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The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  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Typically, the press published four titles a year, generally with a run of 750 copies each.  While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n\u003c/p\u003e\n         \u003cp\u003e\nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  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Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eUnited Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation United Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1988\u003c/p\u003e\n         \u003cp\u003e\nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n\u003c/p\u003e\n         \u003cp\u003e\nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  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The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2bb7c712bb68f61668e7cf38933bb2c\"\u003eRecords of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  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Also included are typescripts of works submitted and materials used for production of United Artists publications."],"names_ssim":["Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York","United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888"],"corpname_ssim":["Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York"],"names_coll_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette"],"persname_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888"],"language_ssim":["Collection materials in English"],"total_component_count_is":203,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0eb1bee99e65df8950a8420c","timestamp":"2026-04-04T01:12:22.277Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/0eb1bee99e65df8950a8420c_aspace_79ab9786660a40053c4e7217d7bda7bb"}},{"id":"0eb1bee99e65df8950a8420c_aspace_93d3f555111048c8ca267dd317cc19b9","type":"File","attributes":{"title":"Carter, Charlotte, 1979 - 1980","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/0eb1bee99e65df8950a8420c_aspace_93d3f555111048c8ca267dd317cc19b9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_93d3f555111048c8ca267dd317cc19b9","ref_ssm":["aspace_93d3f555111048c8ca267dd317cc19b9","aspace_93d3f555111048c8ca267dd317cc19b9"],"id":"0eb1bee99e65df8950a8420c_aspace_93d3f555111048c8ca267dd317cc19b9","title_filing_ssi":"Carter, Charlotte","title_ssm":["Carter, Charlotte"],"title_tesim":["Carter, Charlotte"],"unitdate_inclusive_ssm":["1979 - 1980"],"normalized_date_ssm":["1979 - 1980"],"normalized_title_ssm":["Carter, Charlotte, 1979 - 1980"],"text":["Carter, Charlotte, 1979 - 1980","United Artists (New York, N.Y.) 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While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n \nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n","Scope and Content of Collection \nAccession Processed in 1988 \nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n \nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  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Typically, the press published four titles a year, generally with a run of 750 copies each.  While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n\u003c/p\u003e\n         \u003cp\u003e\nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  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The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2bb7c712bb68f61668e7cf38933bb2c\"\u003eRecords of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  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The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  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