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Congreave was educated at Williams College\n (B.A., 1936) and Harvard University (Ph.D., Biology, 1948). He taught at Northfield-Mt.\n Hermon in Northfield, MA for the bulk of his career, serving in many administrative\n positions as well during his tenure there. Throughout his life, Congreave was an avid fly\n fisherman, and in 1998 he donated his collection of letters and photographs relating to his\n recreational activity to Carpe Diem University, where several of his close friends taught\n and which, in YNHSC, has an extensive collection documenting outdoor recreation and\n conservation atctivities in New England. Congreave never married and hand no children. ","Content Description Correspondence and photographs spanning 1925-1992 and documenting Jedediah Horcrux\n Congreave's interest in fly fishing. Included in the collection are letters to Congreave's\n father between 1925-1935; correspondence from and to diverse friends, colleagues, and\n associates sharing Congreave's interest in fly fishing; and photographs of many of\n Congreave's fishing expeditiions. More detailed descriptions of the materials are provided\n below. ","Separated Materials The collection came to Carpe Diem University with 2 additional cartons of fishing and\n camping supply catalogs from the 1940s through the 1990s. These were separated from the\n collection because YNHSC does not collect mass-produced product catalogs. They were sent to\n the Smithsonian Museum of American History, which has an extensive collection of product\n catalogs, but there is no information on their ultimate disposition. ","Rights Copyright for the materials created by Jedediah Congreave have been gifted to Carpe Diem\n University. Persons wanting to re-use those materials should first acquire permission from\n staff at YNHSC. 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Congreave was educated at Williams College\n (B.A., 1936) and Harvard University (Ph.D., Biology, 1948). He taught at Northfield-Mt.\n Hermon in Northfield, MA for the bulk of his career, serving in many administrative\n positions as well during his tenure there. Throughout his life, Congreave was an avid fly\n fisherman, and in 1998 he donated his collection of letters and photographs relating to his\n recreational activity to Carpe Diem University, where several of his close friends taught\n and which, in YNHSC, has an extensive collection documenting outdoor recreation and\n conservation atctivities in New England. Congreave never married and hand no children. \u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography Jedediah Horcrux Congreave was born in Little Compton, Rhode Island on December 25, 1915.\n He died in Portland, Maine on April 18, 1999. 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Your Name Here Special Collections, Carpe Diem\n University, City on a Hill, MA. \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Citation [Title / description, Box / Folder]. Jedediah Horcrux Congreave Fly Fishing Correspondence\n and Photographs, 1925-1992. MS 292. Your Name Here Special Collections, Carpe Diem\n University, City on a Hill, MA. "],"scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eContent Description\u003c/head\u003e\n \u003cp\u003eCorrespondence and photographs spanning 1925-1992 and documenting Jedediah Horcrux\n Congreave's interest in fly fishing. Included in the collection are letters to Congreave's\n father between 1925-1935; correspondence from and to diverse friends, colleagues, and\n associates sharing Congreave's interest in fly fishing; and photographs of many of\n Congreave's fishing expeditiions. 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These were separated from the\n collection because YNHSC does not collect mass-produced product catalogs. They were sent to\n the Smithsonian Museum of American History, which has an extensive collection of product\n catalogs, but there is no information on their ultimate disposition. \u003c/p\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated Materials The collection came to Carpe Diem University with 2 additional cartons of fishing and\n camping supply catalogs from the 1940s through the 1990s. These were separated from the\n collection because YNHSC does not collect mass-produced product catalogs. They were sent to\n the Smithsonian Museum of American History, which has an extensive collection of product\n catalogs, but there is no information on their ultimate disposition. "],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003eRights\u003c/head\u003e\n \u003cp\u003eCopyright for the materials created by Jedediah Congreave have been gifted to Carpe Diem\n University. Persons wanting to re-use those materials should first acquire permission from\n staff at YNHSC. Copyright for the materials created by correspondents in the colleciton\n belong to those correspondent or their beneficiaries. Persons wanting to re-use those\n materials are advised to obtain permissson from the copyright holders. \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Rights"],"userestrict_tesim":["Rights Copyright for the materials created by Jedediah Congreave have been gifted to Carpe Diem\n University. Persons wanting to re-use those materials should first acquire permission from\n staff at YNHSC. Copyright for the materials created by correspondents in the colleciton\n belong to those correspondent or their beneficiaries. Persons wanting to re-use those\n materials are advised to obtain permissson from the copyright holders. "],"names_ssim":["Lyrasis Special Collections","Figgie Dog ","Congreave, Wilberforce","Foucault, Michel, 1926-1984","Child, Julia","Skinner, B. F. (Burrhus Frederic), 1904-1990"],"corpname_ssim":["Lyrasis Special Collections"],"names_coll_ssim":["Figgie Dog ","Figgie Dog ","Figgie Dog ","Congreave, Wilberforce","Foucault, Michel, 