{"links":{"self":"https://arclight.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1975\u0026f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=3","prev":"https://arclight.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1975\u0026f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=2","last":"https://arclight.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1975\u0026f%5Brepository%5D%5B%5D=Lyrasis+Special+Collections\u0026page=3"},"meta":{"pages":{"current_page":3,"next_page":null,"prev_page":2,"total_pages":3,"limit_value":10,"offset_value":20,"total_count":30,"first_page?":false,"last_page?":true}},"data":[{"id":"bd9780202f191537277344ca","type":"collection","attributes":{"title":"Opera Omaha Records, 1954-2011","abstract_or_scope":{"id":"https://arclight.lyrasistechnology.org/catalog/bd9780202f191537277344ca#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe records of Opera Omaha include material from before its founding in the 1950s to the present, documenting the history of the organization, its administration, and its productions. 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Ruetz Collection","The records of Opera Omaha include material from before its founding in the 1950s to the present, documenting the history of the organization, its administration, and its productions. The collection holds board meeting minutes (1958-1994), news clippings (1954-1990), audio and video recordings (1960s-2000s), as well as scrapbooks, photographs, negatives, slides, programs, and related material. 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Ruetz Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Robert G. Ruetz Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe records of Opera Omaha include material from before its founding in the 1950s to the present, documenting the history of the organization, its administration, and its productions. The collection holds board meeting minutes (1958-1994), news clippings (1954-1990), audio and video recordings (1960s-2000s), as well as scrapbooks, photographs, negatives, slides, programs, and related material. A portion of the collection is material collected by Cele Washington and in addition to some of the same material also includes correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The records of Opera Omaha include material from before its founding in the 1950s to the present, documenting the history of the organization, its administration, and its productions. 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They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n","Publication Rights   Publication rights are held by the creator of the collection.\n        ","Records of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  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Typically, the press published four titles a year, generally with a run of 750 copies each.  While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n\u003c/p\u003e\n         \u003cp\u003e\nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  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Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eUnited Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation United Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1988\u003c/p\u003e\n         \u003cp\u003e\nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n\u003c/p\u003e\n         \u003cp\u003e\nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  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The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2bb7c712bb68f61668e7cf38933bb2c\"\u003eRecords of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  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Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette"],"persname_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- 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1971-2015","breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/790f119ad9e06ac7378a220b_aspace_0f2460538e190feb9d6eff2fe0856b04#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0f2460538e190feb9d6eff2fe0856b04","ref_ssm":["aspace_0f2460538e190feb9d6eff2fe0856b04","aspace_0f2460538e190feb9d6eff2fe0856b04"],"id":"790f119ad9e06ac7378a220b_aspace_0f2460538e190feb9d6eff2fe0856b04","title_filing_ssi":"Russell Palmer Documents","title_ssm":["Russell Palmer Documents"],"title_tesim":["Russell Palmer Documents"],"unitdate_inclusive_ssm":["1971-2015"],"normalized_date_ssm":["1971-2015"],"normalized_title_ssm":["Russell Palmer Documents, 1971-2015"],"text":["Russell Palmer Documents, 1971-2015","Jedediah Horcrux Congreave fly fishing correspondence and photographs, 1925-1992","334334439","/repositories/2/archival_objects/7998","English, Old (ca.450-1100)","Box 21","volume data_value_missing_42285fc4364e6b7b78f065948a2216bf","volume 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Persons wanting to re-use those materials should first acquire permission from\n        staff at YNHSC. Copyright for the materials created by correspondents in the colleciton\n        belong to those correspondent or their beneficiaries. Persons wanting to re-use those\n        