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in the Solomon Islands between 1958 and 1961 and to his comparative study of religious revitalization movements, especially the Christian Fellowship Church, conducted on Rendova Island between 1967 and 1968. Scheffler studied social structure, kinship and ethnographic semantics among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968), and among Simbo islanders (1960). Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings. Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages of the Solomon Islands. Of particular interest are manuscript notes by Bernard Deacon, a British anthropologist, and typescript transcriptions of Deacon's notes by Camilla Wedgewood on Ambryn Island, New Hebrides. The papers span the period from 1926 to 1981 with the bulk of the material generated between 1958 and 1971. The papers are arranged in eight series: 1) CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5) MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/075db2813bbf51babd021c34#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"075db2813bbf51babd021c34","title_filing_ssi":"Scheffler (Harold) Papers","title_ssm":["Harold Scheffler Papers,"],"title_tesim":["Harold Scheffler Papers,"],"ead_ssi":"075db2813bbf51babd021c34","unitdate_ssm":["1926 - 1981"],"unitdate_inclusive_ssm":["1926 - 1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0481","/repositories/2/resources/10"],"text":["MSS 0481","/repositories/2/resources/10","Harold Scheffler Papers, 1926 - 1981","Solomon Islands -- Social conditions","Solomon Islands -- Social life and customs","Solomon Islands -- Religious life and customs","Solomon Islands -- History -- 20th Century -- Sources","Solomon Islands -- Languages","Solomon Islands -- Pictorial works","Choiseul (Solomon Islands) -- Pictoral works","Rendova (Solomon Islands) -- Pictorial works","Oceania","Malekula (Vanuatu)","Christianity -- Solomon Islands","Ethnology -- Solomon Islands -- Choiseul","Kinship -- Solomon Islands -- Choiseul","Land tenure -- Solomon Islands -- Choiseul","Social change -- Solomon Islands","Access Collection is open for research.\n","Biography \nHarold Walter Scheffler was born on October 24, 1932, in St. Louis, Missouri.  He attended Southeast Missouri State College in 1952 and transferred to the University of Missouri the following year.  His studies were interrupted by military service with the United States Army, 1954-1955, after which he returned to the University of Missouri and received a B.A. degree in anthropology and sociology in 1956.\n \nScheffler then went on to the University of Chicago for graduate work in anthropology, receiving an M.A. in 1957.  He continued in the doctoral program at Chicago and, with the assistance of a Carnegie Corporation Tri-Institutional Pacific Program grant (1958-1960) and a Fulbright grant (1960-1961), conducted eighteen months of fieldwork (1958-1961) on the island of Choiseul in what was then called the British Solomon Islands Protectorate.  He received his Ph.D. from the University of Chicago in 1963, having submitted a dissertation entitled \"Kindred and Kin Groups in Choiseul Island Social Structure\" (later published in 1965 as CHOISEUL ISLAND SOCIAL STRUCTURE.\n \nScheffler studied social structure and kinship on Choiseul Island between November 1958 and April 1961.  He spent most of his time in the village of Voza in the Tepazaka District, but also lived on the opposite side of the island in Ogo village in the Varisi District and made trips to Simbo Island.  Scheffler learned and conducted his research in the Varisi dialect. \n \nAfter returning from Choiseul, Scheffler taught at the University of Connecticut (1961-1962) and Bryn Mawr College (1962-1963).  He joined the Yale University faculty in 1963, and has remained there throughout his career.  \n \nPost-doctoral fellowships and grants from the National Science Foundation enabled him to return to the Solomon Islands.  Between 1967 and 1968, Scheffler conducted research on the island of Rendova as the principal investigator in a study entitled \"Revitalization Movements in the British Solomons,\" which compared religious movements in three locations.  This project examined the separatist Christian Fellowship Church on New Georgia Island (fieldwork conducted by Frances Harwood), the South Seas Evangelical Mission in the Langalanga lagoon area of Malaita (fieldwork conducted by Matthew Cooper) and the participation of people on Rendova Island in revitalization movements (fieldwork conducted by Scheffler).   \n","Scope and Content of Collection \nThe papers of Harold Scheffler relate to Scheffler's ethnographic research in the Solomon Islands, specifically his dissertation fieldwork on Choiseul Island conducted between 1958 and 1961 and his comparative study of religious revitalization movements and separatist churches on Rendova Island between 1967 and 1968.  Scheffler studied social structure and kinship, particularly ambilineal descent groups, among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968) and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings; and, writings of others related to his areas of research.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages.  The papers occupy five linear feet and are arranged in eight series:  1) CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5)  MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.\n \nSERIES 1:  CORRESPONDENCE\n \nThe CORRESPONDENCE series is arranged alphabetically and includes letters from anthropologists John Barnes, William Davenport and Murray Groves; the ethnomusicologist Alan Lomax, and two of Scheffler's graduate students, Matthew Cooper and Frances Harwood.  There are also letters from government offices in the Solomon Islands, the National Science Foundation and Yale University related to Scheffler's research and travel.\n \nSERIES 2:  WRITINGS BY SCHEFFLER\n \nThe WRITINGS BY SCHEFFLER series contains manuscripts of Scheffler's journal articles and published works related to the Solomon Islands, including a typescript of his dissertation entitled KINDRED AND KIN GROUPS IN CHOISEUL ISLAND SOCIAL STRUCTURE (1963) and drafts for articles on kinship, land tenure and separatist church movements.  Also included are proposals for research grant applications to fund his fieldwork and analysis.  The materials are arranged alphabetically by title.\n \nSERIES 3:  CHOISEUL ISLAND FIELDWORK\n \nThe CHOISEUL ISLAND FIELDWORK series documents Scheffler's dissertation field work and contains field notes and typescript summaries and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Varisi Language Material, and E) Maps.\n \nA) The Diaries (1958-1961) contain Scheffler's day-to-day, handwritten entries describing places visited, contacts made, conversations with informants, new words or usages, and records of expenses during his fieldwork on Choiseul.\n \nB) The Field Notes subseries contains manuscript notebooks with dated entries of ethnographic information from informants, typescript notes that organize, synthesize and summarize the field data on land tenure in the notebooks, and typed notecards with field data classified according to the Human Relations Area Files coding system.  The notecards also include a sociological census of Choiseul Island, notes on cases brought before the native courts, notes on readings, and a bibliography.\n \nC) The Genealogies and Kinship Charts subseries contains notebooks and charts with lineage names, relationships and explanations of terminology.\n \nD) The Varisi Language Material subseries contains comparative word lists, a dictionary, descriptions of grammatical forms, and several examples of text.  Varisi is one of six dialects on Choiseul Islands and spoken by many groups outside the Varisi District.\n \nE) The Maps subseries contains seven blueprint drainage maps with Scheffler's (?) annotations of topographical features, villages and trails. \n \nSERIES 4: RENDOVA ISLAND FIELDWORK\n \nThe RENDOVA ISLAND FIELDWORK series document's Scheffler's fieldwork and study of revitalization movements and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Baniata Language Material, and E) Maps.\n \nA) Diaries (1967-1968). The Rendova diaries contain travel accounts, observations on the Christian Fellowship Church, its leader Silas Eto (Holy Mama) and Frances Harwood's field work.\n \nB) The Notebooks contain census data and genealogical information collected on the Baniata side and Rouro.\n \nC) The Genealogies and Kinship Charts subseries contains a single set of kinship charts.\n \nD) The Baniata Language Materials subseries contains typescript comparative word lists, descriptions of grammatical forms,  exercises and a vocabulary compiled by Arthur Capell.\n \nE) This subseries contains two commercial maps of Rendova Island (ca. 1965) with annotations and one commercial map of the Solomon Islands group (1951).\n \nSERIES 5: MISCELLANEOUS FIELDWORK\n \nThe MISCELLANEOUS FIELDWORK series contains notebooks with general observations and bibliographies on the Solomon Islands, the specific island of Simbo (1960) and Ambryn Island in the New Hebrides.\n \nSERIES 6: WRITINGS OF OTHERS\n \nMost of the material in the WRITINGS OF OTHERS series relates to separatist church movements, including Frances Harwood's research on the Christian Fellowship Church, an instance of a schismatic church in Melanesia.  Also included are handwritten notes, largely related to Ambryn Island, made by British anthropologist Bernard Deacon (1903-1927) and typescript copies of Deacon's notes made by Camilla Wedgewood.  \n \nSERIES 7:  PHOTOGRAPHS\n \nThe PHOTOGRAPHS series is arranged according to periods of fieldwork in two subseries: A) 1958-1961 and B) 1967-1968.\n \nA)  The first subseries contains slides and black-and-white photoprints taken between 1958 and 1961 on Choiseul Island, but also on side trips to New Guinea, Norfolk Island and Simbo Island.  The images document village life in Voza, Scheffler's base on Choiseul; shell money (kesa) and its  surrounding rituals; war making; music making; and, people.  The Simbo Island images depict skull houses and shrines.  \n \nB)  The second subseries contains images documenting the religious revitalization movements and activities on Rendova, Choiseul, and New Georgia Islands, especially Paradise Village and the Christian Fellowship Church and its leader, Silas Eto.\n \nSERIES 8:  AUDIORECORDINGS\n \nThe AUDIO RECORDINGS series is arranged in two subseries: A) Choiseul and B) Rendova.  Within each subseries the recordings contain recitations of texts, pan flute music and songs.\n","Publication Rights   Publication rights are held by the creator of the collection.\n        ","The papers of Harold Scheffler, anthropologist and ethnographer, relate to Scheffler's field research on ambilineal descent groups on Choiseul Island in the Solomon Islands between 1958 and 1961 and to his comparative study of religious revitalization movements, especially the Christian Fellowship Church, conducted on Rendova Island between 1967 and 1968.  Scheffler studied social structure, kinship and ethnographic semantics among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968), and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages of the Solomon Islands.  Of particular interest are manuscript notes by Bernard Deacon, a British anthropologist, and typescript transcriptions of Deacon's notes by Camilla Wedgewood on Ambryn Island, New Hebrides.  The papers span the period from 1926 to 1981 with the bulk of the material generated between 1958 and 1971.\n\nThe papers are arranged in eight series:  1)  CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5) MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.","Lyrasis Special Collections","Scheffler, Harold W.","Scheffler, Harold W. -- Archives","Deacon, Bernard, 1903-1927 -- Notebooks, sketchbooks, etc","Deacon, Bernard, 1903-1927","Collection materials in English"],"unitid_tesim":["MSS 0481","/repositories/2/resources/10"],"normalized_date_ssm":["1926 - 1981"],"normalized_title_ssm":["Harold Scheffler Papers, 1926 - 1981"],"collection_title_tesim":["Harold Scheffler Papers, 1926 - 1981"],"collection_ssim":["Harold Scheffler Papers, 1926 - 1981"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"geogname_ssm":["Solomon Islands -- Social conditions","Solomon Islands -- Social life and customs","Solomon Islands -- Religious life and customs","Solomon Islands -- History -- 20th Century -- Sources","Solomon Islands -- Languages","Solomon Islands -- Pictorial works","Choiseul (Solomon Islands) -- Pictoral works","Rendova (Solomon Islands) -- Pictorial works","Oceania","Malekula (Vanuatu)"],"geogname_ssim":["Solomon Islands -- Social conditions","Solomon Islands -- Social life and customs","Solomon Islands -- Religious life and customs","Solomon Islands -- History -- 20th Century -- Sources","Solomon Islands -- Languages","Solomon Islands -- Pictorial works","Choiseul (Solomon Islands) -- Pictoral works","Rendova (Solomon Islands) -- Pictorial works","Oceania","Malekula (Vanuatu)"],"creator_ssm":["Scheffler, Harold W."],"creator_ssim":["Scheffler, Harold W."],"creator_persname_ssim":["Scheffler, Harold W."],"creators_ssim":["Scheffler, Harold W."],"places_ssim":["Solomon Islands -- Social conditions","Solomon Islands -- Social life and customs","Solomon Islands -- Religious life and customs","Solomon Islands -- History -- 20th Century -- Sources","Solomon Islands -- Languages","Solomon Islands -- Pictorial works","Choiseul (Solomon Islands) -- Pictoral works","Rendova (Solomon Islands) -- Pictorial works","Oceania","Malekula (Vanuatu)"],"access_terms_ssm":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"acqinfo_ssim":["Acquisition Information Not Available"],"access_subjects_ssim":["Christianity -- Solomon Islands","Ethnology -- Solomon Islands -- Choiseul","Kinship -- Solomon Islands -- Choiseul","Land tenure -- Solomon Islands -- Choiseul","Social change -- Solomon Islands"],"access_subjects_ssm":["Christianity -- Solomon Islands","Ethnology -- Solomon Islands -- Choiseul","Kinship -- Solomon Islands -- Choiseul","Land tenure -- Solomon Islands -- Choiseul","Social change -- Solomon Islands"],"has_online_content_ssim":["false"],"extent_ssm":["6.90 Electronic file (16 archives boxes, 1 card file box and 7 oversize folders)","6.90 linear feet (16 archives boxes, 1 card file box and 7 oversize folders)"],"extent_tesim":["6.90 Electronic file (16 archives boxes, 1 card file box and 7 oversize folders)","6.90 linear feet (16 archives boxes, 1 card file box and 7 oversize folders)"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n         \u003cp\u003eCollection is open for research.\n\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access Collection is open for research.\n"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBiography\u003c/head\u003e\n         \u003cp\u003e\nHarold Walter Scheffler was born on October 24, 1932, in St. Louis, Missouri.  He attended Southeast Missouri State College in 1952 and transferred to the University of Missouri the following year.  His studies were interrupted by military service with the United States Army, 1954-1955, after which he returned to the University of Missouri and received a B.A. degree in anthropology and sociology in 1956.\n\u003c/p\u003e\n         \u003cp\u003e\nScheffler then went on to the University of Chicago for graduate work in anthropology, receiving an M.A. in 1957.  He continued in the doctoral program at Chicago and, with the assistance of a Carnegie Corporation Tri-Institutional Pacific Program grant (1958-1960) and a Fulbright grant (1960-1961), conducted eighteen months of fieldwork (1958-1961) on the island of Choiseul in what was then called the British Solomon Islands Protectorate.  He received his Ph.D. from the University of Chicago in 1963, having submitted a dissertation entitled \"Kindred and Kin Groups in Choiseul Island Social Structure\" (later published in 1965 as CHOISEUL ISLAND SOCIAL STRUCTURE.\n\u003c/p\u003e\n         \u003cp\u003e\nScheffler studied social structure and kinship on Choiseul Island between November 1958 and April 1961.  He spent most of his time in the village of Voza in the Tepazaka District, but also lived on the opposite side of the island in Ogo village in the Varisi District and made trips to Simbo Island.  