1926-1984","Child, Julia","Skinner, B. F. (Burrhus Frederic), 1904-1990"],"persname_ssim":["Figgie Dog ","Congreave, Wilberforce","Foucault, Michel, 1926-1984","Child, Julia","Skinner, B. F. (Burrhus Frederic), 1904-1990"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":3,"component_level_isim":[0],"sort_isi":0,"_root_":"790f119ad9e06ac7378a220b","timestamp":"2026-04-04T01:11:32.382Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"790f119ad9e06ac7378a220b","title_ssm":["Jedediah Horcrux Congreave fly fishing correspondence and photographs"],"title_tesim":["Jedediah Horcrux Congreave fly fishing correspondence and photographs"],"ead_ssi":"790f119ad9e06ac7378a220b","unitdate_ssm":["1925-1992"],"unitdate_inclusive_ssm":["1925-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["YNHSC.MS.292","/repositories/2/resources/1"],"text":["YNHSC.MS.292","/repositories/2/resources/1","Jedediah Horcrux Congreave fly fishing correspondence and photographs, 1925-1992","Flies, Artificial","Fly fishing","Fly fishing (West U.S.) -- Pictorial works","Fly fishing -- Pictorial works","Fly tying","Drawings (visual works)","Photographs","Some of the colored photographs are beginning to fade.","Biography Jedediah Horcrux Congreave was born in Little Compton, Rhode Island on December 25, 1915.\n He died in Portland, Maine on April 18, 1999. Congreave was educated at Williams College\n (B.A., 1936) and Harvard University (Ph.D., Biology, 1948). He taught at Northfield-Mt.\n Hermon in Northfield, MA for the bulk of his career, serving in many administrative\n positions as well during his tenure there. Throughout his life, Congreave was an avid fly\n fisherman, and in 1998 he donated his collection of letters and photographs relating to his\n recreational activity to Carpe Diem University, where several of his close friends taught\n and which, in YNHSC, has an extensive collection documenting outdoor recreation and\n conservation atctivities in New England. Congreave never married and hand no children. ","Content Description Correspondence and photographs spanning 1925-1992 and documenting Jedediah Horcrux\n Congreave's interest in fly fishing. Included in the collection are letters to Congreave's\n father between 1925-1935; correspondence from and to diverse friends, colleagues, and\n associates sharing Congreave's interest in fly fishing; and photographs of many of\n Congreave's fishing expeditiions. More detailed descriptions of the materials are provided\n below. ","Separated Materials The collection came to Carpe Diem University with 2 additional cartons of fishing and\n camping supply catalogs from the 1940s through the 1990s. These were separated from the\n collection because YNHSC does not collect mass-produced product catalogs. They were sent to\n the Smithsonian Museum of American History, which has an extensive collection of product\n catalogs, but there is no information on their ultimate disposition. ","Rights Copyright for the materials created by Jedediah Congreave have been gifted to Carpe Diem\n University. Persons wanting to re-use those materials should first acquire permission from\n staff at YNHSC. Copyright for the materials created by correspondents in the colleciton\n belong to those correspondent or their beneficiaries. Persons wanting to re-use those\n materials are advised to obtain permissson from the copyright holders. ","Lyrasis Special Collections","Figgie Dog ","Congreave, Wilberforce","Foucault, Michel, 1926-1984","Child, Julia","Skinner, B. F. 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Congreave was educated at Williams College\n (B.A., 1936) and Harvard University (Ph.D., Biology, 1948). He taught at Northfield-Mt.\n Hermon in Northfield, MA for the bulk of his career, serving in many administrative\n positions as well during his tenure there. Throughout his life, Congreave was an avid fly\n fisherman, and in 1998 he donated his collection of letters and photographs relating to his\n recreational activity to Carpe Diem University, where several of his close friends taught\n and which, in YNHSC, has an extensive collection documenting outdoor recreation and\n conservation atctivities in New England. Congreave never married and hand no children. \u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography Jedediah Horcrux Congreave was born in Little Compton, Rhode Island on December 25, 1915.\n He died in Portland, Maine on April 18, 1999. Congreave was educated at Williams College\n (B.A., 1936) and Harvard University (Ph.D., Biology, 1948). He taught at Northfield-Mt.\n Hermon in Northfield, MA for the bulk of his career, serving in many administrative\n positions as well during his tenure there. Throughout his life, Congreave was an avid fly\n fisherman, and in 1998 he donated his collection of letters and photographs relating to his\n recreational activity to Carpe Diem University, where several of his close friends taught\n and which, in YNHSC, has an extensive collection documenting outdoor recreation and\n conservation atctivities in New England. Congreave never married and hand no children. "],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003eCitation\u003c/head\u003e\n \u003cp\u003e[Title / description, Box / Folder]. Jedediah Horcrux Congreave Fly Fishing Correspondence\n and Photographs, 1925-1992. MS 292. 