; Burns, Jack O.; and Norman, Michael L. \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays.\" The Astrophysical Journal , Vol. 689, Issue 2: 1063-1077 (Dec. 2008); http://dx.doi.org/10.1086/592496; http://iopscience.iop.org/0004-637X/689/2/1063","Project Background The Santa Fe Light Cone Simulation project was the result of an ongoing effort by the Laboratory for Computational Astrophysics, beginning with the LUScID Project in 2005. This led to the development of the ENZO simulation software to the point where it was able to complete a seven-level adaptive mesh refinement (AMR) cosmology simulation. LUScID During the 1990s, observational cosmology became \"big science,\" involving expensive instruments (e.g., the Hubble Space Telescope) and large teams (e.g., the Sloan Digital Sky Survey [SDSS]) attacking fundamental questions about the origin and evolution of the universe. Progress was astonishing and included the discovery of the accelerating universe (Riess et al. 1998, Perlmutter et al. 1999); precision measurements of the global geometry, age, and composition of the universe (de Bernardis et al. 2000); and deep images of galaxies at the dawn of time (Beckwith et al. 2004). These and other observations have narrowed the range of acceptable theoretical models for cosmological structure formation to a single model called the concordance model (Bahcall et al. 1999), for which free parameters are now known to high precision (Spergel et al. 2003). Cosmology thus finds itself in a place not unlike particle physics, where the goal going forward is to refine and test the standard model with yet higher precision measurements. Fundamental science questions driving the field include the nature of dark energy and dark matter, the formation and evolution of galaxies and quasars, and how and when the intergalactic medium was re-ionized. Future progress requires ambitious observational surveys of the universe of unprecedented depth and breadth. The SDSS is collecting megabytes of data per galaxy on nearly 1 million galaxies distributed throughout a volume of space many billions of light years on a side. Currently over 2 TB of data has been collected and archived. This number is expected to grow to 5 TB by project's end. Several similarly sized surveys are underway, and much larger ones are planned. In particular, the Large aperture Synoptic Survey Telescope [LSST] will collect 15 TB of image data every night for a year, amassing a collection of tens of petabytes over several years. The LSST will produce an object catalog of a billion galaxies—a thousand-fold increase over the SDSS. Coping with this \"data flood\" requires advanced scientific data management technologies. In order to maximize the science return, results from massive surveys need to be compared to the detailed predictions of the concordance model. These take the form of massive cosmological simulations of the formation of galaxies and large scale structure. Just as Moore's Law is the force behind the data explosion in astronomy, it has also enabled numerical simulations of unprecedented size and complexity on massively parallel supercomputers. ENZO is a parallel cosmology application developed at the Laboratory for Computational Astrophysics (LCA) at UCSD, directed by Michael Norman. ENZO solves the equations of dark matter dynamics, multi-species hydrodynamics, non-equilibrium chemical and ionization kinetics, and self-gravity in an expanding universe dominated by dark energy. Parameterized models of star formation and feedback effects allow the simulation of the formation and evolution of galaxies on cosmic length scales and time scales. The state-of-the art is shown in Fig. 1. The simulation shown in the left panel evolves a concordance model with 1 billion Lagrangian dark matter particles and the equations of Eulerian hydrodynamics and self-gravity on a uniform grid of 1 billion (1024^3) cells. The calculation was done on 512 processors of SDSC's IBM Blue Horizon computer, and produced 10TB of raw data and 6 TB of derived data. This calculation serves as a survey volume for follow-on adaptive mesh refinement (AMR) simulations which resolve the galaxies' internal structure. At right is shown an old AMR simulation of galaxy formation done at NCSA in 1998. Due to computer power and data handling limitations at the time, only 1/64 of the survey volume (2563 base grid) could be simulated at high resolution. Now, with more powerful parallel computers and data management technologies, we can in principle simulate the entire volume at high spatial resolution. Making that a practical reality is the overarching goal of the cosmology simulation data grid project, which we shall henceforth refer to as the Cosmic Simulator. The specific goals of the Cosmic Simulator project are threefold: use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications. Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\" Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student","use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.","Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"","Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student","Processing Information note The project lead collected, on the Triton Resource at the San Diego Supercomputer Center, all data generated by the Santa Fe Light Cone Simulation project deemed essential to representing the simulation project and facilitating re-use of the data. Data files were categorized and arranged to represent each snapshot (Data at redshift) comprising the simulation. The files for each snapshot include files specifying the parameters for each snapshot, binary data files constituting the results of applying the parameters, and derived data products generated from processing of the results. Files deemed irrelevant to representation of the project and / or use of the data were removed from the data set. In addition to data files, scripts necessary for processing the data were added to the collection, as were products generated using the scripts. The former are included in the component labeled \"Data Processing Tools, \" whereas the latter are typically included in a sub-component labeled \"Derived Products\" for each of the primary \"Data at redshift\" components. Finally, a variety of project files, primarily proposals and project status reports, have been incorporated and are listed in the component labeled \"Historical documents.\" The Santa Fe Light Cone simulation files were then transferred from the SDSC server to the Research Data Curation data storage space. The transfer of all files were monitored for accuracy. The entire collection was arranged into thirty-one components and described completely using the Archivists' Toolkit application. Component and sub-component descriptions were linked to digital object records composed in the AT and containing links to the files constituting the data set, or snapshot. The AT description was used to generate an Encoded Archival Description (EAD) document for the complete set of files for the Santa Fe Light Cone Simulation project data set and a METS document for each primary component. The EAD is to be uploaded to the Online Archive of California (OAC), whereas the METS records and the digital content files they reference are to be uploaded to the UC San Diego Digital Asset Management System (DAMS). A researcher will thus be enabled to access the data files either through the OAC or the UCSD DAMS. Finally, all files and descriptive records for the simulation project are to be deposted in the Chronopolis digital preservation network for long-term preservation management.","Scope and Contents note The project files consists of data in three broad categories: the simulation data (\"Data at Redshift\" components); analysis tools and example scripts (Data Processing Tools) for processing the data; and project administration and background documents (Historical Documents) related to the project. All these materials were created between 2005 and 2012, beginning with a proposal for the LUSciD Project, continuing on to the simulation data, and ending with the recent analysis tools. The historical documents are proposals and progress reports that were part of grants or requests for computational resources supporting the research. The component for analysis tools and example scripts contains the source code to yt (http://yt-project.org/), which was used to produce the example data analysis results. The results are a combination of structured text, binary files, and images. The historical documents and analysis tools are described in greater detail in their component descriptions. The scientific motivations for the light cone simulation are described in the Project Background. Here we describe how the simulation data was generated. The simulation was the final in a group of simulations, with each one designed to meet certain requirements, such as resolution. Earlier simulations tied to the LUsciD Project were performed on Thunder, a Lawrence Livermore National Laboratory cluster. This calculation for the Santa Fe Light Cone Simulation was a demonstration of the software's ability to perform adaptive refinement throughout the volume, and as a result, was run on the San Diego Supercomputer Center's DataStar system and the National Center for Supercomputing Applications Altix, Cobalt. The simulation was initialized at high redshift, assuming a standard cosmological model incorporating dark energy and cold dark matter. The physical volume represented was a periodic cube 512 comoving megaparsecs on a side. The simulation was evolved to the present day, using models for gravity and adiabatic gas dynamics. At specific points, snapshots of the simulation were saved, and a representative subset of those are contained in this collection. These snapshots are organized by time (or, equivalently, redshift) at the top level, and named from RD0009 to RD0036; lower numbers (e.g., RD0009) represent earlier times in the universe's evolution, while higher numbers are later times and ones closer to the present day. Each snapshot has an archive (tar) file of the original data, a checksum of the archive, and text files of the parameters, grid hierarchy, and boundary conditions. The parameter, hierarchy, and boundary files are also in the archive file, but are available separately for convenience in a component named \"Parameters.\" The contents of each project component labeled RD00## are the same: * RD00## (parameters, ASCII): All of the simulation parameters are listed in these files as key-value pairs, using a \"key = value\" format. The input parameter are identical across all parameter files, while variables such as the current time, or redshift, change. * RD00##.hierarchy (grid metadata, ASCII): A list of the grid data structures, their spatial position, file names, and numerical size. * RD00##.cpu0XXX (physical data, HDF5): These files hold the physical fields (density, velocity, etc.) for each grid. * RD00##.boundary (boundary conditions, ASCII): Boundary metadata. * RD00##.boundary.hdf (boundary conditions, HDF5): Boundary data for necessary fields","Rights The information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).","License This work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/).","Lyrasis Special Collections","Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Lawrence Livermore Laboratory.","University of California, San Diego.","Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-","Barnett, Tim","Moore, Reagan W.",""],"unitid_tesim":["RCIDC.0001","/repositories/2/resources/5"],"normalized_date_ssm":["Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"normalized_title_ssm":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"collection_title_tesim":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"collection_ssim":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"creator_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"creator_persname_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"creators_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"access_terms_ssm":["Rights The information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).","License This work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/)."],"acqinfo_ssim":["Immediate Source of Acquisition note Rick Wagner, 2012."],"access_subjects_ssim":["Cosmic background radiation","Cosmology","Cosmology--Observations","Galaxies--Clusters","Hydrodynamics","Research-Data processing","Research data"],"access_subjects_ssm":["Cosmic background radiation","Cosmology","Cosmology--Observations","Galaxies--Clusters","Hydrodynamics","Research-Data processing","Research data"],"has_online_content_ssim":["true"],"extent_ssm":["683.0 Gigabytes","39 Electronic file","683.0 Gigabyte(s) 39 digital objects collectively containing 1,797 digital files of various types."],"extent_tesim":["683.0 Gigabytes","39 Electronic file","683.0 Gigabyte(s) 39 digital objects collectively containing 1,797 digital files of various types."],"genreform_ssim":["Research data"],"date_range_isim":[2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n            \u003cp\u003eThis data set is available for use by the general research community, via UC San Diego Research Cyberinfrastructure Data Curation. Inquiries about using the dataset may be directed to rci-ref@ucsd.edu\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access This data set is available for use by the general research community, via UC San Diego Research Cyberinfrastructure Data Curation. Inquiries about using the dataset may be directed to rci-ref@ucsd.edu"],"arrangement_html_tesm":["\u003cp\u003e\u003chead\u003eArrangement note\u003c/head\u003e\n            \u003cp\u003eThe data set is arranged into 31 components: 1: Data processing tools; 2: Initital conditions for simulation; 3-30: Data at redshift=3.0 to Data at redshift=0.0, and 31: Historical documents.\u003c/p\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement note"],"arrangement_tesim":["Arrangement note The data set is arranged into 31 components: 1: Data processing tools; 2: Initital conditions for simulation; 3-30: Data at redshift=3.0 to Data at redshift=0.0, and 31: Historical documents."],"bibliography_html_tesm":["\u003cp\u003eReferenced below are articles and other publications identified at the end of 2011 as having used the data generated by Santa Fe Light Cone Simulation project.\u003c/p\u003e","\u003cbibref\u003eHallman, Eric J.; Skillman, Samuel W.; Jeltema, Tesla E.; Smith, Britton D.; O'Shea, Brian W.; Burns, Jack O.; and Norman, Michael L.\u003ctitle\u003e\"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters.\"\u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 725, Issue 1: 1053-1068 (Dec. 2010); http://dx.doi.org/10.1088/0004-637X/725/1/1053; http://iopscience.iop.org/0004-637X/725/1/1053.\u003c/bibref\u003e","\u003cbibref\u003eHallman, Eric J.;O'Shea, Brian W.; Burns, Jack O.; Norman, Michael L.; and Harkness, Robert; Wagner, Rick.\u003ctitle\u003e\"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys.\" \u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, V. 671, Issue 1: 27-39 (12/2007). http://dx.doi.org/10.1086/522912; http://adsabs.harvard.edu/abs/2007ApJ...671...27H\u003c/bibref\u003e","\u003cbibref\u003eHallman, Eric J.; O'Shea, Brian W.; Smith, Britton D.; Burns, Jack O.; and Norman, Michael L.\u003ctitle\u003e \"The Santa Fe Light Cone Simulation Project. II. The Prospects for Direct Detection of the Whim with SZE Surveys.\" \u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 698, Issue 2: 1795-1802 (2009): http://dx.doi.org/10.1088/0004-637X/698/2/1795; http://iopscience.iop.org/0004-637X/698/2.\u003c/bibref\u003e","\u003cbibref\u003eLemze, Doron; Rephaeli, Yoel; Barkana, Rennan; Broadhurst, Tom; Wagner, Rick; and Norman, Mike L.\u003ctitle\u003e\"Quantifying the Collisionless Nature of Dark Matter and Galaxies in A1689.\" \u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 728, Issue 1, article id 40 (2011): http://dx.doi.org/10.1088/0004-637X/728/1/40; http://iopscience.iop.org/0004-637X/728/1/40.\u003c/bibref\u003e","\u003cbibref\u003eLemze, Doron; Wagner, Rick; Rephaeli, Yoel; Sadeh, Sharon; Norman, Michael L.; Barkana, Rennan; Broadhurst, Tom; Ford, Holland; and Postman, Marc.\u003ctitle\u003e\"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters.\"\u003c/title\u003e eprint arXiv:1106.6048 (June 2011).\u003c/bibref\u003e","\u003cbibref\u003eSkillman, Samuel W.; O'Shea, Brian W.; Hallman, Eric J.; Burns, Jack O.; and Norman, Michael L.\u003ctitle\u003e\"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays.\"\u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 689, Issue 2: 1063-1077 (Dec. 2008); http://dx.doi.org/10.1086/592496; http://iopscience.iop.org/0004-637X/689/2/1063\u003c/bibref\u003e"],"bibliography_heading_ssm":["Use References"],"bibliography_tesim":["Referenced below are articles and other publications identified at the end of 2011 as having used the data generated by Santa Fe Light Cone Simulation project.","Hallman, Eric J.; Skillman, Samuel W.; Jeltema, Tesla E.; Smith, Britton D.; O'Shea, Brian W.; Burns, Jack O.; and Norman, Michael L. \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters.\" The Astrophysical Journal , Vol. 725, Issue 1: 1053-1068 (Dec. 2010); http://dx.doi.org/10.1088/0004-637X/725/1/1053; http://iopscience.iop.org/0004-637X/725/1/1053.","Hallman, Eric J.;O'Shea, Brian W.; Burns, Jack O.; Norman, Michael L.; and Harkness, Robert; Wagner, Rick. \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys.\"  The Astrophysical Journal , V. 671, Issue 1: 27-39 (12/2007). http://dx.doi.org/10.1086/522912; http://adsabs.harvard.edu/abs/2007ApJ...671...27H","Hallman, Eric J.; O'Shea, Brian W.; Smith, Britton D.; Burns, Jack O.; and Norman, Michael L.  \"The Santa Fe Light Cone Simulation Project. II. The Prospects for Direct Detection of the Whim with SZE Surveys.\"  The Astrophysical Journal , Vol. 698, Issue 2: 1795-1802 (2009): http://dx.doi.org/10.1088/0004-637X/698/2/1795; http://iopscience.iop.org/0004-637X/698/2.","Lemze, Doron; Rephaeli, Yoel; Barkana, Rennan; Broadhurst, Tom; Wagner, Rick; and Norman, Mike L. \"Quantifying the Collisionless Nature of Dark Matter and Galaxies in A1689.\"  The Astrophysical Journal , Vol. 728, Issue 1, article id 40 (2011): http://dx.doi.org/10.1088/0004-637X/728/1/40; http://iopscience.iop.org/0004-637X/728/1/40.","Lemze, Doron; Wagner, Rick; Rephaeli, Yoel; Sadeh, Sharon; Norman, Michael L.; Barkana, Rennan; Broadhurst, Tom; Ford, Holland; and Postman, Marc. \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters.\"  eprint arXiv:1106.6048 (June 2011).","Skillman, Samuel W.; O'Shea, Brian W.; Hallman, Eric J.; Burns, Jack O.; and Norman, Michael L. \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays.\" The Astrophysical Journal , Vol. 689, Issue 2: 1063-1077 (Dec. 2008); http://dx.doi.org/10.1086/592496; http://iopscience.iop.org/0004-637X/689/2/1063"],"bioghist_heading_ssm":["Project Background"],"bioghist_tesim":["Project Background The Santa Fe Light Cone Simulation project was the result of an ongoing effort by the Laboratory for Computational Astrophysics, beginning with the LUScID Project in 2005. This led to the development of the ENZO simulation software to the point where it was able to complete a seven-level adaptive mesh refinement (AMR) cosmology simulation. LUScID During the 1990s, observational cosmology became \"big science,\" involving expensive instruments (e.g., the Hubble Space Telescope) and large teams (e.g., the Sloan Digital Sky Survey [SDSS]) attacking fundamental questions about the origin and evolution of the universe. Progress was astonishing and included the discovery of the accelerating universe (Riess et al. 1998, Perlmutter et al. 1999); precision measurements of the global geometry, age, and composition of the universe (de Bernardis et al. 2000); and deep images of galaxies at the dawn of time (Beckwith et al. 2004). These and other observations have narrowed the range of acceptable theoretical models for cosmological structure formation to a single model called the concordance model (Bahcall et al. 1999), for which free parameters are now known to high precision (Spergel et al. 2003). Cosmology thus finds itself in a place not unlike particle physics, where the goal going forward is to refine and test the standard model with yet higher precision measurements. Fundamental science questions driving the field include the nature of dark energy and dark matter, the formation and evolution of galaxies and quasars, and how and when the intergalactic medium was re-ionized. Future progress requires ambitious observational surveys of the universe of unprecedented depth and breadth. The SDSS is collecting megabytes of data per galaxy on nearly 1 million galaxies distributed throughout a volume of space many billions of light years on a side. Currently over 2 TB of data has been collected and archived. This number is expected to grow to 5 TB by project's end. Several similarly sized surveys are underway, and much larger ones are planned. In particular, the Large aperture Synoptic Survey Telescope [LSST] will collect 15 TB of image data every night for a year, amassing a collection of tens of petabytes over several years. The LSST will produce an object catalog of a billion galaxies—a thousand-fold increase over the SDSS. Coping with this \"data flood\" requires advanced scientific data management technologies. In order to maximize the science return, results from massive surveys need to be compared to the detailed predictions of the concordance model. These take the form of massive cosmological simulations of the formation of galaxies and large scale structure. Just as Moore's Law is the force behind the data explosion in astronomy, it has also enabled numerical simulations of unprecedented size and complexity on massively parallel supercomputers. ENZO is a parallel cosmology application developed at the Laboratory for Computational Astrophysics (LCA) at UCSD, directed by Michael Norman. ENZO solves the equations of dark matter dynamics, multi-species hydrodynamics, non-equilibrium chemical and ionization kinetics, and self-gravity in an expanding universe dominated by dark energy. Parameterized models of star formation and feedback effects allow the simulation of the formation and evolution of galaxies on cosmic length scales and time scales. The state-of-the art is shown in Fig. 1. The simulation shown in the left panel evolves a concordance model with 1 billion Lagrangian dark matter particles and the equations of Eulerian hydrodynamics and self-gravity on a uniform grid of 1 billion (1024^3) cells. The calculation was done on 512 processors of SDSC's IBM Blue Horizon computer, and produced 10TB of raw data and 6 TB of derived data. This calculation serves as a survey volume for follow-on adaptive mesh refinement (AMR) simulations which resolve the galaxies' internal structure. At right is shown an old AMR simulation of galaxy formation done at NCSA in 1998. Due to computer power and data handling limitations at the time, only 1/64 of the survey volume (2563 base grid) could be simulated at high resolution. Now, with more powerful parallel computers and data management technologies, we can in principle simulate the entire volume at high spatial resolution. Making that a practical reality is the overarching goal of the cosmology simulation data grid project, which we shall henceforth refer to as the Cosmic Simulator. The specific goals of the Cosmic Simulator project are threefold: use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications. Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\" Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student","use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.","Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"","Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n            \u003cp\u003eRick Wagner, Eric J. Hallman, Brian W. O'Shea, Jack O. Burns, Michael L. Norman, Robert Harkness, and Geoffrey So. \"The Santa Fe Light Cone Simulation research project files.\" UC San Diego Research Cyberinfrastructure Data Curation. (Data version 1.0, published 2013; http://dx.doi.org/10.6075/W7154F0Q)\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Rick Wagner, Eric J. Hallman, Brian W. O'Shea, Jack O. Burns, Michael L. Norman, Robert Harkness, and Geoffrey So. \"The Santa Fe Light Cone Simulation research project files.\" UC San Diego Research Cyberinfrastructure Data Curation. (Data version 1.0, published 2013; http://dx.doi.org/10.6075/W7154F0Q)"],"processinfo_html_tesm":["\u003cp\u003e\u003chead\u003eProcessing Information note\u003c/head\u003e\n            \u003cp\u003eThe project lead collected, on the Triton Resource at the San Diego Supercomputer Center, all data generated by the Santa Fe Light Cone Simulation project deemed essential to representing the simulation project and facilitating re-use of the data. Data files were categorized and arranged to represent each snapshot (Data at redshift) comprising the simulation. The files for each snapshot include files specifying the parameters for each snapshot, binary data files constituting the results of applying the parameters, and derived data products generated from processing of the results. Files deemed irrelevant to representation of the project and / or use of the data were removed from the data set. In addition to data files, scripts necessary for processing the data were added to the collection, as were products generated using the scripts. The former are included in the component labeled \"Data Processing Tools, \" whereas the latter are typically included in a sub-component labeled \"Derived Products\" for each of the primary \"Data at redshift\" components. Finally, a variety of project files, primarily proposals and project status reports, have been incorporated and are listed in the component labeled \"Historical documents.\" The Santa Fe Light Cone simulation files were then transferred from the SDSC server to the Research Data Curation data storage space. The transfer of all files were monitored for accuracy.\u003c/p\u003e\n            \u003cp\u003eThe entire collection was arranged into thirty-one components and described completely using the Archivists' Toolkit application. Component and sub-component descriptions were linked to digital object records composed in the AT and containing links to the files constituting the data set, or snapshot. The AT description was used to generate an Encoded Archival Description (EAD) document for the complete set of files for the Santa Fe Light Cone Simulation project data set and a METS document for each primary component. The EAD is to be uploaded to the Online Archive of California (OAC), whereas the METS records and the digital content files they reference are to be uploaded to the UC San Diego Digital Asset Management System (DAMS). A researcher will thus be enabled to access the data files either through the OAC or the UCSD DAMS. Finally, all files and descriptive records for the simulation project are to be deposted in the Chronopolis digital preservation network for long-term preservation management.\u003c/p\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information note"],"processinfo_tesim":["Processing Information note The project lead collected, on the Triton Resource at the San Diego Supercomputer Center, all data generated by the Santa Fe Light Cone Simulation project deemed essential to representing the simulation project and facilitating re-use of the data. Data files were categorized and arranged to represent each snapshot (Data at redshift) comprising the simulation. The files for each snapshot include files specifying the parameters for each snapshot, binary data files constituting the results of applying the parameters, and derived data products generated from processing of the results. Files deemed irrelevant to representation of the project and / or use of the data were removed from the data set. In addition to data files, scripts necessary for processing the data were added to the collection, as were products generated using the scripts. The former are included in the component labeled \"Data Processing Tools, \" whereas the latter are typically included in a sub-component labeled \"Derived Products\" for each of the primary \"Data at redshift\" components. Finally, a variety of project files, primarily proposals and project status reports, have been incorporated and are listed in the component labeled \"Historical documents.\" The Santa Fe Light Cone simulation files were then transferred from the SDSC server to the Research Data Curation data storage space. The transfer of all files were monitored for accuracy. The entire collection was arranged into thirty-one components and described completely using the Archivists' Toolkit application. Component and sub-component descriptions were linked to digital object records composed in the AT and containing links to the files constituting the data set, or snapshot. The AT description was used to generate an Encoded Archival Description (EAD) document for the complete set of files for the Santa Fe Light Cone Simulation project data set and a METS document for each primary component. The EAD is to be uploaded to the Online Archive of California (OAC), whereas the METS records and the digital content files they reference are to be uploaded to the UC San Diego Digital Asset Management System (DAMS). A researcher will thus be enabled to access the data files either through the OAC or the UCSD DAMS. Finally, all files and descriptive records for the simulation project are to be deposted in the Chronopolis digital preservation network for long-term preservation management."],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Contents note\u003c/head\u003e\n            \u003cp\u003eThe project files consists of data in three broad categories: the simulation data (\"Data at Redshift\" components); analysis tools and example scripts (Data Processing Tools) for processing the data; and project administration and background documents (Historical Documents) related to the project. All these materials were created between 2005 and 2012, beginning with a proposal for the LUSciD Project, continuing on to the simulation data, and ending with the recent analysis tools. The historical documents are proposals and progress reports that were part of grants or requests for computational resources supporting the research. The component for analysis tools and example scripts contains the source code to yt (http://yt-project.org/), which was used to produce the example data analysis results. The results are a combination of structured text, binary files, and images. The historical documents and analysis tools are described in greater detail in their component descriptions.\u003c/p\u003e\n            \u003cp\u003eThe scientific motivations for the light cone simulation are described in the Project Background. Here we describe how the simulation data was generated. The simulation was the final in a group of simulations, with each one designed to meet certain requirements, such as resolution. Earlier simulations tied to the LUsciD Project were performed on Thunder, a Lawrence Livermore National Laboratory cluster. This calculation for the Santa Fe Light Cone Simulation was a demonstration of the software's ability to perform adaptive refinement throughout the volume, and as a result, was run on the San Diego Supercomputer Center's DataStar system and the National Center for Supercomputing Applications Altix, Cobalt.\u003c/p\u003e\n            \u003cp\u003eThe simulation was initialized at high redshift, assuming a standard cosmological model incorporating dark energy and cold dark matter. The physical volume represented was a periodic cube 512 comoving megaparsecs on a side. The simulation was evolved to the present day, using models for gravity and adiabatic gas dynamics. At specific points, snapshots of the simulation were saved, and a representative subset of those are contained in this collection.\u003c/p\u003e\n            \u003cp\u003eThese snapshots are organized by time (or, equivalently, redshift) at the top level, and named from RD0009 to RD0036; lower numbers (e.g., RD0009) represent earlier times in the universe's evolution, while higher numbers are later times and ones closer to the present day. Each snapshot has an archive (tar) file of the original data, a checksum of the archive, and text files of the parameters, grid hierarchy, and boundary conditions. The parameter, hierarchy, and boundary files are also in the archive file, but are available separately for convenience in a component named \"Parameters.\"\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003eThe contents of each project component labeled RD00## are the same:\u003c/p\u003e\n            \u003cp\u003e* RD00## (parameters, ASCII): All of the simulation parameters are listed in these files as key-value pairs, using a \"key = value\" format. The input parameter are identical across all parameter files, while variables such as the current time, or redshift, change.\u003c/p\u003e\n            \u003cp\u003e* RD00##.hierarchy (grid metadata, ASCII): A list of the grid data structures, their spatial position, file names, and numerical size.\u003c/p\u003e\n            \u003cp\u003e* RD00##.cpu0XXX (physical data, HDF5): These files hold the physical fields (density, velocity, etc.) for each grid.\u003c/p\u003e\n            \u003cp\u003e* RD00##.boundary (boundary conditions, ASCII): Boundary metadata.\u003c/p\u003e\n            \u003cp\u003e* RD00##.boundary.hdf (boundary conditions, HDF5): Boundary data for necessary fields\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Scope and Contents note The project files consists of data in three broad categories: the simulation data (\"Data at Redshift\" components); analysis tools and example scripts (Data Processing Tools) for processing the data; and project administration and background documents (Historical Documents) related to the project. All these materials were created between 2005 and 2012, beginning with a proposal for the LUSciD Project, continuing on to the simulation data, and ending with the recent analysis tools. The historical documents are proposals and progress reports that were part of grants or requests for computational resources supporting the research. The component for analysis tools and example scripts contains the source code to yt (http://yt-project.org/), which was used to produce the example data analysis results. The results are a combination of structured text, binary files, and images. The historical documents and analysis tools are described in greater detail in their component descriptions. The scientific motivations for the light cone simulation are described in the Project Background. Here we describe how the simulation data was generated. The simulation was the final in a group of simulations, with each one designed to meet certain requirements, such as resolution. Earlier simulations tied to the LUsciD Project were performed on Thunder, a Lawrence Livermore National Laboratory cluster. This calculation for the Santa Fe Light Cone Simulation was a demonstration of the software's ability to perform adaptive refinement throughout the volume, and as a result, was run on the San Diego Supercomputer Center's DataStar system and the National Center for Supercomputing Applications Altix, Cobalt. The simulation was initialized at high redshift, assuming a standard cosmological model incorporating dark energy and cold dark matter. The physical volume represented was a periodic cube 512 comoving megaparsecs on a side. The simulation was evolved to the present day, using models for gravity and adiabatic gas dynamics. At specific points, snapshots of the simulation were saved, and a representative subset of those are contained in this collection. These snapshots are organized by time (or, equivalently, redshift) at the top level, and named from RD0009 to RD0036; lower numbers (e.g., RD0009) represent earlier times in the universe's evolution, while higher numbers are later times and ones closer to the present day. Each snapshot has an archive (tar) file of the original data, a checksum of the archive, and text files of the parameters, grid hierarchy, and boundary conditions. The parameter, hierarchy, and boundary files are also in the archive file, but are available separately for convenience in a component named \"Parameters.\" The contents of each project component labeled RD00## are the same: * RD00## (parameters, ASCII): All of the simulation parameters are listed in these files as key-value pairs, using a \"key = value\" format. The input parameter are identical across all parameter files, while variables such as the current time, or redshift, change. * RD00##.hierarchy (grid metadata, ASCII): A list of the grid data structures, their spatial position, file names, and numerical size. * RD00##.cpu0XXX (physical data, HDF5): These files hold the physical fields (density, velocity, etc.) for each grid. * RD00##.boundary (boundary conditions, ASCII): Boundary metadata. * RD00##.boundary.hdf (boundary conditions, HDF5): Boundary data for necessary fields"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003eRights\u003c/head\u003e\n            \u003cp\u003eThe information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).\u003c/p\u003e\u003c/p\u003e","\u003cp\u003e\u003chead\u003eLicense\u003c/head\u003e\n            \u003cp\u003eThis work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/).\u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Rights","License"],"userestrict_tesim":["Rights The information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).","License This work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/)."],"names_coll_ssim":["Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Wagner, Rick, 1972-","Wagner, Rick, 1972-"],"names_ssim":["Lyrasis Special Collections","Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Lawrence Livermore Laboratory.","University of California, San Diego.","Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-","Barnett, Tim","Moore, Reagan W."],"corpname_ssim":["Lyrasis Special Collections","Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Lawrence Livermore Laboratory.","University of California, San Diego."],"persname_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-","Barnett, Tim","Moore, Reagan W."],"language_ssim":[""],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":44,"online_item_count_is":39,"component_level_isim":[0],"sort_isi":0,"_root_":"fbd0c7fbf3276395f8940a8e","timestamp":"2026-04-04T01:12:15.474Z","bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eProject Background\u003c/head\u003e\n            \u003cp\u003eThe Santa Fe Light Cone Simulation project was the result of an ongoing effort by the Laboratory for Computational Astrophysics, beginning with the LUScID Project in 2005. This led to the development of the ENZO simulation software to the point where it was able to complete a seven-level adaptive mesh refinement (AMR) cosmology simulation.\u003c/p\u003e\n            \u003cp\u003e\n                \u003cemph render=\"underline\"\u003eLUScID\u003c/emph\u003e\u003c/p\u003e\n            \u003cp\u003eDuring the 1990s, observational cosmology became \"big science,\" involving expensive instruments (e.g., the Hubble Space Telescope) and large teams (e.g., the Sloan Digital Sky Survey [SDSS]) attacking fundamental questions about the origin and evolution of the universe. Progress was astonishing and included the discovery of the accelerating universe (Riess et al. 1998, Perlmutter et al. 1999); precision measurements of the global geometry, age, and composition of the universe (de Bernardis et al. 2000); and deep images of galaxies at the dawn of time (Beckwith et al. 2004). These and other observations have narrowed the range of acceptable theoretical models for cosmological structure formation to a single model called the concordance model (Bahcall et al. 1999), for which free parameters are now known to high precision (Spergel et al. 2003). Cosmology thus finds itself in a place not unlike particle physics, where the goal going forward is to refine and test the standard model with yet higher precision measurements. Fundamental science questions driving the field include the nature of dark energy and dark matter, the formation and evolution of galaxies and quasars, and how and when the intergalactic medium was re-ionized.\u003c/p\u003e\n            \u003cp\u003eFuture progress requires ambitious observational surveys of the universe of unprecedented depth and breadth. The SDSS is collecting megabytes of data per galaxy on nearly 1 million galaxies distributed throughout a volume of space many billions of light years on a side. Currently over 2 TB of data has been collected and archived. This number is expected to grow to 5 TB by project's end. Several similarly sized surveys are underway, and much larger ones are planned. In particular, the Large aperture Synoptic Survey Telescope [LSST] will collect 15 TB of image data every night for a year, amassing a collection of tens of petabytes over several years. The LSST will produce an object catalog of a billion galaxies\u0026#x2014;a thousand-fold increase over the SDSS. Coping with this \"data flood\" requires advanced scientific data management technologies.\u003c/p\u003e\n            \u003cp\u003eIn order to maximize the science return, results from massive surveys need to be compared to the detailed predictions of the concordance model. These take the form of massive cosmological simulations of the formation of galaxies and large scale structure. Just as Moore's Law is the force behind the data explosion in astronomy, it has also enabled numerical simulations of unprecedented size and complexity on massively parallel supercomputers.\u003c/p\u003e\n            \u003cp\u003eENZO is a parallel cosmology application developed at the Laboratory for Computational Astrophysics (LCA) at UCSD, directed by Michael Norman. ENZO solves the equations of dark matter dynamics, multi-species hydrodynamics, non-equilibrium chemical and ionization kinetics, and self-gravity in an expanding universe dominated by dark energy. Parameterized models of star formation and feedback effects allow the simulation of the formation and evolution of galaxies on cosmic length scales and time scales. The state-of-the art is shown in Fig. 1. The simulation shown in the left panel evolves a concordance model with 1 billion Lagrangian dark matter particles and the equations of Eulerian hydrodynamics and self-gravity on a uniform grid of 1 billion (1024^3) cells. The calculation was done on 512 processors of SDSC's IBM Blue Horizon computer, and produced 10TB of raw data and 6 TB of derived data. This calculation serves as a survey volume for follow-on adaptive mesh refinement (AMR) simulations which resolve the galaxies' internal structure. At right is shown an old AMR simulation of galaxy formation done at NCSA in 1998. Due to computer power and data handling limitations at the time, only 1/64 of the survey volume (2563 base grid) could be simulated at high resolution. Now, with more powerful parallel computers and data management technologies, we can in principle simulate the entire volume at high spatial resolution. Making that a practical reality is the overarching goal of the cosmology simulation data grid project, which we shall henceforth refer to as the Cosmic Simulator.\u003c/p\u003e\n            \u003cp\u003eThe specific goals of the Cosmic Simulator project are threefold:\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n                \u003citem\u003euse the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism;\u003c/item\u003e\n                \u003citem\u003eimprove the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes;\u003c/item\u003e\n                \u003citem\u003egenerate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.