Scheffler learned and conducted his research in the Varisi dialect. \n\u003c/p\u003e\n         \u003cp\u003e\nAfter returning from Choiseul, Scheffler taught at the University of Connecticut (1961-1962) and Bryn Mawr College (1962-1963).  He joined the Yale University faculty in 1963, and has remained there throughout his career.  \n\u003c/p\u003e\n         \u003cp\u003e\nPost-doctoral fellowships and grants from the National Science Foundation enabled him to return to the Solomon Islands.  Between 1967 and 1968, Scheffler conducted research on the island of Rendova as the principal investigator in a study entitled \"Revitalization Movements in the British Solomons,\" which compared religious movements in three locations.  This project examined the separatist Christian Fellowship Church on New Georgia Island (fieldwork conducted by Frances Harwood), the South Seas Evangelical Mission in the Langalanga lagoon area of Malaita (fieldwork conducted by Matthew Cooper) and the participation of people on Rendova Island in revitalization movements (fieldwork conducted by Scheffler).   \n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography \nHarold Walter Scheffler was born on October 24, 1932, in St. Louis, Missouri.  He attended Southeast Missouri State College in 1952 and transferred to the University of Missouri the following year.  His studies were interrupted by military service with the United States Army, 1954-1955, after which he returned to the University of Missouri and received a B.A. degree in anthropology and sociology in 1956.\n \nScheffler then went on to the University of Chicago for graduate work in anthropology, receiving an M.A. in 1957.  He continued in the doctoral program at Chicago and, with the assistance of a Carnegie Corporation Tri-Institutional Pacific Program grant (1958-1960) and a Fulbright grant (1960-1961), conducted eighteen months of fieldwork (1958-1961) on the island of Choiseul in what was then called the British Solomon Islands Protectorate.  He received his Ph.D. from the University of Chicago in 1963, having submitted a dissertation entitled \"Kindred and Kin Groups in Choiseul Island Social Structure\" (later published in 1965 as CHOISEUL ISLAND SOCIAL STRUCTURE.\n \nScheffler studied social structure and kinship on Choiseul Island between November 1958 and April 1961.  He spent most of his time in the village of Voza in the Tepazaka District, but also lived on the opposite side of the island in Ogo village in the Varisi District and made trips to Simbo Island.  Scheffler learned and conducted his research in the Varisi dialect. \n \nAfter returning from Choiseul, Scheffler taught at the University of Connecticut (1961-1962) and Bryn Mawr College (1962-1963).  He joined the Yale University faculty in 1963, and has remained there throughout his career.  \n \nPost-doctoral fellowships and grants from the National Science Foundation enabled him to return to the Solomon Islands.  Between 1967 and 1968, Scheffler conducted research on the island of Rendova as the principal investigator in a study entitled \"Revitalization Movements in the British Solomons,\" which compared religious movements in three locations.  This project examined the separatist Christian Fellowship Church on New Georgia Island (fieldwork conducted by Frances Harwood), the South Seas Evangelical Mission in the Langalanga lagoon area of Malaita (fieldwork conducted by Matthew Cooper) and the participation of people on Rendova Island in revitalization movements (fieldwork conducted by Scheffler).   \n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eHarold Scheffler Papers, MSS 0481. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Harold Scheffler Papers, MSS 0481. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nThe papers of Harold Scheffler relate to Scheffler's ethnographic research in the Solomon Islands, specifically his dissertation fieldwork on Choiseul Island conducted between 1958 and 1961 and his comparative study of religious revitalization movements and separatist churches on Rendova Island between 1967 and 1968.  Scheffler studied social structure and kinship, particularly ambilineal descent groups, among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968) and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings; and, writings of others related to his areas of research.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages.  The papers occupy five linear feet and are arranged in eight series:  1) CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5)  MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.\n \nSERIES 1:  CORRESPONDENCE\n \nThe CORRESPONDENCE series is arranged alphabetically and includes letters from anthropologists John Barnes, William Davenport and Murray Groves; the ethnomusicologist Alan Lomax, and two of Scheffler's graduate students, Matthew Cooper and Frances Harwood.  There are also letters from government offices in the Solomon Islands, the National Science Foundation and Yale University related to Scheffler's research and travel.\n \nSERIES 2:  WRITINGS BY SCHEFFLER\n \nThe WRITINGS BY SCHEFFLER series contains manuscripts of Scheffler's journal articles and published works related to the Solomon Islands, including a typescript of his dissertation entitled KINDRED AND KIN GROUPS IN CHOISEUL ISLAND SOCIAL STRUCTURE (1963) and drafts for articles on kinship, land tenure and separatist church movements.  Also included are proposals for research grant applications to fund his fieldwork and analysis.  The materials are arranged alphabetically by title.\n \nSERIES 3:  CHOISEUL ISLAND FIELDWORK\n \nThe CHOISEUL ISLAND FIELDWORK series documents Scheffler's dissertation field work and contains field notes and typescript summaries and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Varisi Language Material, and E) Maps.\n \nA) The Diaries (1958-1961) contain Scheffler's day-to-day, handwritten entries describing places visited, contacts made, conversations with informants, new words or usages, and records of expenses during his fieldwork on Choiseul.\n \nB) The Field Notes subseries contains manuscript notebooks with dated entries of ethnographic information from informants, typescript notes that organize, synthesize and summarize the field data on land tenure in the notebooks, and typed notecards with field data classified according to the Human Relations Area Files coding system.  The notecards also include a sociological census of Choiseul Island, notes on cases brought before the native courts, notes on readings, and a bibliography.\n \nC) The Genealogies and Kinship Charts subseries contains notebooks and charts with lineage names, relationships and explanations of terminology.\n \nD) The Varisi Language Material subseries contains comparative word lists, a dictionary, descriptions of grammatical forms, and several examples of text.  Varisi is one of six dialects on Choiseul Islands and spoken by many groups outside the Varisi District.\n \nE) The Maps subseries contains seven blueprint drainage maps with Scheffler's (?) annotations of topographical features, villages and trails. \n \nSERIES 4: RENDOVA ISLAND FIELDWORK\n \nThe RENDOVA ISLAND FIELDWORK series document's Scheffler's fieldwork and study of revitalization movements and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Baniata Language Material, and E) Maps.\n \nA) Diaries (1967-1968). The Rendova diaries contain travel accounts, observations on the Christian Fellowship Church, its leader Silas Eto (Holy Mama) and Frances Harwood's field work.\n \nB) The Notebooks contain census data and genealogical information collected on the Baniata side and Rouro.\n \nC) The Genealogies and Kinship Charts subseries contains a single set of kinship charts.\n \nD) The Baniata Language Materials subseries contains typescript comparative word lists, descriptions of grammatical forms,  exercises and a vocabulary compiled by Arthur Capell.\n \nE) This subseries contains two commercial maps of Rendova Island (ca. 1965) with annotations and one commercial map of the Solomon Islands group (1951).\n \nSERIES 5: MISCELLANEOUS FIELDWORK\n \nThe MISCELLANEOUS FIELDWORK series contains notebooks with general observations and bibliographies on the Solomon Islands, the specific island of Simbo (1960) and Ambryn Island in the New Hebrides.\n \nSERIES 6: WRITINGS OF OTHERS\n \nMost of the material in the WRITINGS OF OTHERS series relates to separatist church movements, including Frances Harwood's research on the Christian Fellowship Church, an instance of a schismatic church in Melanesia.  Also included are handwritten notes, largely related to Ambryn Island, made by British anthropologist Bernard Deacon (1903-1927) and typescript copies of Deacon's notes made by Camilla Wedgewood.  \n \nSERIES 7:  PHOTOGRAPHS\n \nThe PHOTOGRAPHS series is arranged according to periods of fieldwork in two subseries: A) 1958-1961 and B) 1967-1968.\n \nA)  The first subseries contains slides and black-and-white photoprints taken between 1958 and 1961 on Choiseul Island, but also on side trips to New Guinea, Norfolk Island and Simbo Island.  The images document village life in Voza, Scheffler's base on Choiseul; shell money (kesa) and its  surrounding rituals; war making; music making; and, people.  The Simbo Island images depict skull houses and shrines.  \n \nB)  The second subseries contains images documenting the religious revitalization movements and activities on Rendova, Choiseul, and New Georgia Islands, especially Paradise Village and the Christian Fellowship Church and its leader, Silas Eto.\n \nSERIES 8:  AUDIORECORDINGS\n \nThe AUDIO RECORDINGS series is arranged in two subseries: A) Choiseul and B) Rendova.  Within each subseries the recordings contain recitations of texts, pan flute music and songs.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract\u003eThe papers of Harold Scheffler, anthropologist and ethnographer, relate to Scheffler's field research on ambilineal descent groups on Choiseul Island in the Solomon Islands between 1958 and 1961 and to his comparative study of religious revitalization movements, especially the Christian Fellowship Church, conducted on Rendova Island between 1967 and 1968.  Scheffler studied social structure, kinship and ethnographic semantics among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968), and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages of the Solomon Islands.  Of particular interest are manuscript notes by Bernard Deacon, a British anthropologist, and typescript transcriptions of Deacon's notes by Camilla Wedgewood on Ambryn Island, New Hebrides.  The papers span the period from 1926 to 1981 with the bulk of the material generated between 1958 and 1971.\n\nThe papers are arranged in eight series:  1)  CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5) MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.\u003c/abstract\u003e"],"abstract_tesim":["The papers of Harold Scheffler, anthropologist and ethnographer, relate to Scheffler's field research on ambilineal descent groups on Choiseul Island in the Solomon Islands between 1958 and 1961 and to his comparative study of religious revitalization movements, especially the Christian Fellowship Church, conducted on Rendova Island between 1967 and 1968.  Scheffler studied social structure, kinship and ethnographic semantics among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968), and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages of the Solomon Islands.  Of particular interest are manuscript notes by Bernard Deacon, a British anthropologist, and typescript transcriptions of Deacon's notes by Camilla Wedgewood on Ambryn Island, New Hebrides.  The papers span the period from 1926 to 1981 with the bulk of the material generated between 1958 and 1971.\n\nThe papers are arranged in eight series:  1)  CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5) MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS."],"names_ssim":["Lyrasis Special Collections","Scheffler, Harold W.","Scheffler, Harold W. -- Archives","Deacon, Bernard, 1903-1927 -- Notebooks, sketchbooks, etc","Deacon, Bernard, 1903-1927"],"corpname_ssim":["Lyrasis Special Collections"],"names_coll_ssim":["Scheffler, Harold W. -- Archives","Deacon, Bernard, 1903-1927 -- Notebooks, sketchbooks, etc","Deacon, Bernard, 1903-1927"],"persname_ssim":["Scheffler, Harold W.","Scheffler, Harold W. -- Archives","Deacon, Bernard, 1903-1927 -- Notebooks, sketchbooks, etc","Deacon, Bernard, 1903-1927"],"language_ssim":["Collection materials in English"],"total_component_count_is":208,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"075db2813bbf51babd021c34","timestamp":"2026-04-04T01:11:47.965Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nThe papers of Harold Scheffler relate to Scheffler's ethnographic research in the Solomon Islands, specifically his dissertation fieldwork on Choiseul Island conducted between 1958 and 1961 and his comparative study of religious revitalization movements and separatist churches on Rendova Island between 1967 and 1968.  Scheffler studied social structure and kinship, particularly ambilineal descent groups, among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968) and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings; and, writings of others related to his areas of research.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages.  The papers occupy five linear feet and are arranged in eight series:  1) CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5)  MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1:  CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series is arranged alphabetically and includes letters from anthropologists John Barnes, William Davenport and Murray Groves; the ethnomusicologist Alan Lomax, and two of Scheffler's graduate students, Matthew Cooper and Frances Harwood.  There are also letters from government offices in the Solomon Islands, the National Science Foundation and Yale University related to Scheffler's research and travel.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2:  WRITINGS BY SCHEFFLER\n\u003c/p\u003e\n         \u003cp\u003e\nThe WRITINGS BY SCHEFFLER series contains manuscripts of Scheffler's journal articles and published works related to the Solomon Islands, including a typescript of his dissertation entitled KINDRED AND KIN GROUPS IN CHOISEUL ISLAND SOCIAL STRUCTURE (1963) and drafts for articles on kinship, land tenure and separatist church movements.  Also included are proposals for research grant applications to fund his fieldwork and analysis.  The materials are arranged alphabetically by title.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3:  CHOISEUL ISLAND FIELDWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe CHOISEUL ISLAND FIELDWORK series documents Scheffler's dissertation field work and contains field notes and typescript summaries and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Varisi Language Material, and E) Maps.\n\u003c/p\u003e\n \n         \u003cp\u003e\nA) The Diaries (1958-1961) contain Scheffler's day-to-day, handwritten entries describing places visited, contacts made, conversations with informants, new words or usages, and records of expenses during his fieldwork on Choiseul.\n\u003c/p\u003e\n         \u003cp\u003e\nB) The Field Notes subseries contains manuscript notebooks with dated entries of ethnographic information from informants, typescript notes that organize, synthesize and summarize the field data on land tenure in the notebooks, and typed notecards with field data classified according to the Human Relations Area Files coding system.  The notecards also include a sociological census of Choiseul Island, notes on cases brought before the native courts, notes on readings, and a bibliography.\n\u003c/p\u003e\n         \u003cp\u003e\nC) The Genealogies and Kinship Charts subseries contains notebooks and charts with lineage names, relationships and explanations of terminology.\n\u003c/p\u003e\n         \u003cp\u003e\nD) The Varisi Language Material subseries contains comparative word lists, a dictionary, descriptions of grammatical forms, and several examples of text.  