materials are advised to obtain permissson from the copyright holders. "],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"language_ssim":["English, Old (ca.450-1100)"],"containers_ssim":["Box 21","volume data_value_missing_42285fc4364e6b7b78f065948a2216bf","volume data_value_missing_a0e4fd119056ba8e407bdb2bfb44b2da"],"_nest_path_":"/components#2","_nest_parent_":"790f119ad9e06ac7378a220b","_root_":"790f119ad9e06ac7378a220b","timestamp":"2026-04-04T01:11:32.382Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"790f119ad9e06ac7378a220b","title_ssm":["Jedediah Horcrux Congreave fly fishing correspondence and photographs"],"title_tesim":["Jedediah Horcrux Congreave fly fishing correspondence and photographs"],"ead_ssi":"790f119ad9e06ac7378a220b","unitdate_ssm":["1925-1992"],"unitdate_inclusive_ssm":["1925-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["YNHSC.MS.292","/repositories/2/resources/1"],"text":["YNHSC.MS.292","/repositories/2/resources/1","Jedediah Horcrux Congreave fly fishing correspondence and photographs, 1925-1992","Flies, Artificial","Fly fishing","Fly fishing (West U.S.) -- Pictorial works","Fly fishing -- Pictorial works","Fly tying","Drawings (visual works)","Photographs","Some of the colored photographs are beginning to fade.","Biography Jedediah Horcrux Congreave was born in Little Compton, Rhode Island on December 25, 1915.\n        He died in Portland, Maine on April 18, 1999. Congreave was educated at Williams College\n        (B.A., 1936) and Harvard University (Ph.D., Biology, 1948). He taught at Northfield-Mt.\n        Hermon in Northfield, MA for the bulk of his career, serving in many administrative\n        positions as well during his tenure there. Throughout his life, Congreave was an avid fly\n        fisherman, and in 1998 he donated his collection of letters and photographs relating to his\n        recreational activity to Carpe Diem University, where several of his close friends taught\n        and which, in YNHSC, has an extensive collection documenting outdoor recreation and\n        conservation atctivities in New England. Congreave never married and hand no children. ","Content Description Correspondence and photographs spanning 1925-1992 and documenting Jedediah Horcrux\n        Congreave's interest in fly fishing. Included in the collection are letters to Congreave's\n        father between 1925-1935; correspondence from and to diverse friends, colleagues, and\n        associates sharing Congreave's interest in fly fishing; and photographs of many of\n        Congreave's fishing expeditiions. More detailed descriptions of the materials are provided\n        below. ","Separated Materials The collection came to Carpe Diem University with 2 additional cartons of fishing and\n        camping supply catalogs from the 1940s through the 1990s. These were separated from the\n        collection because YNHSC does not collect mass-produced product catalogs. They were sent to\n        the Smithsonian Museum of American History, which has an extensive collection of product\n        catalogs, but there is no information on their ultimate disposition. ","Rights Copyright for the materials created by Jedediah Congreave have been gifted to Carpe Diem\n        University. Persons wanting to re-use those materials should first acquire permission from\n        staff at YNHSC. Copyright for the materials created by correspondents in the colleciton\n        belong to those correspondent or their beneficiaries. Persons wanting to re-use those\n        materials are advised to obtain permissson from the copyright holders. ","Lyrasis Special Collections","Figgie  Dog ","Congreave, Wilberforce","Foucault, Michel, 1926-1984","Child, Julia","Skinner, B. F. (Burrhus Frederic), 1904-1990","English"],"unitid_tesim":["YNHSC.MS.292","/repositories/2/resources/1"],"normalized_date_ssm":["1925-1992"],"normalized_title_ssm":["Jedediah Horcrux Congreave fly fishing correspondence and photographs, 1925-1992"],"collection_title_tesim":["Jedediah Horcrux Congreave fly fishing correspondence and photographs, 1925-1992"],"collection_ssim":["Jedediah Horcrux Congreave fly fishing correspondence and photographs, 1925-1992"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Figgie  Dog ","Figgie  Dog "],"creator_ssim":["Figgie  Dog ","Figgie  Dog "],"creator_persname_ssim":["Figgie  Dog ","Figgie  Dog "],"creators_ssim":["Figgie  Dog ","Figgie  Dog "],"access_terms_ssm":["Rights Copyright for the materials created by Jedediah Congreave have been gifted to Carpe Diem\n        University. Persons wanting to re-use those materials should first acquire permission from\n        staff at YNHSC. Copyright for the materials created by correspondents in the colleciton\n        belong to those correspondent or their beneficiaries. Persons wanting to re-use those\n        materials are advised to obtain permissson from the copyright holders. "],"access_subjects_ssim":["Flies, Artificial","Fly fishing","Fly fishing (West U.S.) -- Pictorial works","Fly fishing -- Pictorial works","Fly tying","Drawings (visual works)","Photographs"],"access_subjects_ssm":["Flies, Artificial","Fly fishing","Fly fishing (West U.S.) -- Pictorial works","Fly fishing -- Pictorial works","Fly tying","Drawings (visual works)","Photographs"],"has_online_content_ssim":["true"],"physdesc_tesim":["Some of the colored photographs are beginning to fade."],"extent_ssm":["1 Electronic file","1 Box","1 Linear Feet 1 record cartons"],"extent_tesim":["1 Electronic file","1 Box","1 Linear Feet 1 record cartons"],"genreform_ssim":["Drawings (visual works)","Photographs"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBiography\u003c/head\u003e\n      \u003cp\u003eJedediah Horcrux Congreave was born in Little Compton, Rhode Island on December 25, 1915.