\u003c/item\u003e\n            \u003c/list\u003e\n            \u003cchronlist\u003e\n                \u003chead\u003eKey project events (including requests for computer support and the submission of manuscripts for publication)\u003c/head\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJanuary 2005\u003c/date\u003e\n                    \u003cevent\u003eLUSciD (LLNL UCSD Scientific Data Management) proposal submitted\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJanuary 2006\u003c/date\u003e\n                    \u003cevent\u003eThe LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone.\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eApril 2007\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJanuary 2008\u003c/date\u003e\n                    \u003cevent\u003eA second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing.\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJune 2008\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eMarch 2009\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eAugust 2010\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eOctober 2010\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJune 2011\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n            \u003c/chronlist\u003e\n            \u003clist type=\"ordered\"\u003e\n                \u003chead\u003eKey Personnel (including institutional affiliations and project positions\u003c/head\u003e\n                \u003citem\u003eMichael L. Norman, University of California, San Diego, Principal Investigator\u003c/item\u003e\n                \u003citem\u003eJack O. Burns, University of Colorado Boulder, Co-Principal Investigator\u003c/item\u003e\n                \u003citem\u003eEric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow\u003c/item\u003e\n                \u003citem\u003eJames Bordner, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n                \u003citem\u003eRobert Harkness, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n                \u003citem\u003eBrian W. O'Shea, University of California, San Diego, Graduate Student\u003c/item\u003e\n                \u003citem\u003eGeoffrey So, University of California, San Diego, Graduate Student\u003c/item\u003e\n                \u003citem\u003eRick Wagner, University of California, San Diego, Graduate Student\u003c/item\u003e\n            \u003c/list\u003e\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003euse the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism;\u003c/item\u003e\n      \u003citem\u003eimprove the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes;\u003c/item\u003e\n      \u003citem\u003egenerate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.\u003c/item\u003e\n    \u003c/list\u003e","\u003cchronlist\u003e\n      \u003chead\u003eKey project events (including requests for computer support and the submission of manuscripts for publication)\u003c/head\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJanuary 2005\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eLUSciD (LLNL UCSD Scientific Data Management) proposal submitted\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJanuary 2006\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eThe LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone.\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eApril 2007\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJanuary 2008\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eA second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing.\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJune 2008\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eMarch 2009\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eAugust 2010\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eOctober 2010\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJune 2011\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n    \u003c/chronlist\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eKey Personnel (including institutional affiliations and project positions\u003c/head\u003e\n      \u003citem\u003eMichael L. Norman, University of California, San Diego, Principal Investigator\u003c/item\u003e\n      \u003citem\u003eJack O. Burns, University of Colorado Boulder, Co-Principal Investigator\u003c/item\u003e\n      \u003citem\u003eEric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow\u003c/item\u003e\n      \u003citem\u003eJames Bordner, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n      \u003citem\u003eRobert Harkness, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n      \u003citem\u003eBrian W. O'Shea, University of California, San Diego, Graduate Student\u003c/item\u003e\n      \u003citem\u003eGeoffrey So, University of California, San Diego, Graduate Student\u003c/item\u003e\n      \u003citem\u003eRick Wagner, University of California, San Diego, Graduate Student\u003c/item\u003e\n    \u003c/list\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/fbd0c7fbf3276395f8940a8e_aspace_ref96"}},{"id":"fbd0c7fbf3276395f8940a8e_aspace_ref12","type":"File","attributes":{"title":"Data Processing Tools","abstract_or_scope":{"id":"https://arclight.lyrasistechnology.org/catalog/fbd0c7fbf3276395f8940a8e_aspace_ref12#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e\u003chead\u003eScope and Contents note\u003c/head\u003e\u003cp\u003eThere are three example scripts which are used together for generating images from the datasets and projected fields. The scripts will produce the image files found in the Derived Data-Projections sub-component for each \"Data at Redshift\" component.\u003c/p\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/fbd0c7fbf3276395f8940a8e_aspace_ref12#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ref12","ref_ssm":["aspace_ref12","aspace_ref12"],"id":"fbd0c7fbf3276395f8940a8e_aspace_ref12","title_filing_ssi":"Data Processing Tools","title_ssm":["Data Processing Tools"],"title_tesim":["Data Processing Tools"],"normalized_title_ssm":["Data Processing Tools"],"text":["Data Processing Tools","Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007","/repositories/2/archival_objects/543","Use Instructions To regenerate the images, the script \"plot-fields.sh\" must be modified to contain the location of the script named \"plotarray\" and the directory containing the light cone projections. The script \"field_plot.py\" must be in the same directory as \"plotarray\", or in the user's Python seach path.","Technical Requirements The scripts were written to run in a POSIX environment using a combination of Bash, Python, and some supporting Python libaries. The specific Python libaries are \n                         NumPy , \n                         h5py , and \n                         Matplotlib .","Scope and Contents note There are three example scripts which are used together for generating images from the datasets and projected fields. The scripts will produce the image files found in the Derived Data-Projections sub-component for each \"Data at Redshift\" component."],"component_level_isim":[1],"parent_ids_ssim":["fbd0c7fbf3276395f8940a8e"],"parent_unittitles_ssm":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"parent_unittitles_tesim":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/543"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1,"parent_access_restrict_tesm":["Access\n            This data set is available for use by the general research community, via UC San Diego Research Cyberinfrastructure Data Curation. Inquiries about using the dataset may be directed to rci-ref@ucsd.edu"],"parent_access_terms_tesm":["License\n            This work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/)."],"digital_objects_ssm":["{\"label\":\"Data Processing Tools\",\"href\":\"ark:/13030/c86d5tmd\"}"],"odd_html_tesm":["\u003cp\u003e\u003chead\u003eUse Instructions\u003c/head\u003e\n                    \u003cp\u003eTo regenerate the images, the script \"plot-fields.sh\" must be modified to contain the location of the script named \"plotarray\" and the directory containing the light cone projections. The script \"field_plot.py\" must be in the same directory as \"plotarray\", or in the user's Python seach path.\u003c/p\u003e\u003c/p\u003e"],"odd_heading_ssm":["Use Instructions"],"odd_tesim":["Use Instructions To regenerate the images, the script \"plot-fields.sh\" must be modified to contain the location of the script named \"plotarray\" and the directory containing the light cone projections. The script \"field_plot.py\" must be in the same directory as \"plotarray\", or in the user's Python seach path."],"phystech_html_tesm":["\u003cp\u003e\u003chead\u003eTechnical Requirements\u003c/head\u003e\n                    \u003cp\u003eThe scripts were written to run in a POSIX environment using a combination of Bash, Python, and some supporting Python libaries. The specific Python libaries are \n                        \u003cextref ns2:actuate=\"onRequest\" ns2:show=\"new\" ns2:href=\"http://scipy.org/\"\u003eNumPy\u003c/extref\u003e, \n                        \u003cextref ns2:actuate=\"onRequest\" ns2:show=\"new\" ns2:href=\"http://code.google.com/p/h5py/\"\u003eh5py\u003c/extref\u003e, and \n                        \u003cextref ns2:actuate=\"onRequest\" ns2:show=\"new\" ns2:href=\"http://matplotib.sourceforge.net/\"\u003eMatplotlib\u003c/extref\u003e.\u003c/p\u003e\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["Technical Requirements The scripts were written to run in a POSIX environment using a combination of Bash, Python, and some supporting Python libaries. The specific Python libaries are \n                         NumPy , \n                         h5py , and \n                         Matplotlib ."],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Contents note\u003c/head\u003e\n                    \u003cp\u003eThere are three example scripts which are used together for generating images from the datasets and projected fields. The scripts will produce the image files found in the Derived Data-Projections sub-component for each \"Data at Redshift\" component.\u003c/p\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Scope and Contents note There are three example scripts which are used together for generating images from the datasets and projected fields. The scripts will produce the image files found in the Derived Data-Projections sub-component for each \"Data at Redshift\" component."],"_nest_path_":"/components#0","_nest_parent_":"fbd0c7fbf3276395f8940a8e","_root_":"fbd0c7fbf3276395f8940a8e","timestamp":"2026-04-04T01:12:15.474Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fbd0c7fbf3276395f8940a8e","title_filing_ssi":"Santa Fe Light Cone Simulation research project files","title_ssm":["Santa Fe Light Cone Simulation research project files"],"title_tesim":["Santa Fe Light Cone Simulation research project files"],"ead_ssi":"fbd0c7fbf3276395f8940a8e","unitdate_ssm":["Bulk, 2005-2007","2005-2012, Bulk 2005-2007"],"unitdate_inclusive_ssm":["Bulk, 2005-2007","2005-2012, Bulk 2005-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RCIDC.0001","/repositories/2/resources/5"],"text":["RCIDC.0001","/repositories/2/resources/5","Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007","Cosmic background radiation","Cosmology","Cosmology--Observations","Galaxies--Clusters","Hydrodynamics","Research-Data processing","Research data","Access This data set is available for use by the general research community, via UC San Diego Research Cyberinfrastructure Data Curation. Inquiries about using the dataset may be directed to rci-ref@ucsd.edu","Arrangement note The data set is arranged into 31 components: 1: Data processing tools; 2: Initital conditions for simulation; 3-30: Data at redshift=3.0 to Data at redshift=0.0, and 31: Historical documents.","Referenced below are articles and other publications identified at the end of 2011 as having used the data generated by Santa Fe Light Cone Simulation project.","Hallman, Eric J.; Skillman, Samuel W.; Jeltema, Tesla E.; Smith, Britton D.; O'Shea, Brian W.; Burns, Jack O.; and Norman, Michael L. \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters.\" The Astrophysical Journal , Vol. 725, Issue 1: 1053-1068 (Dec. 2010); http://dx.doi.org/10.1088/0004-637X/725/1/1053; http://iopscience.iop.org/0004-637X/725/1/1053.","Hallman, Eric J.;O'Shea, Brian W.; Burns, Jack O.; Norman, Michael L.; and Harkness, Robert; Wagner, Rick. \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys.\"  The Astrophysical Journal , V. 671, Issue 1: 27-39 (12/2007). http://dx.doi.org/10.1086/522912; http://adsabs.harvard.edu/abs/2007ApJ...671...27H","Hallman, Eric J.; O'Shea, Brian W.; Smith, Britton D.; Burns, Jack O.; and Norman, Michael L.  \"The Santa Fe Light Cone Simulation Project. II. The Prospects for Direct Detection of the Whim with SZE Surveys.\"  The Astrophysical Journal , Vol. 698, Issue 2: 1795-1802 (2009): http://dx.doi.org/10.1088/0004-637X/698/2/1795; http://iopscience.iop.org/0004-637X/698/2.","Lemze, Doron; Rephaeli, Yoel; Barkana, Rennan; Broadhurst, Tom; Wagner, Rick; and Norman, Mike L. \"Quantifying the Collisionless Nature of Dark Matter and Galaxies in A1689.\"  The Astrophysical Journal , Vol. 728, Issue 1, article id 40 (2011): http://dx.doi.org/10.1088/0004-637X/728/1/40; http://iopscience.iop.org/0004-637X/728/1/40.","Lemze, Doron; Wagner, Rick; Rephaeli, Yoel; Sadeh, Sharon; Norman, Michael L.; Barkana, Rennan; Broadhurst, Tom; Ford, Holland; and Postman, Marc. \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters.\"  eprint arXiv:1106.6048 (June 2011).","Skillman, Samuel W.; O'Shea, Brian W.; Hallman, Eric J.; Burns, Jack O.; and Norman, Michael L. \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays.\" The Astrophysical Journal , Vol. 689, Issue 2: 1063-1077 (Dec. 2008); http://dx.doi.org/10.1086/592496; http://iopscience.iop.org/0004-637X/689/2/1063","Project Background The Santa Fe Light Cone Simulation project was the result of an ongoing effort by the Laboratory for Computational Astrophysics, beginning with the LUScID Project in 2005. This led to the development of the ENZO simulation software to the point where it was able to complete a seven-level adaptive mesh refinement (AMR) cosmology simulation. LUScID During the 1990s, observational cosmology became \"big science,\" involving expensive instruments (e.g., the Hubble Space Telescope) and large teams (e.g., the Sloan Digital Sky Survey [SDSS]) attacking fundamental questions about the origin and evolution of the universe. Progress was astonishing and included the discovery of the accelerating universe (Riess et al. 1998, Perlmutter et al. 1999); precision measurements of the global geometry, age, and composition of the universe (de Bernardis et al. 2000); and deep images of galaxies at the dawn of time (Beckwith et al. 2004). These and other observations have narrowed the range of acceptable theoretical models for cosmological structure formation to a single model called the concordance model (Bahcall et al. 1999), for which free parameters are now known to high precision (Spergel et al. 2003). Cosmology thus finds itself in a place not unlike particle physics, where the goal going forward is to refine and test the standard model with yet higher precision measurements. Fundamental science questions driving the field include the nature of dark energy and dark matter, the formation and evolution of galaxies and quasars, and how and when the intergalactic medium was re-ionized. Future progress requires ambitious observational surveys of the universe of unprecedented depth and breadth. The SDSS is collecting megabytes of data per galaxy on nearly 1 million galaxies distributed throughout a volume of space many billions of light years on a side. Currently over 2 TB of data has been collected and archived. This number is expected to grow to 5 TB by project's end. Several similarly sized surveys are underway, and much larger ones are planned. In particular, the Large aperture Synoptic Survey Telescope [LSST] will collect 15 TB of image data every night for a year, amassing a collection of tens of petabytes over several years. The LSST will produce an object catalog of a billion galaxies—a thousand-fold increase over the SDSS. Coping with this \"data flood\" requires advanced scientific data management technologies. In order to maximize the science return, results from massive surveys need to be compared to the detailed predictions of the concordance model. These take the form of massive cosmological simulations of the formation of galaxies and large scale structure. Just as Moore's Law is the force behind the data explosion in astronomy, it has also enabled numerical simulations of unprecedented size and complexity on massively parallel supercomputers. ENZO is a parallel cosmology application developed at the Laboratory for Computational Astrophysics (LCA) at UCSD, directed by Michael Norman. ENZO solves the equations of dark matter dynamics, multi-species hydrodynamics, non-equilibrium chemical and ionization kinetics, and self-gravity in an expanding universe dominated by dark energy. Parameterized models of star formation and feedback effects allow the simulation of the formation and evolution of galaxies on cosmic length scales and time scales. The state-of-the art is shown in Fig. 1. The simulation shown in the left panel evolves a concordance model with 1 billion Lagrangian dark matter particles and the equations of Eulerian hydrodynamics and self-gravity on a uniform grid of 1 billion (1024^3) cells. The calculation was done on 512 processors of SDSC's IBM Blue Horizon computer, and produced 10TB of raw data and 6 TB of derived data. This calculation serves as a survey volume for follow-on adaptive mesh refinement (AMR) simulations which resolve the galaxies' internal structure. At right is shown an old AMR simulation of galaxy formation done at NCSA in 1998. Due to computer power and data handling limitations at the time, only 1/64 of the survey volume (2563 base grid) could be simulated at high resolution. Now, with more powerful parallel computers and data management technologies, we can in principle simulate the entire volume at high spatial resolution. Making that a practical reality is the overarching goal of the cosmology simulation data grid project, which we shall henceforth refer to as the Cosmic Simulator. The specific goals of the Cosmic Simulator project are threefold: use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications. Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\" Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student","use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.","Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"","Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student","Processing Information note The project lead collected, on the Triton Resource at the San Diego Supercomputer Center, all data generated by the Santa Fe Light Cone Simulation project deemed essential to representing the simulation project and facilitating re-use of the data. Data files were categorized and arranged to represent each snapshot (Data at redshift) comprising the simulation. The files for each snapshot include files specifying the parameters for each snapshot, binary data files constituting the results of applying the parameters, and derived data products generated from processing of the results. Files deemed irrelevant to representation of the project and / or use of the data were removed from the data set. In addition to data files, scripts necessary for processing the data were added to the collection, as were products generated using the scripts. The former are included in the component labeled \"Data Processing Tools, \" whereas the latter are typically included in a sub-component labeled \"Derived Products\" for each of the primary \"Data at redshift\" components. Finally, a variety of project files, primarily proposals and project status reports, have been incorporated and are listed in the component labeled \"Historical documents.