Varisi is one of six dialects on Choiseul Islands and spoken by many groups outside the Varisi District.\n\u003c/p\u003e\n         \u003cp\u003e\nE) The Maps subseries contains seven blueprint drainage maps with Scheffler's (?) annotations of topographical features, villages and trails. \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: RENDOVA ISLAND FIELDWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe RENDOVA ISLAND FIELDWORK series document's Scheffler's fieldwork and study of revitalization movements and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Baniata Language Material, and E) Maps.\n\u003c/p\u003e\n         \u003cp\u003e\nA) Diaries (1967-1968). The Rendova diaries contain travel accounts, observations on the Christian Fellowship Church, its leader Silas Eto (Holy Mama) and Frances Harwood's field work.\n\u003c/p\u003e\n         \u003cp\u003e\nB) The Notebooks contain census data and genealogical information collected on the Baniata side and Rouro.\n\u003c/p\u003e\n         \u003cp\u003e\nC) The Genealogies and Kinship Charts subseries contains a single set of kinship charts.\n\u003c/p\u003e\n         \u003cp\u003e\nD) The Baniata Language Materials subseries contains typescript comparative word lists, descriptions of grammatical forms,  exercises and a vocabulary compiled by Arthur Capell.\n\u003c/p\u003e\n         \u003cp\u003e\nE) This subseries contains two commercial maps of Rendova Island (ca. 1965) with annotations and one commercial map of the Solomon Islands group (1951).\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 5: MISCELLANEOUS FIELDWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe MISCELLANEOUS FIELDWORK series contains notebooks with general observations and bibliographies on the Solomon Islands, the specific island of Simbo (1960) and Ambryn Island in the New Hebrides.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 6: WRITINGS OF OTHERS\n\u003c/p\u003e\n         \u003cp\u003e\nMost of the material in the WRITINGS OF OTHERS series relates to separatist church movements, including Frances Harwood's research on the Christian Fellowship Church, an instance of a schismatic church in Melanesia.  Also included are handwritten notes, largely related to Ambryn Island, made by British anthropologist Bernard Deacon (1903-1927) and typescript copies of Deacon's notes made by Camilla Wedgewood.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 7:  PHOTOGRAPHS\n\u003c/p\u003e\n         \u003cp\u003e\nThe PHOTOGRAPHS series is arranged according to periods of fieldwork in two subseries: A) 1958-1961 and B) 1967-1968.\n\u003c/p\u003e\n         \u003cp\u003e\nA)  The first subseries contains slides and black-and-white photoprints taken between 1958 and 1961 on Choiseul Island, but also on side trips to New Guinea, Norfolk Island and Simbo Island.  The images document village life in Voza, Scheffler's base on Choiseul; shell money (kesa) and its  surrounding rituals; war making; music making; and, people.  The Simbo Island images depict skull houses and shrines.  \n\u003c/p\u003e\n         \u003cp\u003e\nB)  The second subseries contains images documenting the religious revitalization movements and activities on Rendova, Choiseul, and New Georgia Islands, especially Paradise Village and the Christian Fellowship Church and its leader, Silas Eto.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 8:  AUDIORECORDINGS\n\u003c/p\u003e\n         \u003cp\u003e\nThe AUDIO RECORDINGS series is arranged in two subseries: A) Choiseul and B) Rendova.  Within each subseries the recordings contain recitations of texts, pan flute music and songs.\n\u003c/p\u003e\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"075db2813bbf51babd021c34","title_filing_ssi":"Scheffler (Harold) Papers","title_ssm":["Harold Scheffler Papers,"],"title_tesim":["Harold Scheffler Papers,"],"ead_ssi":"075db2813bbf51babd021c34","unitdate_ssm":["1926 - 1981"],"unitdate_inclusive_ssm":["1926 - 1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0481","/repositories/2/resources/10"],"text":["MSS 0481","/repositories/2/resources/10","Harold Scheffler Papers, 1926 - 1981","Solomon Islands -- Social conditions","Solomon Islands -- Social life and customs","Solomon Islands -- Religious life and customs","Solomon Islands -- History -- 20th Century -- Sources","Solomon Islands -- Languages","Solomon Islands -- Pictorial works","Choiseul (Solomon Islands) -- Pictoral works","Rendova (Solomon Islands) -- Pictorial works","Oceania","Malekula (Vanuatu)","Christianity -- Solomon Islands","Ethnology -- Solomon Islands -- Choiseul","Kinship -- Solomon Islands -- Choiseul","Land tenure -- Solomon Islands -- Choiseul","Social change -- Solomon Islands","Access Collection is open for research.\n","Biography \nHarold Walter Scheffler was born on October 24, 1932, in St. Louis, Missouri.  He attended Southeast Missouri State College in 1952 and transferred to the University of Missouri the following year.  His studies were interrupted by military service with the United States Army, 1954-1955, after which he returned to the University of Missouri and received a B.A. degree in anthropology and sociology in 1956.\n \nScheffler then went on to the University of Chicago for graduate work in anthropology, receiving an M.A. in 1957.  He continued in the doctoral program at Chicago and, with the assistance of a Carnegie Corporation Tri-Institutional Pacific Program grant (1958-1960) and a Fulbright grant (1960-1961), conducted eighteen months of fieldwork (1958-1961) on the island of Choiseul in what was then called the British Solomon Islands Protectorate.  He received his Ph.D. from the University of Chicago in 1963, having submitted a dissertation entitled \"Kindred and Kin Groups in Choiseul Island Social Structure\" (later published in 1965 as CHOISEUL ISLAND SOCIAL STRUCTURE.\n \nScheffler studied social structure and kinship on Choiseul Island between November 1958 and April 1961.  He spent most of his time in the village of Voza in the Tepazaka District, but also lived on the opposite side of the island in Ogo village in the Varisi District and made trips to Simbo Island.  Scheffler learned and conducted his research in the Varisi dialect. \n \nAfter returning from Choiseul, Scheffler taught at the University of Connecticut (1961-1962) and Bryn Mawr College (1962-1963).  He joined the Yale University faculty in 1963, and has remained there throughout his career.  \n \nPost-doctoral fellowships and grants from the National Science Foundation enabled him to return to the Solomon Islands.  Between 1967 and 1968, Scheffler conducted research on the island of Rendova as the principal investigator in a study entitled \"Revitalization Movements in the British Solomons,\" which compared religious movements in three locations.  This project examined the separatist Christian Fellowship Church on New Georgia Island (fieldwork conducted by Frances Harwood), the South Seas Evangelical Mission in the Langalanga lagoon area of Malaita (fieldwork conducted by Matthew Cooper) and the participation of people on Rendova Island in revitalization movements (fieldwork conducted by Scheffler).   \n","Scope and Content of Collection \nThe papers of Harold Scheffler relate to Scheffler's ethnographic research in the Solomon Islands, specifically his dissertation fieldwork on Choiseul Island conducted between 1958 and 1961 and his comparative study of religious revitalization movements and separatist churches on Rendova Island between 1967 and 1968.  Scheffler studied social structure and kinship, particularly ambilineal descent groups, among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968) and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings; and, writings of others related to his areas of research.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages.  The papers occupy five linear feet and are arranged in eight series:  1) CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5)  MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.\n \nSERIES 1:  CORRESPONDENCE\n \nThe CORRESPONDENCE series is arranged alphabetically and includes letters from anthropologists John Barnes, William Davenport and Murray Groves; the ethnomusicologist Alan Lomax, and two of Scheffler's graduate students, Matthew Cooper and Frances Harwood.  There are also letters from government offices in the Solomon Islands, the National Science Foundation and Yale University related to Scheffler's research and travel.\n \nSERIES 2:  WRITINGS BY SCHEFFLER\n \nThe WRITINGS BY SCHEFFLER series contains manuscripts of Scheffler's journal articles and published works related to the Solomon Islands, including a typescript of his dissertation entitled KINDRED AND KIN GROUPS IN CHOISEUL ISLAND SOCIAL STRUCTURE (1963) and drafts for articles on kinship, land tenure and separatist church movements.  Also included are proposals for research grant applications to fund his fieldwork and analysis.  The materials are arranged alphabetically by title.\n \nSERIES 3:  CHOISEUL ISLAND FIELDWORK\n \nThe CHOISEUL ISLAND FIELDWORK series documents Scheffler's dissertation field work and contains field notes and typescript summaries and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Varisi Language Material, and E) Maps.\n \nA) The Diaries (1958-1961) contain Scheffler's day-to-day, handwritten entries describing places visited, contacts made, conversations with informants, new words or usages, and records of expenses during his fieldwork on Choiseul.\n \nB) The Field Notes subseries contains manuscript notebooks with dated entries of ethnographic information from informants, typescript notes that organize, synthesize and summarize the field data on land tenure in the notebooks, and typed notecards with field data classified according to the Human Relations Area Files coding system.  The notecards also include a sociological census of Choiseul Island, notes on cases brought before the native courts, notes on readings, and a bibliography.\n \nC) The Genealogies and Kinship Charts subseries contains notebooks and charts with lineage names, relationships and explanations of terminology.\n \nD) The Varisi Language Material subseries contains comparative word lists, a dictionary, descriptions of grammatical forms, and several examples of text.  Varisi is one of six dialects on Choiseul Islands and spoken by many groups outside the Varisi District.\n \nE) The Maps subseries contains seven blueprint drainage maps with Scheffler's (?) annotations of topographical features, villages and trails. \n \nSERIES 4: RENDOVA ISLAND FIELDWORK\n \nThe RENDOVA ISLAND FIELDWORK series document's Scheffler's fieldwork and study of revitalization movements and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Baniata Language Material, and E) Maps.\n \nA) Diaries (1967-1968). The Rendova diaries contain travel accounts, observations on the Christian Fellowship Church, its leader Silas Eto (Holy Mama) and Frances Harwood's field work.\n \nB) The Notebooks contain census data and genealogical information collected on the Baniata side and Rouro.\n \nC) The Genealogies and Kinship Charts subseries contains a single set of kinship charts.\n \nD) The Baniata Language Materials subseries contains typescript comparative word lists, descriptions of grammatical forms,  exercises and a vocabulary compiled by Arthur Capell.\n \nE) This subseries contains two commercial maps of Rendova Island (ca. 1965) with annotations and one commercial map of the Solomon Islands group (1951).\n \nSERIES 5: MISCELLANEOUS FIELDWORK\n \nThe MISCELLANEOUS FIELDWORK series contains notebooks with general observations and bibliographies on the Solomon Islands, the specific island of Simbo (1960) and Ambryn Island in the New Hebrides.\n \nSERIES 6: WRITINGS OF OTHERS\n \nMost of the material in the WRITINGS OF OTHERS series relates to separatist church movements, including Frances Harwood's research on the Christian Fellowship Church, an instance of a schismatic church in Melanesia.  Also included are handwritten notes, largely related to Ambryn Island, made by British anthropologist Bernard Deacon (1903-1927) and typescript copies of Deacon's notes made by Camilla Wedgewood.  \n \nSERIES 7:  PHOTOGRAPHS\n \nThe PHOTOGRAPHS series is arranged according to periods of fieldwork in two subseries: A) 1958-1961 and B) 1967-1968.\n \nA)  The first subseries contains slides and black-and-white photoprints taken between 1958 and 1961 on Choiseul Island, but also on side trips to New Guinea, Norfolk Island and Simbo Island.  The images document village life in Voza, Scheffler's base on Choiseul; shell money (kesa) and its  surrounding rituals; war making; music making; and, people.  The Simbo Island images depict skull houses and shrines.  \n \nB)  The second subseries contains images documenting the religious revitalization movements and activities on Rendova, Choiseul, and New Georgia Islands, especially Paradise Village and the Christian Fellowship Church and its leader, Silas Eto.\n \nSERIES 8:  AUDIORECORDINGS\n \nThe AUDIO RECORDINGS series is arranged in two subseries: A) Choiseul and B) Rendova.  Within each subseries the recordings contain recitations of texts, pan flute music and songs.\n","Publication Rights   Publication rights are held by the creator of the collection.\n        ","The papers of Harold Scheffler, anthropologist and ethnographer, relate to Scheffler's field research on ambilineal descent groups on Choiseul Island in the Solomon Islands between 1958 and 1961 and to his comparative study of religious revitalization movements, especially the Christian Fellowship Church, conducted on Rendova Island between 1967 and 1968.  Scheffler studied social structure, kinship and ethnographic semantics among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968), and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages of the Solomon Islands.  Of particular interest are manuscript notes by Bernard Deacon, a British anthropologist, and typescript transcriptions of Deacon's notes by Camilla Wedgewood on Ambryn Island, New Hebrides.  The papers span the period from 1926 to 1981 with the bulk of the material generated between 1958 and 1971.\n\nThe papers are arranged in eight series:  1)  CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5) MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.","Lyrasis Special Collections","Scheffler, Harold W.","Scheffler, Harold W. -- Archives","Deacon, Bernard, 1903-1927 -- Notebooks, sketchbooks, etc","Deacon, Bernard, 1903-1927","Collection materials in English"],"unitid_tesim":["MSS 0481","/repositories/2/resources/10"],"normalized_date_ssm":["1926 - 1981"],"normalized_title_ssm":["Harold Scheffler Papers, 1926 - 1981"],"collection_title_tesim":["Harold Scheffler Papers, 1926 - 1981"],"collection_ssim":["Harold Scheffler Papers, 1926 - 1981"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"geogname_ssm":["Solomon Islands -- Social conditions","Solomon Islands -- Social life and customs","Solomon Islands -- Religious life and customs","Solomon Islands -- History -- 20th Century -- Sources","Solomon Islands -- Languages","Solomon Islands -- Pictorial works","Choiseul (Solomon Islands) -- Pictoral works","Rendova (Solomon Islands) -- Pictorial works","Oceania","Malekula (Vanuatu)"],"geogname_ssim":["Solomon Islands -- Social conditions","Solomon Islands -- Social life and customs","Solomon Islands -- Religious life and customs","Solomon Islands -- History -- 20th Century -- Sources","Solomon Islands -- Languages","Solomon Islands -- Pictorial works","Choiseul (Solomon Islands) -- Pictoral works","Rendova (Solomon Islands) -- Pictorial works","Oceania","Malekula (Vanuatu)"],"creator_ssm":["Scheffler, Harold W."],"creator_ssim":["Scheffler, Harold W."],"creator_persname_ssim":["Scheffler, Harold W."],"creators_ssim":["Scheffler, Harold W."],"places_ssim":["Solomon Islands -- Social conditions","Solomon Islands -- Social life and customs","Solomon Islands -- Religious life and customs","Solomon Islands -- History -- 20th Century -- Sources","Solomon Islands -- Languages","Solomon Islands -- Pictorial works","Choiseul (Solomon Islands) -- Pictoral works","Rendova (Solomon Islands) -- Pictorial works","Oceania","Malekula (Vanuatu)"],"access_terms_ssm":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"acqinfo_ssim":["Acquisition Information Not Available"],"access_subjects_ssim":["Christianity -- Solomon Islands","Ethnology -- Solomon Islands -- Choiseul","Kinship -- Solomon Islands -- Choiseul","Land tenure -- Solomon Islands -- Choiseul","Social change -- Solomon Islands"],"access_subjects_ssm":["Christianity -- Solomon Islands","Ethnology -- Solomon Islands -- Choiseul","Kinship -- Solomon Islands -- Choiseul","Land tenure -- Solomon Islands -- Choiseul","Social change -- Solomon Islands"],"has_online_content_ssim":["false"],"extent_ssm":["6.90 Electronic file (16 archives boxes, 1 card file box and 7 oversize folders)","6.90 linear feet (16 archives boxes, 1 card file box and 7 oversize folders)"],"extent_tesim":["6.90 Electronic file (16 archives boxes, 1 card file box and 7 oversize folders)","6.90 linear feet (16 archives boxes, 1 card file box and 7 oversize folders)"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n         \u003cp\u003eCollection is open for research.