\n        He died in Portland, Maine on April 18, 1999. Congreave was educated at Williams College\n        (B.A., 1936) and Harvard University (Ph.D., Biology, 1948). He taught at Northfield-Mt.\n        Hermon in Northfield, MA for the bulk of his career, serving in many administrative\n        positions as well during his tenure there. Throughout his life, Congreave was an avid fly\n        fisherman, and in 1998 he donated his collection of letters and photographs relating to his\n        recreational activity to Carpe Diem University, where several of his close friends taught\n        and which, in YNHSC, has an extensive collection documenting outdoor recreation and\n        conservation atctivities in New England. Congreave never married and hand no children. \u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography Jedediah Horcrux Congreave was born in Little Compton, Rhode Island on December 25, 1915.\n        He died in Portland, Maine on April 18, 1999. Congreave was educated at Williams College\n        (B.A., 1936) and Harvard University (Ph.D., Biology, 1948). He taught at Northfield-Mt.\n        Hermon in Northfield, MA for the bulk of his career, serving in many administrative\n        positions as well during his tenure there. Throughout his life, Congreave was an avid fly\n        fisherman, and in 1998 he donated his collection of letters and photographs relating to his\n        recreational activity to Carpe Diem University, where several of his close friends taught\n        and which, in YNHSC, has an extensive collection documenting outdoor recreation and\n        conservation atctivities in New England. Congreave never married and hand no children. "],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003eCitation\u003c/head\u003e\n      \u003cp\u003e[Title / description, Box / Folder]. Jedediah Horcrux Congreave Fly Fishing Correspondence\n        and Photographs, 1925-1992. MS 292. Your Name Here Special Collections, Carpe Diem\n        University, City on a Hill, MA. \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Citation [Title / description, Box / Folder]. Jedediah Horcrux Congreave Fly Fishing Correspondence\n        and Photographs, 1925-1992. MS 292. Your Name Here Special Collections, Carpe Diem\n        University, City on a Hill, MA. "],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eContent Description\u003c/head\u003e\n      \u003cp\u003eCorrespondence and photographs spanning 1925-1992 and documenting Jedediah Horcrux\n        Congreave's interest in fly fishing. Included in the collection are letters to Congreave's\n        father between 1925-1935; correspondence from and to diverse friends, colleagues, and\n        associates sharing Congreave's interest in fly fishing; and photographs of many of\n        Congreave's fishing expeditiions. More detailed descriptions of the materials are provided\n        below. \u003c/p\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Content Description Correspondence and photographs spanning 1925-1992 and documenting Jedediah Horcrux\n        Congreave's interest in fly fishing. Included in the collection are letters to Congreave's\n        father between 1925-1935; correspondence from and to diverse friends, colleagues, and\n        associates sharing Congreave's interest in fly fishing; and photographs of many of\n        Congreave's fishing expeditiions. More detailed descriptions of the materials are provided\n        below. "],"separatedmaterial_html_tesm":["\u003cp\u003e\u003chead\u003eSeparated Materials\u003c/head\u003e\n      \u003cp\u003eThe collection came to Carpe Diem University with 2 additional cartons of fishing and\n        camping supply catalogs from the 1940s through the 1990s. These were separated from the\n        collection because YNHSC does not collect mass-produced product catalogs. They were sent to\n        the Smithsonian Museum of American History, which has an extensive collection of product\n        catalogs, but there is no information on their ultimate disposition. \u003c/p\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated Materials The collection came to Carpe Diem University with 2 additional cartons of fishing and\n        camping supply catalogs from the 1940s through the 1990s. These were separated from the\n        collection because YNHSC does not collect mass-produced product catalogs. They were sent to\n        the Smithsonian Museum of American History, which has an extensive collection of product\n        catalogs, but there is no information on their ultimate