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More detailed descriptions of the materials are provided\n below. \u003c/p\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Content Description Correspondence and photographs spanning 1925-1992 and documenting Jedediah Horcrux\n Congreave's interest in fly fishing. Included in the collection are letters to Congreave's\n father between 1925-1935; correspondence from and to diverse friends, colleagues, and\n associates sharing Congreave's interest in fly fishing; and photographs of many of\n Congreave's fishing expeditiions. More detailed descriptions of the materials are provided\n below. "],"separatedmaterial_html_tesm":["\u003cp\u003e\u003chead\u003eSeparated Materials\u003c/head\u003e\n \u003cp\u003eThe collection came to Carpe Diem University with 2 additional cartons of fishing and\n camping supply catalogs from the 1940s through the 1990s. These were separated from the\n collection because YNHSC does not collect mass-produced product catalogs. They were sent to\n the Smithsonian Museum of American History, which has an extensive collection of product\n catalogs, but there is no information on their ultimate disposition. \u003c/p\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated Materials The collection came to Carpe Diem University with 2 additional cartons of fishing and\n camping supply catalogs from the 1940s through the 1990s. These were separated from the\n collection because YNHSC does not collect mass-produced product catalogs. They were sent to\n the Smithsonian Museum of American History, which has an extensive collection of product\n catalogs, but there is no information on their ultimate disposition. 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Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media. The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career. In addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg. There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch. The accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965). Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight.lyrasistechnology.org/catalog/af02cfc7b437f7c9018c42d9#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"af02cfc7b437f7c9018c42d9","title_filing_ssi":"Brainard (Joe) Archive","title_ssm":["Joe Brainard Archive,"],"title_tesim":["Joe Brainard Archive,"],"ead_ssi":"af02cfc7b437f7c9018c42d9","unitdate_ssm":["1960-1992"],"unitdate_inclusive_ssm":["1960-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0005","/repositories/2/resources/3"],"text":["MSS 0005","/repositories/2/resources/3","Joe Brainard Archive, 1960-1992","American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre","Access Collection is open for research.\n","Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961. There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School. The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others, reflect the sense of community shared by these artists. \n \nBrainard's achievement, however, is remarkable quite aside from his many associations. Brainard harmonized linguistic and visual materials in extraordinary ways. His graphic work is notably literary, often incorporating words and sentences into non-literary designs. Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\" Both the art work and writing is full of information and frequently takes erotic and semiotic risks. In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation. \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s. His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970. In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan. The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980. In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist. He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country. Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura. The result, as one critic has noted, is an image of a reality that is of no consequence. \n","Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979. Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979. The collection also includes several art works and many books by other notable artists and writers. These materials have been arranged in five series: 1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES. \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz. Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers. \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically, includes the notebooks and original manuscripts for nine books of writing by Brainard. Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included. \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts. In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series. Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings. To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects. The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard. The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie. Also included are original art by Brainard for miscellaneous poetry readings and flyers. The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series. Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings. Also included is a print by Andy Warhol.","Publication Rights Publication rights are held by the creator of the collection.\n ","Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994). Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media. The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg. There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965). Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.","Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,","Collection materials in English"],"unitid_tesim":["MSS 0005","/repositories/2/resources/3"],"normalized_date_ssm":["1960-1992"],"normalized_title_ssm":["Joe Brainard Archive, 1960-1992"],"collection_title_tesim":["Joe Brainard Archive, 1960-1992"],"collection_ssim":["Joe Brainard Archive, 1960-1992"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Brainard, Joe, 1942-","Miller, Robert"],"creator_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creator_persname_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creators_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"access_terms_ssm":["Publication Rights Publication rights are held by the creator of the collection.