\n\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access Collection is open for research.\n"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBiography\u003c/head\u003e\n         \u003cp\u003e\nHarold Walter Scheffler was born on October 24, 1932, in St. Louis, Missouri.  He attended Southeast Missouri State College in 1952 and transferred to the University of Missouri the following year.  His studies were interrupted by military service with the United States Army, 1954-1955, after which he returned to the University of Missouri and received a B.A. degree in anthropology and sociology in 1956.\n\u003c/p\u003e\n         \u003cp\u003e\nScheffler then went on to the University of Chicago for graduate work in anthropology, receiving an M.A. in 1957.  He continued in the doctoral program at Chicago and, with the assistance of a Carnegie Corporation Tri-Institutional Pacific Program grant (1958-1960) and a Fulbright grant (1960-1961), conducted eighteen months of fieldwork (1958-1961) on the island of Choiseul in what was then called the British Solomon Islands Protectorate.  He received his Ph.D. from the University of Chicago in 1963, having submitted a dissertation entitled \"Kindred and Kin Groups in Choiseul Island Social Structure\" (later published in 1965 as CHOISEUL ISLAND SOCIAL STRUCTURE.\n\u003c/p\u003e\n         \u003cp\u003e\nScheffler studied social structure and kinship on Choiseul Island between November 1958 and April 1961.  He spent most of his time in the village of Voza in the Tepazaka District, but also lived on the opposite side of the island in Ogo village in the Varisi District and made trips to Simbo Island.  Scheffler learned and conducted his research in the Varisi dialect. \n\u003c/p\u003e\n         \u003cp\u003e\nAfter returning from Choiseul, Scheffler taught at the University of Connecticut (1961-1962) and Bryn Mawr College (1962-1963).  He joined the Yale University faculty in 1963, and has remained there throughout his career.  \n\u003c/p\u003e\n         \u003cp\u003e\nPost-doctoral fellowships and grants from the National Science Foundation enabled him to return to the Solomon Islands.  Between 1967 and 1968, Scheffler conducted research on the island of Rendova as the principal investigator in a study entitled \"Revitalization Movements in the British Solomons,\" which compared religious movements in three locations.  This project examined the separatist Christian Fellowship Church on New Georgia Island (fieldwork conducted by Frances Harwood), the South Seas Evangelical Mission in the Langalanga lagoon area of Malaita (fieldwork conducted by Matthew Cooper) and the participation of people on Rendova Island in revitalization movements (fieldwork conducted by Scheffler).   \n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography \nHarold Walter Scheffler was born on October 24, 1932, in St. Louis, Missouri.  He attended Southeast Missouri State College in 1952 and transferred to the University of Missouri the following year.  His studies were interrupted by military service with the United States Army, 1954-1955, after which he returned to the University of Missouri and received a B.A. degree in anthropology and sociology in 1956.\n \nScheffler then went on to the University of Chicago for graduate work in anthropology, receiving an M.A. in 1957.  He continued in the doctoral program at Chicago and, with the assistance of a Carnegie Corporation Tri-Institutional Pacific Program grant (1958-1960) and a Fulbright grant (1960-1961), conducted eighteen months of fieldwork (1958-1961) on the island of Choiseul in what was then called the British Solomon Islands Protectorate.  He received his Ph.D. from the University of Chicago in 1963, having submitted a dissertation entitled \"Kindred and Kin Groups in Choiseul Island Social Structure\" (later published in 1965 as CHOISEUL ISLAND SOCIAL STRUCTURE.\n \nScheffler studied social structure and kinship on Choiseul Island between November 1958 and April 1961.  He spent most of his time in the village of Voza in the Tepazaka District, but also lived on the opposite side of the island in Ogo village in the Varisi District and made trips to Simbo Island.  Scheffler learned and conducted his research in the Varisi dialect. \n \nAfter returning from Choiseul, Scheffler taught at the University of Connecticut (1961-1962) and Bryn Mawr College (1962-1963).  He joined the Yale University faculty in 1963, and has remained there throughout his career.  \n \nPost-doctoral fellowships and grants from the National Science Foundation enabled him to return to the Solomon Islands.  Between 1967 and 1968, Scheffler conducted research on the island of Rendova as the principal investigator in a study entitled \"Revitalization Movements in the British Solomons,\" which compared religious movements in three locations.  This project examined the separatist Christian Fellowship Church on New Georgia Island (fieldwork conducted by Frances Harwood), the South Seas Evangelical Mission in the Langalanga lagoon area of Malaita (fieldwork conducted by Matthew Cooper) and the participation of people on Rendova Island in revitalization movements (fieldwork conducted by Scheffler).   \n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eHarold Scheffler Papers, MSS 0481. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Harold Scheffler Papers, MSS 0481. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nThe papers of Harold Scheffler relate to Scheffler's ethnographic research in the Solomon Islands, specifically his dissertation fieldwork on Choiseul Island conducted between 1958 and 1961 and his comparative study of religious revitalization movements and separatist churches on Rendova Island between 1967 and 1968.  Scheffler studied social structure and kinship, particularly ambilineal descent groups, among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968) and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings; and, writings of others related to his areas of research.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages.  The papers occupy five linear feet and are arranged in eight series:  1) CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5)  MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.\n \nSERIES 1:  CORRESPONDENCE\n \nThe CORRESPONDENCE series is arranged alphabetically and includes letters from anthropologists John Barnes, William Davenport and Murray Groves; the ethnomusicologist Alan Lomax, and two of Scheffler's graduate students, Matthew Cooper and Frances Harwood.  There are also letters from government offices in the Solomon Islands, the National Science Foundation and Yale University related to Scheffler's research and travel.\n \nSERIES 2:  WRITINGS BY SCHEFFLER\n \nThe WRITINGS BY SCHEFFLER series contains manuscripts of Scheffler's journal articles and published works related to the Solomon Islands, including a typescript of his dissertation entitled KINDRED AND KIN GROUPS IN CHOISEUL ISLAND SOCIAL STRUCTURE (1963) and drafts for articles on kinship, land tenure and separatist church movements.  Also included are proposals for research grant applications to fund his fieldwork and analysis.  The materials are arranged alphabetically by title.\n \nSERIES 3:  CHOISEUL ISLAND FIELDWORK\n \nThe CHOISEUL ISLAND FIELDWORK series documents Scheffler's dissertation field work and contains field notes and typescript summaries and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Varisi Language Material, and E) Maps.\n \nA) The Diaries (1958-1961) contain Scheffler's day-to-day, handwritten entries describing places visited, contacts made, conversations with informants, new words or usages, and records of expenses during his fieldwork on Choiseul.\n \nB) The Field Notes subseries contains manuscript notebooks with dated entries of ethnographic information from informants, typescript notes that organize, synthesize and summarize the field data on land tenure in the notebooks, and typed notecards with field data classified according to the Human Relations Area Files coding system.  The notecards also include a sociological census of Choiseul Island, notes on cases brought before the native courts, notes on readings, and a bibliography.\n \nC) The Genealogies and Kinship Charts subseries contains notebooks and charts with lineage names, relationships and explanations of terminology.\n \nD) The Varisi Language Material subseries contains comparative word lists, a dictionary, descriptions of grammatical forms, and several examples of text.  Varisi is one of six dialects on Choiseul Islands and spoken by many groups outside the Varisi District.\n \nE) The Maps subseries contains seven blueprint drainage maps with Scheffler's (?) annotations of topographical features, villages and trails. \n \nSERIES 4: RENDOVA ISLAND FIELDWORK\n \nThe RENDOVA ISLAND FIELDWORK series document's Scheffler's fieldwork and study of revitalization movements and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Baniata Language Material, and E) Maps.\n \nA) Diaries (1967-1968). The Rendova diaries contain travel accounts, observations on the Christian Fellowship Church, its leader Silas Eto (Holy Mama) and Frances Harwood's field work.\n \nB) The Notebooks contain census data and genealogical information collected on the Baniata side and Rouro.\n \nC) The Genealogies and Kinship Charts subseries contains a single set of kinship charts.\n \nD) The Baniata Language Materials subseries contains typescript comparative word lists, descriptions of grammatical forms,  exercises and a vocabulary compiled by Arthur Capell.\n \nE) This subseries contains two commercial maps of Rendova Island (ca. 1965) with annotations and one commercial map of the Solomon Islands group (1951).\n \nSERIES 5: MISCELLANEOUS FIELDWORK\n \nThe MISCELLANEOUS FIELDWORK series contains notebooks with general observations and bibliographies on the Solomon Islands, the specific island of Simbo (1960) and Ambryn Island in the New Hebrides.\n \nSERIES 6: WRITINGS OF OTHERS\n \nMost of the material in the WRITINGS OF OTHERS series relates to separatist church movements, including Frances Harwood's research on the Christian Fellowship Church, an instance of a schismatic church in Melanesia.  Also included are handwritten notes, largely related to Ambryn Island, made by British anthropologist Bernard Deacon (1903-1927) and typescript copies of Deacon's notes made by Camilla Wedgewood.  \n \nSERIES 7:  PHOTOGRAPHS\n \nThe PHOTOGRAPHS series is arranged according to periods of fieldwork in two subseries: A) 1958-1961 and B) 1967-1968.\n \nA)  The first subseries contains slides and black-and-white photoprints taken between 1958 and 1961 on Choiseul Island, but also on side trips to New Guinea, Norfolk Island and Simbo Island.  The images document village life in Voza, Scheffler's base on Choiseul; shell money (kesa) and its  surrounding rituals; war making; music making; and, people.  The Simbo Island images depict skull houses and shrines.  \n \nB)  The second subseries contains images documenting the religious revitalization movements and activities on Rendova, Choiseul, and New Georgia Islands, especially Paradise Village and the Christian Fellowship Church and its leader, Silas Eto.\n \nSERIES 8:  AUDIORECORDINGS\n \nThe AUDIO RECORDINGS series is arranged in two subseries: A) Choiseul and B) Rendova.  Within each subseries the recordings contain recitations of texts, pan flute music and songs.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract\u003eThe papers of Harold Scheffler, anthropologist and ethnographer, relate to Scheffler's field research on ambilineal descent groups on Choiseul Island in the Solomon Islands between 1958 and 1961 and to his comparative study of religious revitalization movements, especially the Christian Fellowship Church, conducted on Rendova Island between 1967 and 1968.  Scheffler studied social structure, kinship and ethnographic semantics among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968), and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages of the Solomon Islands.  Of particular interest are manuscript notes by Bernard Deacon, a British anthropologist, and typescript transcriptions of Deacon's notes by Camilla Wedgewood on Ambryn Island, New Hebrides.  The papers span the period from 1926 to 1981 with the bulk of the material generated between 1958 and 1971.\n\nThe papers are arranged in eight series:  1)  CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5) MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.\u003c/abstract\u003e"],"abstract_tesim":["The papers of Harold Scheffler, anthropologist and ethnographer, relate to Scheffler's field research on ambilineal descent groups on Choiseul Island in the Solomon Islands between 1958 and 1961 and to his comparative study of religious revitalization movements, especially the Christian Fellowship Church, conducted on Rendova Island between 1967 and 1968.  Scheffler studied social structure, kinship and ethnographic semantics among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968), and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages of the Solomon Islands.  Of particular interest are manuscript notes by Bernard Deacon, a British anthropologist, and typescript transcriptions of Deacon's notes by Camilla Wedgewood on Ambryn Island, New Hebrides.  The papers span the period from 1926 to 1981 with the bulk of the material generated between 1958 and 1971.\n\nThe papers are arranged in eight series:  1)  CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5) MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS."],"names_ssim":["Lyrasis Special Collections","Scheffler, Harold W.","Scheffler, Harold W. -- Archives","Deacon, Bernard, 1903-1927 -- Notebooks, sketchbooks, etc","Deacon, Bernard, 1903-1927"],"corpname_ssim":["Lyrasis Special Collections"],"names_coll_ssim":["Scheffler, Harold W. -- Archives","Deacon, Bernard, 1903-1927 -- Notebooks, sketchbooks, etc","Deacon, Bernard, 1903-1927"],"persname_ssim":["Scheffler, Harold W.","Scheffler, Harold W. -- Archives","Deacon, Bernard, 1903-1927 -- Notebooks, sketchbooks, etc","Deacon, Bernard, 1903-1927"],"language_ssim":["Collection materials in English"],"total_component_count_is":208,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"075db2813bbf51babd021c34","timestamp":"2026-04-04T01:11:47.965Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nThe papers of Harold Scheffler relate to Scheffler's ethnographic research in the Solomon Islands, specifically his dissertation fieldwork on Choiseul Island conducted between 1958 and 1961 and his comparative study of religious revitalization movements and separatist churches on Rendova Island between 1967 and 1968.  Scheffler studied social structure and kinship, particularly ambilineal descent groups, among Varisi language speakers on Choiseul Island (1958-1961), among Baniata language speakers on Rendova Island (1967-1968) and among Simbo islanders (1960).  Materials include correspondence with colleagues and students; manuscripts of journal articles and published works; ethnographic data collected in diaries, field notes, genealogies, photographs, and audiorecordings; and, writings of others related to his areas of research.  