\" The Santa Fe Light Cone simulation files were then transferred from the SDSC server to the Research Data Curation data storage space. The transfer of all files were monitored for accuracy. The entire collection was arranged into thirty-one components and described completely using the Archivists' Toolkit application. Component and sub-component descriptions were linked to digital object records composed in the AT and containing links to the files constituting the data set, or snapshot. The AT description was used to generate an Encoded Archival Description (EAD) document for the complete set of files for the Santa Fe Light Cone Simulation project data set and a METS document for each primary component. The EAD is to be uploaded to the Online Archive of California (OAC), whereas the METS records and the digital content files they reference are to be uploaded to the UC San Diego Digital Asset Management System (DAMS). A researcher will thus be enabled to access the data files either through the OAC or the UCSD DAMS. Finally, all files and descriptive records for the simulation project are to be deposted in the Chronopolis digital preservation network for long-term preservation management.","Scope and Contents note The project files consists of data in three broad categories: the simulation data (\"Data at Redshift\" components); analysis tools and example scripts (Data Processing Tools) for processing the data; and project administration and background documents (Historical Documents) related to the project. All these materials were created between 2005 and 2012, beginning with a proposal for the LUSciD Project, continuing on to the simulation data, and ending with the recent analysis tools. The historical documents are proposals and progress reports that were part of grants or requests for computational resources supporting the research. The component for analysis tools and example scripts contains the source code to yt (http://yt-project.org/), which was used to produce the example data analysis results. The results are a combination of structured text, binary files, and images. The historical documents and analysis tools are described in greater detail in their component descriptions. The scientific motivations for the light cone simulation are described in the Project Background. Here we describe how the simulation data was generated. The simulation was the final in a group of simulations, with each one designed to meet certain requirements, such as resolution. Earlier simulations tied to the LUsciD Project were performed on Thunder, a Lawrence Livermore National Laboratory cluster. This calculation for the Santa Fe Light Cone Simulation was a demonstration of the software's ability to perform adaptive refinement throughout the volume, and as a result, was run on the San Diego Supercomputer Center's DataStar system and the National Center for Supercomputing Applications Altix, Cobalt. The simulation was initialized at high redshift, assuming a standard cosmological model incorporating dark energy and cold dark matter. The physical volume represented was a periodic cube 512 comoving megaparsecs on a side. The simulation was evolved to the present day, using models for gravity and adiabatic gas dynamics. At specific points, snapshots of the simulation were saved, and a representative subset of those are contained in this collection. These snapshots are organized by time (or, equivalently, redshift) at the top level, and named from RD0009 to RD0036; lower numbers (e.g., RD0009) represent earlier times in the universe's evolution, while higher numbers are later times and ones closer to the present day. Each snapshot has an archive (tar) file of the original data, a checksum of the archive, and text files of the parameters, grid hierarchy, and boundary conditions. The parameter, hierarchy, and boundary files are also in the archive file, but are available separately for convenience in a component named \"Parameters.\" The contents of each project component labeled RD00## are the same: * RD00## (parameters, ASCII): All of the simulation parameters are listed in these files as key-value pairs, using a \"key = value\" format. The input parameter are identical across all parameter files, while variables such as the current time, or redshift, change. * RD00##.hierarchy (grid metadata, ASCII): A list of the grid data structures, their spatial position, file names, and numerical size. * RD00##.cpu0XXX (physical data, HDF5): These files hold the physical fields (density, velocity, etc.) for each grid. * RD00##.boundary (boundary conditions, ASCII): Boundary metadata. * RD00##.boundary.hdf (boundary conditions, HDF5): Boundary data for necessary fields","Rights The information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).","License This work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/).","Lyrasis Special Collections","Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Lawrence Livermore Laboratory.","University of California, San Diego.","Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-","Barnett, Tim","Moore, Reagan W.",""],"unitid_tesim":["RCIDC.0001","/repositories/2/resources/5"],"normalized_date_ssm":["Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"normalized_title_ssm":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"collection_title_tesim":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"collection_ssim":["Santa Fe Light Cone Simulation research project files, Bulk, 2005-2007, 2005-2012, Bulk 2005-2007"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"creator_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"creator_persname_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"creators_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-"],"access_terms_ssm":["Rights The information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).","License This work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/)."],"acqinfo_ssim":["Immediate Source of Acquisition note Rick Wagner, 2012."],"access_subjects_ssim":["Cosmic background radiation","Cosmology","Cosmology--Observations","Galaxies--Clusters","Hydrodynamics","Research-Data processing","Research data"],"access_subjects_ssm":["Cosmic background radiation","Cosmology","Cosmology--Observations","Galaxies--Clusters","Hydrodynamics","Research-Data processing","Research data"],"has_online_content_ssim":["true"],"extent_ssm":["683.0 Gigabytes","39 Electronic file","683.0 Gigabyte(s) 39 digital objects collectively containing 1,797 digital files of various types."],"extent_tesim":["683.0 Gigabytes","39 Electronic file","683.0 Gigabyte(s) 39 digital objects collectively containing 1,797 digital files of various types."],"genreform_ssim":["Research data"],"date_range_isim":[2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n            \u003cp\u003eThis data set is available for use by the general research community, via UC San Diego Research Cyberinfrastructure Data Curation. Inquiries about using the dataset may be directed to rci-ref@ucsd.edu\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access This data set is available for use by the general research community, via UC San Diego Research Cyberinfrastructure Data Curation. Inquiries about using the dataset may be directed to rci-ref@ucsd.edu"],"arrangement_html_tesm":["\u003cp\u003e\u003chead\u003eArrangement note\u003c/head\u003e\n            \u003cp\u003eThe data set is arranged into 31 components: 1: Data processing tools; 2: Initital conditions for simulation; 3-30: Data at redshift=3.0 to Data at redshift=0.0, and 31: Historical documents.\u003c/p\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement note"],"arrangement_tesim":["Arrangement note The data set is arranged into 31 components: 1: Data processing tools; 2: Initital conditions for simulation; 3-30: Data at redshift=3.0 to Data at redshift=0.0, and 31: Historical documents."],"bibliography_html_tesm":["\u003cp\u003eReferenced below are articles and other publications identified at the end of 2011 as having used the data generated by Santa Fe Light Cone Simulation project.\u003c/p\u003e","\u003cbibref\u003eHallman, Eric J.; Skillman, Samuel W.; Jeltema, Tesla E.; Smith, Britton D.; O'Shea, Brian W.; Burns, Jack O.; and Norman, Michael L.\u003ctitle\u003e\"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters.\"\u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 725, Issue 1: 1053-1068 (Dec. 2010); http://dx.doi.org/10.1088/0004-637X/725/1/1053; http://iopscience.iop.org/0004-637X/725/1/1053.\u003c/bibref\u003e","\u003cbibref\u003eHallman, Eric J.;O'Shea, Brian W.; Burns, Jack O.; Norman, Michael L.; and Harkness, Robert; Wagner, Rick.\u003ctitle\u003e\"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys.\" \u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, V. 671, Issue 1: 27-39 (12/2007). http://dx.doi.org/10.1086/522912; http://adsabs.harvard.edu/abs/2007ApJ...671...27H\u003c/bibref\u003e","\u003cbibref\u003eHallman, Eric J.; O'Shea, Brian W.; Smith, Britton D.; Burns, Jack O.; and Norman, Michael L.\u003ctitle\u003e \"The Santa Fe Light Cone Simulation Project. II. The Prospects for Direct Detection of the Whim with SZE Surveys.\" \u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 698, Issue 2: 1795-1802 (2009): http://dx.doi.org/10.1088/0004-637X/698/2/1795; http://iopscience.iop.org/0004-637X/698/2.\u003c/bibref\u003e","\u003cbibref\u003eLemze, Doron; Rephaeli, Yoel; Barkana, Rennan; Broadhurst, Tom; Wagner, Rick; and Norman, Mike L.\u003ctitle\u003e\"Quantifying the Collisionless Nature of Dark Matter and Galaxies in A1689.\" \u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 728, Issue 1, article id 40 (2011): http://dx.doi.org/10.1088/0004-637X/728/1/40; http://iopscience.iop.org/0004-637X/728/1/40.\u003c/bibref\u003e","\u003cbibref\u003eLemze, Doron; Wagner, Rick; Rephaeli, Yoel; Sadeh, Sharon; Norman, Michael L.; Barkana, Rennan; Broadhurst, Tom; Ford, Holland; and Postman, Marc.\u003ctitle\u003e\"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters.\"\u003c/title\u003e eprint arXiv:1106.6048 (June 2011).\u003c/bibref\u003e","\u003cbibref\u003eSkillman, Samuel W.; O'Shea, Brian W.; Hallman, Eric J.; Burns, Jack O.; and Norman, Michael L.\u003ctitle\u003e\"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays.\"\u003c/title\u003e\n\u003ctitle render=\"italic\"\u003eThe Astrophysical Journal\u003c/title\u003e, Vol. 689, Issue 2: 1063-1077 (Dec. 2008); http://dx.doi.org/10.1086/592496; http://iopscience.iop.org/0004-637X/689/2/1063\u003c/bibref\u003e"],"bibliography_heading_ssm":["Use References"],"bibliography_tesim":["Referenced below are articles and other publications identified at the end of 2011 as having used the data generated by Santa Fe Light Cone Simulation project.","Hallman, Eric J.; Skillman, Samuel W.; Jeltema, Tesla E.; Smith, Britton D.; O'Shea, Brian W.; Burns, Jack O.; and Norman, Michael L. \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters.\" The Astrophysical Journal , Vol. 725, Issue 1: 1053-1068 (Dec. 2010); http://dx.doi.org/10.1088/0004-637X/725/1/1053; http://iopscience.iop.org/0004-637X/725/1/1053.","Hallman, Eric J.;O'Shea, Brian W.; Burns, Jack O.; Norman, Michael L.; and Harkness, Robert; Wagner, Rick. \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys.\"  The Astrophysical Journal , V. 671, Issue 1: 27-39 (12/2007). http://dx.doi.org/10.1086/522912; http://adsabs.harvard.edu/abs/2007ApJ...671...27H","Hallman, Eric J.; O'Shea, Brian W.; Smith, Britton D.; Burns, Jack O.; and Norman, Michael L.  \"The Santa Fe Light Cone Simulation Project. II. The Prospects for Direct Detection of the Whim with SZE Surveys.\"  The Astrophysical Journal , Vol. 698, Issue 2: 1795-1802 (2009): http://dx.doi.org/10.1088/0004-637X/698/2/1795; http://iopscience.iop.org/0004-637X/698/2.","Lemze, Doron; Rephaeli, Yoel; Barkana, Rennan; Broadhurst, Tom; Wagner, Rick; and Norman, Mike L. \"Quantifying the Collisionless Nature of Dark Matter and Galaxies in A1689.\"  The Astrophysical Journal , Vol. 728, Issue 1, article id 40 (2011): http://dx.doi.org/10.1088/0004-637X/728/1/40; http://iopscience.iop.org/0004-637X/728/1/40.","Lemze, Doron; Wagner, Rick; Rephaeli, Yoel; Sadeh, Sharon; Norman, Michael L.; Barkana, Rennan; Broadhurst, Tom; Ford, Holland; and Postman, Marc. \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters.\"  eprint arXiv:1106.6048 (June 2011).","Skillman, Samuel W.; O'Shea, Brian W.; Hallman, Eric J.; Burns, Jack O.; and Norman, Michael L. \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays.\" The Astrophysical Journal , Vol. 689, Issue 2: 1063-1077 (Dec. 2008); http://dx.doi.org/10.1086/592496; http://iopscience.iop.org/0004-637X/689/2/1063"],"bioghist_heading_ssm":["Project Background"],"bioghist_tesim":["Project Background The Santa Fe Light Cone Simulation project was the result of an ongoing effort by the Laboratory for Computational Astrophysics, beginning with the LUScID Project in 2005. This led to the development of the ENZO simulation software to the point where it was able to complete a seven-level adaptive mesh refinement (AMR) cosmology simulation. LUScID During the 1990s, observational cosmology became \"big science,\" involving expensive instruments (e.g., the Hubble Space Telescope) and large teams (e.g., the Sloan Digital Sky Survey [SDSS]) attacking fundamental questions about the origin and evolution of the universe. Progress was astonishing and included the discovery of the accelerating universe (Riess et al. 1998, Perlmutter et al. 1999); precision measurements of the global geometry, age, and composition of the universe (de Bernardis et al. 2000); and deep images of galaxies at the dawn of time (Beckwith et al. 2004). These and other observations have narrowed the range of acceptable theoretical models for cosmological structure formation to a single model called the concordance model (Bahcall et al. 1999), for which free parameters are now known to high precision (Spergel et al. 2003). Cosmology thus finds itself in a place not unlike particle physics, where the goal going forward is to refine and test the standard model with yet higher precision measurements. Fundamental science questions driving the field include the nature of dark energy and dark matter, the formation and evolution of galaxies and quasars, and how and when the intergalactic medium was re-ionized. Future progress requires ambitious observational surveys of the universe of unprecedented depth and breadth. The SDSS is collecting megabytes of data per galaxy on nearly 1 million galaxies distributed throughout a volume of space many billions of light years on a side. Currently over 2 TB of data has been collected and archived. This number is expected to grow to 5 TB by project's end. Several similarly sized surveys are underway, and much larger ones are planned. In particular, the Large aperture Synoptic Survey Telescope [LSST] will collect 15 TB of image data every night for a year, amassing a collection of tens of petabytes over several years. The LSST will produce an object catalog of a billion galaxies—a thousand-fold increase over the SDSS. Coping with this \"data flood\" requires advanced scientific data management technologies. In order to maximize the science return, results from massive surveys need to be compared to the detailed predictions of the concordance model. These take the form of massive cosmological simulations of the formation of galaxies and large scale structure. Just as Moore's Law is the force behind the data explosion in astronomy, it has also enabled numerical simulations of unprecedented size and complexity on massively parallel supercomputers. ENZO is a parallel cosmology application developed at the Laboratory for Computational Astrophysics (LCA) at UCSD, directed by Michael Norman. ENZO solves the equations of dark matter dynamics, multi-species hydrodynamics, non-equilibrium chemical and ionization kinetics, and self-gravity in an expanding universe dominated by dark energy. Parameterized models of star formation and feedback effects allow the simulation of the formation and evolution of galaxies on cosmic length scales and time scales. The state-of-the art is shown in Fig. 1. The simulation shown in the left panel evolves a concordance model with 1 billion Lagrangian dark matter particles and the equations of Eulerian hydrodynamics and self-gravity on a uniform grid of 1 billion (1024^3) cells. The calculation was done on 512 processors of SDSC's IBM Blue Horizon computer, and produced 10TB of raw data and 6 TB of derived data. This calculation serves as a survey volume for follow-on adaptive mesh refinement (AMR) simulations which resolve the galaxies' internal structure. At right is shown an old AMR simulation of galaxy formation done at NCSA in 1998. Due to computer power and data handling limitations at the time, only 1/64 of the survey volume (2563 base grid) could be simulated at high resolution. Now, with more powerful parallel computers and data management technologies, we can in principle simulate the entire volume at high spatial resolution. Making that a practical reality is the overarching goal of the cosmology simulation data grid project, which we shall henceforth refer to as the Cosmic Simulator. The specific goals of the Cosmic Simulator project are threefold: use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications. Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\" Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student","use the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism; improve the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes; generate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.","Key project events (including requests for computer support and the submission of manuscripts for publication) January 2005 LUSciD (LLNL UCSD Scientific Data Management) proposal submitted January 2006 The LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone. April 2007 Submission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\" January 2008 A second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing. June 2008 Submission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\" March 2009 Submission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\" August 2010 Submission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\" October 2010 Submission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\" June 2011 Submission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"","Key Personnel (including institutional affiliations and project positions Michael L. Norman, University of California, San Diego, Principal Investigator Jack O. Burns, University of Colorado Boulder, Co-Principal Investigator Eric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow James Bordner, University of California, San Diego, Scientist and Programmer Robert Harkness, University of California, San Diego, Scientist and Programmer Brian W. O'Shea, University of California, San Diego, Graduate Student Geoffrey So, University of California, San Diego, Graduate Student Rick Wagner, University of California, San Diego, Graduate Student"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n            \u003cp\u003eRick Wagner, Eric J. Hallman, Brian W. O'Shea, Jack O. Burns, Michael L. Norman, Robert Harkness, and Geoffrey So. \"The Santa Fe Light Cone Simulation research project files.\" UC San Diego Research Cyberinfrastructure Data Curation. (Data version 1.0, published 2013; http://dx.doi.org/10.6075/W7154F0Q)\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Rick Wagner, Eric J. Hallman, Brian W. O'Shea, Jack O. Burns, Michael L. Norman, Robert Harkness, and Geoffrey So. \"The Santa Fe Light Cone Simulation research project files.\" UC San Diego Research Cyberinfrastructure Data Curation. (Data version 1.0, published 2013; http://dx.doi.org/10.6075/W7154F0Q)"],"processinfo_html_tesm":["\u003cp\u003e\u003chead\u003eProcessing Information note\u003c/head\u003e\n            \u003cp\u003eThe project lead collected, on the Triton Resource at the San Diego Supercomputer Center, all data generated by the Santa Fe Light Cone Simulation project deemed essential to representing the simulation project and facilitating re-use of the data. Data files were categorized and arranged to represent each snapshot (Data at redshift) comprising the simulation. The files for each snapshot include files specifying the parameters for each snapshot, binary data files constituting the results of applying the parameters, and derived data products generated from processing of the results. Files deemed irrelevant to representation of the project and / or use of the data were removed from the data set. In addition to data files, scripts necessary for processing the data were added to the collection, as were products generated using the scripts. The former are included in the component labeled \"Data Processing Tools, \" whereas the latter are typically included in a sub-component labeled \"Derived Products\" for each of the primary \"Data at redshift\" components. Finally, a variety of project files, primarily proposals and project status reports, have been incorporated and are listed in the component labeled \"Historical documents.\" The Santa Fe Light Cone simulation files were then transferred from the SDSC server to the Research Data Curation data storage space. The transfer of all files were monitored for accuracy.\u003c/p\u003e\n            \u003cp\u003eThe entire collection was arranged into thirty-one components and described completely using the Archivists' Toolkit application. Component and sub-component descriptions were linked to digital object records composed in the AT and containing links to the files constituting the data set, or snapshot. The AT description was used to generate an Encoded Archival Description (EAD) document for the complete set of files for the Santa Fe Light Cone Simulation project data set and a METS document for each primary component. The EAD is to be uploaded to the Online Archive of California (OAC), whereas the METS records and the digital content files they reference are to be uploaded to the UC San Diego Digital Asset Management System (DAMS). A researcher will thus be enabled to access the data files either through the OAC or the UCSD DAMS. Finally, all files and descriptive records for the simulation project are to be deposted in the Chronopolis digital preservation network for long-term preservation management.\u003c/p\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information note"],"processinfo_tesim":["Processing Information note The project lead collected, on the Triton Resource at the San Diego Supercomputer Center, all data generated by the Santa Fe Light Cone Simulation project deemed essential to representing the simulation project and facilitating re-use of the data. Data files were categorized and arranged to represent each snapshot (Data at redshift) comprising the simulation. The files for each snapshot include files specifying the parameters for each snapshot, binary data files constituting the results of applying the parameters, and derived data products generated from processing of the results. Files deemed irrelevant to representation of the project and / or use of the data were removed from the data set. In addition to data files, scripts necessary for processing the data were added to the collection, as were products generated using the scripts. The former are included in the component labeled \"Data Processing Tools, \" whereas the latter are typically included in a sub-component labeled \"Derived Products\" for each of the primary \"Data at redshift\" components. Finally, a variety of project files, primarily proposals and project status reports, have been incorporated and are listed in the component labeled \"Historical documents.