\n "],"acqinfo_ssim":["Acquisition Information Not Available"],"access_subjects_ssim":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"access_subjects_ssm":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"has_online_content_ssim":["true"],"extent_ssm":["32.20 Electronic file (8 archives boxes, 59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes, 59 art bin items and 88 oversize folders)"],"extent_tesim":["32.20 Electronic file (8 archives boxes, 59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes, 59 art bin items and 88 oversize folders)"],"genreform_ssim":["Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n \u003cp\u003eCollection is open for research.\n\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access Collection is open for research.\n"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBiography\u003c/head\u003e\n \u003cp\u003e\nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961. There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School. The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others, reflect the sense of community shared by these artists. \n\u003c/p\u003e\n \u003cp\u003e\nBrainard's achievement, however, is remarkable quite aside from his many associations. Brainard harmonized linguistic and visual materials in extraordinary ways. His graphic work is notably literary, often incorporating words and sentences into non-literary designs. Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\" Both the art work and writing is full of information and frequently takes erotic and semiotic risks. In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation. \n\u003c/p\u003e\n \u003cp\u003e\nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s. His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970. In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan. The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980. In 1986 they were again exhibited at UCSD.\n\u003c/p\u003e\n \u003cp\u003e\nLike Joe Brainard, Alex Katz is a New York City artist. He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country. Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura. The result, as one critic has noted, is an image of a reality that is of no consequence. \n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961. There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School. The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others, reflect the sense of community shared by these artists. \n \nBrainard's achievement, however, is remarkable quite aside from his many associations. Brainard harmonized linguistic and visual materials in extraordinary ways. His graphic work is notably literary, often incorporating words and sentences into non-literary designs. Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\" Both the art work and writing is full of information and frequently takes erotic and semiotic risks. In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation. \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s. His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970. In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan. The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980. In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist. He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country. Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura. The result, as one critic has noted, is an image of a reality that is of no consequence. \n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n \u003cp\u003eJoe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Joe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n "],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979. Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979. The collection also includes several art works and many books by other notable artists and writers. These materials have been arranged in five series: 1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES. \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz. Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers. \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically, includes the notebooks and original manuscripts for nine books of writing by Brainard. Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included. \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts. In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series. Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings. To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects. The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard. The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie. Also included are original art by Brainard for miscellaneous poetry readings and flyers. The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series. Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings. Also included is a print by Andy Warhol."],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n \u003cp\u003e\u003c/p\u003e\u003cp\u003e Publication rights are held by the creator of the collection.\n \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights Publication rights are held by the creator of the collection.\n "],"abstract_html_tesm":["\u003cabstract id=\"aspace_d0a02735e8e1b0bb0c234d65909c5da5\"\u003eMaterials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994). Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media. The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg. There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965). Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.\u003c/abstract\u003e"],"abstract_tesim":["Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994). Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media. The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg. There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965). Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol."],"names_ssim":["Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"corpname_ssim":["Lyrasis Special Collections"],"names_coll_ssim":["Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942-","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-"],"persname_ssim":["Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"language_ssim":["Collection materials in English"],"total_component_count_is":316,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"_root_":"af02cfc7b437f7c9018c42d9","timestamp":"2026-04-04T01:12:21.985Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n \u003cp\u003e\nAccession Processed in 1987\u003c/p\u003e\n \u003cp\u003e\nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979. Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979. The collection also includes several art works and many books by other notable artists and writers. These materials have been arranged in five series: 1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES. \n\u003c/p\u003e\n \u003cp\u003e\nSERIES 1: ARTWORK\n\u003c/p\u003e\n \u003cp\u003e\nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz. Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers. \n\u003c/p\u003e\n \u003cp\u003e\nSERIES 2: MANUSCRIPTS\n\u003c/p\u003e\n \u003cp\u003e\nThe MANUSCRIPTS series, arranged chronologically, includes the notebooks and original manuscripts for nine books of writing by Brainard. Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included. \n\u003c/p\u003e\n \u003cp\u003e\nSERIES 3: CORRESPONDENCE\n\u003c/p\u003e\n \u003cp\u003e\nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts. In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n\u003c/p\u003e\n \u003cp\u003e\nSERIES 4: CATALOGS \n\u003c/p\u003e\n \u003cp\u003e\nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series. Also included are numerous reviews of Katz's work.\n\u003c/p\u003e\n \u003cp\u003e\nSERIES 5: BIBLIOGRAPHIES\n\u003c/p\u003e\n \u003cp\u003e\nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n\u003c/p\u003e\n \u003cp\u003e\nSEPARATION NOTE\n\u003c/p\u003e\n \u003cp\u003e\nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings. To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n\u003c/p\u003e\n \u003cp\u003e\nAccessions Processed in 1991\u003c/p\u003e\n \u003cp\u003e\nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects. The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n\u003c/p\u003e\n \u003cp\u003e\nSERIES 1: CORRESPONDENCE\n\u003c/p\u003e\n \u003cp\u003e\nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard. The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n\u003c/p\u003e\n \u003cp\u003e\nSERIES 2: ARTWORK\n\u003c/p\u003e\n \u003cp\u003e\nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie. Also included are original art by Brainard for miscellaneous poetry readings and flyers. The materials are arranged alphabetically by title.\n\u003c/p\u003e\n \u003cp\u003e\nSERIES 3: MANUSCRIPTS\n\u003c/p\u003e\n \u003cp\u003e\nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n\u003c/p\u003e\n \u003cp\u003e\nSERIES 4: PHOTOGRAPHS\n\u003c/p\u003e\n \u003cp\u003e\nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series. Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n\u003c/p\u003e\n \u003cp\u003e\nAccession Processed in 1993\u003c/p\u003e\n \u003cp\u003e\nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings. Also included is a print by Andy Warhol.\u003c/p\u003e\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"af02cfc7b437f7c9018c42d9","title_filing_ssi":"Brainard (Joe) Archive","title_ssm":["Joe Brainard Archive,"],"title_tesim":["Joe Brainard Archive,"],"ead_ssi":"af02cfc7b437f7c9018c42d9","unitdate_ssm":["1960-1992"],"unitdate_inclusive_ssm":["1960-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0005","/repositories/2/resources/3"],"text":["MSS 0005","/repositories/2/resources/3","Joe Brainard Archive, 1960-1992","American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre","Access Collection is open for research.\n","Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961. There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School. The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others, reflect the sense of community shared by these artists. \n \nBrainard's achievement, however, is remarkable quite aside from his many associations. Brainard harmonized linguistic and visual materials in extraordinary ways. His graphic work is notably literary, often incorporating words and sentences into non-literary designs. Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\" Both the art work and writing is full of information and frequently takes erotic and semiotic risks. In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation. \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s. His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970. In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan. The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980. In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist. He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country. Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura. The result, as one critic has noted, is an image of a reality that is of no consequence. \n","Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979. Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979. The collection also includes several art works and many books by other notable artists and writers. These materials have been arranged in five series: 1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES. \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz. Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers. \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically, includes the notebooks and original manuscripts for nine books of writing by Brainard. Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included. \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts. In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series. Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings. To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects. The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard. The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie. Also included are original art by Brainard for miscellaneous poetry readings and flyers. The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series. Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings. Also included is a print by Andy Warhol.","Publication Rights Publication rights are held by the creator of the collection.\n ","Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994). Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media. The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg. There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965). Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.","Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,","Collection materials in English"],"unitid_tesim":["MSS 0005","/repositories/2/resources/3"],"normalized_date_ssm":["1960-1992"],"normalized_title_ssm":["Joe Brainard Archive, 1960-1992"],"collection_title_tesim":["Joe Brainard Archive, 1960-1992"],"collection_ssim":["Joe Brainard Archive, 1960-1992"],"repository_ssm":["Lyrasis Special Collections"],"repository_ssim":["Lyrasis Special Collections"],"creator_ssm":["Brainard, Joe, 1942-","Miller, Robert"],"creator_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creator_persname_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"creators_ssim":["Brainard, Joe, 1942-","Miller, Robert"],"access_terms_ssm":["Publication Rights Publication rights are held by the creator of the collection.\n "],"acqinfo_ssim":["Acquisition Information Not Available"],"access_subjects_ssim":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"access_subjects_ssm":["American poetry -- 20th Century","Gay men -- United States -- Biography","Gay men in art","Gay men -- United States -- Poetry","Gay's writings","Prose poems, American","Fiction","Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"has_online_content_ssim":["true"],"extent_ssm":["32.20 Electronic file (8 archives boxes, 59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes, 59 art bin items and 88 oversize folders)"],"extent_tesim":["32.20 Electronic file (8 archives boxes, 59 art bin items and 88 oversize folders)","32.20 linear feet (8 archives boxes, 59 art bin items and 88 oversize folders)"],"genreform_ssim":["Photographs -- 1964-1990.","Cartoons -- United States -- 20th Century","Lithographs -- 1960-1969.","Lithographs -- 1970-1979.","Collages -- 1960-1969.","Collages -- 1970-1979.","Oil paintings -- 1960-1969.","Oil paintings -- 1979-1979.","Watercolor drawings -- 1960-1969.","Watercolor drawings -- 1970-1979.","Lithographs -- 1960-1969 -- Color.","Made up genre"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003e\u003chead\u003eAccess\u003c/head\u003e\n \u003cp\u003eCollection is open for research.\n\u003c/p\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Access Collection is open for research.\n"],"bioghist_html_tesm":["\u003cp\u003e\u003chead\u003eBiography\u003c/head\u003e\n \u003cp\u003e\nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961. There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School. The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others, reflect the sense of community shared by these artists. \n\u003c/p\u003e\n \u003cp\u003e\nBrainard's achievement, however, is remarkable quite aside from his many associations. Brainard harmonized linguistic and visual materials in extraordinary ways. His graphic work is notably literary, often incorporating words and sentences into non-literary designs. Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\" Both the art work and writing is full of information and frequently takes erotic and semiotic risks. In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation. \n\u003c/p\u003e\n \u003cp\u003e\nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s. His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970. In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan. The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980. In 1986 they were again exhibited at UCSD.\n\u003c/p\u003e\n \u003cp\u003e\nLike Joe Brainard, Alex Katz is a New York City artist. He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country. Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura. The result, as one critic has noted, is an image of a reality that is of no consequence. \n\u003c/p\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Biography \nBorn in Arkansas in 1942 and raised in Tulsa, Oklahoma, Brainard moved to New York City in 1961. There, he quickly developed friendships with Frank O'Hara, James Schuyler, Bill Berkson, Barbara Guest, and other participants in the New York School. The large number of collaborative works in the collection, as well as the many illustrations Brainard did for books by others, reflect the sense of community shared by these artists. \n \nBrainard's achievement, however, is remarkable quite aside from his many associations. Brainard harmonized linguistic and visual materials in extraordinary ways. His graphic work is notably literary, often incorporating words and sentences into non-literary designs. Such qualities prompted Frank O'Hara to say that Brainard's work had \"nothing to do with philosophy, it's all art.