Also included are grammars, vocabularies and linguistic materials for the Varisi and Baniata languages.  The papers occupy five linear feet and are arranged in eight series:  1) CORRESPONDENCE, 2) WRITINGS BY SCHEFFLER, 3) CHOISEUL ISLAND FIELDWORK, 4) RENDOVA ISLAND FIELDWORK, 5)  MISCELLANEOUS FIELDWORK, 6) WRITINGS OF OTHERS, 7) PHOTOGRAPHS, and 8) AUDIORECORDINGS.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1:  CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series is arranged alphabetically and includes letters from anthropologists John Barnes, William Davenport and Murray Groves; the ethnomusicologist Alan Lomax, and two of Scheffler's graduate students, Matthew Cooper and Frances Harwood.  There are also letters from government offices in the Solomon Islands, the National Science Foundation and Yale University related to Scheffler's research and travel.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2:  WRITINGS BY SCHEFFLER\n\u003c/p\u003e\n         \u003cp\u003e\nThe WRITINGS BY SCHEFFLER series contains manuscripts of Scheffler's journal articles and published works related to the Solomon Islands, including a typescript of his dissertation entitled KINDRED AND KIN GROUPS IN CHOISEUL ISLAND SOCIAL STRUCTURE (1963) and drafts for articles on kinship, land tenure and separatist church movements.  Also included are proposals for research grant applications to fund his fieldwork and analysis.  The materials are arranged alphabetically by title.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3:  CHOISEUL ISLAND FIELDWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe CHOISEUL ISLAND FIELDWORK series documents Scheffler's dissertation field work and contains field notes and typescript summaries and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Varisi Language Material, and E) Maps.\n\u003c/p\u003e\n \n         \u003cp\u003e\nA) The Diaries (1958-1961) contain Scheffler's day-to-day, handwritten entries describing places visited, contacts made, conversations with informants, new words or usages, and records of expenses during his fieldwork on Choiseul.\n\u003c/p\u003e\n         \u003cp\u003e\nB) The Field Notes subseries contains manuscript notebooks with dated entries of ethnographic information from informants, typescript notes that organize, synthesize and summarize the field data on land tenure in the notebooks, and typed notecards with field data classified according to the Human Relations Area Files coding system.  The notecards also include a sociological census of Choiseul Island, notes on cases brought before the native courts, notes on readings, and a bibliography.\n\u003c/p\u003e\n         \u003cp\u003e\nC) The Genealogies and Kinship Charts subseries contains notebooks and charts with lineage names, relationships and explanations of terminology.\n\u003c/p\u003e\n         \u003cp\u003e\nD) The Varisi Language Material subseries contains comparative word lists, a dictionary, descriptions of grammatical forms, and several examples of text.  Varisi is one of six dialects on Choiseul Islands and spoken by many groups outside the Varisi District.\n\u003c/p\u003e\n         \u003cp\u003e\nE) The Maps subseries contains seven blueprint drainage maps with Scheffler's (?) annotations of topographical features, villages and trails. \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: RENDOVA ISLAND FIELDWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe RENDOVA ISLAND FIELDWORK series document's Scheffler's fieldwork and study of revitalization movements and is arranged in five subseries:  A) Diaries, B) Field Notes, C) Genealogies and Kinship Charts, D) Baniata Language Material, and E) Maps.\n\u003c/p\u003e\n         \u003cp\u003e\nA) Diaries (1967-1968). The Rendova diaries contain travel accounts, observations on the Christian Fellowship Church, its leader Silas Eto (Holy Mama) and Frances Harwood's field work.\n\u003c/p\u003e\n         \u003cp\u003e\nB) The Notebooks contain census data and genealogical information collected on the Baniata side and Rouro.\n\u003c/p\u003e\n         \u003cp\u003e\nC) The Genealogies and Kinship Charts subseries contains a single set of kinship charts.\n\u003c/p\u003e\n         \u003cp\u003e\nD) The Baniata Language Materials subseries contains typescript comparative word lists, descriptions of grammatical forms,  exercises and a vocabulary compiled by Arthur Capell.\n\u003c/p\u003e\n         \u003cp\u003e\nE) This subseries contains two commercial maps of Rendova Island (ca. 1965) with annotations and one commercial map of the Solomon Islands group (1951).\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 5: MISCELLANEOUS FIELDWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe MISCELLANEOUS FIELDWORK series contains notebooks with general observations and bibliographies on the Solomon Islands, the specific island of Simbo (1960) and Ambryn Island in the New Hebrides.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 6: WRITINGS OF OTHERS\n\u003c/p\u003e\n         \u003cp\u003e\nMost of the material in the WRITINGS OF OTHERS series relates to separatist church movements, including Frances Harwood's research on the Christian Fellowship Church, an instance of a schismatic church in Melanesia.  Also included are handwritten notes, largely related to Ambryn Island, made by British anthropologist Bernard Deacon (1903-1927) and typescript copies of Deacon's notes made by Camilla Wedgewood.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 7:  PHOTOGRAPHS\n\u003c/p\u003e\n         \u003cp\u003e\nThe PHOTOGRAPHS series is arranged according to periods of fieldwork in two subseries: A) 1958-1961 and B) 1967-1968.\n\u003c/p\u003e\n         \u003cp\u003e\nA)  The first subseries contains slides and black-and-white photoprints taken between 1958 and 1961 on Choiseul Island, but also on side trips to New Guinea, Norfolk Island and Simbo Island.  The images document village life in Voza, Scheffler's base on Choiseul; shell money (kesa) and its  surrounding rituals; war making; music making; and, people.  The Simbo Island images depict skull houses and shrines.  \n\u003c/p\u003e\n         \u003cp\u003e\nB)  The second subseries contains images documenting the religious revitalization movements and activities on Rendova, Choiseul, and New Georgia Islands, especially Paradise Village and the Christian Fellowship Church and its leader, Silas Eto.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 8:  AUDIORECORDINGS\n\u003c/p\u003e\n         \u003cp\u003e\nThe AUDIO RECORDINGS series is arranged in two subseries: A) Choiseul and B) Rendova.  Within each subseries the recordings contain recitations of texts, pan flute music and songs.\n\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/075db2813bbf51babd021c34"}},{"id":"b264ee92e61889dfa15aa7d8","type":"collection","attributes":{"title":"I - College History, bulk 1900s","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/b264ee92e61889dfa15aa7d8#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"b264ee92e61889dfa15aa7d8","title_ssm":["I - College History"],"title_tesim":["I - College History"],"ead_ssi":"b264ee92e61889dfa15aa7d8","unitdate_ssm":["1900s"],"unitdate_bulk_ssim":["1900s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CHI","/repositories/4/resources/113"],"text":["CHI","/repositories/4/resources/113","I - College History, bulk 1900s","Lyrasis Corporate Archives","English"],"unitid_tesim":["CHI","/repositories/4/resources/113"],"normalized_date_ssm":["bulk 1900s"],"normalized_title_ssm":["I - College History, bulk 1900s"],"collection_title_tesim":["I - College History, bulk 1900s"],"collection_ssim":["I - College History, bulk 1900s"],"repository_ssm":["Lyrasis Corporate Archives"],"repository_ssim":["Lyrasis Corporate Archives"],"has_online_content_ssim":["false"],"extent_ssm":["9 Box"],"extent_tesim":["9 Box"],"names_ssim":["Lyrasis Corporate Archives"],"corpname_ssim":["Lyrasis Corporate Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b264ee92e61889dfa15aa7d8","timestamp":"2026-04-04T01:16:11.730Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b264ee92e61889dfa15aa7d8","title_ssm":["I - College History"],"title_tesim":["I - College History"],"ead_ssi":"b264ee92e61889dfa15aa7d8","unitdate_ssm":["1900s"],"unitdate_bulk_ssim":["1900s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CHI","/repositories/4/resources/113"],"text":["CHI","/repositories/4/resources/113","I - College History, bulk 1900s","Lyrasis Corporate Archives","English"],"unitid_tesim":["CHI","/repositories/4/resources/113"],"normalized_date_ssm":["bulk 1900s"],"normalized_title_ssm":["I - College History, bulk 1900s"],"collection_title_tesim":["I - College History, bulk 1900s"],"collection_ssim":["I - College History, bulk 1900s"],"repository_ssm":["Lyrasis Corporate Archives"],"repository_ssim":["Lyrasis Corporate Archives"],"has_online_content_ssim":["false"],"extent_ssm":["9 Box"],"extent_tesim":["9 Box"],"names_ssim":["Lyrasis Corporate Archives"],"corpname_ssim":["Lyrasis Corporate Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b264ee92e61889dfa15aa7d8","timestamp":"2026-04-04T01:16:11.730Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/b264ee92e61889dfa15aa7d8"}},{"id":"790f119ad9e06ac7378a220b","type":"collection","attributes":{"title":"Jedediah Horcrux Congreave fly fishing correspondence and photographs, 1925-1992","creator":{"id":"https://arclight.lyrasistechnology.org/catalog/790f119ad9e06ac7378a220b#creator","type":"document_value","attributes":{"value":["Figgie  Dog "],"label":"Creator"}},"abstract_or_scope":{"id":"https://arclight.lyrasistechnology.org/catalog/790f119ad9e06ac7378a220b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e\u003chead\u003eContent Description\u003c/head\u003e\u003cp\u003eCorrespondence and photographs spanning 1925-1992 and documenting Jedediah Horcrux Congreave's interest in fly fishing. Included in the collection are letters to Congreave's father between 1925-1935; correspondence from and to diverse friends, colleagues, and associates sharing Congreave's interest in fly fishing; and photographs of many of Congreave's fishing expeditiions. More detailed descriptions of the materials are provided below. \u003c/p\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/790f119ad9e06ac7378a220b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"790f119ad9e06ac7378a220b","title_ssm":["Jedediah Horcrux Congreave fly fishing correspondence and photographs"],"title_tesim":["Jedediah Horcrux Congreave fly fishing correspondence and photographs"],"ead_ssi":"790f119ad9e06ac7378a220b","unitdate_ssm":["1925-1992"],"unitdate_inclusive_ssm":["1925-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["YNHSC.MS.292","/repositories/2/resources/1"],"text":["YNHSC.MS.292","/repositories/2/resources/1","Jedediah Horcrux Congreave fly fishing correspondence and photographs, 1925-1992","Flies, Artificial","Fly fishing","Fly fishing (West U.S.) -- Pictorial works","Fly fishing -- Pictorial works","Fly tying","Drawings (visual works)","Photographs","Some of the colored photographs are beginning to fade.","Biography Jedediah Horcrux Congreave was born in Little Compton, Rhode Island on December 25, 1915.\n        He died in Portland, Maine on April 18, 1999. Congreave was educated at Williams College\n        (B.A., 1936) and Harvard University (Ph.D., Biology, 1948). He taught at Northfield-Mt.\n        Hermon in Northfield, MA for the bulk of his career, serving in many administrative\n        positions as well during his tenure there. Throughout his life, Congreave was an avid fly\n        fisherman, and in 1998 he donated his collection of letters and photographs relating to his\n        recreational activity to Carpe Diem University, where several of his close friends taught\n        and which, in YNHSC, has an extensive collection documenting outdoor recreation and\n        conservation atctivities in New England. Congreave never married and hand no children. ","Content Description Correspondence and photographs spanning 1925-1992 and documenting Jedediah Horcrux\n        Congreave's interest in fly fishing. Included in the collection are letters to Congreave's\n        father between 1925-1935; correspondence from and to diverse friends, colleagues, and\n        associates sharing Congreave's interest in fly fishing; and photographs of many of\n        Congreave's fishing expeditiions. More detailed descriptions of the materials are provided\n        below. ","Separated Materials The collection came to Carpe Diem University with 2 additional cartons of fishing and\n        camping supply catalogs from the 1940s through the 1990s. These were separated from the\n        collection because YNHSC does not collect mass-produced product catalogs. They were sent to\n        the Smithsonian Museum of American History, which has an extensive collection of product\n        catalogs, but there is no information on their ultimate disposition. ","Rights Copyright for the materials created by Jedediah Congreave have been gifted to Carpe Diem\n        University. Persons wanting to re-use those materials should first acquire permission from\n        staff at YNHSC. Copyright for the materials created by correspondents in the colleciton\n        belong to those correspondent or their beneficiaries. Persons wanting to re-use those\n        materials are advised to obtain permissson from the copyright holders. ","Lyrasis Special Collections","Figgie  Dog ","Congreave, Wilberforce","Foucault, Michel, 1926-1984","Child, Julia","Skinner, B. F. (Burrhus Frederic), 1904-1990","English"],"unitid_tesim":["YNHSC.MS.292","/repositories/2/resources/1"],"normalized_date_ssm":["1925-1992"],"normalized_title_ssm":["Jedediah Horcrux Congreave fly fishing correspondence and photographs, 1925-1992"],"collection_title_tesim":["Jedediah Horcrux Congreave fly fishing correspondence and photographs, 1925-1992"],"collection_ssim":["Jedediah Horcrux Congreave fly fishing correspondence and photographs, 1925-1992"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Figgie  Dog ","Figgie  Dog "],"creator_ssim":["Figgie  Dog ","Figgie  Dog "],"creator_persname_ssim":["Figgie  Dog ","Figgie  Dog "],"creators_ssim":["Figgie  Dog ","Figgie  Dog "],"access_terms_ssm":["Rights Copyright for the materials created by Jedediah Congreave have been gifted to Carpe Diem\n        University. Persons wanting to re-use those materials should first acquire permission from\n        staff at YNHSC. 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"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003eRights\u003c/head\u003e\n      \u003cp\u003eCopyright for the materials created by Jedediah Congreave have been gifted to Carpe Diem\n        University. Persons wanting to re-use those materials should first acquire permission from\n        staff at YNHSC. Copyright for the materials created by correspondents in the colleciton\n        belong to those correspondent or their beneficiaries. Persons wanting to re-use those\n        materials are advised to obtain permissson from the copyright holders. \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Rights"],"userestrict_tesim":["Rights Copyright for the materials created by Jedediah Congreave have been gifted to Carpe Diem\n        University. Persons wanting to re-use those materials should first acquire permission from\n        staff at YNHSC. 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There are also materials relating to his teaching, along with his extensive correspondence with people involved in comtemporary art and literature. A small group of personal and family materials is also included. Although the collection contains some materials from earlier periods, the bulk of the papers date from the late 1960s through the 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials (including family correspondence), and personal memorabilia.