disposition. "],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003eRights\u003c/head\u003e\n      \u003cp\u003eCopyright for the materials created by Jedediah Congreave have been gifted to Carpe Diem\n        University. Persons wanting to re-use those materials should first acquire permission from\n        staff at YNHSC. Copyright for the materials created by correspondents in the colleciton\n        belong to those correspondent or their beneficiaries. Persons wanting to re-use those\n        materials are advised to obtain permissson from the copyright holders. \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Rights"],"userestrict_tesim":["Rights Copyright for the materials created by Jedediah Congreave have been gifted to Carpe Diem\n        University. Persons wanting to re-use those materials should first acquire permission from\n        staff at YNHSC. Copyright for the materials created by correspondents in the colleciton\n        belong to those correspondent or their beneficiaries. Persons wanting to re-use those\n        materials are advised to obtain permissson from the copyright holders. "],"names_ssim":["Lyrasis Special Collections","Figgie  Dog ","Congreave, Wilberforce","Foucault, Michel, 1926-1984","Child, Julia","Skinner, B. F. (Burrhus Frederic), 1904-1990"],"corpname_ssim":["Lyrasis Special Collections"],"names_coll_ssim":["Figgie  Dog ","Figgie  Dog ","Figgie  Dog ","Congreave, Wilberforce","Foucault, Michel, 1926-1984","Child, Julia","Skinner, B. F. (Burrhus Frederic), 1904-1990"],"persname_ssim":["Figgie  Dog ","Congreave, Wilberforce","Foucault, Michel, 1926-1984","Child, Julia","Skinner, B. F. 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Records, 1977-1983","CORRESPONDENCE","/repositories/2/archival_objects/461","Box 5","Folder 10"],"component_level_isim":[2],"parent_ids_ssim":["0eb1bee99e65df8950a8420c","0eb1bee99e65df8950a8420c_aspace_5af84244e58eb275e1f0a9ce17813d36"],"parent_unittitles_ssm":["United Artists (New York, N.Y.) Records, 1977-1983","CORRESPONDENCE"],"parent_unittitles_tesim":["United Artists (New York, N.Y.) Records, 1977-1983","CORRESPONDENCE"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/461"],"repository_ssim":["Lyrasis Special Collections"],"collection_ssim":["United Artists (New York, N.Y.) 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Records,"],"ead_ssi":"0eb1bee99e65df8950a8420c","unitdate_ssm":["1977-1983"],"unitdate_inclusive_ssm":["1977-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0012","/repositories/2/resources/4"],"text":["MSS 0012","/repositories/2/resources/4","United Artists (New York, N.Y.) Records, 1977-1983","American poetry -- 20th Century","Publishers and publishing -- New York (State) -- Manuscripts","Access Collection is open for research.\n","Historical Background \nEstablished by Lewis Warsh and Bernadette Mayer in 1977, United Artists press was located in New York City until it went out of business in at the end of the 1980s. Typically, the press published four titles a year, generally with a run of 750 copies each.  While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n \nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n","Scope and Content of Collection \nAccession Processed in 1988 \nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n \nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n","Publication Rights   Publication rights are held by the creator of the collection.\n        ","Records of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications.","Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York","United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888","Collection materials in English"],"unitid_tesim":["MSS 0012","/repositories/2/resources/4"],"normalized_date_ssm":["1977-1983"],"normalized_title_ssm":["United Artists (New York, N.Y.) Records, 1977-1983"],"collection_title_tesim":["United Artists (New York, N.Y.) Records, 1977-1983"],"collection_ssim":["United Artists (New York, N.Y.) Records, 1977-1983"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["United Artists (New York, N.Y.)"],"creator_ssim":["United Artists (New York, N.Y.)"],"creator_corpname_ssim":["United Artists (New York, N.Y.)"],"creators_ssim":["United Artists (New York, N.Y.)"],"access_terms_ssm":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"acqinfo_ssim":["Acquisition Information Not Available"],"access_subjects_ssim":["American poetry -- 20th Century","Publishers and publishing -- New York (State) -- Manuscripts"],"access_subjects_ssm":["American poetry -- 20th Century","Publishers and publishing -- New York (State) -- Manuscripts"],"has_online_content_ssim":["false"],"extent_ssm":["3.60 Electronic file (9 archives boxes)","3.60 linear feet (9 archives boxes)"],"extent_tesim":["3.60 Electronic file (9 archives boxes)","3.60 linear feet (9 archives boxes)"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n         \u003cp\u003eCollection is open for research.\n\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access Collection is open for research.