\" Both the art work and writing is full of information and frequently takes erotic and semiotic risks. In one of his more scandalous serial works, Brainard subjected Ernie Bushmiller's Nancy to every imaginable erotic and high art situation. \n \nA prolific artist, Brainard's work has been exhibited extensively in the New York City area since the early 1960s. His first retrospective show, consisting of work from 1960-1970, took place at the Phyllis Kind Gallery in Chicago in 1970. In the mid-1970s he created over 3,000 miniature collages, paintings, and drawings for a major show at the Fischbach Gallery in Manhattan. The materials gathered in the Joe Brainard Archive were first exhibited at the Long Beach Museum of Art in 1980. In 1986 they were again exhibited at UCSD.\n \nLike Joe Brainard, Alex Katz is a New York City artist. He has given numerous solo shows since the early 1960s, and many of his works have been added to numerous public art collections throughout the country. Unlike Brainard, Katz has created a depthless, planar art which strips the visual image of its narrative, literary aura. The result, as one critic has noted, is an image of a reality that is of no consequence. \n"],"prefercite_html_tesm":["\u003cp\u003e\u003chead\u003ePreferred Citation\u003c/head\u003e\n \u003cp\u003eJoe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n \u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred Citation Joe Brainard Archive, MSS 0005. Mandeville Special Collections Library, UCSD.\n "],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["Scope and Content of Collection \nAccession Processed in 1987 \nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979. Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979. The collection also includes several art works and many books by other notable artists and writers. These materials have been arranged in five series: 1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES. \n \nSERIES 1: ARTWORK\n \nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz. Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers. \n \nSERIES 2: MANUSCRIPTS\n \nThe MANUSCRIPTS series, arranged chronologically, includes the notebooks and original manuscripts for nine books of writing by Brainard. Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included. \n \nSERIES 3: CORRESPONDENCE\n \nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts. In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n \nSERIES 4: CATALOGS \n \nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series. Also included are numerous reviews of Katz's work.\n \nSERIES 5: BIBLIOGRAPHIES\n \nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n \nSEPARATION NOTE\n \nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings. To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n \nAccessions Processed in 1991 \nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects. The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n \nSERIES 1: CORRESPONDENCE\n \nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard. The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n \nSERIES 2: ARTWORK\n \nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie. Also included are original art by Brainard for miscellaneous poetry readings and flyers. The materials are arranged alphabetically by title.\n \nSERIES 3: MANUSCRIPTS\n \nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n \nSERIES 4: PHOTOGRAPHS\n \nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series. Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n \nAccession Processed in 1993 \nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings. Also included is a print by Andy Warhol."],"userestrict_html_tesm":["\u003cp\u003e\u003chead\u003ePublication Rights\u003c/head\u003e\n \u003cp\u003e\u003c/p\u003e\u003cp\u003e Publication rights are held by the creator of the collection.\n \u003c/p\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Publication Rights Publication rights are held by the creator of the collection.\n "],"abstract_html_tesm":["\u003cabstract id=\"aspace_d0a02735e8e1b0bb0c234d65909c5da5\"\u003eMaterials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994). Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media. The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg. There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965). Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol.\u003c/abstract\u003e"],"abstract_tesim":["Materials collected by Robert Butts consisting primarily of diverse works by and regarding the popular New York artist and writer Joe Brainard (1942-1994). Brainard was the author of fifteen books of writing, the illustrator of numerous other books produced by members of the New York School, and a celebrated graphic artist whose work covered a broad range of sizes, styles and media. The Joe Brainard Archive consists of numerous examples of Brainard's graphic work dating from 1962 to 1979, most of the books illustrated by Brainard, all of Brainard's manuscripts and published writings, notebooks for Brainard's I REMEMBER series and several other books, Brainard's correspondence with members of the Butts family and correspondence to Brainard from Ned Rorem and Virgil Thompson, checklists of Brainard's artistic production constructed by Robert Butts, and a selection of articles devoted to Brainard's career.\nIn addition to the Brainard materials, the Joe Brainard Archive also includes several lithographs by Alex Katz (b. 1927), an oil painting by Tom Clark, and a few ink sketches by poets Ron Padgett and Allen Ginsberg. There are also manuscripts of Ted Berrigan, Tom Clark and Rudy Kikel, in addition to broadsides and books written by New York School writers such as John Ashbery, Edwin Denby, and Kenneth Koch.