\" The Santa Fe Light Cone simulation files were then transferred from the SDSC server to the Research Data Curation data storage space. The transfer of all files were monitored for accuracy. The entire collection was arranged into thirty-one components and described completely using the Archivists' Toolkit application. Component and sub-component descriptions were linked to digital object records composed in the AT and containing links to the files constituting the data set, or snapshot. The AT description was used to generate an Encoded Archival Description (EAD) document for the complete set of files for the Santa Fe Light Cone Simulation project data set and a METS document for each primary component. The EAD is to be uploaded to the Online Archive of California (OAC), whereas the METS records and the digital content files they reference are to be uploaded to the UC San Diego Digital Asset Management System (DAMS). A researcher will thus be enabled to access the data files either through the OAC or the UCSD DAMS. Finally, all files and descriptive records for the simulation project are to be deposted in the Chronopolis digital preservation network for long-term preservation management."],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Contents note\u003c/head\u003e\n            \u003cp\u003eThe project files consists of data in three broad categories: the simulation data (\"Data at Redshift\" components); analysis tools and example scripts (Data Processing Tools) for processing the data; and project administration and background documents (Historical Documents) related to the project. All these materials were created between 2005 and 2012, beginning with a proposal for the LUSciD Project, continuing on to the simulation data, and ending with the recent analysis tools. The historical documents are proposals and progress reports that were part of grants or requests for computational resources supporting the research. The component for analysis tools and example scripts contains the source code to yt (http://yt-project.org/), which was used to produce the example data analysis results. The results are a combination of structured text, binary files, and images. The historical documents and analysis tools are described in greater detail in their component descriptions.\u003c/p\u003e\n            \u003cp\u003eThe scientific motivations for the light cone simulation are described in the Project Background. Here we describe how the simulation data was generated. The simulation was the final in a group of simulations, with each one designed to meet certain requirements, such as resolution. Earlier simulations tied to the LUsciD Project were performed on Thunder, a Lawrence Livermore National Laboratory cluster. This calculation for the Santa Fe Light Cone Simulation was a demonstration of the software's ability to perform adaptive refinement throughout the volume, and as a result, was run on the San Diego Supercomputer Center's DataStar system and the National Center for Supercomputing Applications Altix, Cobalt.\u003c/p\u003e\n            \u003cp\u003eThe simulation was initialized at high redshift, assuming a standard cosmological model incorporating dark energy and cold dark matter. The physical volume represented was a periodic cube 512 comoving megaparsecs on a side. The simulation was evolved to the present day, using models for gravity and adiabatic gas dynamics. At specific points, snapshots of the simulation were saved, and a representative subset of those are contained in this collection.\u003c/p\u003e\n            \u003cp\u003eThese snapshots are organized by time (or, equivalently, redshift) at the top level, and named from RD0009 to RD0036; lower numbers (e.g., RD0009) represent earlier times in the universe's evolution, while higher numbers are later times and ones closer to the present day. Each snapshot has an archive (tar) file of the original data, a checksum of the archive, and text files of the parameters, grid hierarchy, and boundary conditions. The parameter, hierarchy, and boundary files are also in the archive file, but are available separately for convenience in a component named \"Parameters.\"\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003eThe contents of each project component labeled RD00## are the same:\u003c/p\u003e\n            \u003cp\u003e* RD00## (parameters, ASCII): All of the simulation parameters are listed in these files as key-value pairs, using a \"key = value\" format. The input parameter are identical across all parameter files, while variables such as the current time, or redshift, change.\u003c/p\u003e\n            \u003cp\u003e* RD00##.hierarchy (grid metadata, ASCII): A list of the grid data structures, their spatial position, file names, and numerical size.\u003c/p\u003e\n            \u003cp\u003e* RD00##.cpu0XXX (physical data, HDF5): These files hold the physical fields (density, velocity, etc.) for each grid.\u003c/p\u003e\n            \u003cp\u003e* RD00##.boundary (boundary conditions, ASCII): Boundary metadata.\u003c/p\u003e\n            \u003cp\u003e* RD00##.boundary.hdf (boundary conditions, HDF5): Boundary data for necessary fields\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Scope and Contents note The project files consists of data in three broad categories: the simulation data (\"Data at Redshift\" components); analysis tools and example scripts (Data Processing Tools) for processing the data; and project administration and background documents (Historical Documents) related to the project. All these materials were created between 2005 and 2012, beginning with a proposal for the LUSciD Project, continuing on to the simulation data, and ending with the recent analysis tools. The historical documents are proposals and progress reports that were part of grants or requests for computational resources supporting the research. The component for analysis tools and example scripts contains the source code to yt (http://yt-project.org/), which was used to produce the example data analysis results. The results are a combination of structured text, binary files, and images. The historical documents and analysis tools are described in greater detail in their component descriptions. The scientific motivations for the light cone simulation are described in the Project Background. Here we describe how the simulation data was generated. The simulation was the final in a group of simulations, with each one designed to meet certain requirements, such as resolution. Earlier simulations tied to the LUsciD Project were performed on Thunder, a Lawrence Livermore National Laboratory cluster. This calculation for the Santa Fe Light Cone Simulation was a demonstration of the software's ability to perform adaptive refinement throughout the volume, and as a result, was run on the San Diego Supercomputer Center's DataStar system and the National Center for Supercomputing Applications Altix, Cobalt. The simulation was initialized at high redshift, assuming a standard cosmological model incorporating dark energy and cold dark matter. The physical volume represented was a periodic cube 512 comoving megaparsecs on a side. The simulation was evolved to the present day, using models for gravity and adiabatic gas dynamics. At specific points, snapshots of the simulation were saved, and a representative subset of those are contained in this collection. These snapshots are organized by time (or, equivalently, redshift) at the top level, and named from RD0009 to RD0036; lower numbers (e.g., RD0009) represent earlier times in the universe's evolution, while higher numbers are later times and ones closer to the present day. Each snapshot has an archive (tar) file of the original data, a checksum of the archive, and text files of the parameters, grid hierarchy, and boundary conditions. The parameter, hierarchy, and boundary files are also in the archive file, but are available separately for convenience in a component named \"Parameters.\" The contents of each project component labeled RD00## are the same: * RD00## (parameters, ASCII): All of the simulation parameters are listed in these files as key-value pairs, using a \"key = value\" format. The input parameter are identical across all parameter files, while variables such as the current time, or redshift, change. * RD00##.hierarchy (grid metadata, ASCII): A list of the grid data structures, their spatial position, file names, and numerical size. * RD00##.cpu0XXX (physical data, HDF5): These files hold the physical fields (density, velocity, etc.) for each grid. * RD00##.boundary (boundary conditions, ASCII): Boundary metadata. * RD00##.boundary.hdf (boundary conditions, HDF5): Boundary data for necessary fields"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003eRights\u003c/head\u003e\n            \u003cp\u003eThe information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).\u003c/p\u003e\u003c/p\u003e","\u003cp\u003e\u003chead\u003eLicense\u003c/head\u003e\n            \u003cp\u003eThis work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/).\u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Rights","License"],"userestrict_tesim":["Rights The information contained in this set of research project files is the property of its creators and the Regents of the University of California. Some or all of the materials in the project files may be protected by copyright law. Use of this work beyond that allowed by \"fair use\" requires the written permission of the copyright holders(s). Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library unit having custodial responsibility for the work (http://rci.ucsd.edu).","License This work is licensed under a Creative Commons Attribution 3.0 Unported License (http://creativecommons.org/licenses/by/3.0/)."],"names_coll_ssim":["Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Wagner, Rick, 1972-","Wagner, Rick, 1972-"],"names_ssim":["Lyrasis Special Collections","Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Lawrence Livermore Laboratory.","University of California, San Diego.","Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-","Barnett, Tim","Moore, Reagan W."],"corpname_ssim":["Lyrasis Special Collections","Los Alamos National Laboratory. Theoretical Astrophysics Group T-6..","San Diego Supercomputer Center.","University of California, San Diego.. Center for Astrophysics and Space Sciences.","University of Colorado (System). Dept. of Astrophysics and Planetary Sciences. Center for Astrophysics and Space Astronomy.","Lawrence Livermore Laboratory.","University of California, San Diego."],"persname_ssim":["Burns, Jack O.","Hallman, Eric J.","Harkness, Robert","Norman, Michael L.","O'Shea, Brian W.,  (Brian William), 1978-","So, Geoffrey","Wagner, Rick, 1972-","Barnett, Tim","Moore, Reagan W."],"language_ssim":[""],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":44,"online_item_count_is":39,"component_level_isim":[0],"sort_isi":0,"_root_":"fbd0c7fbf3276395f8940a8e","timestamp":"2026-04-04T01:12:15.474Z","bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eProject Background\u003c/head\u003e\n            \u003cp\u003eThe Santa Fe Light Cone Simulation project was the result of an ongoing effort by the Laboratory for Computational Astrophysics, beginning with the LUScID Project in 2005. This led to the development of the ENZO simulation software to the point where it was able to complete a seven-level adaptive mesh refinement (AMR) cosmology simulation.\u003c/p\u003e\n            \u003cp\u003e\n                \u003cemph render=\"underline\"\u003eLUScID\u003c/emph\u003e\u003c/p\u003e\n            \u003cp\u003eDuring the 1990s, observational cosmology became \"big science,\" involving expensive instruments (e.g., the Hubble Space Telescope) and large teams (e.g., the Sloan Digital Sky Survey [SDSS]) attacking fundamental questions about the origin and evolution of the universe. Progress was astonishing and included the discovery of the accelerating universe (Riess et al. 1998, Perlmutter et al. 1999); precision measurements of the global geometry, age, and composition of the universe (de Bernardis et al. 2000); and deep images of galaxies at the dawn of time (Beckwith et al. 2004). These and other observations have narrowed the range of acceptable theoretical models for cosmological structure formation to a single model called the concordance model (Bahcall et al. 1999), for which free parameters are now known to high precision (Spergel et al. 2003). Cosmology thus finds itself in a place not unlike particle physics, where the goal going forward is to refine and test the standard model with yet higher precision measurements. Fundamental science questions driving the field include the nature of dark energy and dark matter, the formation and evolution of galaxies and quasars, and how and when the intergalactic medium was re-ionized.\u003c/p\u003e\n            \u003cp\u003eFuture progress requires ambitious observational surveys of the universe of unprecedented depth and breadth. The SDSS is collecting megabytes of data per galaxy on nearly 1 million galaxies distributed throughout a volume of space many billions of light years on a side. Currently over 2 TB of data has been collected and archived. This number is expected to grow to 5 TB by project's end. Several similarly sized surveys are underway, and much larger ones are planned. In particular, the Large aperture Synoptic Survey Telescope [LSST] will collect 15 TB of image data every night for a year, amassing a collection of tens of petabytes over several years. The LSST will produce an object catalog of a billion galaxies\u0026#x2014;a thousand-fold increase over the SDSS. Coping with this \"data flood\" requires advanced scientific data management technologies.\u003c/p\u003e\n            \u003cp\u003eIn order to maximize the science return, results from massive surveys need to be compared to the detailed predictions of the concordance model. These take the form of massive cosmological simulations of the formation of galaxies and large scale structure. Just as Moore's Law is the force behind the data explosion in astronomy, it has also enabled numerical simulations of unprecedented size and complexity on massively parallel supercomputers.\u003c/p\u003e\n            \u003cp\u003eENZO is a parallel cosmology application developed at the Laboratory for Computational Astrophysics (LCA) at UCSD, directed by Michael Norman. ENZO solves the equations of dark matter dynamics, multi-species hydrodynamics, non-equilibrium chemical and ionization kinetics, and self-gravity in an expanding universe dominated by dark energy. Parameterized models of star formation and feedback effects allow the simulation of the formation and evolution of galaxies on cosmic length scales and time scales. The state-of-the art is shown in Fig. 1. The simulation shown in the left panel evolves a concordance model with 1 billion Lagrangian dark matter particles and the equations of Eulerian hydrodynamics and self-gravity on a uniform grid of 1 billion (1024^3) cells. The calculation was done on 512 processors of SDSC's IBM Blue Horizon computer, and produced 10TB of raw data and 6 TB of derived data. This calculation serves as a survey volume for follow-on adaptive mesh refinement (AMR) simulations which resolve the galaxies' internal structure. At right is shown an old AMR simulation of galaxy formation done at NCSA in 1998. Due to computer power and data handling limitations at the time, only 1/64 of the survey volume (2563 base grid) could be simulated at high resolution. Now, with more powerful parallel computers and data management technologies, we can in principle simulate the entire volume at high spatial resolution. Making that a practical reality is the overarching goal of the cosmology simulation data grid project, which we shall henceforth refer to as the Cosmic Simulator.\u003c/p\u003e\n            \u003cp\u003eThe specific goals of the Cosmic Simulator project are threefold:\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003cp\u003e\u003c/p\u003e\n            \u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n                \u003citem\u003euse the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism;\u003c/item\u003e\n                \u003citem\u003eimprove the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes;\u003c/item\u003e\n                \u003citem\u003egenerate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.\u003c/item\u003e\n            \u003c/list\u003e\n            \u003cchronlist\u003e\n                \u003chead\u003eKey project events (including requests for computer support and the submission of manuscripts for publication)\u003c/head\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJanuary 2005\u003c/date\u003e\n                    \u003cevent\u003eLUSciD (LLNL UCSD Scientific Data Management) proposal submitted\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJanuary 2006\u003c/date\u003e\n                    \u003cevent\u003eThe LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone.\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eApril 2007\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJanuary 2008\u003c/date\u003e\n                    \u003cevent\u003eA second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing.\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJune 2008\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eMarch 2009\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eAugust 2010\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eOctober 2010\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n                \u003cchronitem\u003e\n                    \u003cdate\u003eJune 2011\u003c/date\u003e\n                    \u003cevent\u003eSubmission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"\u003c/event\u003e\n                \u003c/chronitem\u003e\n            \u003c/chronlist\u003e\n            \u003clist type=\"ordered\"\u003e\n                \u003chead\u003eKey Personnel (including institutional affiliations and project positions\u003c/head\u003e\n                \u003citem\u003eMichael L. Norman, University of California, San Diego, Principal Investigator\u003c/item\u003e\n                \u003citem\u003eJack O. Burns, University of Colorado Boulder, Co-Principal Investigator\u003c/item\u003e\n                \u003citem\u003eEric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow\u003c/item\u003e\n                \u003citem\u003eJames Bordner, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n                \u003citem\u003eRobert Harkness, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n                \u003citem\u003eBrian W. O'Shea, University of California, San Diego, Graduate Student\u003c/item\u003e\n                \u003citem\u003eGeoffrey So, University of California, San Diego, Graduate Student\u003c/item\u003e\n                \u003citem\u003eRick Wagner, University of California, San Diego, Graduate Student\u003c/item\u003e\n            \u003c/list\u003e\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003euse the LLNL-SDSC-UCSD data grid to be deployed to enable cosmological simulations of unprecedented size and physical realism;\u003c/item\u003e\n      \u003citem\u003eimprove the physical realism of cosmological modeling through the inclusion of radiation transfer on adaptive meshes;\u003c/item\u003e\n      \u003citem\u003egenerate simulated sky maps and galaxy catalogs using automated processing pipelines for LSST applications.\u003c/item\u003e\n    \u003c/list\u003e","\u003cchronlist\u003e\n      \u003chead\u003eKey project events (including requests for computer support and the submission of manuscripts for publication)\u003c/head\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJanuary 2005\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eLUSciD (LLNL UCSD Scientific Data Management) proposal submitted\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJanuary 2006\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eThe LRAC (Large Resource Allocations Committee) proposal is submitted by Michael Norman, requesting time to run the low redshift tiles of the Santa Fe Light Cone.\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eApril 2007\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project. I. Confusion and the Warm-Hot Intergalactic Medium in Upcoming Sunyaev-Zel'dovich Effect Surveys\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJanuary 2008\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eA second LRAC (Large Resource Allocations Committee) proposal is describing planned analysis of the simulation in the area of weak gravitational lensing.