\u003c/p\u003e\u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in contemporary art and literature. The series is arranged alphabetically by correspondent. Correspondence with people represented by less than three items is filed in miscellaneous files under the appropriate letter of the alphabet. Some correspondence regarding Rothenberg's publications or editorial work can be found in other series. Prominent correspondents include: Paul Blackburn, including personal and professional letters regarding The Nation; Robert Creeley, including letters to Rothenberg and copies of Rothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima, represented by a small number of personal letters; George Economou, including personal and professional correspondence; Barbara Einzig, correspondence concerning her poems; Clayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti, correspondence concerning translations; Allen Ginsberg, represented by a small group of letters; Thom Gunn, correspondence concerning publication of poems; a small group of letters from David Ignatow; Robert Kelly, including early correspondence concerning his poems, and later personal correspondence; Denise Levertov, correspondence concerning her poems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve McCaffery, correspondence concerning poems and readings; bp nichol, a small group of letters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron Silliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding ethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence concerning poems and writings of others. \u003c/p\u003e\u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings and Other Oral Presentations, Translations, Prefaces and Introductions, Essays and Criticism, Periodical Contributions, and Notebooks. Within each subseries, works are arranged in approximate chronological order. Included are manuscripts, typescripts, notes, and correspondence. Of interest in the Early Writings are some of Rothenberg's dramatic works. The subseries Original Poetry is wide-ranging in scope and includes business correspondence regarding the publication of individual works, early drafts, typescripts, and notes. Almost all of Rothenberg's published books of poetry are represented here. The materials for Seneca Journal include background and source material used by Rothenberg.\u003c/p\u003e\u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by Rothenberg. Files for each work are extensive. Included is manuscript material, early versions, final versions, source materials, and many notes. Materials for Big Jewish Book include typescripts by contributors with accompanying correspondence.\u003c/p\u003e\u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts and typescripts edited or published by Rothernberg for various journals. Included are a wide range of production materials, including notes, art work, paste-ups, and correspondence.\u003c/p\u003e\u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of poems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George Economou, and Clayton Eshleman.\u003c/p\u003e\u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various teaching posts. Also included are materials relating to conferences, symposia, and transcriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library. For information on the disposition of individual items, contact the Manuscripts Librarian.\u003c/p\u003e\u003cp\u003e_____________\u003c/p\u003e\u003cp\u003eMONOGRAPHS\u003c/p\u003e\u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen Flamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for a Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns, Diane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr, Michael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo, 1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del Bourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of Buffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert, Gerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic Voices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White Rising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the Vertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul. Crossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of Poetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton, Christopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson, Tenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d. Newth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson, Raymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of the Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973 (publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman, William D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock, Dennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\u003cp\u003e\u003c/p\u003e\u003cp\u003eSERIALS\u003c/p\u003e\u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4, #3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76 Atticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1, March 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol 21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol. 2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc. Newsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music Vol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2 #1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection Newsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984 Jewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8, Summer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17, 1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3 Oeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris Exiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th Anniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash #74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter #26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976 Reservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2, 1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct. 1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984 Telescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3, Dec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\u003cp\u003e\u003c/p\u003e\u003cp\u003e\u003c/p\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"a98f460404da6019eb88ebf0","title_filing_ssi":"Rothenberg (Jerome) Papers","title_ssm":["Jerome Rothenberg Papers,"],"title_tesim":["Jerome Rothenberg Papers,"],"ead_ssi":"a98f460404da6019eb88ebf0","unitdate_ssm":["1944-1985"],"unitdate_bulk_ssim":["1944-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0010","/repositories/2/resources/6"],"text":["MSS 0010","/repositories/2/resources/6","Jerome Rothenberg Papers, bulk 1944-1985","BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life.","ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.","SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","For current information on the location of these\nmaterials, please consult the Library's online catalog.","Lyrasis Special Collections","English."],"unitid_tesim":["MSS 0010","/repositories/2/resources/6"],"normalized_date_ssm":["bulk 1944-1985"],"normalized_title_ssm":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_title_tesim":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"extent_tesim":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBIOGRAPHY \u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959.\u003c/p\u003e\n      \u003cp\u003eRothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman.\u003c/p\u003e\n      \u003cp\u003eIn 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin.\u003c/p\u003e\n      \u003cp\u003eRothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970). \u003c/p\u003e\n      \u003cp\u003eRothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York. \u003c/p\u003e\n      \u003cp\u003eIn 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972).\u003c/p\u003e\n      \u003cp\u003eRothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974).\u003c/p\u003e\n      \u003cp\u003eWith George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts. \u003c/p\u003e\n      \u003cp\u003eIn 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered.\u003c/p\u003e\n      \u003cp\u003eRothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics.\u003c/p\u003e\n      \u003cp\u003eSince 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-).\u003c/p\u003e\n      \u003cp\u003eFinally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.\u003c/p\u003e\u003c/p\u003e","\u003cchronlist\u003e\n      \u003chead\u003eJerry's Life\u003c/head\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1931\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eBorn\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1955\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eMA from Wisconsin\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1962\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eEstablishes Hawk's Well Press with David Antin\u003c/event\u003e\n          \u003cevent\u003ePublishes Revolution of the Work\u003c/event\u003e\n          \u003cevent\u003eSon Matthew born.  \u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n    \u003c/chronlist\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eEditors\u003c/label\u003e\n        \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003citem\u003eDon Byrd\u003c/item\u003e\n      \u003citem\u003eRoy Harvey Pearce\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThus runs a life.\u003c/p\u003e"],"bioghist_heading_ssm":["BIOGRAPHY"],"bioghist_tesim":["BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life."],"odd_html_tesm":["\u003cp\u003e\u003chead\u003eABSTRACT\u003c/head\u003e\n      \u003cp\u003ePapers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky.\u003c/p\u003e\n      \u003cp\u003eThe collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\u003c/p\u003e"],"odd_heading_ssm":["ABSTRACT"],"odd_tesim":["ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files."],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Jerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD."],"scopecontent_heading_ssm":["SCOPE AND CONTENT","Accessions Processed in 1990"],"scopecontent_tesim":["SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_68b9403da719e04769da0a49f88e62b7\"\u003eFor current information on the location of these\nmaterials, please consult the Library's online catalog.\u003c/physloc\u003e"],"physloc_tesim":["For current information on the location of these\nmaterials, please consult the Library's online catalog."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English."],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eSCOPE AND CONTENT\u003c/head\u003e\n      \u003cscopecontent\u003e\n        \u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\n      \u003c/scopecontent\u003e\n      \u003cp\u003e\u003c/p\u003e\n      \u003cp\u003e\u003c/p\u003e\u003c/p\u003e","\u003cp\u003e\u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a98f460404da6019eb88ebf0","title_filing_ssi":"Rothenberg (Jerome) Papers","title_ssm":["Jerome Rothenberg Papers,"],"title_tesim":["Jerome Rothenberg Papers,"],"ead_ssi":"a98f460404da6019eb88ebf0","unitdate_ssm":["1944-1985"],"unitdate_bulk_ssim":["1944-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0010","/repositories/2/resources/6"],"text":["MSS 0010","/repositories/2/resources/6","Jerome Rothenberg Papers, bulk 1944-1985","BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life.","ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.","SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","For current information on the location of these\nmaterials, please consult the Library's online catalog.","Lyrasis Special Collections","English."],"unitid_tesim":["MSS 0010","/repositories/2/resources/6"],"normalized_date_ssm":["bulk 1944-1985"],"normalized_title_ssm":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_title_tesim":["Jerome Rothenberg Papers, bulk 1944-1985"],"collection_ssim":["Jerome Rothenberg Papers, bulk 1944-1985"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"extent_tesim":["49.80 Cassettes","49.80 linear feet (109 archives boxes, 49 oversize\nfolders)"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBIOGRAPHY \u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959.\u003c/p\u003e\n      \u003cp\u003eRothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman.\u003c/p\u003e\n      \u003cp\u003eIn 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin.\u003c/p\u003e\n      \u003cp\u003eRothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970). \u003c/p\u003e\n      \u003cp\u003eRothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York. \u003c/p\u003e\n      \u003cp\u003eIn 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972).\u003c/p\u003e\n      \u003cp\u003eRothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974).\u003c/p\u003e\n      \u003cp\u003eWith George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts. \u003c/p\u003e\n      \u003cp\u003eIn 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered.\u003c/p\u003e\n      \u003cp\u003eRothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics.\u003c/p\u003e\n      \u003cp\u003eSince 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-).\u003c/p\u003e\n      \u003cp\u003eFinally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.\u003c/p\u003e\u003c/p\u003e","\u003cchronlist\u003e\n      \u003chead\u003eJerry's Life\u003c/head\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1931\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eBorn\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1955\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eMA from Wisconsin\u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n      \u003cchronitem\u003e\n        \u003cdate\u003e1962\u003c/date\u003e\n        \u003ceventgrp\u003e\n          \u003cevent\u003eEstablishes Hawk's Well Press with David Antin\u003c/event\u003e\n          \u003cevent\u003ePublishes Revolution of the Work\u003c/event\u003e\n          \u003cevent\u003eSon Matthew born.  \u003c/event\u003e\n        \u003c/eventgrp\u003e\n      \u003c/chronitem\u003e\n    \u003c/chronlist\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eEditors\u003c/label\u003e\n        \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eCollaborators\u003c/head\u003e\n      \u003citem\u003eDonald Allen\u003c/item\u003e\n      \u003citem\u003eDon Byrd\u003c/item\u003e\n      \u003citem\u003eRoy Harvey Pearce\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThus runs a life.\u003c/p\u003e"],"bioghist_heading_ssm":["BIOGRAPHY"],"bioghist_tesim":["BIOGRAPHY  Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle\nLichtenstien Rothenberg. He graduated from the City College of New York in 1952 and the\nfollowing year received a Master's Degree in Literature from the University of Michigan.\nHe spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned\nfor further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in\nthe Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked\nRothenberg to translate a collection of postwar German poetry, which City Lights Books\npublished in 1959 as New Young German Poets. This work marked the first appearance in\nEnglish of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman. In 1958 Rothenberg founded Hawk's Well Press, which published early works by Robert\nKelly, Diane Wakoski, Armand Schwerner, and Rochelle Owens, as well as Rothenberg's first\nbook of poems, White Sun Black Sun. As an adjunct to these activities, Rothenberg edited\nthe magazine Poems from the Floating World, which included new works by poets Jackson Mac\nLow, Robert Bly, Denise Levertov, Paul Blackburn, Gary Snyder, and Robert Duncan. The\nmagazine was superseded in 1965 by Some/Thing, co-edited with David Antin. Rothenberg's works during this period reflect his experimentation with image in White Sun\nBlack Sun (1960) and attempts at thematic enlargement in The Seven Hells of the Jigoku\nZoshi (1962) to experiments with silences and disjunctions in Sightings (1964) to further\nexplorations of alternate poetic structures, uses of found poetry and collage,\ndevelopment of forms suggested by Gertrude Stein's work, experiments with dialogue and\nnarrative that mark The Gorky Poems (1966), Conversations (1968), and Poems 1964-1967.\nThese concerns and the connections between them were presented in Rothenberg's next work,\nPoems for the Game of Silence (1970).  