\n"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eHistorical Background\u003c/head\u003e\n         \u003cp\u003e\nEstablished by Lewis Warsh and Bernadette Mayer in 1977, United Artists press was located in New York City until it went out of business in at the end of the 1980s. Typically, the press published four titles a year, generally with a run of 750 copies each.  While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n\u003c/p\u003e\n         \u003cp\u003e\nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Background"],"bioghist_tesim":["Historical Background \nEstablished by Lewis Warsh and Bernadette Mayer in 1977, United Artists press was located in New York City until it went out of business in at the end of the 1980s. Typically, the press published four titles a year, generally with a run of 750 copies each.  While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n \nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eUnited Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation United Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1988\u003c/p\u003e\n         \u003cp\u003e\nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n\u003c/p\u003e\n         \u003cp\u003e\nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n\u003c/p\u003e\n         \u003cp\u003e\nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n\u003c/p\u003e\n         \u003cp\u003e\nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n\u003c/p\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nAccession Processed in 1988 \nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n \nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2bb7c712bb68f61668e7cf38933bb2c\"\u003eRecords of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications.\u003c/abstract\u003e"],"abstract_tesim":["Records of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications."],"names_ssim":["Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York","United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888"],"corpname_ssim":["Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York"],"names_coll_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette"],"persname_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888"],"language_ssim":["Collection materials in English"],"total_component_count_is":203,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0eb1bee99e65df8950a8420c","timestamp":"2026-04-04T01:12:22.277Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/0eb1bee99e65df8950a8420c_aspace_0db2eaa523b42480a79c3d96a6ebaa57"}},{"id":"e67372d5a10fbdb41af67ba8_aspace_9d27afe2bf381c3f75f90f63c23553a7","type":"Series","attributes":{"title":"Series II, 1899-1925, 1995","abstract_or_scope":{"id":"https://arclight.lyrasistechnology.org/catalog/e67372d5a10fbdb41af67ba8_aspace_9d27afe2bf381c3f75f90f63c23553a7#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eStuff and things and 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for this collection."],"altformavail_html_tesm":["\u003cp\u003eSo-and-so's daughter made photocopies of the correspondence and donated them to a local historical society.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["So-and-so's daughter made photocopies of the correspondence and donated them to a local historical society."],"appraisal_html_tesm":["\u003cp\u003eThis collection was deemed worthy of keeping in an archives at some point.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["This collection was deemed worthy of keeping in an archives at some point."],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically and sometimes chronologically, if that made more sense at the time.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized alphabetically and sometimes chronologically, if that made more sense at the time."],"bibliography_html_tesm":["\u003cp\u003eThis 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The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  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The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2bb7c712bb68f61668e7cf38933bb2c\"\u003eRecords of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  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Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Background"],"bioghist_tesim":["Historical Background \nEstablished by Lewis Warsh and Bernadette Mayer in 1977, United Artists press was located in New York City until it went out of business in at the end of the 1980s. Typically, the press published four titles a year, generally with a run of 750 copies each.  While they provided a venue for artists who could not  publish with mainstream presses, Warsh and Mayer also published established writers such as Allen Ginsberg, Robert Creeley, and Gregory Corso, all of whom had secured contracts with trade publishers.\n \nThe forerunner of United Artists was Angel Artist (magazine) and Angel Hair Books, a press which Warsh co-founded and co-edited from 1966 to 1977.  Many of the contributors to United Artists, such as Ted Berrigan and Clark Coolidge, had previously been associated with Angel Hair Books.  Both presses were dependent  on sales-generated income combined with the support offered by grants and awards.  