\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJune 2008\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"Cosmological Shocks in Adaptive Mesh Refinement Simulations and the Acceleration of Cosmic Rays\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eMarch 2009\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"The Santa Fe Light Cone Simulation Project: II. The Prospects for Direct Detection of the WHIM with SZE Surveys\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eAugust 2010\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"Quantifying the collisionless nature of dark matter and galaxies in A1689\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eOctober 2010\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"The Properties of X-ray Cold Fronts in a Statistical Sample of Simulated Galaxy Clusters\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003eJune 2011\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eSubmission of \"Profiles of Dark Matter Velocity Anisotropy in Simulated Clusters\"\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n    \u003c/chronlist\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eKey Personnel (including institutional affiliations and project positions\u003c/head\u003e\n      \u003citem\u003eMichael L. Norman, University of California, San Diego, Principal Investigator\u003c/item\u003e\n      \u003citem\u003eJack O. Burns, University of Colorado Boulder, Co-Principal Investigator\u003c/item\u003e\n      \u003citem\u003eEric J. Hallman, University of Colorado Boulder, Postdoctoral Fellow\u003c/item\u003e\n      \u003citem\u003eJames Bordner, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n      \u003citem\u003eRobert Harkness, University of California, San Diego, Scientist and Programmer\u003c/item\u003e\n      \u003citem\u003eBrian W. O'Shea, University of California, San Diego, Graduate Student\u003c/item\u003e\n      \u003citem\u003eGeoffrey So, University of California, San Diego, Graduate Student\u003c/item\u003e\n      \u003citem\u003eRick Wagner, University of California, San Diego, Graduate Student\u003c/item\u003e\n    \u003c/list\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/fbd0c7fbf3276395f8940a8e_aspace_ref12"}},{"id":"075db2813bbf51babd021c34_aspace_35251f63fcf014a8cb68cc8afea2dc8a","type":"File","attributes":{"title":"Davenport, William, 1959 - 1966","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/075db2813bbf51babd021c34_aspace_35251f63fcf014a8cb68cc8afea2dc8a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_35251f63fcf014a8cb68cc8afea2dc8a","ref_ssm":["aspace_35251f63fcf014a8cb68cc8afea2dc8a","aspace_35251f63fcf014a8cb68cc8afea2dc8a"],"id":"075db2813bbf51babd021c34_aspace_35251f63fcf014a8cb68cc8afea2dc8a","title_filing_ssi":"Davenport, William","title_ssm":["Davenport, William"],"title_tesim":["Davenport, William"],"unitdate_inclusive_ssm":["1959 - 1966"],"normalized_date_ssm":["1959 - 1966"],"normalized_title_ssm":["Davenport, William, 1959 - 1966"],"text":["Davenport, William, 1959 - 1966","Harold Scheffler Papers, 1926 - 1981","CORRESPONDENCE","/repositories/2/archival_objects/2784","Box 1","Folder 6"],"component_level_isim":[2],"parent_ids_ssim":["075db2813bbf51babd021c34","075db2813bbf51babd021c34_aspace_07270592f36e8607df3af0285e018d12"],"parent_unittitles_ssm":["Harold Scheffler Papers, 1926 - 1981","CORRESPONDENCE"],"parent_unittitles_tesim":["Harold Scheffler Papers, 1926 - 1981","CORRESPONDENCE"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/2784"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Harold Scheffler Papers, 1926 - 1981"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7,"parent_access_restrict_tesm":["Access\n         Collection is open for research.\n"],"parent_access_terms_tesm":["Publication Rights\n           Publication rights are held by the creator of the collection.\n        "],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966],"containers_ssim":["Box 1","Folder 6"],"_nest_path_":"/components#0/components#5","_nest_parent_":"075db2813bbf51babd021c34_aspace_07270592f36e8607df3af0285e018d12","_root_":"075db2813bbf51babd021c34","timestamp":"2026-04-04T01:11:47.965Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"075db2813bbf51babd021c34","title_filing_ssi":"Scheffler (Harold) Papers","title_ssm":["Harold Scheffler Papers,"],"title_tesim":["Harold Scheffler Papers,"],"ead_ssi":"075db2813bbf51babd021c34","unitdate_ssm":["1926 - 1981"],"unitdate_inclusive_ssm":["1926 - 1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0481","/repositories/2/resources/10"],"text":["MSS 0481","/repositories/2/resources/10","Harold Scheffler Papers, 1926 - 1981","Solomon Islands -- Social conditions","Solomon Islands -- Social life and customs","Solomon Islands -- Religious life and customs","Solomon Islands -- History -- 20th Century -- Sources","Solomon Islands -- Languages","Solomon Islands -- Pictorial works","Choiseul (Solomon Islands) -- Pictoral works","Rendova (Solomon Islands) -- Pictorial works","Oceania","Malekula (Vanuatu)","Christianity -- Solomon Islands","Ethnology -- Solomon Islands -- Choiseul","Kinship -- Solomon Islands -- Choiseul","Land tenure -- Solomon Islands -- Choiseul","Social change -- Solomon Islands","Access Collection is open for research.\n","Biography \nHarold Walter Scheffler was born on October 24, 1932, in St. Louis, Missouri.  He attended Southeast Missouri State College in 1952 and transferred to the University of Missouri the following year.  His studies were interrupted by military service with the United States Army, 1954-1955, after which he returned to the University of Missouri and received a B.A. degree in anthropology and sociology in 1956.\n \nScheffler then went on to the University of Chicago for graduate work in anthropology, receiving an M.A. in 1957.  He continued in the doctoral program at Chicago and, with the assistance of a Carnegie Corporation Tri-Institutional Pacific Program grant (1958-1960) and a Fulbright grant (1960-1961), conducted eighteen months of fieldwork (1958-1961) on the island of Choiseul in what was then called the British Solomon Islands Protectorate.  He received his Ph.D. from the University of Chicago in 1963, having submitted a dissertation entitled \"Kindred and Kin Groups in Choiseul Island Social Structure\" (later published in 1965 as CHOISEUL ISLAND SOCIAL STRUCTURE.\n \nScheffler studied social structure and kinship on Choiseul Island between November 1958 and April 1961.  He spent most of his time in the village of Voza in the Tepazaka District, but also lived on the opposite side of the island in Ogo village in the Varisi District and made trips to Simbo Island.  Scheffler learned and conducted his research in the Varisi dialect. \n \nAfter returning from Choiseul, Scheffler taught at the University of Connecticut (1961-1962) and Bryn Mawr College (1962-1963).  He joined the Yale University faculty in 1963, and has remained there throughout his career.  \n \nPost-doctoral fellowships and grants from the National Science Foundation enabled him to return to the Solomon Islands.  Between 1967 and 1968, Scheffler conducted research on the island of Rendova as the principal investigator in a study entitled \"Revitalization Movements in the British Solomons,\" which compared religious movements in three locations.  This project examined the separatist Christian Fellowship Church on New Georgia Island (fieldwork conducted by Frances Harwood), the South Seas Evangelical Mission in the Langalanga lagoon area of Malaita (fieldwork conducted by Matthew Cooper) and the participation of people on Rendova Island in revitalization movements (fieldwork conducted by Scheffler).   \n","Scope and Content of Collection \nThe papers of Harold Scheffler relate to Scheffler's ethnographic research in the Solomon Islands, specifically his dissertation fieldwork on Choiseul Island conducted between 1958 and 1961 and his comparative study of religious revitalization movements and separatist churches on Rendova Island between 1967 and 1968.  Scheffler studied social structure and kinship, particularly ambilineal descent groups, among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968) and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings; and, writings of others related to his areas of research.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages.  The papers occupy five linear feet and are arranged in eight series:  1) CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5)  MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.\n \nSERIES 1:  CORRESPONDENCE\n \nThe CORRESPONDENCE series is arranged alphabetically and includes letters from anthropologists John Barnes, William Davenport and Murray Groves; the ethnomusicologist Alan Lomax, and two of Scheffler's graduate students, Matthew Cooper and Frances Harwood.  There are also letters from government offices in the Solomon Islands, the National Science Foundation and Yale University related to Scheffler's research and travel.\n \nSERIES 2:  WRITINGS BY SCHEFFLER\n \nThe WRITINGS BY SCHEFFLER series contains manuscripts of Scheffler's journal articles and published works related to the Solomon Islands, including a typescript of his dissertation entitled KINDRED AND KIN GROUPS IN CHOISEUL ISLAND SOCIAL STRUCTURE (1963) and drafts for articles on kinship, land tenure and separatist church movements.  Also included are proposals for research grant applications to fund his fieldwork and analysis.  The materials are arranged alphabetically by title.\n \nSERIES 3:  CHOISEUL ISLAND FIELDWORK\n \nThe CHOISEUL ISLAND FIELDWORK series documents Scheffler's dissertation field work and contains field notes and typescript summaries and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Varisi Language Material, and E) Maps.\n \nA) The Diaries (1958-1961) contain Scheffler's day-to-day, handwritten entries describing places visited, contacts made, conversations with informants, new words or usages, and records of expenses during his fieldwork on Choiseul.\n \nB) The Field Notes subseries contains manuscript notebooks with dated entries of ethnographic information from informants, typescript notes that organize, synthesize and summarize the field data on land tenure in the notebooks, and typed notecards with field data classified according to the Human Relations Area Files coding system.  The notecards also include a sociological census of Choiseul Island, notes on cases brought before the native courts, notes on readings, and a bibliography.\n \nC) The Genealogies and Kinship Charts subseries contains notebooks and charts with lineage names, relationships and explanations of terminology.\n \nD) The Varisi Language Material subseries contains comparative word lists, a dictionary, descriptions of grammatical forms, and several examples of text.  Varisi is one of six dialects on Choiseul Islands and spoken by many groups outside the Varisi District.\n \nE) The Maps subseries contains seven blueprint drainage maps with Scheffler's (?) annotations of topographical features, villages and trails. \n \nSERIES 4: RENDOVA ISLAND FIELDWORK\n \nThe RENDOVA ISLAND FIELDWORK series document's Scheffler's fieldwork and study of revitalization movements and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Baniata Language Material, and E) Maps.\n \nA) Diaries (1967-1968). The Rendova diaries contain travel accounts, observations on the Christian Fellowship Church, its leader Silas Eto (Holy Mama) and Frances Harwood's field work.\n \nB) The Notebooks contain census data and genealogical information collected on the Baniata side and Rouro.\n \nC) The Genealogies and Kinship Charts subseries contains a single set of kinship charts.\n \nD) The Baniata Language Materials subseries contains typescript comparative word lists, descriptions of grammatical forms,  exercises and a vocabulary compiled by Arthur Capell.\n \nE) This subseries contains two commercial maps of Rendova Island (ca. 1965) with annotations and one commercial map of the Solomon Islands group (1951).\n \nSERIES 5: MISCELLANEOUS FIELDWORK\n \nThe MISCELLANEOUS FIELDWORK series contains notebooks with general observations and bibliographies on the Solomon Islands, the specific island of Simbo (1960) and Ambryn Island in the New Hebrides.\n \nSERIES 6: WRITINGS OF OTHERS\n \nMost of the material in the WRITINGS OF OTHERS series relates to separatist church movements, including Frances Harwood's research on the Christian Fellowship Church, an instance of a schismatic church in Melanesia.  Also included are handwritten notes, largely related to Ambryn Island, made by British anthropologist Bernard Deacon (1903-1927) and typescript copies of Deacon's notes made by Camilla Wedgewood.  \n \nSERIES 7:  PHOTOGRAPHS\n \nThe PHOTOGRAPHS series is arranged according to periods of fieldwork in two subseries: A) 1958-1961 and B) 1967-1968.\n \nA)  The first subseries contains slides and black-and-white photoprints taken between 1958 and 1961 on Choiseul Island, but also on side trips to New Guinea, Norfolk Island and Simbo Island.  The images document village life in Voza, Scheffler's base on Choiseul; shell money (kesa) and its  surrounding rituals; war making; music making; and, people.  The Simbo Island images depict skull houses and shrines.  \n \nB)  The second subseries contains images documenting the religious revitalization movements and activities on Rendova, Choiseul, and New Georgia Islands, especially Paradise Village and the Christian Fellowship Church and its leader, Silas Eto.\n \nSERIES 8:  AUDIORECORDINGS\n \nThe AUDIO RECORDINGS series is arranged in two subseries: A) Choiseul and B) Rendova.  Within each subseries the recordings contain recitations of texts, pan flute music and songs.\n","Publication Rights   Publication rights are held by the creator of the collection.\n        ","The papers of Harold Scheffler, anthropologist and ethnographer, relate to Scheffler's field research on ambilineal descent groups on Choiseul Island in the Solomon Islands between 1958 and 1961 and to his comparative study of religious revitalization movements, especially the Christian Fellowship Church, conducted on Rendova Island between 1967 and 1968.  Scheffler studied social structure, kinship and ethnographic semantics among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968), and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages of the Solomon Islands.  Of particular interest are manuscript notes by Bernard Deacon, a British anthropologist, and typescript transcriptions of Deacon's notes by Camilla Wedgewood on Ambryn Island, New Hebrides.  The papers span the period from 1926 to 1981 with the bulk of the material generated between 1958 and 1971.\n\nThe papers are arranged in eight series:  1)  CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5) MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.","Lyrasis Special Collections","Scheffler, Harold W.","Scheffler, Harold W. -- Archives","Deacon, Bernard, 1903-1927 -- Notebooks, sketchbooks, etc","Deacon, Bernard, 1903-1927","Collection materials in English"],"unitid_tesim":["MSS 0481","/repositories/2/resources/10"],"normalized_date_ssm":["1926 - 1981"],"normalized_title_ssm":["Harold Scheffler Papers, 1926 - 1981"],"collection_title_tesim":["Harold Scheffler Papers, 1926 - 1981"],"collection_ssim":["Harold Scheffler Papers, 1926 - 1981"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"geogname_ssm":["Solomon Islands -- Social conditions","Solomon Islands -- Social life and customs","Solomon Islands -- Religious life and customs","Solomon Islands -- History -- 20th Century -- Sources","Solomon Islands -- Languages","Solomon Islands -- Pictorial works","Choiseul (Solomon Islands) -- Pictoral works","Rendova (Solomon Islands) -- Pictorial works","Oceania","Malekula (Vanuatu)"],"geogname_ssim":["Solomon Islands -- Social conditions","Solomon Islands -- Social life and customs","Solomon Islands -- Religious life and customs","Solomon Islands -- History -- 20th Century -- Sources","Solomon Islands -- Languages","Solomon Islands -- Pictorial works","Choiseul (Solomon Islands) -- Pictoral works","Rendova (Solomon Islands) -- Pictorial works","Oceania","Malekula (Vanuatu)"],"creator_ssm":["Scheffler, Harold W."],"creator_ssim":["Scheffler, Harold W."],"creator_persname_ssim":["Scheffler, Harold W."],"creators_ssim":["Scheffler, Harold W."],"places_ssim":["Solomon Islands -- Social conditions","Solomon Islands -- Social life and customs","Solomon Islands -- Religious life and customs","Solomon Islands -- History -- 20th Century -- Sources","Solomon Islands -- Languages","Solomon Islands -- Pictorial works","Choiseul (Solomon Islands) -- Pictoral works","Rendova (Solomon Islands) -- Pictorial works","Oceania","Malekula (Vanuatu)"],"access_terms_ssm":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"acqinfo_ssim":["Acquisition Information Not Available"],"access_subjects_ssim":["Christianity -- Solomon Islands","Ethnology -- Solomon Islands -- Choiseul","Kinship -- Solomon Islands -- Choiseul","Land tenure -- Solomon Islands -- Choiseul","Social change -- Solomon Islands"],"access_subjects_ssm":["Christianity -- Solomon Islands","Ethnology -- Solomon Islands -- Choiseul","Kinship -- Solomon Islands -- Choiseul","Land tenure -- Solomon Islands -- Choiseul","Social change -- Solomon Islands"],"has_online_content_ssim":["false"],"extent_ssm":["6.90 Electronic file (16 archives boxes, 1 card file box and 7 oversize folders)","6.90 linear feet (16 archives boxes, 1 card file box and 7 oversize folders)"],"extent_tesim":["6.90 Electronic file (16 archives boxes, 1 card file box and 7 oversize folders)","6.90 linear feet (16 archives boxes, 1 card file box and 7 oversize folders)"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n         \u003cp\u003eCollection is open for research.\n\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access Collection is open for research.\n"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBiography\u003c/head\u003e\n         \u003cp\u003e\nHarold Walter Scheffler was born on October 24, 1932, in St. Louis, Missouri.  He attended Southeast Missouri State College in 1952 and transferred to the University of Missouri the following year.  His studies were interrupted by military service with the United States Army, 1954-1955, after which he returned to the University of Missouri and received a B.A. degree in anthropology and sociology in 1956.\n\u003c/p\u003e\n         \u003cp\u003e\nScheffler then went on to the University of Chicago for graduate work in anthropology, receiving an M.A. in 1957.  He continued in the doctoral program at Chicago and, with the assistance of a Carnegie Corporation Tri-Institutional Pacific Program grant (1958-1960) and a Fulbright grant (1960-1961), conducted eighteen months of fieldwork (1958-1961) on the island of Choiseul in what was then called the British Solomon Islands Protectorate.  He received his Ph.D. from the University of Chicago in 1963, having submitted a dissertation entitled \"Kindred and Kin Groups in Choiseul Island Social Structure\" (later published in 1965 as CHOISEUL ISLAND SOCIAL STRUCTURE.\n\u003c/p\u003e\n         \u003cp\u003e\nScheffler studied social structure and kinship on Choiseul Island between November 1958 and April 1961.  He spent most of his time in the village of Voza in the Tepazaka District, but also lived on the opposite side of the island in Ogo village in the Varisi District and made trips to Simbo Island.  Scheffler learned and conducted his research in the Varisi dialect. \n\u003c/p\u003e\n         \u003cp\u003e\nAfter returning from Choiseul, Scheffler taught at the University of Connecticut (1961-1962) and Bryn Mawr College (1962-1963).  He joined the Yale University faculty in 1963, and has remained there throughout his career.  \n\u003c/p\u003e\n         \u003cp\u003e\nPost-doctoral fellowships and grants from the National Science Foundation enabled him to return to the Solomon Islands.  Between 1967 and 1968, Scheffler conducted research on the island of Rendova as the principal investigator in a study entitled \"Revitalization Movements in the British Solomons,\" which compared religious movements in three locations.  This project examined the separatist Christian Fellowship Church on New Georgia Island (fieldwork conducted by Frances Harwood), the South Seas Evangelical Mission in the Langalanga lagoon area of Malaita (fieldwork conducted by Matthew Cooper) and the participation of people on Rendova Island in revitalization movements (fieldwork conducted by Scheffler).   \n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography \nHarold Walter Scheffler was born on October 24, 1932, in St. Louis, Missouri.  He attended Southeast Missouri State College in 1952 and transferred to the University of Missouri the following year.  His studies were interrupted by military service with the United States Army, 1954-1955, after which he returned to the University of Missouri and received a B.A. degree in anthropology and sociology in 1956.\n \nScheffler then went on to the University of Chicago for graduate work in anthropology, receiving an M.A. in 1957.  He continued in the doctoral program at Chicago and, with the assistance of a Carnegie Corporation Tri-Institutional Pacific Program grant (1958-1960) and a Fulbright grant (1960-1961), conducted eighteen months of fieldwork (1958-1961) on the island of Choiseul in what was then called the British Solomon Islands Protectorate.  He received his Ph.D. from the University of Chicago in 1963, having submitted a dissertation entitled \"Kindred and Kin Groups in Choiseul Island Social Structure\" (later published in 1965 as CHOISEUL ISLAND SOCIAL STRUCTURE.\n \nScheffler studied social structure and kinship on Choiseul Island between November 1958 and April 1961.  He spent most of his time in the village of Voza in the Tepazaka District, but also lived on the opposite side of the island in Ogo village in the Varisi District and made trips to Simbo Island.  Scheffler learned and conducted his research in the Varisi dialect. \n \nAfter returning from Choiseul, Scheffler taught at the University of Connecticut (1961-1962) and Bryn Mawr College (1962-1963).  He joined the Yale University faculty in 1963, and has remained there throughout his career.  \n \nPost-doctoral fellowships and grants from the National Science Foundation enabled him to return to the Solomon Islands.  Between 1967 and 1968, Scheffler conducted research on the island of Rendova as the principal investigator in a study entitled \"Revitalization Movements in the British Solomons,\" which compared religious movements in three locations.  This project examined the separatist Christian Fellowship Church on New Georgia Island (fieldwork conducted by Frances Harwood), the South Seas Evangelical Mission in the Langalanga lagoon area of Malaita (fieldwork conducted by Matthew Cooper) and the participation of people on Rendova Island in revitalization movements (fieldwork conducted by Scheffler).   \n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eHarold Scheffler Papers, MSS 0481. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Harold Scheffler Papers, MSS 0481. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nThe papers of Harold Scheffler relate to Scheffler's ethnographic research in the Solomon Islands, specifically his dissertation fieldwork on Choiseul Island conducted between 1958 and 1961 and his comparative study of religious revitalization movements and separatist churches on Rendova Island between 1967 and 1968.  