Rothenberg's concern for the relationship between \"primitive\" and modern poetry led to\nthe development of an anthology of primitive and archaic poetry, Technicians of the\nSacred (1968). This work attempted to redefine the range of primitive poetry, presenting\nnot only words of songs, but picture poems, sound poetry, naming poems, dreams and\nvisions and scenarios of ritual-events. With the completion of this work, Rothenberg\ndirected his attention to ethnopoetics and began a study of Senecan Indian songs at the\nthe Allegheny Reservation in Steamburg, New York.  In 1968 Rothenberg received a grant from the Wenner-Gren Foundation in Anthropological\nResearch to conduct a two-part experiment in the translation of American Indian poetry.\nThe project involved a collaborative translation between Rothenberg and Seneca songmen\nand the translation of a series of Navajo horse-blessing songs. In this effort,\nRothenberg began to develop an approach he termed \"total translation,\" meaning that he\naccounted in the English version for every element in the original language, including\nthe so-called \"meaningless\" vocables, word distortions and redundancies. This close study\nand involvement with American Indian poetry and ritual promoted the development of\nRothenberg's next anthology, Shaking the Pumpkin: Traditional Poetry of the Indian North\nAmericas (1972). Rothenberg's interest in American Indian and other tribal/oral poetries led to the\ndevelopment of a magazine, Alcheringa, the first periodical devoted exclusively to\nethnopoetics which he co-edited with Dennis Tedlock from 1970-1976. Concurrent with this\ninterest, Rothenberg began exploring his own ancestral themes and the lost world of\nJewish Poland in a series of poems which culminated in A Book of Testimony (1971), Esther\nK. Comes to America (1973), and Poland/1931 (1974). With George Quasha, Rothenberg published America A Prophecy in 1974. The intent of this\nanthology was to redefine the past and present of American poetry over an expanse of time\nand cultures. Also in that year he received a Guggenheim Fellowship, and in 1976 a grant\nfrom the National Endowment for the Arts.  In 1978 Rothenberg published A Big Jewish Book: Poems and Other Visions of the Jews from\nTribal Times to the Present. Co-edited with Harris Lenowitz and Charles Doria, this\nvolume broke new ground in the fields of poetry and history. The book provides a unique\nhistory/anthology of Jewish consciousness in the form of poetry and oral traditions. For\nthe book, Rothenberg drew on both sacred and secular sources, with the link between them\nemphasizing the poetic/visionary continuum and the mystical and magical side of the\nJewish tradition. To document the entire range of the Jewish poetry tradition, Rothenberg\ndivided the book into three sections which explore the mythic, historic, and poetic\nthemes of Jewish poetry. Many of the works contained were newly translated or uncovered. Rothenberg's next major anthology, Symposium of the Whole: A Range of Discourse Toward An\nEthnopoetics, co-edited with Diane Rothenberg, appeared in 1983. This book traces an\nongoing course of work and thought on poetry and culture that has influenced the art of\nmodern times. Symposium follows the concept of ethnopoetics from the writings of\npredecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos\nby poets and social thinkers, including Olson, Eliade, Snyder, and Baraka. The work is\nunique in its vision and scope, addressing both poetics and politics. Since 1960, Rothenberg has served as an instructor at various colleges and universities,\nincluding: the City College of New York (1960-1961); the Mannes College of Music, New\nYork City (1961-1970); the University of California, San Diego (Regents' Professor,\n1971); the New School for Social Research (1971-1972); the University of Wisconsin,\nMilwaukee (1974-1976); San Diego State University (1976-1977); the University of\nCalifornia, San Diego (1977-1985); SUNY Albany (Writer in Residence, 1986); SUNY\nBinghampton (1986-1988); and the University of California, San Diego (1988-). Finally, Rothenberg has translated work by Paul Celan, Hans Magnus Enzensberger, Eugen\nGomringer, Rolf Hochhuth, Garcia Lorca, Kurt Schwitters and many other European writers\ninto English. In 1968 Rothenberg received a Wenner-Gren Foundation grant for the\nexperimental translation of American Indian poetry. Rothenberg's own selected poetry,\nPoems for the Game of Silence, has appeared in French, Swedish, and Flemish/Dutch\neditions, and his work has been extensively translated into Spanish, Dutch, Italian,\nGerman, Serbian, and Finnish.","Jerry's Life 1931 Born 1955 MA from Wisconsin 1962 Establishes Hawk's Well Press with David Antin Publishes Revolution of the Work Son Matthew born.  ","Collaborators Editors Donald Allen","Collaborators Donald Allen Don Byrd Roy Harvey Pearce","Thus runs a life."],"odd_html_tesm":["\u003cp\u003e\u003chead\u003eABSTRACT\u003c/head\u003e\n      \u003cp\u003ePapers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky.\u003c/p\u003e\n      \u003cp\u003eThe collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\u003c/p\u003e"],"odd_heading_ssm":["ABSTRACT"],"odd_tesim":["ABSTRACT Papers of Jerome Rothenberg, American poet, editor, and teacher. The papers primarily\ndocument Rothenberg's writing and editorial work. There is also extensive correspondence\nwith people involved in contemporary art and literature, and materials relating to\nRothenberg's teaching. A small group of personal and family materials is also included.\nAlthough the collection contains some materials from earlier periods, the bulk of the\npapers date from the late 1960s through the 1980s. Prominent correspondents include Paul\nBlackburn, Robert Creeley, Diane Di Prima, George Economou, Barbara Einzig, Clayton\nEshleman, Lawrence Ferlinghetti, Allen Ginsberg, Thom Gunn, David Ignatow, Robert Kelly,\nDenise Levertov, Jackson Mac Low, Steve McCaffery, bp nichol, George Oppen, Ron Silliman,\nGary Snyder, Nathaniel Tarn, Diane Wakoski, and Louis Zukofsky. The collection is arranged in seven series: 1) Biographical Materials, 2) Correspondence,\n3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and Publications Edited by\nRothenberg, 6) Writings of Others, and 7) Subject Files."],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n      \u003cp\u003eJerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Jerome Rothenberg Papers, MSS 0010. Mandeville Special Collections Library, UCSD."],"scopecontent_heading_ssm":["SCOPE AND CONTENT","Accessions Processed in 1990"],"scopecontent_tesim":["SCOPE AND CONTENT Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980","Accessions Processed in 1990 The Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files. SERIES 1: BIOGRAPHICAL MATERIALS The BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia. SERIES 2: CORRESPONDENCE The CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others.  SERIES 3: WRITINGS The series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg. SERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG The series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence. SERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG Within the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence. SERIES 6: WRITINGS OF OTHERS The WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman. SERIES 7: SUBJECT FILES The last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST The materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian. _____________ MONOGRAPHS August Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985 SERIALS Akwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_68b9403da719e04769da0a49f88e62b7\"\u003eFor current information on the location of these\nmaterials, please consult the Library's online catalog.\u003c/physloc\u003e"],"physloc_tesim":["For current information on the location of these\nmaterials, please consult the Library's online catalog."],"names_ssim":["Lyrasis Special Collections"],"corpname_ssim":["Lyrasis Special Collections"],"language_ssim":["English."],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a98f460404da6019eb88ebf0","timestamp":"2026-04-04T01:12:59.773Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eSCOPE AND CONTENT\u003c/head\u003e\n      \u003cscopecontent\u003e\n        \u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\n      \u003c/scopecontent\u003e\n      \u003cp\u003e\u003c/p\u003e\n      \u003cp\u003e\u003c/p\u003e\u003c/p\u003e","\u003cp\u003e\u003chead\u003eAccessions Processed in 1990\u003c/head\u003e\n        \u003cp\u003eThe Jerome Rothenberg Papers primarily document Rothenberg's writing and editorial work.\nThere are also materials relating to his teaching, along with his extensive\ncorrespondence with people involved in comtemporary art and literature. A small group of\npersonal and family materials is also included. Although the collection contains some\nmaterials from earlier periods, the bulk of the papers date from the late 1960s through\nthe 1980s. The collection is arranged in seven series: 1) Biographical Materials, 2)\nCorrespondence, 3) Writings, 4) Anthologies Edited by Rothenberg, 5) Journals and\nPublications Edited by Rothenberg, 6) Writings of Others, and 7) Subject Files.\u003c/p\u003e\n        \u003cp\u003eSERIES 1: BIOGRAPHICAL MATERIALS\u003c/p\u003e\n        \u003cp\u003eThe BIOGRAPHICAL MATERIALS include newspaper clippings about Rothenberg, family materials\n(including family correspondence), and personal memorabilia.\u003c/p\u003e\n        \u003cp\u003eSERIES 2: CORRESPONDENCE\u003c/p\u003e\n        \u003cp\u003eThe CORRESPONDENCE, which is extensive, includes letters to and from people prominent in\ncontemporary art and literature. The series is arranged alphabetically by correspondent.\nCorrespondence with people represented by less than three items is filed in miscellaneous\nfiles under the appropriate letter of the alphabet. Some correspondence regarding\nRothenberg's publications or editorial work can be found in other series. Prominent\ncorrespondents include: Paul Blackburn, including personal and professional letters\nregarding The Nation; Robert Creeley, including letters to Rothenberg and copies of\nRothenberg's replies, some letters relating to sound and image in poetry; Diane Di Prima,\nrepresented by a small number of personal letters; George Economou, including personal\nand professional correspondence; Barbara Einzig, correspondence concerning her poems;\nClayton Eshleman, including some personal correspondence; Lawrence Ferlinghetti,\ncorrespondence concerning translations; Allen Ginsberg, represented by a small group of\nletters; Thom Gunn, correspondence concerning publication of poems; a small group of\nletters from David Ignatow; Robert Kelly, including early correspondence concerning his\npoems, and later personal correspondence; Denise Levertov, correspondence concerning her\npoems; Jackson Mac Low, correspondence concerning the publication of his poetry; Steve\nMcCaffery, correspondence concerning poems and readings; bp nichol, a small group of\nletters; George Oppen, concerning his poems and comments on Revolution of the Word; Ron\nSilliman, concerning poems and Alcheringa; Gary Snyder, correspondence regarding\nethnopoetics; Nathaniel Tarn; Diane Wakoski; and Louis Zukofsky, correspondence\nconcerning poems and writings of others. \u003c/p\u003e\n        \u003cp\u003eSERIES 3: WRITINGS\u003c/p\u003e\n        \u003cp\u003eThe series WRITINGS is subdivided into Early Writings, OriginalPoetry, Poetry Readings\nand Other Oral Presentations, Translations, Prefaces and Introductions, Essays and\nCriticism, Periodical Contributions, and Notebooks. Within each subseries, works are\narranged in approximate chronological order. Included are manuscripts, typescripts,\nnotes, and correspondence. Of interest in the Early Writings are some of Rothenberg's\ndramatic works. The subseries Original Poetry is wide-ranging in scope and includes\nbusiness correspondence regarding the publication of individual works, early drafts,\ntypescripts, and notes. Almost all of Rothenberg's published books of poetry are\nrepresented here. The materials for Seneca Journal include background and source material\nused by Rothenberg.\u003c/p\u003e\n        \u003cp\u003eSERIES 4: ANTHOLOGIES EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eThe series ANTHOLOGIES contains materials relating to all of the anthologies edited by\nRothenberg. Files for each work are extensive. Included is manuscript material, early\nversions, final versions, source materials, and many notes. Materials for Big Jewish Book\ninclude typescripts by contributors with accompanying correspondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 5: JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG\u003c/p\u003e\n        \u003cp\u003eWithin the series JOURNALS AND PUBLICATIONS EDITED BY ROTHENBERG can be found manuscripts\nand typescripts edited or published by Rothernberg for various journals. Included are a\nwide range of production materials, including notes, art work, paste-ups, and\ncorrespondence.\u003c/p\u003e\n        \u003cp\u003eSERIES 6: WRITINGS OF OTHERS\u003c/p\u003e\n        \u003cp\u003eThe WRITINGS OF OTHERS contains mostly typescripts (original, carbon, or photocopied) of\npoems by other writers. Included are works by Paul Blackburn, Diane Di Prima, George\nEconomou, and Clayton Eshleman.\u003c/p\u003e\n        \u003cp\u003eSERIES 7: SUBJECT FILES\u003c/p\u003e\n        \u003cp\u003eThe last series, SUBJECT FILES, includes materials generated by Rothenberg in his various\nteaching posts. Also included are materials relating to conferences, symposia, and\ntranscriptions of interviews with Rothenberg. SEPARATION LIST\u003c/p\u003e\n        \u003cp\u003eThe materials listed below have been separated to other collections in the UCSD Library.\nFor information on the disposition of individual items, contact the Manuscripts\nLibrarian.\u003c/p\u003e\n        \u003cp\u003e_____________\u003c/p\u003e\n        \u003cp\u003eMONOGRAPHS\u003c/p\u003e\n        \u003cp\u003eAugust Sky, Gino. The Ball Tournament Specialist, 1973 Boyd, Melba Joyce. Thirteen Frozen\nFlamingoes, n.d. Brown, Rebecca. 3-Way Split, 1978 Bruchac, Joe. Postcards: Monument for\na Blown-Down Moment, 1980 Burnham, Linda Frye. Heartland Drive-In Coke, 1981 Burns,\nDiane. Riding the One-Eyed Ford, 1981 Butcher, Grace. The Bright-Colored Dark, 1966 Corr,\nMichael and No, Murusaki. Garden Draft, 1980 Cuneo, Pablo. Bronka Stooler Boo Boo Boo,\n1984D'Alessandro, Nicolo. A Meeting with Nicolo D'Alessandro and Nat Scammaccu, 1977 Del\nBourgo, David. Fairfax and Other Poems, 1985 Eulert, Don. Outposts: Letters and Poems of\nBuffalo Bill Cody and Annie Oakley, 1870-1917, 1978 Gach, Gary. Offices, 1984 Gilbert,\nGerry. A Call, 1979 Greenberg, Alvin. The Small Waves, 1965 Halifax, Joan. Shamanic\nVoices, 1979 Holman, Bob. Tear To Open (This This This This), 1979 Kotker, Zane. White\nRising, 1981 Leed, Jacob. Poems of Jacob Leed, 1966 Levendosky, Charley. Aspects of the\nVertical, 1978 Maloney, Dennis. Matsua -A Poem From Pine Hut, 1980 Mariani, Paul.\nCrossing Cocytus, 1982 Mariani, Paul and Murphy, George. Poetics: Essays on the Art of\nPoetry, 1984 Martinson, David. Shemay, the Bird in the Sugarbush, 1975 Middleton,\nChristopher. Wooden Dog, 1981 Morningstar, Ramon Sender. Zero Weather, 1980 Nathanson,\nTenney. The Book of Death, 1975 Nelson, Sharon H., Quarterbuck 6 Delta Canada, n.d.\nNewth, Rebecca. Find the Lamb, 1983 Noel, Bernard. Mille Fois Dedans, 1979 Patterson,\nRaymond R., For K.L., 1980 Ragostu, Ray. Sherds, 1982 Rothenberg, Jerome. Technicians of\nthe Sacred, 1969 Rothenberg, Jerome and Quasha, George. America a Prophecy, 1973\n(publisher's edition) Sanfield, Steve. Water Before and Water After, 1974 Sherman,\nWilliam D. Heart Attack and Spanish Songs Snyder, Gary. Poem for/from Lew, 1980 Tedlock,\nDennis. Popol Vuh, A Mayan Book of Myth and History, 1985\u003c/p\u003e\n        \u003cp\u003e\u003c/p\u003e\n        \u003cp\u003eSERIALS\u003c/p\u003e\n        \u003cp\u003eAkwesasne Notes Vol. 17, #1, Midwinter 1985 American Book Review Vol. 1, #5 thru Vol. 4,\n#3, Vol. 7, #2 thru Vol. 8, #1, 1978-1982, 1985 As Is Times Vol. 1, Issue IX, 6-29-76\nAtticus Review #6, 8, August 1984, Spring 1985 Aux Hommes, n.d. B.G. Monthly Vol. 5, #1,\nMarch 1980 Balungan Vol. 1, #1, June 1984 Benzene #5, 6, 1982 Bezoar Vol 1, #1 thru Vol\n21, #4, 1975-1981 Branch Redd Review #3, 1979 Coda: Poets and Writers Newsletter Vol.