\nThe accessions processed in 1991 contain primarily original artworks by Joe Brainard in collaborations with Bill Berkson and Kenward Elmslie, including THE BABY BOOK (1965). Also included are correspondence, manuscript materials and photographs. The accession processed in 1993 comprises 16 letters and postcards from Joe Brainard to Robert Butts and one print by Andy Warhol."],"names_ssim":["Lyrasis Special Collections","Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"corpname_ssim":["Lyrasis Special Collections"],"names_coll_ssim":["Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942-","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-"],"persname_ssim":["Brainard, Joe, 1942-","Miller, Robert","Brainard, Joe, 1942- -- Archives","Brainard, Joe, 1942- , -- correspondent","Berkson, Bill, -- correspondent","Thomson, Virgil, 1896- -- correspondent","Greenwald, Ted, -- correspondent","Fagin, Larry, -- correspondent","Padgett, Ron, -- correspondent","Brainard, Joe, 1942- -- artist","Clark, Tom, 1941- -- artist","Katz, Alex, 1927- -- artist","Padgett, Ron, -- artist","Berrigan, Ted","Kikel, Rudy, 1943-","Warhol, Andy,"],"language_ssim":["Collection materials in English"],"total_component_count_is":316,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"_root_":"af02cfc7b437f7c9018c42d9","timestamp":"2026-04-04T01:12:21.985Z","scopecontent_html_tesm":["\u003cp\u003e\u003chead\u003eScope and Content of Collection\u003c/head\u003e\n \u003cp\u003e\nAccession Processed in 1987\u003c/p\u003e\n \u003cp\u003e\nThe Joe Brainard Archive contains approximately 300 examples of Brainard's art work as well as book and cover illustrations, manuscripts, and published writings, all dating from ca. 1960 to 1979. Primarily a study collection, the importance of the Joe Brainard Archive is in documenting the wide range, topical as well as technical, of Joe Brainard's artistic production over a twenty year period, ca. 1960-1979. The collection also includes several art works and many books by other notable artists and writers. These materials have been arranged in five series: 1) ARTWORK, 2) MANUSCRIPTS, 3) CORRESPONDENCE, 4) CATALOGS, and 5) BIBLIOGRAPHIES. \n\u003c/p\u003e\n \u003cp\u003e\nSERIES 1: ARTWORK\n\u003c/p\u003e\n \u003cp\u003e\nThis series comprises 161 pieces of Brainard's graphic art and another 20 pieces, most by Alex Katz. Reflecting the many styles, dimensions, and media with which Brainard experimented during his career, these works include collages (including many of the miniatures Brainard constructed for a show of his in work in 1975), oil and watercolor abstractions, graphite portraits of several well known writers, original cover art for books by Ted Berrigan and John Ashbery, and the original art work for numerous \"comic strips\" done in collaboration with various writers. \n\u003c/p\u003e\n \u003cp\u003e\nSERIES 2: MANUSCRIPTS\n\u003c/p\u003e\n \u003cp\u003e\nThe MANUSCRIPTS series, arranged chronologically, includes the notebooks and original manuscripts for nine books of writing by Brainard. Several manuscripts by Ted Berrigan, Tom Clark, Philip Gambone, and Rudy Kikel are also included. \n\u003c/p\u003e\n \u003cp\u003e\nSERIES 3: CORRESPONDENCE\n\u003c/p\u003e\n \u003cp\u003e\nThe CORRESPONDENCE series consists primarily of letters from Joe Brainard to Robert Butts. In addition, there are letters from Ned Rorem and Virgil Thompson to Brainard, and letters from Ron Padgett, John Giorno, Larry Fagin, and others to Robert Butts.\n\u003c/p\u003e\n \u003cp\u003e\nSERIES 4: CATALOGS \n\u003c/p\u003e\n \u003cp\u003e\nCatalogs for Brainard and Alex Katz exhibitions comprise the CATALOGS series. Also included are numerous reviews of Katz's work.\n\u003c/p\u003e\n \u003cp\u003e\nSERIES 5: BIBLIOGRAPHIES\n\u003c/p\u003e\n \u003cp\u003e\nVarious checklists constructed by Robert Butts and documenting Brainard's production since 1961 are contained in series five, BIBLIOGRAPHIES.\n\u003c/p\u003e\n \u003cp\u003e\nSEPARATION NOTE\n\u003c/p\u003e\n \u003cp\u003e\nBooks and journals received in the 1984 accession of the Joe Brainard Archive have been separated from the collection and added elsewhere to the library's holdings. To identify and list these items, conduct an author search in ROGER on the term \"Butts, Robert, former owner.\" \n\u003c/p\u003e\n \u003cp\u003e\nAccessions Processed in 1991\u003c/p\u003e\n \u003cp\u003e\nThe accessions to the Joe Brainard Archive processed in 1991 contain originals of artwork by Joe Brainard for collaborations with Bill Berkson and Kenward Elmslie, and correspondence related to Robert Butts' projects. The materials are arranged in four series: 1) CORRESPONDENCE, 2) ARTWORK, 3) MANUSCRIPTS, and 4) PHOTOGRAPHS.\n\u003c/p\u003e\n \u003cp\u003e\nSERIES 1: CORRESPONDENCE\n\u003c/p\u003e\n \u003cp\u003e\nThe CORRESPONDENCE series includes letters from Bill Berkson to Robert Butts concerning publication of his book \"Serenade\" and correspondence from Joe Brainard. The materials date between 1986 and 1987 and are organized alphabetically by correspondent.\n\u003c/p\u003e\n \u003cp\u003e\nSERIES 2: ARTWORK\n\u003c/p\u003e\n \u003cp\u003e\nThe ARTWORK series contains original drawings by Joe Brainard for three collaborative works with Bill Berkson and THE BABY BOOK with Kenward Elmslie. Also included are original art by Brainard for miscellaneous poetry readings and flyers. The materials are arranged alphabetically by title.\n\u003c/p\u003e\n \u003cp\u003e\nSERIES 3: MANUSCRIPTS\n\u003c/p\u003e\n \u003cp\u003e\nThe MANUSCRIPTS series contains photocopies of proofs for Bill Berkson's \"Cnidus, August 4th.\"\n\u003c/p\u003e\n \u003cp\u003e\nSERIES 4: PHOTOGRAPHS\n\u003c/p\u003e\n \u003cp\u003e\nAn excellent portrait of Joe Brainard by photographer Elizabeth Hathon is located in the PHOTOGRAPHS series. Also included are color transparencies of an eight-piece exhibit entitled \"The Gang of Eight.\"\n\u003c/p\u003e\n \u003cp\u003e\nAccession Processed in 1993\u003c/p\u003e\n \u003cp\u003e\nThe 1993 accession of the Joe Brainard Archive comprises 16 letters and postcards from Joe Brainard to Robert Butts, most of which are birthday or holiday greetings. 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