Scheffler studied social structure and kinship, particularly ambilineal descent groups, among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968) and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings; and, writings of others related to his areas of research.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages.  The papers occupy five linear feet and are arranged in eight series:  1) CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5)  MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.\n \nSERIES 1:  CORRESPONDENCE\n \nThe CORRESPONDENCE series is arranged alphabetically and includes letters from anthropologists John Barnes, William Davenport and Murray Groves; the ethnomusicologist Alan Lomax, and two of Scheffler's graduate students, Matthew Cooper and Frances Harwood.  There are also letters from government offices in the Solomon Islands, the National Science Foundation and Yale University related to Scheffler's research and travel.\n \nSERIES 2:  WRITINGS BY SCHEFFLER\n \nThe WRITINGS BY SCHEFFLER series contains manuscripts of Scheffler's journal articles and published works related to the Solomon Islands, including a typescript of his dissertation entitled KINDRED AND KIN GROUPS IN CHOISEUL ISLAND SOCIAL STRUCTURE (1963) and drafts for articles on kinship, land tenure and separatist church movements.  Also included are proposals for research grant applications to fund his fieldwork and analysis.  The materials are arranged alphabetically by title.\n \nSERIES 3:  CHOISEUL ISLAND FIELDWORK\n \nThe CHOISEUL ISLAND FIELDWORK series documents Scheffler's dissertation field work and contains field notes and typescript summaries and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Varisi Language Material, and E) Maps.\n \nA) The Diaries (1958-1961) contain Scheffler's day-to-day, handwritten entries describing places visited, contacts made, conversations with informants, new words or usages, and records of expenses during his fieldwork on Choiseul.\n \nB) The Field Notes subseries contains manuscript notebooks with dated entries of ethnographic information from informants, typescript notes that organize, synthesize and summarize the field data on land tenure in the notebooks, and typed notecards with field data classified according to the Human Relations Area Files coding system.  The notecards also include a sociological census of Choiseul Island, notes on cases brought before the native courts, notes on readings, and a bibliography.\n \nC) The Genealogies and Kinship Charts subseries contains notebooks and charts with lineage names, relationships and explanations of terminology.\n \nD) The Varisi Language Material subseries contains comparative word lists, a dictionary, descriptions of grammatical forms, and several examples of text.  Varisi is one of six dialects on Choiseul Islands and spoken by many groups outside the Varisi District.\n \nE) The Maps subseries contains seven blueprint drainage maps with Scheffler's (?) annotations of topographical features, villages and trails. \n \nSERIES 4: RENDOVA ISLAND FIELDWORK\n \nThe RENDOVA ISLAND FIELDWORK series document's Scheffler's fieldwork and study of revitalization movements and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Baniata Language Material, and E) Maps.\n \nA) Diaries (1967-1968). The Rendova diaries contain travel accounts, observations on the Christian Fellowship Church, its leader Silas Eto (Holy Mama) and Frances Harwood's field work.\n \nB) The Notebooks contain census data and genealogical information collected on the Baniata side and Rouro.\n \nC) The Genealogies and Kinship Charts subseries contains a single set of kinship charts.\n \nD) The Baniata Language Materials subseries contains typescript comparative word lists, descriptions of grammatical forms,  exercises and a vocabulary compiled by Arthur Capell.\n \nE) This subseries contains two commercial maps of Rendova Island (ca. 1965) with annotations and one commercial map of the Solomon Islands group (1951).\n \nSERIES 5: MISCELLANEOUS FIELDWORK\n \nThe MISCELLANEOUS FIELDWORK series contains notebooks with general observations and bibliographies on the Solomon Islands, the specific island of Simbo (1960) and Ambryn Island in the New Hebrides.\n \nSERIES 6: WRITINGS OF OTHERS\n \nMost of the material in the WRITINGS OF OTHERS series relates to separatist church movements, including Frances Harwood's research on the Christian Fellowship Church, an instance of a schismatic church in Melanesia.  Also included are handwritten notes, largely related to Ambryn Island, made by British anthropologist Bernard Deacon (1903-1927) and typescript copies of Deacon's notes made by Camilla Wedgewood.  \n \nSERIES 7:  PHOTOGRAPHS\n \nThe PHOTOGRAPHS series is arranged according to periods of fieldwork in two subseries: A) 1958-1961 and B) 1967-1968.\n \nA)  The first subseries contains slides and black-and-white photoprints taken between 1958 and 1961 on Choiseul Island, but also on side trips to New Guinea, Norfolk Island and Simbo Island.  The images document village life in Voza, Scheffler's base on Choiseul; shell money (kesa) and its  surrounding rituals; war making; music making; and, people.  The Simbo Island images depict skull houses and shrines.  \n \nB)  The second subseries contains images documenting the religious revitalization movements and activities on Rendova, Choiseul, and New Georgia Islands, especially Paradise Village and the Christian Fellowship Church and its leader, Silas Eto.\n \nSERIES 8:  AUDIORECORDINGS\n \nThe AUDIO RECORDINGS series is arranged in two subseries: A) Choiseul and B) Rendova.  Within each subseries the recordings contain recitations of texts, pan flute music and songs.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract\u003eThe papers of Harold Scheffler, anthropologist and ethnographer, relate to Scheffler's field research on ambilineal descent groups on Choiseul Island in the Solomon Islands between 1958 and 1961 and to his comparative study of religious revitalization movements, especially the Christian Fellowship Church, conducted on Rendova Island between 1967 and 1968.  Scheffler studied social structure, kinship and ethnographic semantics among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968), and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages of the Solomon Islands.  Of particular interest are manuscript notes by Bernard Deacon, a British anthropologist, and typescript transcriptions of Deacon's notes by Camilla Wedgewood on Ambryn Island, New Hebrides.  The papers span the period from 1926 to 1981 with the bulk of the material generated between 1958 and 1971.\n\nThe papers are arranged in eight series:  1)  CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5) MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.\u003c/abstract\u003e"],"abstract_tesim":["The papers of Harold Scheffler, anthropologist and ethnographer, relate to Scheffler's field research on ambilineal descent groups on Choiseul Island in the Solomon Islands between 1958 and 1961 and to his comparative study of religious revitalization movements, especially the Christian Fellowship Church, conducted on Rendova Island between 1967 and 1968.  Scheffler studied social structure, kinship and ethnographic semantics among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968), and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages of the Solomon Islands.  Of particular interest are manuscript notes by Bernard Deacon, a British anthropologist, and typescript transcriptions of Deacon's notes by Camilla Wedgewood on Ambryn Island, New Hebrides.  The papers span the period from 1926 to 1981 with the bulk of the material generated between 1958 and 1971.\n\nThe papers are arranged in eight series:  1)  CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5) MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS."],"names_ssim":["Lyrasis Special Collections","Scheffler, Harold W.","Scheffler, Harold W. -- Archives","Deacon, Bernard, 1903-1927 -- Notebooks, sketchbooks, etc","Deacon, Bernard, 1903-1927"],"corpname_ssim":["Lyrasis Special Collections"],"names_coll_ssim":["Scheffler, Harold W. -- Archives","Deacon, Bernard, 1903-1927 -- Notebooks, sketchbooks, etc","Deacon, Bernard, 1903-1927"],"persname_ssim":["Scheffler, Harold W.","Scheffler, Harold W. -- Archives","Deacon, Bernard, 1903-1927 -- Notebooks, sketchbooks, etc","Deacon, Bernard, 1903-1927"],"language_ssim":["Collection materials in English"],"total_component_count_is":208,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"075db2813bbf51babd021c34","timestamp":"2026-04-04T01:11:47.965Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nThe papers of Harold Scheffler relate to Scheffler's ethnographic research in the Solomon Islands, specifically his dissertation fieldwork on Choiseul Island conducted between 1958 and 1961 and his comparative study of religious revitalization movements and separatist churches on Rendova Island between 1967 and 1968.  Scheffler studied social structure and kinship, particularly ambilineal descent groups, among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968) and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings; and, writings of others related to his areas of research.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages.  The papers occupy five linear feet and are arranged in eight series:  1) CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5)  MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1:  CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series is arranged alphabetically and includes letters from anthropologists John Barnes, William Davenport and Murray Groves; the ethnomusicologist Alan Lomax, and two of Scheffler's graduate students, Matthew Cooper and Frances Harwood.  There are also letters from government offices in the Solomon Islands, the National Science Foundation and Yale University related to Scheffler's research and travel.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2:  WRITINGS BY SCHEFFLER\n\u003c/p\u003e\n         \u003cp\u003e\nThe WRITINGS BY SCHEFFLER series contains manuscripts of Scheffler's journal articles and published works related to the Solomon Islands, including a typescript of his dissertation entitled KINDRED AND KIN GROUPS IN CHOISEUL ISLAND SOCIAL STRUCTURE (1963) and drafts for articles on kinship, land tenure and separatist church movements.  Also included are proposals for research grant applications to fund his fieldwork and analysis.  The materials are arranged alphabetically by title.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3:  CHOISEUL ISLAND FIELDWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe CHOISEUL ISLAND FIELDWORK series documents Scheffler's dissertation field work and contains field notes and typescript summaries and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Varisi Language Material, and E) Maps.\n\u003c/p\u003e\n \n         \u003cp\u003e\nA) The Diaries (1958-1961) contain Scheffler's day-to-day, handwritten entries describing places visited, contacts made, conversations with informants, new words or usages, and records of expenses during his fieldwork on Choiseul.\n\u003c/p\u003e\n         \u003cp\u003e\nB) The Field Notes subseries contains manuscript notebooks with dated entries of ethnographic information from informants, typescript notes that organize, synthesize and summarize the field data on land tenure in the notebooks, and typed notecards with field data classified according to the Human Relations Area Files coding system.  The notecards also include a sociological census of Choiseul Island, notes on cases brought before the native courts, notes on readings, and a bibliography.\n\u003c/p\u003e\n         \u003cp\u003e\nC) The Genealogies and Kinship Charts subseries contains notebooks and charts with lineage names, relationships and explanations of terminology.\n\u003c/p\u003e\n         \u003cp\u003e\nD) The Varisi Language Material subseries contains comparative word lists, a dictionary, descriptions of grammatical forms, and several examples of text.  Varisi is one of six dialects on Choiseul Islands and spoken by many groups outside the Varisi District.\n\u003c/p\u003e\n         \u003cp\u003e\nE) The Maps subseries contains seven blueprint drainage maps with Scheffler's (?) annotations of topographical features, villages and trails. \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: RENDOVA ISLAND FIELDWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe RENDOVA ISLAND FIELDWORK series document's Scheffler's fieldwork and study of revitalization movements and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Baniata Language Material, and E) Maps.\n\u003c/p\u003e\n         \u003cp\u003e\nA) Diaries (1967-1968). The Rendova diaries contain travel accounts, observations on the Christian Fellowship Church, its leader Silas Eto (Holy Mama) and Frances Harwood's field work.\n\u003c/p\u003e\n         \u003cp\u003e\nB) The Notebooks contain census data and genealogical information collected on the Baniata side and Rouro.\n\u003c/p\u003e\n         \u003cp\u003e\nC) The Genealogies and Kinship Charts subseries contains a single set of kinship charts.\n\u003c/p\u003e\n         \u003cp\u003e\nD) The Baniata Language Materials subseries contains typescript comparative word lists, descriptions of grammatical forms,  exercises and a vocabulary compiled by Arthur Capell.\n\u003c/p\u003e\n         \u003cp\u003e\nE) This subseries contains two commercial maps of Rendova Island (ca. 1965) with annotations and one commercial map of the Solomon Islands group (1951).\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 5: MISCELLANEOUS FIELDWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe MISCELLANEOUS FIELDWORK series contains notebooks with general observations and bibliographies on the Solomon Islands, the specific island of Simbo (1960) and Ambryn Island in the New Hebrides.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 6: WRITINGS OF OTHERS\n\u003c/p\u003e\n         \u003cp\u003e\nMost of the material in the WRITINGS OF OTHERS series relates to separatist church movements, including Frances Harwood's research on the Christian Fellowship Church, an instance of a schismatic church in Melanesia.  Also included are handwritten notes, largely related to Ambryn Island, made by British anthropologist Bernard Deacon (1903-1927) and typescript copies of Deacon's notes made by Camilla Wedgewood.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 7:  PHOTOGRAPHS\n\u003c/p\u003e\n         \u003cp\u003e\nThe PHOTOGRAPHS series is arranged according to periods of fieldwork in two subseries: A) 1958-1961 and B) 1967-1968.\n\u003c/p\u003e\n         \u003cp\u003e\nA)  The first subseries contains slides and black-and-white photoprints taken between 1958 and 1961 on Choiseul Island, but also on side trips to New Guinea, Norfolk Island and Simbo Island.  The images document village life in Voza, Scheffler's base on Choiseul; shell money (kesa) and its  surrounding rituals; war making; music making; and, people.  The Simbo Island images depict skull houses and shrines.  \n\u003c/p\u003e\n         \u003cp\u003e\nB)  The second subseries contains images documenting the religious revitalization movements and activities on Rendova, Choiseul, and New Georgia Islands, especially Paradise Village and the Christian Fellowship Church and its leader, Silas Eto.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 8:  AUDIORECORDINGS\n\u003c/p\u003e\n         \u003cp\u003e\nThe AUDIO RECORDINGS series is arranged in two subseries: A) Choiseul and B) Rendova.  Within each subseries the recordings contain recitations of texts, pan flute music and songs.\n\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/075db2813bbf51babd021c34_aspace_35251f63fcf014a8cb68cc8afea2dc8a"}},{"id":"0eb1bee99e65df8950a8420c_aspace_62b25b0a37efd278edbbcd3e80ef231b","type":"File","attributes":{"title":"Davies, Alan to Bernadette Mayer","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/0eb1bee99e65df8950a8420c_aspace_62b25b0a37efd278edbbcd3e80ef231b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_62b25b0a37efd278edbbcd3e80ef231b","ref_ssm":["aspace_62b25b0a37efd278edbbcd3e80ef231b","aspace_62b25b0a37efd278edbbcd3e80ef231b"],"id":"0eb1bee99e65df8950a8420c_aspace_62b25b0a37efd278edbbcd3e80ef231b","title_filing_ssi":"Davies, Alan to Bernadette Mayer","title_ssm":["Davies, Alan to Bernadette Mayer"],"title_tesim":["Davies, Alan to Bernadette Mayer"],"normalized_title_ssm":["Davies, Alan to Bernadette Mayer"],"text":["Davies, Alan to Bernadette Mayer","United Artists (New York, N.Y.) 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Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n \nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n","Publication Rights   Publication rights are held by the creator of the collection.\n        ","Records of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  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Typically, the press published four titles a year, generally with a run of 750 copies each.  While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n\u003c/p\u003e\n         \u003cp\u003e\nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  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The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2bb7c712bb68f61668e7cf38933bb2c\"\u003eRecords of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications.\u003c/abstract\u003e"],"abstract_tesim":["Records of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications."],"names_ssim":["Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York","United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888"],"corpname_ssim":["Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York"],"names_coll_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette"],"persname_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888"],"language_ssim":["Collection materials in English"],"total_component_count_is":203,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0eb1bee99e65df8950a8420c","timestamp":"2026-04-04T01:12:22.277Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/0eb1bee99e65df8950a8420c_aspace_62b25b0a37efd278edbbcd3e80ef231b"}},{"id":"0eb1bee99e65df8950a8420c_aspace_ee605385525bbd82a28d8b840b7bfefa","type":"File","attributes":{"title":"Davies, Alan to Lewis Warsh, 1974 - 1974","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/0eb1bee99e65df8950a8420c_aspace_ee605385525bbd82a28d8b840b7bfefa#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ee605385525bbd82a28d8b840b7bfefa","ref_ssm":["aspace_ee605385525bbd82a28d8b840b7bfefa","aspace_ee605385525bbd82a28d8b840b7bfefa"],"id":"0eb1bee99e65df8950a8420c_aspace_ee605385525bbd82a28d8b840b7bfefa","title_filing_ssi":"Davies, Alan to Lewis Warsh","title_ssm":["Davies, Alan to Lewis Warsh"],"title_tesim":["Davies, Alan to Lewis Warsh"],"unitdate_inclusive_ssm":["1974 - 1974"],"normalized_date_ssm":["1974 - 1974"],"normalized_title_ssm":["Davies, Alan to Lewis Warsh, 1974 - 1974"],"text":["Davies, Alan to Lewis Warsh, 1974 - 1974","United Artists (New York, N.Y.) Records, 1977-1983","CORRESPONDENCE","/repositories/2/archival_objects/409","Box 3","Folder 16"],"component_level_isim":[2],"parent_ids_ssim":["0eb1bee99e65df8950a8420c","0eb1bee99e65df8950a8420c_aspace_5af84244e58eb275e1f0a9ce17813d36"],"parent_unittitles_ssm":["United Artists (New York, N.Y.) Records, 1977-1983","CORRESPONDENCE"],"parent_unittitles_tesim":["United Artists (New York, N.Y.) Records, 1977-1983","CORRESPONDENCE"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/409"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["United Artists (New York, N.Y.) 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While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n \nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n","Scope and Content of Collection \nAccession Processed in 1988 \nThe papers relate to the professional and personal lives of persons associated with United Artists.  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The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2bb7c712bb68f61668e7cf38933bb2c\"\u003eRecords of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  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Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1988\u003c/p\u003e\n         \u003cp\u003e\nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n\u003c/p\u003e\n         \u003cp\u003e\nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n\u003c/p\u003e\n         \u003cp\u003e\nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n\u003c/p\u003e\n         \u003cp\u003e\nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n\u003c/p\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nAccession Processed in 1988 \nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n \nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2bb7c712bb68f61668e7cf38933bb2c\"\u003eRecords of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications.\u003c/abstract\u003e"],"abstract_tesim":["Records of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications."],"names_ssim":["Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York","United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888"],"corpname_ssim":["Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York"],"names_coll_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette"],"persname_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888"],"language_ssim":["Collection materials in English"],"total_component_count_is":203,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0eb1bee99e65df8950a8420c","timestamp":"2026-04-04T01:12:22.277Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/0eb1bee99e65df8950a8420c_aspace_4a6798eb30b3d77842d88c0d0c0e6b1e"}},{"id":"af02cfc7b437f7c9018c42d9_aspace_bd8b29730f60b9badf46007ae687177e","type":"File","attributes":{"title":"DAY LILY #1","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9_aspace_bd8b29730f60b9badf46007ae687177e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_bd8b29730f60b9badf46007ae687177e","ref_ssm":["aspace_bd8b29730f60b9badf46007ae687177e","aspace_bd8b29730f60b9badf46007ae687177e"],"id":"af02cfc7b437f7c9018c42d9_aspace_bd8b29730f60b9badf46007ae687177e","title_filing_ssi":"DAY LILY #1","title_ssm":["DAY LILY #1"],"title_tesim":["DAY LILY #1"],"normalized_title_ssm":["DAY LILY #1"],"text":["DAY LILY #1","Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK","/repositories/2/archival_objects/60","Box 1","Folder 17","Oversize AB002A"],"component_level_isim":[3],"parent_ids_ssim":["af02cfc7b437f7c9018c42d9","af02cfc7b437f7c9018c42d9_aspace_88c3f40f7cdaec27b56e1129d479904e","af02cfc7b437f7c9018c42d9_aspace_c16fac9f41d63779bb8db74b03b27286"],"parent_unittitles_ssm":["Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK"],"parent_unittitles_tesim":["Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["/repositories/2/archival_objects/60"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Joe Brainard Archive, 1960-1992"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":19,"parent_access_restrict_tesm":["Access\n         Collection is open for research.\n"],"parent_access_terms_tesm":["Publication Rights\n           Publication rights are held by the creator of the collection.\n        "],"containers_ssim":["Box 1","Folder 17","Oversize AB002A"],"_nest_path_":"/components#1/components#0/components#15","_nest_parent_":"af02cfc7b437f7c9018c42d9_aspace_c16fac9f41d63779bb8db74b03b27286","_root_":"af02cfc7b437f7c9018c42d9","timestamp":"2026-04-04T01:12:21.985Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"af02cfc7b437f7c9018c42d9","title_filing_ssi":"Brainard (Joe) Archive","title_ssm":["Joe Brainard Archive,"],"title_tesim":["Joe Brainard Archive,"],"ead_ssi":"af02cfc7b437f7c9018c42d9","unitdate_ssm":["1960-1992"],"unitdate_inclusive_ssm":["1960-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0005","/repositories/2/resources/3"],"text":["MSS 0005","/repositories/2/resources/3","Joe Brainard Archive, 1960-1992","American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre","Access Collection is open for research.\n","Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n \nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n","Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol.","Publication Rights   Publication rights are held by the creator of the collection.\n        ","Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.","Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,","Collection materials in English"],"unitid_tesim":["MSS 0005","/repositories/2/resources/3"],"normalized_date_ssm":["1960-1992"],"normalized_title_ssm":["Joe Brainard Archive, 1960-1992"],"collection_title_tesim":["Joe Brainard Archive, 1960-1992"],"collection_ssim":["Joe Brainard Archive, 1960-1992"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Brainard, Joe, 1942-","Miller, Robert"],"creator_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creator_persname_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creators_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"access_terms_ssm":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"acqinfo_ssim":["Acquisition Information Not Available"],"access_subjects_ssim":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"access_subjects_ssm":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"has_online_content_ssim":["true"],"extent_ssm":["32.20 Electronic file (8 archives boxes,  59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes,  59 art bin items and 88 oversize folders)"],"extent_tesim":["32.20 Electronic file (8 archives boxes,  59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes,  59 art bin items and 88 oversize folders)"],"genreform_ssim":["Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n         \u003cp\u003eCollection is open for research.\n\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access Collection is open for research.\n"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBiography\u003c/head\u003e\n         \u003cp\u003e\nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n\u003c/p\u003e\n         \u003cp\u003e\nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n\u003c/p\u003e\n         \u003cp\u003e\nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n\u003c/p\u003e\n         \u003cp\u003e\nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n \nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eJoe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Joe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol."],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_d0a02735e8e1b0bb0c234d65909c5da5\"\u003eMaterials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.\u003c/abstract\u003e"],"abstract_tesim":["Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol."],"names_ssim":["Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"corpname_ssim":["Lyrasis Special Collections"],"names_coll_ssim":["Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942-","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-"],"persname_ssim":["Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"language_ssim":["Collection materials in English"],"total_component_count_is":316,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"_root_":"af02cfc7b437f7c9018c42d9","timestamp":"2026-04-04T01:12:21.985Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1987\u003c/p\u003e\n         \u003cp\u003e\nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1: ARTWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2: MANUSCRIPTS\n\u003c/p\u003e\n         \u003cp\u003e\nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3: CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: CATALOGS \n\u003c/p\u003e\n         \u003cp\u003e\nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 5: BIBLIOGRAPHIES\n\u003c/p\u003e\n         \u003cp\u003e\nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n\u003c/p\u003e\n         \u003cp\u003e\nSEPARATION NOTE\n\u003c/p\u003e\n         \u003cp\u003e\nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n\u003c/p\u003e\n         \u003cp\u003e\nAccessions Processed in 1991\u003c/p\u003e\n         \u003cp\u003e\nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1: CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2: ARTWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3: MANUSCRIPTS\n\u003c/p\u003e\n         \u003cp\u003e\nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: PHOTOGRAPHS\n\u003c/p\u003e\n         \u003cp\u003e\nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n\u003c/p\u003e\n         \u003cp\u003e\nAccession Processed in 1993\u003c/p\u003e\n         \u003cp\u003e\nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol.\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9_aspace_bd8b29730f60b9badf46007ae687177e"}},{"id":"af02cfc7b437f7c9018c42d9_aspace_9e46ebf4d9ec491b5fabafceecfacfba","type":"File","attributes":{"title":"DAY LILY #2","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9_aspace_9e46ebf4d9ec491b5fabafceecfacfba#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9e46ebf4d9ec491b5fabafceecfacfba","ref_ssm":["aspace_9e46ebf4d9ec491b5fabafceecfacfba","aspace_9e46ebf4d9ec491b5fabafceecfacfba"],"id":"af02cfc7b437f7c9018c42d9_aspace_9e46ebf4d9ec491b5fabafceecfacfba","title_filing_ssi":"DAY LILY #2","title_ssm":["DAY LILY #2"],"title_tesim":["DAY LILY #2"],"normalized_title_ssm":["DAY LILY #2"],"text":["DAY LILY #2","Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK","/repositories/2/archival_objects/61","Box 1","Folder 18","Oversize AB002A"],"component_level_isim":[3],"parent_ids_ssim":["af02cfc7b437f7c9018c42d9","af02cfc7b437f7c9018c42d9_aspace_88c3f40f7cdaec27b56e1129d479904e","af02cfc7b437f7c9018c42d9_aspace_c16fac9f41d63779bb8db74b03b27286"],"parent_unittitles_ssm":["Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK"],"parent_unittitles_tesim":["Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["/repositories/2/archival_objects/61"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Joe Brainard Archive, 1960-1992"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":20,"parent_access_restrict_tesm":["Access\n         Collection is open for research.\n"],"parent_access_terms_tesm":["Publication Rights\n           Publication rights are held by the creator of the collection.\n        "],"containers_ssim":["Box 1","Folder 18","Oversize AB002A"],"_nest_path_":"/components#1/components#0/components#16","_nest_parent_":"af02cfc7b437f7c9018c42d9_aspace_c16fac9f41d63779bb8db74b03b27286","_root_":"af02cfc7b437f7c9018c42d9","timestamp":"2026-04-04T01:12:21.985Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"af02cfc7b437f7c9018c42d9","title_filing_ssi":"Brainard (Joe) Archive","title_ssm":["Joe Brainard Archive,"],"title_tesim":["Joe Brainard Archive,"],"ead_ssi":"af02cfc7b437f7c9018c42d9","unitdate_ssm":["1960-1992"],"unitdate_inclusive_ssm":["1960-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0005","/repositories/2/resources/3"],"text":["MSS 0005","/repositories/2/resources/3","Joe Brainard Archive, 1960-1992","American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre","Access Collection is open for research.\n","Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n \nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n","Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol.","Publication Rights   Publication rights are held by the creator of the collection.\n        ","Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.","Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,","Collection materials in English"],"unitid_tesim":["MSS 0005","/repositories/2/resources/3"],"normalized_date_ssm":["1960-1992"],"normalized_title_ssm":["Joe Brainard Archive, 1960-1992"],"collection_title_tesim":["Joe Brainard Archive, 1960-1992"],"collection_ssim":["Joe Brainard Archive, 1960-1992"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Brainard, Joe, 1942-","Miller, Robert"],"creator_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creator_persname_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creators_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"access_terms_ssm":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"acqinfo_ssim":["Acquisition Information Not Available"],"access_subjects_ssim":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"access_subjects_ssm":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"has_online_content_ssim":["true"],"extent_ssm":["32.20 Electronic file (8 archives boxes,  59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes,  59 art bin items and 88 oversize folders)"],"extent_tesim":["32.20 Electronic file (8 archives boxes,  59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes,  59 art bin items and 88 oversize folders)"],"genreform_ssim":["Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n         \u003cp\u003eCollection is open for research.\n\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access Collection is open for research.\n"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBiography\u003c/head\u003e\n         \u003cp\u003e\nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n\u003c/p\u003e\n         \u003cp\u003e\nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n\u003c/p\u003e\n         \u003cp\u003e\nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n\u003c/p\u003e\n         \u003cp\u003e\nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n \nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eJoe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Joe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol."],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_d0a02735e8e1b0bb0c234d65909c5da5\"\u003eMaterials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.\u003c/abstract\u003e"],"abstract_tesim":["Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol."],"names_ssim":["Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"corpname_ssim":["Lyrasis Special Collections"],"names_coll_ssim":["Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942-","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-"],"persname_ssim":["Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"language_ssim":["Collection materials in English"],"total_component_count_is":316,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"_root_":"af02cfc7b437f7c9018c42d9","timestamp":"2026-04-04T01:12:21.985Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1987\u003c/p\u003e\n         \u003cp\u003e\nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1: ARTWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2: MANUSCRIPTS\n\u003c/p\u003e\n         \u003cp\u003e\nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3: CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: CATALOGS \n\u003c/p\u003e\n         \u003cp\u003e\nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 5: BIBLIOGRAPHIES\n\u003c/p\u003e\n         \u003cp\u003e\nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n\u003c/p\u003e\n         \u003cp\u003e\nSEPARATION NOTE\n\u003c/p\u003e\n         \u003cp\u003e\nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n\u003c/p\u003e\n         \u003cp\u003e\nAccessions Processed in 1991\u003c/p\u003e\n         \u003cp\u003e\nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1: CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2: ARTWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3: MANUSCRIPTS\n\u003c/p\u003e\n         \u003cp\u003e\nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: PHOTOGRAPHS\n\u003c/p\u003e\n         \u003cp\u003e\nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n\u003c/p\u003e\n         \u003cp\u003e\nAccession Processed in 1993\u003c/p\u003e\n         \u003cp\u003e\nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol.\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9_aspace_9e46ebf4d9ec491b5fabafceecfacfba"}},{"id":"af02cfc7b437f7c9018c42d9_aspace_5ad16149dabc200ebd3beee4de628e29","type":"File","attributes":{"title":"DAY-VIEW FROM THE ARTIST'S LOFT, 1971","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9_aspace_5ad16149dabc200ebd3beee4de628e29#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5ad16149dabc200ebd3beee4de628e29","ref_ssm":["aspace_5ad16149dabc200ebd3beee4de628e29","aspace_5ad16149dabc200ebd3beee4de628e29"],"id":"af02cfc7b437f7c9018c42d9_aspace_5ad16149dabc200ebd3beee4de628e29","title_filing_ssi":"DAY-VIEW FROM THE ARTIST'S LOFT","title_ssm":["DAY-VIEW FROM THE ARTIST'S LOFT"],"title_tesim":["DAY-VIEW FROM THE ARTIST'S LOFT"],"unitdate_inclusive_ssm":["1971"],"normalized_date_ssm":["1971"],"normalized_title_ssm":["DAY-VIEW FROM THE ARTIST'S LOFT, 1971"],"text":["DAY-VIEW FROM THE ARTIST'S LOFT, 1971","Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK","/repositories/2/archival_objects/75","Box 1","Folder 32","Oversize AB005C"],"component_level_isim":[3],"parent_ids_ssim":["af02cfc7b437f7c9018c42d9","af02cfc7b437f7c9018c42d9_aspace_88c3f40f7cdaec27b56e1129d479904e","af02cfc7b437f7c9018c42d9_aspace_c16fac9f41d63779bb8db74b03b27286"],"parent_unittitles_ssm":["Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK"],"parent_unittitles_tesim":["Joe Brainard Archive, 1960-1992","Accession Processed in 1987","ARTWORK"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["/repositories/2/archival_objects/75"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["Joe Brainard Archive, 1960-1992"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":34,"parent_access_restrict_tesm":["Access\n         Collection is open for research.\n"],"parent_access_terms_tesm":["Publication Rights\n           Publication rights are held by the creator of the collection.\n        "],"containers_ssim":["Box 1","Folder 32","Oversize AB005C"],"_nest_path_":"/components#1/components#0/components#30","_nest_parent_":"af02cfc7b437f7c9018c42d9_aspace_c16fac9f41d63779bb8db74b03b27286","_root_":"af02cfc7b437f7c9018c42d9","timestamp":"2026-04-04T01:12:21.985Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"af02cfc7b437f7c9018c42d9","title_filing_ssi":"Brainard (Joe) Archive","title_ssm":["Joe Brainard Archive,"],"title_tesim":["Joe Brainard Archive,"],"ead_ssi":"af02cfc7b437f7c9018c42d9","unitdate_ssm":["1960-1992"],"unitdate_inclusive_ssm":["1960-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0005","/repositories/2/resources/3"],"text":["MSS 0005","/repositories/2/resources/3","Joe Brainard Archive, 1960-1992","American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre","Access Collection is open for research.\n","Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n \nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n","Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol.","Publication Rights   Publication rights are held by the creator of the collection.\n        ","Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.","Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,","Collection materials in English"],"unitid_tesim":["MSS 0005","/repositories/2/resources/3"],"normalized_date_ssm":["1960-1992"],"normalized_title_ssm":["Joe Brainard Archive, 1960-1992"],"collection_title_tesim":["Joe Brainard Archive, 1960-1992"],"collection_ssim":["Joe Brainard Archive, 1960-1992"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Brainard, Joe, 1942-","Miller, Robert"],"creator_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creator_persname_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creators_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"access_terms_ssm":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"acqinfo_ssim":["Acquisition Information Not Available"],"access_subjects_ssim":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"access_subjects_ssm":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"has_online_content_ssim":["true"],"extent_ssm":["32.20 Electronic file (8 archives boxes,  59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes,  59 art bin items and 88 oversize folders)"],"extent_tesim":["32.20 Electronic file (8 archives boxes,  59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes,  59 art bin items and 88 oversize folders)"],"genreform_ssim":["Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n         \u003cp\u003eCollection is open for research.\n\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access Collection is open for research.\n"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBiography\u003c/head\u003e\n         \u003cp\u003e\nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n\u003c/p\u003e\n         \u003cp\u003e\nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n\u003c/p\u003e\n         \u003cp\u003e\nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n\u003c/p\u003e\n         \u003cp\u003e\nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n \nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eJoe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Joe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol."],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_d0a02735e8e1b0bb0c234d65909c5da5\"\u003eMaterials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.\u003c/abstract\u003e"],"abstract_tesim":["Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol."],"names_ssim":["Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"corpname_ssim":["Lyrasis Special Collections"],"names_coll_ssim":["Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942-","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-"],"persname_ssim":["Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"language_ssim":["Collection materials in English"],"total_component_count_is":316,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"_root_":"af02cfc7b437f7c9018c42d9","timestamp":"2026-04-04T01:12:21.985Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1987\u003c/p\u003e\n         \u003cp\u003e\nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1: ARTWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2: MANUSCRIPTS\n\u003c/p\u003e\n         \u003cp\u003e\nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3: CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: CATALOGS \n\u003c/p\u003e\n         \u003cp\u003e\nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 5: BIBLIOGRAPHIES\n\u003c/p\u003e\n         \u003cp\u003e\nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n\u003c/p\u003e\n         \u003cp\u003e\nSEPARATION NOTE\n\u003c/p\u003e\n         \u003cp\u003e\nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n\u003c/p\u003e\n         \u003cp\u003e\nAccessions Processed in 1991\u003c/p\u003e\n         \u003cp\u003e\nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1: CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2: ARTWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3: MANUSCRIPTS\n\u003c/p\u003e\n         \u003cp\u003e\nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: PHOTOGRAPHS\n\u003c/p\u003e\n         \u003cp\u003e\nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n\u003c/p\u003e\n         \u003cp\u003e\nAccession Processed in 1993\u003c/p\u003e\n         \u003cp\u003e\nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol.\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9_aspace_5ad16149dabc200ebd3beee4de628e29"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Joe Brainard Archive, 1960-1992","value":"Joe Brainard Archive, 1960-1992","hits":294},"links":{"self":"https://arclight.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Joe+Brainard+Archive%2C+1960-1992\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections"}},{"attributes":{"label":"United Artists (New York, N.Y.) Records, 1977-1983","value":"United Artists (New York, N.Y.) 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