\n2-13, 1975-1985 Contact II Vol. 1-7, 1977-1985 Crow #2, Sept. 1985 Cultural Survival Inc.\nNewsletter Vol. 5, #3, Summer 1981 Dispatch Vol. 1, #1-8, 1978 Ear Magazine of New Music\nVol. 2, #3 thru Vol. 10. #2 Four Changes, n.d. Franklin Furnace Vol. 1, #5 (1981), Vol. 2\n#1, n.d. Giants Play Well in the Drizzle #3-9, 11, 1983-1985, 1986 Intersection\nNewsletter Vol. 10, #2, Spring 1980 Ironwood #23, 24, Vol 12, #1,2, Spring, Fall 1984\nJewish Folklore and Ethnology Vol. 7, #1-4 Kaldron #9-19, 1979-1985 Kyoto Review #8,\nSummer 1976 Micromegas Vol. VIII, #1, 1978 Multiples Six Winter 1985 Musics #15-17,\n1977-1978 New Boston Review Vol. 5 #2-4, June-July 1980 Nurse's Hipflask Vol. 1, #2,3\nOeil de Golem, Journal du Fantastique, 1977 Only Prose, July 1977 O'Pen Extra, n.d. Paris\nExiles #2, 1985 Parnasus, Poetry in Review Fall/Winter 1984 Partisan Review/50th\nAnniversary. Vol. LI, 1984 Poetry East #13 and 14, Spring/Summer 1984 Poetry Flash\n#74-153, 1979-1985 Poetry News #5, 16, Feb. 1981, Jan. 1982 Poetry Project Newsletter\n#26-117, 1975-1985 Polyphonix #5, 1983 Primary Writing #1, 1983 Primer #3, June 1976\nReservation Times, 1985 River Styx #17, 1985 Rolling Stock #10, 1985 Sanders Report #1-2,\n1982-1983 Science Vol. 222, #4630, Dec. 23, 1983 Small Press Review Vol. 8, #10, Oct.\n1976 Spar #1, 10, October 1981, July 1982 Straits Vol. 1, #1-5 thru Vol. 3, 1982-1984\nTelescope Vol. 3, # 3, Fall 1984 Vortex, 1983 Walt Whitman Quarterly Review Vol. 1, #3,\nDec. 1983 Zyzzyva Vol. 1 # 2, Summer 1985 # Magazine #16, July 1980\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/a98f460404da6019eb88ebf0"}},{"id":"af02cfc7b437f7c9018c42d9","type":"collection","attributes":{"title":"Joe Brainard Archive, 1960-1992","creator":{"id":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9#creator","type":"document_value","attributes":{"value":["Brainard, Joe, 1942-"],"label":"Creator"}},"abstract_or_scope":{"id":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9#abstract_or_scope","type":"document_value","attributes":{"value":["Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994). Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media. The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career. In addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg. There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch. The accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965). Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"af02cfc7b437f7c9018c42d9","title_filing_ssi":"Brainard (Joe) Archive","title_ssm":["Joe Brainard Archive,"],"title_tesim":["Joe Brainard Archive,"],"ead_ssi":"af02cfc7b437f7c9018c42d9","unitdate_ssm":["1960-1992"],"unitdate_inclusive_ssm":["1960-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0005","/repositories/2/resources/3"],"text":["MSS 0005","/repositories/2/resources/3","Joe Brainard Archive, 1960-1992","American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre","Access Collection is open for research.\n","Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n \nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n","Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol.","Publication Rights   Publication rights are held by the creator of the collection.\n        ","Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.","Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,","Collection materials in English"],"unitid_tesim":["MSS 0005","/repositories/2/resources/3"],"normalized_date_ssm":["1960-1992"],"normalized_title_ssm":["Joe Brainard Archive, 1960-1992"],"collection_title_tesim":["Joe Brainard Archive, 1960-1992"],"collection_ssim":["Joe Brainard Archive, 1960-1992"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Brainard, Joe, 1942-","Miller, Robert"],"creator_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creator_persname_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creators_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"access_terms_ssm":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"acqinfo_ssim":["Acquisition Information Not Available"],"access_subjects_ssim":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"access_subjects_ssm":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"has_online_content_ssim":["true"],"extent_ssm":["32.20 Electronic file (8 archives boxes,  59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes,  59 art bin items and 88 oversize folders)"],"extent_tesim":["32.20 Electronic file (8 archives boxes,  59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes,  59 art bin items and 88 oversize folders)"],"genreform_ssim":["Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n         \u003cp\u003eCollection is open for research.\n\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access Collection is open for research.\n"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBiography\u003c/head\u003e\n         \u003cp\u003e\nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n\u003c/p\u003e\n         \u003cp\u003e\nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n\u003c/p\u003e\n         \u003cp\u003e\nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n\u003c/p\u003e\n         \u003cp\u003e\nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n \nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eJoe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Joe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol."],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_d0a02735e8e1b0bb0c234d65909c5da5\"\u003eMaterials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.\u003c/abstract\u003e"],"abstract_tesim":["Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol."],"names_ssim":["Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"corpname_ssim":["Lyrasis Special Collections"],"names_coll_ssim":["Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942-","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-"],"persname_ssim":["Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"language_ssim":["Collection materials in English"],"total_component_count_is":316,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"_root_":"af02cfc7b437f7c9018c42d9","timestamp":"2026-04-04T01:12:21.985Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1987\u003c/p\u003e\n         \u003cp\u003e\nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1: ARTWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2: MANUSCRIPTS\n\u003c/p\u003e\n         \u003cp\u003e\nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3: CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: CATALOGS \n\u003c/p\u003e\n         \u003cp\u003e\nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 5: BIBLIOGRAPHIES\n\u003c/p\u003e\n         \u003cp\u003e\nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n\u003c/p\u003e\n         \u003cp\u003e\nSEPARATION NOTE\n\u003c/p\u003e\n         \u003cp\u003e\nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n\u003c/p\u003e\n         \u003cp\u003e\nAccessions Processed in 1991\u003c/p\u003e\n         \u003cp\u003e\nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1: CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2: ARTWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3: MANUSCRIPTS\n\u003c/p\u003e\n         \u003cp\u003e\nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: PHOTOGRAPHS\n\u003c/p\u003e\n         \u003cp\u003e\nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n\u003c/p\u003e\n         \u003cp\u003e\nAccession Processed in 1993\u003c/p\u003e\n         \u003cp\u003e\nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol.\u003c/p\u003e\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"af02cfc7b437f7c9018c42d9","title_filing_ssi":"Brainard (Joe) Archive","title_ssm":["Joe Brainard Archive,"],"title_tesim":["Joe Brainard Archive,"],"ead_ssi":"af02cfc7b437f7c9018c42d9","unitdate_ssm":["1960-1992"],"unitdate_inclusive_ssm":["1960-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0005","/repositories/2/resources/3"],"text":["MSS 0005","/repositories/2/resources/3","Joe Brainard Archive, 1960-1992","American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre","Access Collection is open for research.\n","Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n \nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n","Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol.","Publication Rights   Publication rights are held by the creator of the collection.\n        ","Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.","Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,","Collection materials in English"],"unitid_tesim":["MSS 0005","/repositories/2/resources/3"],"normalized_date_ssm":["1960-1992"],"normalized_title_ssm":["Joe Brainard Archive, 1960-1992"],"collection_title_tesim":["Joe Brainard Archive, 1960-1992"],"collection_ssim":["Joe Brainard Archive, 1960-1992"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Brainard, Joe, 1942-","Miller, Robert"],"creator_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creator_persname_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creators_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"access_terms_ssm":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"acqinfo_ssim":["Acquisition Information Not Available"],"access_subjects_ssim":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"access_subjects_ssm":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"has_online_content_ssim":["true"],"extent_ssm":["32.20 Electronic file (8 archives boxes,  59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes,  59 art bin items and 88 oversize folders)"],"extent_tesim":["32.20 Electronic file (8 archives boxes,  59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes,  59 art bin items and 88 oversize folders)"],"genreform_ssim":["Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n         \u003cp\u003eCollection is open for research.\n\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access Collection is open for research.\n"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBiography\u003c/head\u003e\n         \u003cp\u003e\nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n\u003c/p\u003e\n         \u003cp\u003e\nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n\u003c/p\u003e\n         \u003cp\u003e\nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n\u003c/p\u003e\n         \u003cp\u003e\nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961.  There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School.  The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others,  reflect the sense of community shared by these artists.  \n \nBrainard's achievement, however, is remarkable quite aside from his many associations.  Brainard harmonized linguistic and visual materials in extraordinary ways.  His graphic work is notably literary, often incorporating words and sentences into non-literary designs.  Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\"  Both the art work and writing is full of information and frequently takes erotic and semiotic risks.  In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation.  \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s.  His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970.  In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan.  The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980.  In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist.  He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country.  Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura.  The result, as one critic has noted, is an image of a reality that is of no consequence.  \n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eJoe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Joe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol."],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_d0a02735e8e1b0bb0c234d65909c5da5\"\u003eMaterials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.\u003c/abstract\u003e"],"abstract_tesim":["Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994).  Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media.  The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg.  There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965).  Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol."],"names_ssim":["Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"corpname_ssim":["Lyrasis Special Collections"],"names_coll_ssim":["Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942-","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-"],"persname_ssim":["Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"language_ssim":["Collection materials in English"],"total_component_count_is":316,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"_root_":"af02cfc7b437f7c9018c42d9","timestamp":"2026-04-04T01:12:21.985Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1987\u003c/p\u003e\n         \u003cp\u003e\nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979.  Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979.  The collection also includes several art works and many books by other notable artists and writers.  These materials have been arranged in five series:  1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1: ARTWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz.  Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers.   \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2: MANUSCRIPTS\n\u003c/p\u003e\n         \u003cp\u003e\nThe MANUSCRIPTS series, arranged chronologically,  includes the notebooks and original manuscripts for nine books of writing by Brainard.  Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included.  \n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3: CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts.  In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: CATALOGS \n\u003c/p\u003e\n         \u003cp\u003e\nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series.  Also included are numerous reviews of Katz's work.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 5: BIBLIOGRAPHIES\n\u003c/p\u003e\n         \u003cp\u003e\nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n\u003c/p\u003e\n         \u003cp\u003e\nSEPARATION NOTE\n\u003c/p\u003e\n         \u003cp\u003e\nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings.  To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n\u003c/p\u003e\n         \u003cp\u003e\nAccessions Processed in 1991\u003c/p\u003e\n         \u003cp\u003e\nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects.  The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 1: CORRESPONDENCE\n\u003c/p\u003e\n         \u003cp\u003e\nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard.  The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 2: ARTWORK\n\u003c/p\u003e\n         \u003cp\u003e\nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie.  Also included are original art by Brainard for miscellaneous poetry readings and flyers.  The materials are arranged alphabetically by title.\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 3: MANUSCRIPTS\n\u003c/p\u003e\n         \u003cp\u003e\nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n\u003c/p\u003e\n         \u003cp\u003e\nSERIES 4: PHOTOGRAPHS\n\u003c/p\u003e\n         \u003cp\u003e\nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series.  Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n\u003c/p\u003e\n         \u003cp\u003e\nAccession Processed in 1993\u003c/p\u003e\n         \u003cp\u003e\nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings.  Also included is a print by Andy Warhol.\u003c/p\u003e\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9"}},{"id":"4777e2beca067f7c2e3dd301","type":"collection","attributes":{"title":"John M. Berry Senior Collection, bulk 1918-1993","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/4777e2beca067f7c2e3dd301#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4777e2beca067f7c2e3dd301","title_ssm":["John M. Berry Senior Collection"],"title_tesim":["John M. 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