Warsh was a recipient of National Endowment for the Arts grants in 1966 and 1979, and he received a Coordinating Council of Literary Magazines award in 1981.\n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n         \u003cp\u003eUnited Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation United Artists (New York, N.Y.) Records, MSS 0012. Mandeville Special Collections Library, UCSD.\n        "],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n         \u003cp\u003e\nAccession Processed in 1988\u003c/p\u003e\n         \u003cp\u003e\nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n\u003c/p\u003e\n         \u003cp\u003e\nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n\u003c/p\u003e\n         \u003cp\u003e\nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n\u003c/p\u003e\n         \u003cp\u003e\nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n\u003c/p\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nAccession Processed in 1988 \nThe papers relate to the professional and personal lives of persons associated with United Artists.  Many of the artists that Warsh and Mayer dealt with were also friends, and, as a result, the correspondence is often a mix of both literary and private matters.  Although a few items date from the middle 1970s, the bulk of the papers date from 1977 to 1983.  The collection is organized into three series: 1) CORRESPONDENCE; 2) TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS; and 3) TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE.\n \nThe largest portion of the collection is comprised of CORRESPONDENCE from various writers to United Artists editors Mayer and Warsh.  The series is arranged alphabetically by the correspondent's name, and the letters of each correspondent are in chronological order.  Unless the correspondent addressed Mayer or Warsh individually, only the name of the writer is listed.  \n \nThe successive stages of production for each book project can be surveyed in the TYPESCRIPTS, GALLEYS, AND PAGE PROOFS OF UNITED ARTISTS BOOKS series.  They are arranged alphabetically by the author's last name.\n \nThe TYPESCRIPTS SUBMITTED TO THE UNITED ARTISTS MAGAZINE series contains original typescripts of published and unpublished work.  This section includes the work of Gregory Corso, Robert Creeley, and Allen Ginsberg.  It is also arranged alphabetically by the name of the author.\n"],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n         \u003cp\u003e\u003c/p\u003e\u003cp\u003e  Publication rights are held by the creator of the collection.\n        \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights   Publication rights are held by the creator of the collection.\n        "],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2bb7c712bb68f61668e7cf38933bb2c\"\u003eRecords of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications.\u003c/abstract\u003e"],"abstract_tesim":["Records of a publishing company established by poets Lewis Warsh and Bernadette Mayer in 1977.  Successor to Angel Hair magazine and Angel Hair Books, United Artists published works of contemporary poets and writers, including Ted Berrigan, Clark Coolidge, Alan Ginsberg, Gregory Corso, Robert Creeley, and Bill Berkson.  Correspondence with these and other United Artist contributors can be found in the collection.  Also included are typescripts of works submitted and materials used for production of United Artists publications."],"names_ssim":["Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York","United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888"],"corpname_ssim":["Lyrasis Special Collections","United Artists (New York, N.Y.)","Kansas Society of New York"],"names_coll_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette"],"persname_ssim":["United Artists (New York, N.Y.) -- Archives","Warsh, Lewis -- Archives","Mayer, Bernadette -- Archives","Berkson, Bill, -- correspondent","Bernstein, Charles, 1950- -- correspondent","Berrigan, Ted, -- correspondent","Brainard, Joe, 1942- -- correspondent","Callahan, Bob, -- correspondent","Coolidge, Clark, 1939- -- correspondent","Corbett, William, -- correspondent","Corso, Gregory, -- correspondent","Creeley, Robert, 1926- -- correspondent","Davies, Alan, -- correspondent","Elmslie, Kenward, -- correspondent","Ginsberg, Allen, 1926- -- correspondent","Howe, Fanny, -- correspondent","Howe, Susan, 1937- -- correspondent","Mac Low, Jackson, -- correspondent","Metcalf, Paul C., -- correspondent","Notley, Alice, 1945- -- correspondent","Palmer, Michael, 1943- -- correspondent","Raworth, Tom, -- correspondent","Waldman, Anne, 1945- -- correspondent","Watten, Barrett, -- correspondent","Warsh, Lewis","Mayer, Bernadette","Alcott, Louisa May, 1832-1888"],"language_ssim":["Collection materials in English"],"total_component_count_is":203,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0eb1bee99e65df8950a8420c","timestamp":"2026-04-04T01:12:22.277Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://arclight.lyrasistechnology.org/catalog/0eb1bee99e65df8950a8420c_aspace_e86ecac98b0d193b02338f51f3e92e2a"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"United Artists (New York, N.Y.) 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